Of Remakes and Smart People Making Stupid Arguments

In my position as a social sciences major, I have had many opportunities to witness dumb ideas argued intelligently; cases where the stupidest premises imaginable were made to sound respectable and even plausible by academics who were in the habit of injecting cool rhetoric or intellectual claptrap into weak ideas. If nothing else, it demonstrated to me that there are apologists and defenders who invest way more thought into their arguments than other people do into their work.

One case involved a Humanities Major (I assume) arguing that Brittany Spears song “I’m Not A Girl (Not Yet A Woman)” was a possible indication that the then starlet was a closet post-modernist Hegelian philosopher. Another had to do with the hidden genius behind George W. Bush’s many uses of inventive wordplay. And both were patently brilliant in the way they tried to make the completely mundane and painfully stupid sound smart. I tell ya, you have never heard so many smart argument employed in the defence of such stupid subject matter!

But this article really took the cake for me. Entitled “Why Remakes Are One of Our Greatest Achievements as a Civilization”, this article asserts that there is a connection between the many, many Hollywood relaunches of late and some of our most venerated cultural traditions as a species. And here too, I had to doff my cap the writer. Never have I heard so much thought dedicated to pure thoughtlessness, so much intellectual rhetoric employed in the defence of something so undeserving.

First, the author asserts that remakes are really a sublimated form of folk tales, resembling how cultures in ancient times would tell the same basic stories across vast stretches of space and time. Second, they deconstruct originality by claiming it is a largely 20th century construct that was invented by Modernists hoping to make a break with the past. The conclusion? That originality is a myth and that retelling the same story is a sign of organic creativity… I guess.

Ignoring the fact that we are talking about Hollywood remakes for just a second, I noticed two fatal flaws in this argument. One, Hollywood remakes are deliberate attempts to capitalize on old ideas by simply updating them with the latest in special effects, or by simply redoing an old idea which was shown to have worked in the hopes that it will again. Only in the most farfetched ways does that resemble the organic process of how stories spread across time and space, evolving in terms of detail but remaining similar in theme.

Second, originality may have been a Modernists obsession, but it’s hardly a recent invention. In fact, writers of all ages have lamented the lack of originality in their own  generation and wishing they had lived in earlier times, when writers of great renown established reputations by being the ones who left an indelible mark on their cultures literary traditions. Ancient Greece’s own Aeschylus said his tragedies were “composed of the crumbs from Homer’s table”. Shakespeare’s own works acknowledge a huge debt to Christopher Marlowe, the man who invented blank verse Iambic Pentameter and inspired many of The Bard’s own stories.

Granted, nobody is 100 % original in any time, but to say it’s a myth is both cynical and a rhetorical dead end. And that fact that I’ve even invested this amount of thought into this argument makes me think that the authors of this and other such articles have pulled one over on me. But really, I just have to wonder… are there really people out there, so educated yet so bored, that they have to employ their argumentative and rhetorical skills to subject matter such as this. Have they nothing better to do?

In any case, here is the article. Note the comment, by me (houseofwilliams) in the comment section. I did my best to argue my previous thoughts in as succinct a form as possible. Feel free to leave your own thoughts, or do the mature thing (which I could not), and not not dignify such arguments with a response. And believe me when I say that I will be commenting on the summer or reboots and remakes shortly, and not in a particularly kind way 😉

Why Remakes Are One of Our Greatest Achievements

The Blue Martian Sunset

Ever since the Curiosity rover landed, NASA had been awash with new photos of the Martian landscape. Naturally, most have been black and white picks of the oxidized soil immediately around the rover’s landing area. But more have been arriving lately that show a feature unique to Mars. That feature is the Blue Sunset.

Scientists working for NASA claim that this phenomena is due to the particulate matter that is present in the Martian atmosphere. This red dust – which is composed of oxidized minerals, mainly iron – is what gives Mars its distinct color, but also provides for a fractal effect which shifts light towards the blue end of the spectrum. The same basic principle is true for sunsets seen from Earth, where our oxygen and nitrogen and ozone atmosphere causes the light to shift to the red end of the spectrum.

These patterns of Red Shift and Blue Shift are actually a very common element when it comes to astronomy. When observing galaxies in the night sky, scientists are able to tell that they are moving away because the light that they emit, and which is intercepted by our telescopes is shifted to the red end of the spectrum. Based on how much shift is occurring, scientists are bale to measure just how fast they are moving, relative to us.

When it comes time to hurl some objects into space ourselves, such as interstellar space craft, we can expect to see some of this close up. Out there, relativistic effects caused by high speeds will make the stars ahead of the ship look reddish, while stars seen to the rear will appear blue. Cool how that works huh?

To illustrate this Blue Sunset, NASA has released a compilation, time-elapse video which was taken two years ago by the Exploration Rover. It shows the sun setting in full, all the while emitting that cool, blue glow. Enjoy and stay tuned for more news on the Martian front!

A funny lyrical poem about Curiosity and its mission to Mars.

vb guenther's avatarvb's reverbs

Lo, I have traveled far into space
Three hundred, fifty-two million miles.
Endured eight and one-half months of trials
To perpetuate the human race.

The rover named Curiosity
Has been a useful incubator.
Its wheel has kept me safe and sound for
Preservation of humanity.

I’m a hitchhiker, the DNA
Of a very careless mechanic
Who coughed on the rover’s wheel when sick
And contaminated it that day.

Now, Curiosity’s wheels are down
The tread is buried in the hot sand.
I know extinction is not at hand.
I puff and gloat, “The new guy’s in town.”

Bring on radiation, cosmic rays.
Like the roach, I know I will survive.
And come out of all of this alive
To welcome Earth’s men one of these days.

I’m the genetic conduit for man
To merge the past into the future.
My presence here was by chance, for sure
But I’m programmed…

View original post 81 more words

Scientifically Inaccurate Mars Movies

In honor of the Mars Curiosity Rover’s recent landing, the good folks over at IO9 ask the question: “Why is it we can land a rover on Mars, but Hollywood still can’t make a scientifically accurate movie about Mars?” Yeah, I’d say that ranks right up there with Homer Simpson’s age old question: “How come you guys can put a man on the Moon but you still can’t make my shoes not stink?”

While the hosts go through a list of famous Hollywood movies that feature Mars, they ask guest host Phil Plait, the blogger behind the site Bad Astronomy (a segment at Discovery Magazine online), to debunk the junk science upon which so many of them are based. The list is long, but I’m thinking Mission to Mars for the win! Boy that movie sucked!

In between all that, there’s even some helpful tips for how to go about terraforming a planet like Mars for real. I’m thinking my group and I would do well to listen since our project concerns just that. Also, the image they put up when discussing the lengthy process terraforming would actually involve was taken from the Mars Trilogy by Kim Stanley Robinson! A psychic moment happened for me there because I swear that it was as they were saying “We need a miniseries where that’s done” (i.e. gradual terraforming), I was thinking of that exact series!

So yeah… HBO, Netflix, one you other cable providers, get on that!

LOTR: The Return of The King

At long last, the third and final installment in the Lord Of The Rings series! It feels like such a long time ago that I read this book, and going over the salient points makes me want to re-read the entire series. By this point in things, I felt myself becoming so immersed in Tolkien’s mythical universe that I felt both saturated yet wanting. There was so much there to absorb, and yet the greater mysteries of his world still seemed unknown. No wonder I picked up the Silmarillion and devoured it shortly thereafter. Man that book was dense!

But of course, that was after the third and final installment. As I said last time, the second book really impressed the hell out of me. But it was tempered by the fact that the greatest battles and climaxes were yet to come. Frodo and Sam had yet to reach Mordor and Mount Doom, Gollum’s true role in the Quest was yet to be revealed, and the battle for Gondor and Middle Earth was yet to truly begin. I awaited on these with eager anticipation…

And then it came! The Battle for Middle Earth was joined! The War of the Ring came to its grand climax and was resolved for all time. And here’s the pertinent stuff and what I thought about it…

Plot Summary:
The book opens where the last left off, with Gandalf, Aragorn, Gimli and Legolas returning with Theoden to Edoras to rally their forces and plan for the enxt phase of battle. Though Saruman has been thoroughly defeated, there remains the danger from Mordor, where Sauron is still amassing his armies of Orcs, Southrons and Easterlings and preparing for his assault on Gondor.

At the same time, Sam must find Frodo and rescue him from the grasp of the Orcs. In the wake of Gollum’s betrayal, their Quest has hit a sort of intermission. Until he finds Frodo and returns the Ring to him, it cannot resume, for only Frodo is the true Ringbearer.

Book V: The War of the Ring
Gandalf and Pippin arrive at Minis Tirith to speak with Denethor, the Steward of Gondor, and warn him that an attack on the city is imminent. Denethor announces that he knows of Boromir’s death, and Pippin enters Denethor’s service as a repayment for the debt he owes to his son for saving his life. Now in the service of the tower guard, he is given a view of the fields of Pelenner and is able to bear witness to the approaching war.

Meanwhile, Osgiliath falls to the advancing Orcs and Denethor begins to fall into a dark mood. He orders Faramir, the lesser of his two heirs in his mind, the task of retaking it with his forces. Unfortunately, he is mortally wounded and his riders return broken. Denethor falls into a deep, dark state and believes his son is dead. He orders a funeral pyre built for the two of them and asks that they be burnt like the Kings of old as the city becomes encircled by a host of 200,000 Orcs.

To the north, Aragorn and his companions have traveled to the White Mountains to find the Paths of the Dead, a mountain hall where the oathbreakers from the War of the Last Alliance still dwell. Helped by his companions, Legolas and Gimli as well as the “Grey Company” – a group of Rangers from Arnor in the north – he sets out to recruit them.

As Aragorn departs on his seemingly impossible task, King Théoden musters the Rohirrim to come to the aid of Gondor. Merry, eager to go to war with his allies, is refused by Théoden several times. Finally Dernhelm, one of the Rohirrim, takes Merry up on his horse, and secretly rides with the rest of the Rohirrim.

At Minas Tirith, under the leadership of the Witch King of Angmar, the forces of Mordor break through the city’s gates. However, the Rohirrim show up and begin to ride them down. Gandalf arrives in the King’s Hall to confront Denethor and stop him from burning himself and his son.

Denethor cuts the cushion from his thrown and reveals the Palantir inside, and says he has seen visions of the battle which show their ultimate defeat with the arrival of a Corsair fleet from Umbar. Gandalf and Pippin manage to save Faramir from the fires but Denethor is consumed.

The battle appears is poised as the Riders of Rohan are engaged with Orcs and the Southron war Oliphants when the Corsairs arrive. Sauron’s forces initially rejoice at their appearance, but then realize the ships have been commandeered by Aragorn and the host of the Oathbreakers. With these ships and additional troops added to the fight, the host of Sauron is outflanked and near defeat.

However, the Witch King still manages to wound Theoden mortally before Dernhelm intervenes. Dernhelm is also wounded, and then saved when Pippin sticks his sword in the Ring wraith’s leg. Dernhelm removes her helmet and reveals that she is Eowyn, who then strikes the Witch King dead.

The siege is broken, but at a heavy cost. In addition to the death of many warriors, Theoden is dead, Eowyn and Pippin are both seriously wounded, and Faramir himself is still facing death. On top of all that, they know that Sauron is not yet defeated and they will not be able to thwart another attack.

Aragorn is called upon to heal them as well as Faramir. They recover, and Faramir and Eowyn become acquainted as they both convalesce. In time, she forgets her infatuation with Aragorn and learns to embrace Faramir’s gentle and wise nature.

Knowing that it is only a matter of time before Sauron attacks again, and that they do not have the strength to thwart him a second time, Aragorn and Gandalf propose a bold plan. They will attack the Black Gates in order to draw out the host of Mordor, thus clearing the way for Frodo and Sam to reach Mt. Doom unnoticed.

Upon their arrival, they are approached by the Mouth of Sauron, chief amongst his dark emissaries. He dictates punitive terms to the army of Men, and backs it up by claiming that Frodo is dead and shows them his effects as proof. They begin to despair, but Gandalf refuses to believe it, claiming that his is just another of Sauron’s deceptions. Were he in possession of the Ring, says Gandalf, he himself would be coming forward to meet them.

Having been refused, the Mouth of Sauron returns to the Gate and the host of Mordor falls upon them. They appear to be getting overrun, and Pippin is pinned under the body of a Troll after it is killed. All seems lost, just as the Great Eagles begin to come in and fight off the Ring Wraiths…

Book VI: The Return of the King
Sam finds Frodo’s body in the tower of Cirith Ungol. After fighting off his captors, Frodo awakens and takes the Ring from Sam. They descend the stairs into the land of Mordor and steal some Orcish armor and vestments so they can blend in with the host. However, they find the land largely empty as the armies are being called away to deal with a threat at the Black Gate.

Sam and Frodo are absorbed by the host temporarily, but manage to break away and make for the Mount Doom. With the land all but emptied and the eye fixed on the Black Gate, they make their final approach on the mountain itself. They pause temporarily to look back on all they’ve accomplished and the vast distance they’ve crossed, and realize that their Quest is almost over.

Once inside the mountain, and ready to cast the Ring into the Cracks of Doom, Frodo finally succumbs to the power of the Ring and declares he’s keeping it for himself. However, Gollum appears suddenly and tries to take it from him. He bites off Frodo’s finger and claims it, but loses his footing and falls into the Cracks, which consume him and the Ring together. Sauron and the Ring are at last destroyed!

At the Gates, Sauron appears as a dark shadow who tries to reach out and attack the Army of Men. However, his shadow is blown away by the wind, and his forces flee when they realize their master has been destroyed. The Southrons and Easterlings surrender and are given mercy, and the Great Eagles are flown in by Gandalf to pluck Frodo and Sam from the side of the mountain.

Back at Minas Tirith, Aragorn is crowned King and takes Arwen as his Queen. Faramir takes Eowyn as his wife and is given the title of Prince of Ithilien. The White Tree, which has been dying for some time, blossoms and begins to show signs of life. All of Gondor begins to sprout with trees after Aragorn plants and ancient seed, and Gandalf indicates that the Northern Kingdom, where Aragorn’s ancestors used to rule, will be reclaimed and rebuilt.

Frodo, Sam,  Merry and Pippin and are honored as heroes during the coronation ceremony. After a series of goodbyes, they return to the Shire, only to find it in ruins. They learn that Lotho Sackville-Baggins, one of Frodo’s relatives and usually referred to as “The Chief” or “The Boss”, has been oppressing the locals, but himself is being controlled by someone named Sharky. This man has imposed a program of deforestation and industrialization which has left the Shire scarred and near ruin.

After rallying the locals, they confront Lotho and Sharky’s men at the Battle of Bywater. Victorious, they march on Sharky’s hideout and confront Sharky himself, who turns out to be Saruman, accompanied by Grima. Apparently, the name Sharky is an Orcish word which means “old man”, which his Uruk-hai used to refer to him. Obstinate in defeat, Saruman abuses Grima and turns to leave. However, Grima stabs Saruman in the back and is himself felled by many arrows.

Time passes and everyone appears to have settled down happily. However, Frodo is unable to overcome the injuries he sustained at the hands of the Witch King. Eventually, he departs for the Havens where he meets with Gandalf, Bilbo Baggins, and many Elves, ending the Third Age. They sail into the West, to the lands of Aman, the “Undying Lands”, while Sam returns to the Shire where he is greeted by his wife and daughter, Rosie Cotton and Elanor, and delivers his final spoken words of the book: “Well, I’m back”.

Summary:
Though not as exciting to me as the second book, I nevertheless loved the third and final installment. Naturally, many critics and readers over the years have cited some weaknesses in the book, such as the extended ending where Frodo and his friends return to the Shire to save it from Saruman. This felt like an added climactic moment which occurred after the big one, which can seem a little out of place for a story, even one as epic as this one.

However, it was intrinsic in demonstrating Tolkien’s views on industrialization and labor relations. In short, he was a man who delighted in the natural world, and saw the intrusion of industry and an industrialized workforce as oppressive. And hell, you couldn’t beat the references: “The Boss”, the corrupt workmen, the smokestacks and the ruined countryside. It was like a worker’s pamphlet and a description of 19th century Manchester all rolled into one.

There were several more asides in this book, something Tolkien was famous for. And although they seemed like third act additions, they all seemed to be of particular importance to the author himself. For example, the scene where Theoden and the Aragorn are having an audience with the leader of the Pukel Men in order to find the path through the mountains, this was important in that it showed Tolkien’s views on native peoples, how they have been historically used and abused and were deserving of more respect.

The fact they are asking the help of people that Rohan usually hunts and goes to war with was also an interesting allegory. Much like how the British, French and American colonists called upon their Native neighbours for help in the French and Indian War, the War of Independence, and the War of 1812, Rohan is calling on people it typically considers to be enemies for help against a greater foe. As such, I found the scene quite interesting; and rather than detract from the overall narrative, I felt it added to the richness of Tolkien’s world. An editor would have surely told him to nix it, but that was something else about Tolkien. He refused to let editors tell him what to do, beyond mere spell checks and grammatical corrections.

In terms of the film adaptation, I once again had some issues with how it was done. But to be fair, I was a full-blown Rings geek at this point and saw the book as something akin to canon, so any changes were likely to be seen as just plain sacrilege. Still, it was awesome to witness the battle of Pelennor Fields on the big screen, not to mention seeing Minas Tirith rendered in visual form. These were the big climactic scenes to the story and I approved quite highly with how Jackson rendered it all.

When it came to the battle itself, there was the same conveyance of hopelessness and the feeling that everything was lost, right up until the reinforcements arrive and the day is saved! And personally, I can’t get enough of the scene where the Riders of Rohan start riding down the Orcs! Seeing those ugly bastards get their ranks clobbered was so pleasing after all the people they killed and evil shit they pulled! But of course, the battle got a little hokey after this, as Legolas begins doing his acrobatics and the ghost men show up to the fight.

This latter part wasn’t in the book; the Oathbreakers having done their part to secure the fleet in the first place. Having them also destroy all the Orcs inside the gates of Minis Tirith also made it look like the forces of Gondor did very poorly in the fight, which was really not the case in the book. Granted, they were losing, but their contribution on the fields helped turn the tide of battle and ensured that they still had plenty of foces to send to the Black Gate at the end.

Oh, and that farewell scene between Theoden and Eowyn. All I can say is “Ick!” “I’ve got to save you,” says she, to which he replies “You already have…” Not only was this ripped straight from Return of the Jedi, but it made no sense. How did she save him? Sure, she killed the Witch King, but he’s dying. She didn;’t redeem him the way Luke did his father. So where did the saving come in? What, did she save him from his sexist views? Great, but… you’re still dead, Theoden! Luckily, the fight with the Witch King overshadowed all of that for me. Sure, he too was a bit of a ripoff of Darth Vader, but who cares? He was badass!

Of course, Sam and Frodo’s part in this book was rather truncated. It is for this very reason that Peter Jackson chose to take material from Book IV and place it here, where it could be used to pad their story. However, this worked quite well in the book in that we were brought to a veritable climax when the Book V ended at the Black Gates. With so much hanging in the balance, Book VI manages to carry things on and not keep the reader waiting too long before showing the resolution and tying things up.

That was one thing I didn’t really approve of in the movie, which was the amount of padding they placed in Sam and Frodo’s part. Those who have read the books will know what I mean. The fact that they kept the scenes from Shelob’s Lair for this movie made perfect sense, but the additional parts which didn’t happen in the book – Gollum turning Frodo against Sam, Gollum attacking them twice after betraying them, Frodo falling and getting a vision of Galadriel to help him up – all seemed like needless filler. Oh, and don’t forget the extra added scenes of Arwen looking on and crying, again!

But other than that, zero complaints! Kudos to Peter Jackson for taking on the task of turning one of the best stories of high fantasy and mythos into a full-length movie series, complete with battle scenes that were awesome in their size and scale! And an even bigger kudos to Tolkien, for giving countless generations something which they have been able to enjoy, draw inspiration from, and feel all the richer for having read. Few people have had the same impact as this venerated author, and very few works have ever come to rival its scope and influence.

If you haven’t read it, do it now! Even if you don’t generally approve of fantasy, you’ll find something to love here. I guarantee it!

Let The Vacay Begin!

Hey all. Just wanted to let people know that I will be AFK (Away From Keyboard) for about a week starting this weekend. The wife and I will be heading off to walk the beautiful Sunshine Coast, roughing it in the wilderness for about five days with nothing but the sun, surf, and trees to keep us company.

Then it’s off to the Comox Valley for a little visitation with the parental units, followed by a week of house/cat sitting and visiting with my grandma. Did I mention my folks have eight cats? Yes, eight! What can I say? They live in a rural area and they’re part of a rescue society so… yeah, lot’s of furry critters around that house! Luckily, my grandma doesn’t seem to mind.

Luckily, by then I will be back in range of a computer with internet access, so I’ll be accessible again for anyone who cares. Grim5Next people, I’m looking in your direction! I know you guys can’t do anything without me, but you’ll just have to make do without me for a few days 😉

I also plan to do some serious work while house-sitting for the family. Tasks that I hope to get completed in that time are as follows:

  • Finish editing Data Miners already!
  • Finish my contribution to the Yuva Anthology (Winston Agonistes)
  • Get more chapters done for Whiskey Delta
  • Write up a new chapter for Crashland (still need people to vote on that one!)
  • Proofread new submissions for Yuva (Amber, that’d be your story)
  • Get some TKD training in with the Comox Valley people
  • Sit around the deck drinking GandTs and using the Hot Tub

Okay, that last one isn’t a task, just something I want to do while I’m up there. Yeah, there isn’t going to be much to do for those few days, so I hope to be uber-productive. Can you tell?

I hope everybody’s having an awesome summer and taking the time to enjoy the outdoors and the seasonal weather. I also hope you’re spending it with the people you care most about. When it comes right down to it, they are all that matter! I also hope those of you who have regular dayjobs, unlike us educators, are all taking this opportunity to use those vacation days, and any sick days and overtime you might have banked up, and hitting the road, the beach, the mountains, the sea, jet setting… You know, whatever you do when you go on vacation 😉

Kickass Review of Total Recall from Ellipsis Media!

Here is a recent media posting by a friend and colleague of mine, named David Lim. His website, Ellipsis Media, is dedicated to the latest in entertainment and once in a while, I like to hear his opinions on the latest releases. They help me to decide whether or not I’m going to shell out the exorbitant amount of money that it takes to see a movie live these days. Earlier today, he helped me make up my mind on a somewhat contentious issue: whether or not to see the reboot to Total Recall.

Naturally, I had little desire to see this movie since it seemed to me that there was nothing wrong with the first one. And second, there didn’t appear to be much to this one beyond some A-listers who were cast solely for their looks. Third, they did away with the Mars angle which, though they differed drastically from the original PKD story, was still intrinsic to the first adaptation. But to hear that there was absolutely nothing original about it on top of all that, that pretty much clinched it for me.

In short, Total Recall looks like a good candidate for download!

Check out the review below, and if you’re suitably impressed, check out the site and like him on Facebook. It’s free….

How the Dark Knight Should Have Ended

My thanks to Rami for reminded me this site existed! It must have been a year ago that I saw the clip of how the original Superman should have ended, with Superman making down the missiles and not going on a scavenger hunt for the kyrponite. The Prometheus ending was even more apt, pointing out how the Engineer was supposed to die in his chair, not on the floor of an escape pod. But this one was even better!

The Game of Thrones 8-bit RPG

Last summer, a bunch of drunken frat boys with lots of technical skills and way too much time on their hands put out a hilariously satirical Game of Thrones RPG. As if that wasn’t enough, they’re back it and have produced a follow-up for Season 2! Made in the spirit of all those Nintendo games we all grew up with, the kinds that had cheap graphics and even cheaper sound, this new game is really only for display purposes.

Still, it’s bang on when it comes to capturing the logical absurdities of the plot and the more hilarious aspects of the show. Yeah, the boys over at College Humor (I assume they’re boys because… well, you know!) are pretty clever when they put down their bongs and Zima long enough to actually make something. Check it out!

Via: College Humor

First Concept Art for the Neuromancer Movie

Some recent news on the Neuromancer front: In addition to Mark Wahlberg and Liam Neeson being confirmed as the leading actors, who will be filling the roles of Case and Armitage, some rather interesting concept art has been revealed. Apparently, the art is the work of Amro Attia, a designer who has worked with director Natali before, contributing to the design of the creatures in Splice.

The first is a concept of what Armitage would look like. The tatoo design, for those who have read the book, is a clear reference to Operation Screaming Fist, the mission which nearly cost him his life and left him scarred and traumatized. The perfect candidate to become Wintermute’s plaything.

The second is of Case himself, which appears to be from the opening scenes when he was down and out in Chiba City, looking for whatever work he could ever since his nervous system had been damaged, preventing him from jacking into cyberspace. Note the background, featuring dark, gritty city streets, neon displays, and plenty of Japanese language signs.

Granted, the news on this front is still speculative and no indication has been given that the project is full steam ahead, no turning back. Lord knows I’m pulling for it! Much like Dune and Lord of the Rings, Neuromancer is a classic which seems to have taken an eternity to adapt to the big screen, with several abortive attempts along the way.

Via: Bleeding Cool