The Walking Dead – Season 3 Episode 15

Welcome back to the Walking Dead, zombie fans! As anyone who has been following the series knows, we are now down to the last two episodes of the season. Next Sundays episode promises to be the climax of the prison versus Woodbury chapter of this story, and it just happens to coincide with the premiere of Game of Thrones Season 3. Wow… busy weekend. At least for those of us who review these shows at any rate!

But of course, this week’s episode was the curtain raiser for the finale, showcasing Rick and the prison camps contemplate averting war at the same time as they prepare for it.

The Sorrowful Life:
The episodes opens inside the prison, where they are preparing for the eventual attack while Rick discusses handing Michonne over with Daryl and Hershel. After agreeing that it is a tough call, he talks it over with Merle, who seems to think that Rick doesn’t have the spine to go through with it. Daryl also speaks with him and raises the issue about fitting in with the prison folk, but Merle believes his only place there is as a potential “bad guy”.

Putting this philosophy into practice, he leads Michonne down into an uncleared cell block where they find Walkers. After letting her take out a few, he hits her in the back of the head, binds her, and begins escorting her to Woodbury. Rick meets up with Daryl to let him know he’s decided against handing Michonne over, but tells him he can’t find her or Merle. Daryl volunteers to go look for them and leave Rick behind in case they are attacked.

Merle and Michonne walk together, during which time she is able to talk to Merle about all he’s done. They walk until they reach a motel where Merle tries to hotwire a car. Unfortunately, his efforts trigger the car alarm which attracts Walkers. Michonne manages to creatively defend herself, despite being bound, and Merle cuts her free and drives off with her in the hijacked car.

As they drive together, Michonne and Merle continue to talk and she tries to convince him to go back. Finally, Merle stops the car and tells her he can’t. He agrees to let her go, but tells her he has something he has to do on his own. Clearly, he’s decided to settle things on his own and save his brother, and find some redemption for himself by killing the Governor instead of handing him Michonne.

On her way back to the prison, Michonne crosses paths with Daryl and tells him that Merle let her go. Daryl takes off in pursuit while down the road, while father away, Merle draws as many Walkers to his vehicle as he can and drives towards the meeting place where the Governor and Rick first talked about coming to terms. Caesar and the Governor’s men are already there and begin deploying to deal with all the Walkers.

Merle takes up a position inside a building and begins sniping them off in the confusion, but a Walker interferes with him taking a shot at the Governor and he is exposed. He’s then taken by the Governor’s men and gets into it with the Governor himself. After getting two of his fingers bitten off and a broken arm, a defeated Merle tells the Governor “I aint gonna beg you!” The Governor simply replies “No!”, draws his gun, and then shoots him.

Back at the prison, Glenn decides he wants to marry Maggie before the worst comes to pass. He secures Hershel’s blessing, and after taking two fingers off a Walker, procures a ring. Before a general counsel session called by Rick, he asks her and she agrees. They then sit with the rest while Rick tells everyone the truth of about his meeting with the Governor and how he was willing to sacrifice one of them for the sake of peace.

In the course of it, he lets them know that he doesn’t believe they can function as a dictatorship after all, that no can be sacrificed for the greater good since they are all that very thing. He leaves it with them to decide what they want to do, whether they want to run or stay and fight. He returns to the wall to stand watch and is just in time to see Michonne coming back.

Daryl comes to the meeting place and finds Walkers preying on the bodies of all those who died in the firefight. He is heartbroken when he finds his brother who is now amongst the former. After a short fight, he manages to get him to the ground and puts his brother out of his misery…

Summary:
Well, this episode was good for a number of reasons. Naturally, I expected it to provide some pacing before the final showdown, but they managed to go beyond that and provided some adrenaline and commentary as well. Basically, the entire episode revolved around the idea of terrible purpose, how in a crazy world, people have to sometimes do things that are ugly and unpleasant for the sake of the preserving lives and the greater good.

Much of that came down to Merle choosing to do what he always does – i.e. look out for number one and use the greater good as an excuse. But he turned that around when he realized that instead of sacrificing Michonne to save Rick and the prison camp, which included his brother, he could sacrifice himself. Ultimately, he fulfilled his role as the necessary bad guy, but did so in a way that showed that he wasn’t so bad.

And I liked that about this episode. Ever since his introduction in the first season, Merle stood as the ugly, uncouth, redneck, racist SOB who only ever looked out for number one. While that worked just fine for him, it was known to get others in trouble. Particularly his brother, who stood in contrast as the redeemable son who could do great things, if only he could get free of his brother’s influence.

So in a way, this was a fitting sendoff for him. Not only did he die trying to do some good for once, it fell to the “good brother” to show him some mercy and put him down after he turned. It also showcased the Governor’s madness and cruelty that he wasn’t willing to shoot Merle in the head and keep him from coming back. By administering the fatal gunshot to his body, he ensured that Merle would live on as a hideous creature, the ultimate punishment for his disloyalty.

And finally, there was the significance of everything Rick decided in this episode. After realizing he couldn’t hand over Michonne, he went a step further and told the camp that he couldn’t be calling the shots anymore. This puts him at odds with the Governor who controls Woodbury as a defacto dictator, appearing as a benevolent father figure to most but showing his true colors to those closest to him. He even said as much when he claimed “I’m not your governor”.

Basically, after declaring that their group was no longer a democracy after they left the farm, this reversal now sets them as the ideological opponents to the Governor and his town of willing supplicants. So this impending fight is not just about survival and competition, it’s also about philosophies of leadership and governance in the post-apocalyptic age.

And yes, there was the side plot involving Maggie and Glenn getting married, which was nice, if somewhat diversionary. It was poignant to see how and why that happened, since as Glenn said, he wanted to have something beautiful before the worse came to pass. And Michonne, always the ass-kicker, was pretty damn awesome in this episode. Even thought she was bound and being used as barter, she managed to keep a cool head, talked a lot of sense, turned Merle around, and even killed some Walkers in some very cool ways. Seriously, the way she decapitated that one with just the string of wire? Shazam!!!

Which now brings things us to the end of all the build up and sets the stage for episode 16 and the season finale. Personally, I hope Rick and the others decide not to make a run for it and get out before the Governor and his people attack, because that would blatantly contradict what took place in the comic book. Without giving away any spoilers, let me just say that this chapter is meant to end in blood, anger, and terrible pain! After all the changes they’ve made so far, is it too much to hope for a little loyalty now?

The Walking Dead – Season 3 Episode 14

Morning all and welcome to another episode review of AMC’s The Walking Dead! As usual, this week’s episode provided lots of suspense and tense plot development as things get closer to the big confrontation between the Governor and the prison camp. As I’m sure you’re all aware, we are now just two episodes away from the end of the season, and now is the time for the show to be prepping all its plot threads for completion.

After last week’s episode where a meeting took place between Rick and the Governor, we were left with unmistakable knowledge that war was inevitable. Rick could not bring himself to hand over Michonne, even if it meant peace for his people. On the other hand, the Governor had no intention of abiding by the peace terms he set and openly admitted that their standoff would only end with Rick’s demise. And of course, Andrea was now set to betray him, the only question was when and how..

Prey:
The episode opens with a flashback, where we see Andrea and Michonne together before they found Woodbury. Huddling around a fire and eating beans out of a can, Andrea asks Michonne where her “companions” – the jawless, armless Walkers – came from. Michonne tacitly admits that she knew them before they turned, and she expresses anger for them, says they “weren’t human to begin with.”

We are then taken to Woodbury, where Martinez is busy overseeing their preparations for their next “meeting” with Rick and his people. Andrea is stripped of her sidearm and talks to Milton, who tells her the deal the Governor proposed in a sham. What’s more, he shows her to a secret room the Governor has prepared for Michonne, which is basically a torture chamber.

Andrea heads for the wall, where she meets Tyreese and Sasha. After failing to trick them into leave their posts, she scales the wall and tells them she’s leaving. Tyreese tries to stop her but Andrea pulls her knife and he is forced to let her go. Allen, one of their people, is angry and worries that Tyreese’s failure will jeopardize their position within the community. What’s more, he is still angry over the way Tyreese mercy-killed his wife Donna after she was bit.

The Governor forgives Tyreese and Sasha, but becomes very angry with Milton when he realizes he knew Andrea intended to leave. He is even angrier when he learns that Milton told her about the deal, how he demanded Rick hand over Michonne. Rather than send anyone after her, he takes a truck and heads out to bring Andrea in himself. After spotting her in an open field, a chase ensues…

This leads them both into an abandoned warehouse where the Governor begins to stalk her. She refuses to come out and “come home”, so the Governor begins breaking windows with a shovel and attracting Walkers. After finding a service door, Andrea sees that it leads to a stairwell filled with Walkers. When the Governor corners her there, she slips through and forces him to deal with them, and escapes again to the forest.

Meanwhile, Martinez takes Tyreese, Sasha, Allen and Ben along on a mission to one of their Walkers traps. Tyreese realizes that they are being used as weapons and refuses to help. This leads to a fight between him and Allen, whom he almost throws in with the Walkers. He is sent back to town with Sasha, knowing that they will likely be kicked out. Later that night, a truck pulls up the to the trap and an unidentified begins dousing them in gasoline and setting them ablaze.

Andrea finally makes it to the prison and sees Rick manning the tower, but the Governor catches her before she can get his attention. He returns to town and claims he never found her, and goes to speak with Tyreese and the others. He manages to assure them that the Walkers are just for show, and seems content that they had nothing to do with lighting them on fire.

He then meet with Milton, repeats the lie to him about Andrea, and is told “its a shame about the pits”. The Governor construes from this that it was Milton who set them on fire, and he replies that he already knows who did it. The episode ends with a slow return to the torture chamber, where he find Andrea dirty, bloodied, and restrained in the chair.

Summary:
What more can be said about this show now? They’ve put together a good season, and this week’s episode did everything it was meant to: making us worry more about Andreas fate, show the Governor descend further into madness, and set up Milton and Tyreese’s people for the coming showdown. Now that Andrea has made her choice and is due to suffer for it, that leaves Milton and the rest to make up their mind on where they stand.

By now, its obvious Milton has lost all faith in the Governor, but Tyreese and his group are still ambivalent. At the same time, it seems like their group is subdivided, with Tyreese and Sasha doubting the Governor and his decision to go to war, and Allen and Ben who want stick by him. Not only is Allen desperate for a home where he and his son will be safe, it’s clear he harbor animosity towards Tyreese for killing his wife after she became infected.

And the show managed to hit on some more key elements from the comic book, which is good considering that it has diverged quite heavily from the source material at this point. For instance, Tyreese and his family were friends with Rick and their bunch long before anyone else. What’s more, he was a very important member of their crew, so the fact that they neglected to incorporate him until now seems a bit odd, frankly.

But they are managing to develop his character now and in such a way that it fits with the comic book. For one, Tyreese was a terrible shot, which they showed here when he and Sasha were doing target practice on top of Woodbury’s wall. He was strong but gentle man too, but after witnessing so much death (including that of his daughter) he began to lose his grip and went a little rampage-y. In this episode, they managed to convey some of that in the way he almost killed Allen.

And then there’s the big change with Michonne’s character. In the comic book, she was captured by the Governor, tortured and raped repeatedly by his men. They hinted at that a little with his treatment of Maggie, but now it seems that Andrea is standing in for her as his primary victim. Though they have established why the Governor hates Michonne – she killed his daughter and took his eye – they kind of sidestepped her reasons for doing that. In the comic, it was in revenge for his brutal treatment of her; whereas in the show, it just sort of happened in the course of a tense showdown between them.

But I digress. This week’s episode focused entirely on things inside Woodbury, which is to be expected given all the threads that are on that side of the story. Next week, we can expect an episode that shows both camps as they prepare for the final standoff. Rick is expected to return to their previous meeting place, where an ambush will be waiting.

But of course, he will be going in prepared and ought to have surprises of his own lined up. While we won’t see it all unfold until the end of March, I anticipate they will be dropping more hints as to how it’s all going to go down and who will betray whom… Looking forward to it!

The Walking Dead – Season Three, Episode 13

Happy Monday Morning all! Nice weekend? Good, because it’s time to catch up on this weeks episode of The Walking Dead.

Last week, we got something of a “bottle episode” as Rick, Carl and Michonne went back into the Grimes old stomping grounds to pick up supplies and ended up running into an old friend. It seemed that Morgan, the man who saved Rick after he wandered back from the hospital, had fortified himself in the town and was waging a one-man guerrilla war against the Walkers. He had also lost his son Duane since last they met, and had gone a little batty as a result.

And despite his best efforts, Morgan would not come back to the prison with them since he believed that it was only a matter of time before Rick and his people would die, either at the hands of the Walkers or someone else. Letting them go with their share of guns and ammo, he said goodbye to them, and they returned to the prison to deal with their main problem – the Governor and his army operating out of Woodbury.

Which brings us to this week’s episode, where Rick and the Governor are meeting on neutral ground to hash things out.

Arrow on the Doorpost:
The episode opens with Rick, Daryl and Hershel arriving at what appears to be an abandoned silo. After doing a little recon, Rick finds his way into a large warehouse where someone has set up a table on top a raised platform. Making his way to it, the Governor appears and tells Rick they “have a lot to talk about”. After a brief stand-off, they disarm and get down to business (but of course, we see that the Governor has a second gun strapped to the table).

Another car arrives shortly thereafter carrying Caesar, Milton and Andrea. Andrea is surprised to hear that the Governor is already inside and goes in while the others wait out front. Apparently, she arranged the meeting and offered Rick a compromise where they would divide the land between them. However, the Governor rejects it and tells her to leave.

Outside, the two camps wait and endure a tense standoff until they are set on by some Walkers and begin taking them out. This gives Daryl and Caesar a chance to do a little “male bonding” as both take out their share with Andreas help. After killing their share, they reflect on how war seems inevitable, and neither one is too crazy about the idea.

Milton and Hershel begin to talk as well, with Milton taking an interest in Hershel’s amputation and how it saved him from being infected. And eventually, Andrea begins to talk to Hershel and asks about Maggie, whether it was true that Governor tried to rape her. Knowing the truth now, she realizes she can’t go back to Woodbury. Hershel invites her to come back to the prison and to her family.

Back at the prison, Glenn and the others are forced to content with Merle, who keeps insisting they go to the talks to kill the Governor. Glenn refuses, which prompts Merle to try and get out on his own. After Glenn, Maggie and Michonne restrain him, he tries to appeal to Michonne’s desire for vengeance. However, she refuses to put Andrea at risk and tells him he’s on his own. Afterwards, Glenn and Maggie finally make up after and decide to blow off holding watch on the field to go have sex.

After talking things over with some whiskey, the Governor finally gives Rick his terms. In exchange for Michonne, he will leave them alone. Rick doesn’t believe it will end there, but the Governor gives him two days to think it over and tells him to return to the silo with his answer. The meeting ends and he leaves with his people, and Andrea goes with him. All parties head back to their respective homes.

However, upon his return to Woodbury, the Governor reveals his true intentions. He orders Caesar to set up an ambush around the meeting place so they can kill Rick and anyone he can be expected to bring. Milton is surprised and objects, but the Governor insists that its the only way. Sooner or later, they will have to deal with Rick since he doesn’t believe they can ever live side by side.

At the prison, Rick tells his own version of the story: that the Governor wants the prison and all of them dead. The camp is divided, with Merle and Michonne thinking they should strike first while Carol and Hershel think they should take their chances on the road. However, he is willing to trust Rick’s leadership and stay and fight, as long as they are together. Rick tells him what the Governor really wanted, and Hershel agrees its unacceptable.

It’s official. The two camps are going to war!

Summary:
Once again, I have to say I was happy with what was arguably a pacing episode. It managed to build up the suspense, let us know what’s going to come, and provide some breathing room while we build to the big climax. For some time now, its been obvious that an all-out war between the two sides will be happening, but many pieces needed to fall into place before that could happen. This episode was good in that it established much of that and hinted at where others pieces are going to fall.

And like the last episode it was thematically consistent. I liked how the show cut between the Governor and Rick dealing inside and the grunts talking outside. At once we can see two hardened leaders talking about the undesirability of conflict and how far they will go to protect their people, while their soldiers realize how much they have in common and also confess that a fight is not something they would want.

All the while, its clear that said conflict is inevitable. In a world where two sides have the exact same interests – i.e. survival and protecting their own – it would seem that peace and cooperation are the only way. And yet, that is the one thing they cannot hope to achieve, simply because the need to survive dictates that they destroy each other. As always with TWD, the greatest enemy is not the zombies, but your fellow man.

But I think the best aspect of this latest episode is how it is building towards the big finish. We have only three episodes to go this season and some key factors need to be established before it can end. Namely, there’s position of Andrea in all this, the involvement of Tyreese and his gang, and how Rick and his people plan to confront the Governor and his army and win.

At this point, its clear that Rick and the prison camp stand a better chance now of thwarting the Governor and his army than before. With Merle, Michonne, a small stockpile of guns and the prison walls, they have certain advantages, at least if they are attacked. But of course, the Governor has more people, more resources, and the freedom to use them. In any prolonged fight, he is sure to win.

Which brings up Andrea and Tyreese’s group. As a friend of mine suggested (hi Khaalidah!), she believes the Tyreese group is part of a double-cross. After Rick kicked them out, we didn’t see or hear from them at all until they came to Woodbury, hats in hand and looking for refuge. She thought it was possible that Glenn made a deal to have them do a little spying. However, if the previews for next week’s episode are any indication, they were genuine in their desire to become part of Woodbury, but Andrea will set them straight.

So between the Governor’s planned ambush, Milton and Andrea’s desire to stop him, and Tyreese and his gang’s assistance, its entirely possible we’re building towards a big confrontation that will only be won with the help of some last minute help from those people who are closest to the Governor. That’s what I’m predicting at this point. And even though it means violating the comic book material somewhat, it’s what I’d do if I were one of the writers.

It might be premature and hopeful of me to predict a happy ending, but I think if there’s one thing this show can be counted on, its to keep going and not let things get too bloody. Unlike the comic, which really didn’t pull punches and had a bigger death toll, the show has been looking to strike a balance between grimness and hopefulness, where the characters are constantly looking for a normal life and are actually managing to get closer to it. But of course, there’s always a giant cost involved, so expect plenty more death!

Three episodes to go!

Descent: Freespace! Classic or Best Simulator Ever?

Not exactly a wide range of choices is it? But that pretty much tells you what I think about this game doesn’t it? Freespace came along at a time when I was pretty much losing interest in flight simulators. Civilization II was growing stale, Unreal had yet to come out, and the Star Wars franchise was still busy producing Rebellion.

What’s more, Descent: Freespace and its sequel were two of the most awesomely conceived, inspired and original flight simulators I ever played. It presented some truly classic and hard science fiction, combined with just enough commercial appeal, and some genuinely fun fight and flight sequences to keep me entertained for months!

And it’s sequel was equally awesome, adding to the mix with more missions, more story, more ships, and more storyline. Like most gamers, my only disappointment came in the form of their not being a third and final chapter. Because of this, fans have taken it upon themselves of maintaining and enhancing the game engine until a third game does come out. But more on that later…

First up, Descent: Freespace, the game that started it all!

Descent: Freespace – The Great War:
The game takes place in the distant future, where humanity has spread into the cosmos thanks to the discovery of subspace travel and formed the Galactic Terran Alliance (GTA). As the game opens, we learn that the GTA is at war with an alien species known as the Vasudans. The war is in its fourteenth year and you, a green pilot, have just joined the Galactic Terran Defense Forces (GTDF) and been assigned to the GTD (Galactic Terran Destroyer) Galatea.

The game also begins with an intro movie which prologues the story. In it, a Terran installation is destroyed by an unidentified alien force that jump into the Ross 128 system and obliterates everything in sight. Before your first mission, the subject of this “phantom attack” is addressed and dismissed, with Command claiming that the Vasudans were responsible.

What follows is a series of missions against the Vasudan armada. However, this ends when a new type of ship arrives and begins attacking you and the Vasudans indiscriminately. After a series of such attacks, Command names this new threat the “Shivans” (after Shiva, the Hindu God of Destruction) and arranges a ceasefire with the Vasudan government. Henceforth, all efforts are dedicated to finding out what this new species is and where they come from.

The next few missions involve extensive intelligence gathering, as it is clear that the Shivans are immensely superior in terms of weaponry and technology. Not only are their ships shielded and virtually impervious to your weapons, their systems make them incredibly difficult to track. But after a series of recon and capture missions, Terran and Vasudan scientists begin to incorporate their technology into our own.

Matters are also complicated somewhat when a new death cult emerges known as the Hammer of Light. Made up of Vasudans who believe that the Shivans are a race of holy destroyers foretold in prophecy, this group begins assisting the Shivans by attacking anyone who resists them. Henceforth, they too must be fended off while you and your Vasudan allies continue in your efforts to study the enemy. The next step in undertaking is the capture of the Shivan Destroyer Taranis.

After you and your squad disable it, the ship is towed back to Terran space, where a landing team goes in and gets first hand look at the Shivan species. They appear to be a race of large, quadruped creatures with a claw-like appendage that have weaponry embedded in their faces. However, no one can be sure if this is the actual species, some form of robotic avatar, or cybernetic war machines. In any case, the landing crew is killed very quickly.

Shortly thereafter, a new ship appears, dubbed the Lucifer, which destroys the Taranis and the Terran station nearby. The ship begins to make appearances all along the front, destroying ships with its two giant beam emitters, and eventually destroys the Galatea. In time, the Lucifer makes its way to the Vasudan homeworld, lays waste to it, and appears to be headed for Earth next. All attempts to stop it fail, as the ship appears protected by impenetrable shields.

Throughout the game, monologues are told which begin to provide some deep back story to the game. After several cut scenes, it becomes clear that the narrator is a member of an extinct species known as the Ancients, which were wiped out by the Shivans millenia ago. This informs the player that the Shivans are very ancient themselves, foreshadows the destruction they will bring, and also hints at what the Shivans weakness is.

The Vasudans stumble upon all this information when a group of refugees land on a world once inhabited by the Ancients. Within a vast alien archive, they discover the records which are shown in the cut scenes and discover that the Shivan’s shields do not work in subspace. After being reassigned to the GTD Bastion, a plan is mounted to track the Shivan vessel as it makes the jump for Earth and disable its jump engines while it is in transit.

A pitch battle takes place after you and your squad race to intercept the ship as it jumps, which is almost thwarted by the last-minute arrival of a Hammer of Light destroyer. You and yours barely make it into the node, pursue the Lucifer into subspace, and engage it and its fighter squads until you can take out its jump engines. The jump node then collapses and the Shivan vessel is destroyed.

The game then ends with a monologue by the main character, who explains that Earth is now cut off from the rest of space and safe for the time being. He also says that the Shivans, in being destroyers were actually preservers, in that they destroyed the Ancients who would otherwise have been too poweful to beat once humanity and the Vasudans encountered them. It is also said that the Shivans will be returning, though not within the narrators lifetime, a bit of knowledge which he describes as “bliss”.

Summary:
In case it wasn’t already obvious, I loved this game. In fact, I even consider it to be one of my biggest inspirations when it comes to writing science fiction. The gameplay was fun, realistic, and structured in such a way as to make it all engrossing and suspenseful. Add to that a sense of genuine realism, and you can see why this franchise became so popular. It was the kind of science fiction game that was made by hard sci-fi fans for hard sci-fi fans.

Starting with the gameplay, the fighters and spacecraft are very much realistic, not looking at all like airplanes or ships. None of this aerodynamic crap or old-world paradigm stuff; all vessels looked like they were designed for space only. And the weapons and combat sequences are nothing short of cool! Not only do you shoot things up, you are required to take out ship’s subsystems using EMP’s, scan things using your close-range sensors, and even resupply and repair yourself with support ships. And the display is a very realistic looking HUD that is very well laid out and practical.

You also have a cool command interface with your ships, being able to order them in and out of the fight, to attack various targets, and/or cover you when you’re under fire. Ah, and those explosions… when you light up an enemy capitol ship, it not only blows up. It goes nova! Check it out below. Though it might seem a bit tried by modern standards, it was certainly groundbreaking for its time!

The aliens were also created with some genuine attention to detail, and avoided all the Star Trek-like mistakes which are so common to science fiction. For one, the aliens don’t speak English or have crazy names that are just strings of consonants. The language they speak is gibberish as far as we are concerned and requires a translation matrix. And with the exception of the name Vasudan, the aliens are given designations or equivalencies in English which approximate their meaning in alien languages.

For example, since the Vasudans live on a predominantly desert planet, they are all given names from ancient Egyptian culture. The Vasudans approve of this, as they are a culture that respects longevity, spiritualism, and ancient wisdom. The Shivans, consistently, are all named in accordance with mythological references to destroyers and hostile forces – i.e. Shivans, Lucifer, Sathanas, Cain, etc. They do not speak to us, since we have no basis for cultural exchange, or use their real names.

And another realistic feature: even by game’s end, virtually nothing is known about the Shivans aside from that which is gleamed from their captured technology. And though hints are dropped as to their nature and history, no clear answers are even given. For example, its clear the Shivans have advanced subspace technologies and seem solely concerned with controlling nodes and destroying other sentients. At the same time, subspace is where they are most vulnerable. From this, we are led to believe that perhaps they are from another dimension, and are left wanting more…

Oh yes, and another aspect of this game which I attracted me to it was the similarities it had with Babylon 5, my favorite show at the time and one of the best sci-fi series ever! One of the aspects of the back story to B5 was the war which takes place between humanity and the race known as the Mimbari. The war went very badly for humanity, due to the fact that the Mimbari were more advanced and Earth’s ships couldn’t lock on to them due to some kind of stealth technology.

All of these elements seemed to inform the concept of the Shivans. Not only are their weapons more powerful than yours – at least initially – their ships also possess shields are impossible to track until you gather the intel on how they work. So for the first few missions you see them, they appear as squiggling dots on your radar, are virtually immune to your gunfire, and cannot be tracked by missiles. Much like in the B5, you are told early on that a victory, any victory, is needed against the enemy to bolster morale.

Ultimately, people other than myself were left demanding more and got it almost right away. Not only was there an expansion that followed on the heels of this game, it was also followed by a much-anticipated and muchly awesome sequel (more on that later). On top of that, the game also featured a series of campaign missions that were user-designed and contributed, making Freespace one of the most fan-friendly simulators of all time.

That tradition has continued well into the franchise quasi-retirement, thanks to the creation of the Freespace 2 Source Code Project – a group of programmers currently maintaining and enhancing the game engine since 2002. This engine has been used for games based on Babylon 5 and the relaunched Battlestar Galactica franchise. So in addition to keeping this fan-favorite game alive, the F2SCP also helps other cult favorites come to life in space simulator form.

Stay tuned for more on the Descent: Freespace front, continuing with the aforementioned sequel!

The Walking Dead – Season 3, Episode 11

What a week! Its been a busy one on my end, and there have been subsequent delays. Times like this make me think I need an assistant, or that this blogging thing needs to pay more and more frequently! But I can’t complain… because it’s Friday, which means catching up on sleeping, schmoozing, and all the reading and writing I meant to do sooner!

Which brings me to last Sunday’s episode of AMC’s The Walking Dead. As the third episode in the latter half of season 3, things are once again beginning to pick up and, regrettably, drag out. There’s been plenty of action to be had and some twists and set-ups, but I’m also noticing a trend setting in that’s beginning to concern me.

In season 1, the story and narrative was very tight. But telling an entire first act in only six parts can have that effect. Season 2 tended to drag on inexorably, causing the whole Rick/Shane conflict and the will they or won’t they leave the farm issue a ridiculous amount of time to resolve itself. And with episode 11 now out, it seems like that may be happening here.

I Aint a Judas:
The episode begins with Andrea seeing the people of Woodbury being armed and recruited for war. She attempts to talk to the Governor about it, but he insists that he and his men went to the prison and Rick’s people fired first. She asks for permission to go and speak to them, but is denied, prompting her to sneak out with Milton’s help.

Using what Michonne taught her, Andrea captures a walker and cuts off its arms and removes it teeth. Tyreese and his party find them in the woods and ask for help, and are told they can come to Woodbury where people are being taken in. After being expelled from the prison, Tyreese and his people are very receptive to the Governor and his plan to go to war with them.

Back at the prison, the group discusses what to do about the impending siege and the yard that is now full of walkers. Low on ammo and supplies, they realize they can’t do anything without resupply and more trips into town. Rick also decides to delegate some responsibility to others after Carl tells him that he should unshoulder some of the burden. This is clearly out of concern for his recent mental breakdown, and he begins to let Hershel and Daryl step up.

Meanwhile, Merle begins to try and integrate with the rest, with limited success. Despite his insistence he was “just following orders”, Michonne and Glenn are unwilling to let go of the past. Hershel attempts to speak to him and get some idea of who they are dealing with over in Woobury. Merle responds by telling him that Governor is a ruthless man, and that when the war comes to their doorstep, which it will, he will take no prisoners.

When she arrives at the prison, Andrea gets a cold reception and is snubbed by virtually everyone except Carol, who owes Andrea her life. She and Michonne argue since Andrea thinks she is the one who poisoned the others against the Governor, and Michonne believing that Andrea she has fallen under the Governor’s spell. Andrea is finally told by Carol that if she wants to resolve things, she’ll have to kill the Governor.

Andrea is given a car and sent back to Woodbury, where she is well-received by the Governor who believes she’s “come home”. After making love to him, Andrea wakes up and fetches her knife, and contemplates killing him the way Carol recommended. But after several seconds of struggle, she finds she can’t bring herself to do it and walks away.The episode ends with looking out the window, onto the town that she really has come to think of as home.

Summary:
Overall, this episode had plenty of good points. I like the fact that whereas Michonne was being minimized in previous episodes, she’s being brought forward once again to act in a more primary role. Her antagonism with the Governor is central to the plot in this part of the story, especially when you consider that she’s the one who took his eye and killed his zombie daughter, and he repeatedly tried to kill her!

And the reunion between Andrea and the prison people was definitely due. For some time now, she’s found herself caught between camps and this episode managed to force that issue a little. On both sides, she’s got people who are determined to fight the other and refuse to listen. And now, she was given a choice on how to end it all (i.e. kill the Governor in his sleep) buAt couldn’t. In the end, her desire to stay neutral and try and foster a compromise is very believable.

And yet, this episode kind of felt like a dragger for me, which pretty much punctuates what I said about the last episode. True, episode 10 did end with a pretty big bang after running slow for the first forty minutes. But with episode 11, I once again feel that things are destined to drag on til the end. There are five more episodes this season, conflict (we are told) is inevitable and part of the original material. So… when it’s going to happen? How’s it going to turn out? Who stands to win and who will lose?

In the first half of the season, we received a lot of build-up and some dire warnings. It was made clear that the Governor doesn’t suffer the existence of people he considers a potential threat, and that he was hellbent on finding the prison and dealing with them. After the mid-season climax, it seemed like the bear had only been provoked further and was out for blood. But when he did retaliate, it was with limited consequences and in a limited way.

And in this episode, we’re given more of the same and basically told to wait longer for the big finish. But for how many more episodes can we be told what we already know? How many more times do we need to hear that the Governor is a ruthless man? That he will be coming and there will be no stopping him? And how much longer is Andrea going to be debating her loyalties and being caught in between? Hard to say, but things need to pick up from here on in! Otherwise, I think people might start to lose interest.

Still, looking forward to next week’s episode. Stay tuned for the review, I plan to post it sooner other than later this time 😉

A Dance With Dragons: A Review

Done at last! It seems like its taken me forever to finish this novel. And yet, now that it’s done, I find myself missing it already. After weeks on end of being immersed in Martin’s epic fantasy universe, it’s hard going without! What’s more, given how long – loooooong! – it took him to produce this last novel, who knows how long it could be before the next one comes out?

But I digress… I bought this book looking for some closure to the previous four, especially in the last one. With events in A Feast of Crows seeming to drag a bit, and the sudden twist and promise of resolution that came at the end, I was eager to see how things turned out. And, true to form, Martin managed to provide some degree of resolution while still managing to drag things out further.

And of course, there were even more cliffhanger endings this time around. Damn you Martin, five books in and you still have me baited like a worm on a hook. You better produce the next book in a year’s time like you promised to do last time but didn’t or KAPOW! Oh, and there really better be only two more books. After all you’ve put us through, you owe us a final resolution, dammit!

Okay, that’s enough threats for now. Onto the story…

Plot Synopsis:
As promised in the epilogue for Crows, A Dance With Dragons completes the narrative that took place in the previous book, covering all the stories that didn’t make it in there and offering a balance to the other perspectives. This includes stories involving Tyrion, Daenerys, Davos, Brandon Stark and John Snow, while also offering more on the threads involving the Martells, Cersei and the Ironborn.

Initially, the story parallels events in the previous book, the first few chapters taking place before Crows ends. But by the end, things once again pick up and continue, bringing the entire story to an end where everything is poised for several more major developments. Essentially, it all comes down to four perspectives, with events taking place in the North and South of Westeros as well as the Free Cities and Slavers Bay in Essos.

The Wall:
In the north, where Jon Snow has taken up his role as the Lord Commander and is seeing to preparations for the Others and dealing with the aftermath of Mance Rayder’s assault. After saying goodbye to Samwell Tarly, Gilly, and Maester Aemon, who are being dispatched to Oldtown, he continues in his negotiations with Stannis Baratheon. After burning the captive Wildlings, which include Mance Rayder, who will not swear feality and embrace the Red God R’hllor, he prepares to march South.

As usual, Jon Snow tells him the Watch will not take part in his war. Stannis’ appeal to the Northmen is also complicated by the fact that the Lannisters have installed Roose Bolton as ruler of the North and the Freys are allied with them. However, the Karstarks are willing to fight alongside him and John tells him that he will find an army in the Northman hill clans who owe loyalty to no lord.

Marching south, Stannis leaves Melisandre and his queen, Sylese, in John’s care. Against the queen’s advice, and that of his Brothers, Jon arranges for a peace treaty with Wildlings, promising them food and safety south of the Wall in exchange for their service in manning it against the Others. Thousands of Wildlings are admitted, with the promise of many more thousands to come.

Melisandre also begins sharing her visions with Jon Snow. In addition to telling him that there is a murder plot against him, she also reveals that Mance Rayder is alive and the man burned was Rattleshirt, who’s identities were switched using sorcery. He dispatches Mance south to rescue Arya from Ramsay Bolton, unaware that the girl he is set to marry is actually Jeyne Poole. Eventually, her warnings come true as his brothers turn on him and stab him in the yard.

North of the Wall, Bran search for the Three-eyed Crow leads him, Hodor and the Reeds to a secret cave where the last surviving Children of the Forest dwell. As they take shelter in the cave, they meet the “Three-eyed Crow”, whom they call the “Last Greenseer”. He is a former human member of the Night’s Watch, who has been sitting on an underground weirwood throne for so long that its roots have fused into his body. He explains to Bran that he has been appearing to him as the Three-eyed Crow in his dreams so that he could lead him here, and train him in greensight.

Bran learns that there is truth to the belief that the sacred weirwoods are the eyes and ears of the Old Gods: the trees are capable of seeing and hearing all around them, and recording it in their memory for centuries. They also allow a greenseer at one weirwood to see and hear events going on at another in the present, and communicate through them. Using his increasing powers of greensight Bran sees memories of his father Ned Stark at Winterfell’s godswood in the past, and communicates with Theon Greyjoy at the godswood in the present.

Free Cities:
Having fled King’s Landing with the help of Varys, Tyrion arrives in Pentos where is taken in by Magister Illyrio. Tyrion is then sent south, and learns along the way that Varys’ plot involves the son of the late Prince Rhaegar, Aegon Targaryen, who was thought to be dead. He was raised by John Connington, the former Hand of the King under King Aerys, who now commands the Golden Company – the largest and most skilled mercenary army in the Free Cities.

After traveling with Aegon halfway across Essos, Tyrion is kidnapped by Jorah Mormont in Volantis. After being banished by Daenerys, he hopes to deliver Tyrion to her in the hopes that she will take him back. However, Tyrion and Jorah are shipwrecked and sold by slavers to a Yunkish merchant, who then travels to Meereen to take part in the siege. After reaching the city, a plague begins ravaging the Yunkai’i army, and Tyrion and the others escape in the midst of the confusion. They then signs on with the Second Sons mercenary group and plan to switch their support to Daenerys.

Meanwhile, in Braavos, the girl once known as Arya Stark continues in her training as one of the “Faceless Men”. This includes taking away her sight and forcing her to find her away about the House of Black and White using only her other senses. She is then tasked with killing her first target, a corrupt merchant, using poison. After succeeding, she is admitted to the guild to complete her training.

Slaver’s Bay:
Daenerys continues to rule Mereen as queen, but is beset by murders carried out by the Sons of the Harpy, a resistance group committed to restoring the old ways. In addition, she learns that Astapor was sieged by the Yunkai’i and the people she freed there massacred. Refugees come to the walls of her city seeking help, as a plague known as the “Pale Mare” or “Bloody Flux” is decimating their people. Temporary shelter is placed outside for them, but it is clear little can be done.

In order to end the resistance and cement peace with the Yunkai’i, Daenerys agrees to marry Hizdahr zo Loraq, a Mereenese nobleman. Her mercenary captain, Daario Naharis, whom she has taken as a lover, is not pleased, but goes along with it out of loyalty to her. In addition, to prevent her dragons from killing people and livestock, she has them chained inside the pyramid, except for Drogon, who escapes capture and flies away.

Shortly thereafter, the Yunkai’i and Volantene armies arrives at her doorstep and a tentative peace is arranged, with hostages exchanged. Daenerys also agrees to open up the fighting pits, as a compromise with her new husband, and attends the first spectacle with him. During the fights, Tyrion and Penny joust, Strong Belwas is poisoned (but survives) and Drogon arrives and begins attacking the fighters and guards. After reaching him, Daenerys climbs on his back and is ferried away.

Barristan Selmy takes over with a provisional council and is made to believe Hizdahr attempted to poison Daenerys and is leading the Sons of the Harpy. He then arrests Hizdahr and begins planning with those loyal to Daenerys to attack the Yunkai’i camp before they can launch their own attack. However, these plans are stalled when Quentyn Martell, Prince of Dorne, and his Dornishmen try to steal one of her dragons and fails.

Having failed in his attempt to court Daenerys, he and his men hoped to return to Dorne with a dragon in tow. Instead, the dragons break free, Quentyn is killed, and his men are arrested and taken into custody. Meanwhile, Drogon flies Daenerys to the Dothraki Sea where Dany, starved and ill from being stranded in the wilderness, eventually encounters the khalasar of Khal Jhaqo, a former Bloodrider to Khal Drogo who betrayed her after Drogo’s death.

The North:
Having secured his army, Stannis and his forces march on Deepwood Motte and take it from the Ironborn, capturing Asha Greyjoy in the process. This swells Stannis’ ranks further as House Glover and House Mormont join Stannis’ army and decide to march with him on Winterfell. To cement his control over the north, Ramsay Bolton orders his bastard son and their supports to march to Winterfell to hold the mock wedding with Arya (Jeyne Poole), and Stannis plans to attack him there. However, Stannis’ host becomes bogged down in the terrible snows that begin falling, forcing them to stop and slowly starve.

Davos Seaworth is taken prisoner in White Harbor after going ashore and trying to enlist House Manderly’s support. However, Lord Manderly secretly frees Davos and tells him that he is only feigning allegiance to the Boltons since the Lannisters are holding his son Wylis as captive. He is also planning revenge against the Freys since they murdered Ser Wendel Manderly at the Red Wedding. He enlists Davos help to find Rickon, who is apparently at Skagos with Osha, so the northmen will rally around a living Stark heir and rebel against the Boltons.

Meanwhile, Theon Greyjoy is revealed not to be dead, but is languishing in the Dreadfort prison and brutally tortured by Ramsay Bolton. He is freed to serve him as “Reek”, and travels with him to Winterfell where he waits upon Jeyne Poole. With the wedding complete and the snows hemming them in, Roose Bolton and his bannermen wait for Stannis to attack and slowly begin to turn on each other.

Eventually, and with the help of some serving maids, Theon arranges to free her and escapes the city just as the Manderlys and Freys begin open fighting. They travel together into the wilderness, where they are intercepted by Mance Rayder, and ride to Stannis’ camp. Theon is then reunited with his sister Asha.

The South:
Cersei Lannister, imprisoned by the Faith of the Seven, confesses to several of the less grave charges against her to alleviate her suffering. These include adultery and sleeping with her cousin Lancel Lannister, but stops short of admitting that she murdered King Robert, or that her children are actually the product of incest. The Faith is willing to release her, but she must still stand trial and make the penance walk naked back to the Red Keep.

Humiliated, Cersei places her hope in a trial by combat, hoping that a new knight named Ser Robert Strong will champion her. Some mystery surrounds Ser Robert, as he is as huge as Gregor Clegane, and is never seen sleeping, eating, or using the privy. Ser Kevan, who now serves as the Hand, suspects that it is Ser Gregor and that some kind of sorcery has been used by ex-maester Qyburn to resurrect him.

In the Riverlands, Jaime Lannister arrives with his army at the siege of Raventree Hall where he manages to negotiate the surrender quite painlessly. The last stronghold of Robb Stark’s kindgom in the Riverlands bends the knee, and Jaime relocates his camp when he gets word that Brienne of Tarth was seen in a nearby village. After arriving, Brienne of Tarth comes to his camp tent and tells him that she has found Sansa Stark and she is in danger from Sandor Clegane.

In the Stormlands, Aegon Targaryen and Jon Connington arrive with the Golden Company in order to recover the Iron Throne. Taking Tyrion’s advice that their arrival would be met with jubilation, Connington prepares to march forward and take Storms End, believing that Dorne will raise their banners and march to their aid. When word reaches King’s Landing, Ser Kevan advises marching, but Lord Tyrells wants to hold off until after Maergerys trial.

In his solar, Varys sneaks in and murders Kevan Lannister and Grand Maester Pycelle with a crossbow. Before Kevin dies, Varys reveals to him that he supports Aegon, and that he is trying to prevent him from fixing the damage Cersei had caused in her attempts to build Tommen’s power base. Varys declares that with Tommen back in Cersei’s control, the kingdoms of Westeros will spend their strength fighting each other while Aegon prepares to conquer the Seven Kingdoms.

Summary:
And there we have it. After five books, the story stands poised, once again, on the edge of knife. After first learning in Crows that all roads were leading to the East, that virtually every faction was placing their hopes in Daenerys and conspiring to bring her home, it also became clear that there was another Targaryen heir that had plans of his own to restore the Dragonborn to the Iron Throne.

What’s more, many threads are proceeding towards culmination. Though Cersei seems to have freed herself from captivity in the Great Sept, her plans to get back in charge seem all but thwarted. At this point, its obvious that the Tyrells are in control, that Tommen’s power is temporary, and with Varys’ assassination of Ser Kevan, that the way is paved for Connington and Aegon Targaryen to assume the throne.

But of course, there were plenty of uncomfortable cliffhangers too! For one, Jon Snow’s betrayal by his brothers puts him in a bit of a bind. I am wondering how he will come out of all this, whether he will be saved by Val, Melisandre, some of his brothers, or some of his Wildling allies. On the other hand, its entirely possible that Martin is finished with him and plans to kill him off, a la Ned, Robb, or the many other main characters he’s killed so far.

Then there’s Daenerys’ thread, where she has gone from being the frying pan into the flame, having been whisked away from the siege of Meereen to captivity with Khal Jhaqo. Once more, I am hoping this doesn’t drag out because lord knows Martin has a real knack for putting his characters through endless trials and diversions before they finally get to where they are going. Or he kills them! In any case, the war of Five Kings will not officially be over until she resolves all her problems in Slaver’s Bay and makes it back to Westeros.

And again, after many books and all the hints he’s dropped about “skin-changing” and “Greenseers”, Bran finally seems to have found his way home and realized his true purpose. And personally, I found this to be quite interesting, in that it delved deeper into the mysteries surrounding the Children of the Forest and the history of Westeros before the First Men came. It will be interesting to see how this is woven into the larger story, which I assume will have to do with the legend of Azor Ahai reborn (in Daenerys) being fulfilled.

Overall, I really enjoyed the way this installment in the series took us deeper into the culture of the Free Cities, especially Volantis with its Tetrarchs, elephants, cuisine and drink, and its abundant use of tattoos. I also enjoyed the chapters that moved between Meereen, the Yunkishmen, and the culture portrayed throughout. And of course, the way the plot against the Lannisters is coming along was very pleasing to see. I hate that house and any kind of misfortune which could result in their destruction appeals to me! Now if he can just see his way to restoring House Stark, or just letting some of them know that the others still live, I would be even happier!

Only two books to go, presumably! No telling when the next installment, The Winds of Winter, will be released. But if I could be so bold, might I implore Mr. Martin to please get it done! After waiting five years for book five, we fans are kind of hungry for a finale. What’s more, HBO is going to needs those book if they are going to keep turning out new seasons! You don’t want to get on their bad side, sir. They’re ruthless!

Speaking of which, only thirty-nine more days to go til season three kicks off! Woohoo!

The Walking Dead (Season 3 Episode 10)

Welcome back to the Walking Dead. With the second episode in the latter half of the third season, things are coming down from the mid season climax. All the major characters have been introduced and the two main threads – that of the prison and the town of Woodbury – are now fully intertwined. And with blood drawn and both sides aware of the others presence, things seem to be settling in for a bit of a lull.

Last time, during the mid season opener, we saw Rick go crazy, the Governor go into isolation, and other people step in to fill their boots. Daryl also took off with Merle to face his fortunes alongside his brother rather than abandon him a second time, and Glenn and Maggie were beginning to crack due to the torment they suffered in the Governor’s captivity.

Which brought us to last night’s episode entitled…

Home:We start with the prison, where Rick is reconnoitering after losing his mind, keeping watch on the field and Michonne. That ends when he sees Lori again standing before him in white dress, first overlooking their graves, then standing out beyond the fence. After coming to her, he spends time in an imagined embrace. Meanwhile, Glenn decides to step up and talks about their next move, whether they should assassinate the governor or fortify and wait.

Back in Woodbury, the Governor thanks Andrea for the way she stepped up and tells her she could lead the town. She asks him if he’s abdicating, which he seems ambivalent on at the moment. He also tells her they will leave the prison alone as long as they do the same. Privately though, he asks Milton to monitor Andrea since he doesn’t know where her loyalties lie. Later, he and others seem to vanish from the town, and Andrea asks where they are. The best she can learn is from Milton, who says he’s “on a run.”

In the forest, Daryl and Merle come upon a group of survivors who find themselves stuck on a bridge and beset by Walkers. After saving them, Merle tries to rob them but Daryl intervenes. This leads to a fight between the two of them, during which time Daryl accuses his brother of never being there for him and for the loss of his own hand. After the fight turns physical, Daryl tells Merle he’s leaving and begins heading back to the prison.

Glenn and Maggie have a fight over what happened to her in Woodbury and he decides to head out on a mission. Hershel comes to him beforehand to ask him if he intends to kill the Governor. Glenn says no, but Hershel suspects he is going off the deep end too, and urges him to come back since he is effectively in charge. Glenn still leaves and Hershel finds Rick out in the woods, wandering aimlessly. He explains how he’s been seeing Rick and Lori, to which Hershel replies that they need him back.

In the yard, Carol and Axel are talking and having a laugh, when suddenly a bullet hits him in the head. The entire camp looks up to see the Governor and his men shooting from the treeline! Rick and Hershel are both pinned down, and Michonne grabs a gun from the bus and begins shooting from the inner area while Carl and Maggie start shooting from the prison grounds.Things appear locked in stalemate until the Governor’s men drive a big truck through the gate and release a whole slew of Walkers into the yard. They then fall back, just as more Walkers are drawn from the treeline by all the shooting. Michonne begins cutting her way through the Walkers while Glenn drives in and grabs her and Hershel. Rick seems trapped outside, but is saved when Daryle and Merle show up to protect him.

All told, the prison has lost one man – Axel – and the governor one of his. What’s more, its now clear the Governor is intent on wiping Rick and his people off the face of the Earth. And that’s where things end for this week…

Summary:
Initially, I felt like this episode was a pacing chapter, where things slow down after the big climax so people can catch their breath and other parts of the story can be resolved. However, the surprise ending pretty much shot that impression to hell and left me hanging big time! Too bad too, I was all set to complain!

Basically, this was a good ending because it let us know that the Governor wasn’t going to simply roll over and be the subdued “live and let live” shell of himself. Everything’s been done this season to make him seem like a split personality, benevolent and stalwart on the surface, ugly and crazy beneath it. I’m glad they’ve kept that going with him because that is who he is. Making him stand down at this point would only seem like a shameless way of dragging things out, which is something I hoped they wouldn’t do this season.

Daryl’s return to the prison, so soon, had me a bit surprised. Between the two main threads, it seemed like they were introducing a third just to make things more interesting. However, after a brief romp in the woods, Daryl already decided he was sick of his brother and decides to head back. Naturally, this is good timing since the Governor attacked them, but I thought we could look forward to more of a side story where it was just the Dixon brothers.

I did enjoy how they gave Michonne some ass-kicking screen time this week, but I did think there ought to be more. She’s been downplayed so far this season, relegated to the background as a wounded bird instead of the usual independent badass she was earlier on. I hope she recovers soon and becomes the Governor’s worst nightmare, because that was her apparent role in the comic book.

Ah, which brings me to Tyreese and his companions. Again, this is something that is starkly different than the comics. There, Rick and his people met Tyreese and his family early in the comics and lost them before they ever found their way to the prison. His late introduction at this point was clearly due to other changes they made – i.e. keeping Shane alive so long. Given the way they did not appear in this episode, it’s unclear if they are gone for good or coming back. Peron sally, I will be disappointed if it’s the latter.

And as for the assault, no complaints there. Again, it was a scaled down version of what happened in the comics and was clearly just a raid, not the all-out offensive the Governor committed that left the prison shattered and took the lives of both Lori and “Little Ass Kicker”. Yep, that’s how she died in the comics, and the same death claimed Rick’s daughter. Which in turn was how he really lost his mind.

All in all, it’s clear at this point that the show has diverged heavily from the original comic, but seems committed to remaining true to spirit of it. The war between camps continues, it is unclear at this time who will die in the process!

Dredd 2012

Hey all! My apologies for my absence of late, but life has been very busy on the teaching front. Cold season always brings big stretches of busy work, and I’ve been on call steadily for the past three weeks. Luckily, I find myself with a day or two to catch up on other things, and so I decided I’d get back on this horse and start things off right.

Today, I’d like to share a review of a movie I recently enjoyed, the summer remake known as Dredd. Based on the graphic novel Judge Dredd, this movie was an attempt by writer John Wagner and director Pete Travis to reboot the franchise after the semi-disastrous 1995 adaptation that starred Sylvester Stallone.

Though the film failed to recoup its production budget at the box office, which was expected, it was reviewed much more favorably than the original and earned a small following. What’s more, it is expected the movie will continue to gross now that it is released on DVD and will be available on cable and home movie providers.

Synopsis:
The movie opens in the streets of Mega City One, a post-apocalyptic urban environment that stretches from Boston to Washington DC. Dredd’s voice provides voiceover, describing the urban environment in all its bloody, crowded, and dirty glory. We then cut to a scene where Dredd (Karl Urban) is pursuing three criminals that have been spotted by an aerial drone. A tense chase ensues, during which time multiple civilians are killed. After taking out their vehicle and chasing the last man into a Block – one of the cities many massive apartment structures – Dredd concludes that the men were carrying a new drug known as Slo-Mo.

We then cut to Peach Trees, another major block, where we meet Ma-Ma (Lena Headey). She is a notorious crime boss that runs Peach Trees and is responsible for the manufacture of Slo-Mo, and who is plotting to expand production and bring it to the rest of the city. We get a glimpse into just how ruthless she is when she dispenses justice against three men who have been dealing in their Block and that she decides to make an example of. This consists of skinning them and then dropping from the top floor to the bottom level, but first giving them a hit of Slo-Mo so it will seem imperceptibly long.

Dredd is then called back to the Grand Hall of Justice to inspect a new recruit named Cassandra Anderson (Olivia Thirlby), who is reportedly a psychic. She and Dredd are dispatched to Peach Trees as part of her final evaluation to investigate the dead bodies. After the paramedic examines them, he explains that they all had Slo-Mo in their system, and gives them a rundown on who Ma-Ma is and how she came to be the master of the Block.

They then proceed to the nearest distribution center on the Block and take it down, securing one of Ma-Ma’s men (Kay) in the process. Anderson probes his mind and deduces he was the one who threw the men over the balcony and they decide to take him in for interrogation. When word reaches Ma-Ma, she has her thugs seize control of building security and lock the entire Block down, which consists of external shields closing in around the structure to resist a nuclear blast. All communications with the outside are cut off, and Ma-Ma announces over the PA system that she wants the Judges killed.

Dredd and Anderson begin fighting their way through several groups of armed residents with Kay in tow. Eventually, Ma-Ma orders her men to bring out their greatest weapon, a bunch of Vulcan cannons, and use them to shoot up an entire level. Dredd and Anderson narrowly survive by breaching the outer wall and calling for help, and Dredd then tosses Caleb, one of Ma-Mas henchmen over the balcony in full view of her. Down below, two Judges show up on the scene, but are unable to get through the Block’s sealed walls, and Ma-Ma’s hacker insists this is all part of a security drill.

Retreating to a school house, Dredd concludes that Ma-Ma is desperate to kill Kay to keep him for revealing her secrets and begins beating him. Anderson intervenes and begins mind probing him instead, learning that Peach Trees is the center for the production and distribution of Slo-Mo. Shortly thereafter, Dredd and Anderson are distracted by some armed teens, which allows Kay to kidnap Anderson and escape using the freight elevator to get to the top levels.

Dredd continues to work his way towards the top, prompting Ma-Ma to call in four corrupt Judges. They relieve the men at the front, enter without incident, and agree to take down Dredd for one million credits. Meanwhile, Kay attempts to kill Anderson using her gun, and loses his hand in the process. She escapes and begins working her way down, and becomes a target of the crooked Judges as well. Between the two of them, they manage to take out all four and meet up in the Slo-Mo production lab. Dredd is wounded by Lex, the last of the Judges, but Anderson saves him and the two carry on.

After finding Ma-Ma’s hacker, they manage to obtain the code from him to her private cell. Rather than Judge him, Anderson sees that the man only worked for Ma-Ma out of fear, and that she was the one who took his eyes, forcing him to get bionic enhancements. She lets him go, even though Dredd tells her it could result in an “automatic fail”. She responds by saying she was already taken hostage and her gun was confiscated, which is also grounds for an a fail grade, and they move on.

They finally reach Ma-Ma’s cell and take out the last of her men, though Anderson is also wounded in the process. Ma-Ma then tells Dredd she has the upper levels lined with explosives and the detonator is mounted on her wrist. If her heart stops, the device will go off and everyone in the top 50 floors will die. Dredd shoots her in the stomach and responds by saying the he doubts the device has a range that can reach from the ground floor to the top, and Judges her. Sentencing her to death, he gives her a hit of Slo-Mo and tosses her from the balcony. She falls in slow motion to her death, and the building doesn’t blow up.

Convening with reinforcements and paramedics below, Anderson hands her shield to Dredd and walks away. However, when the Chief Judge comes to him and asks how she did, he replied that she passed. The movie then ends with Dredd providing voice over once again, about how the city is a corrupt mess, and the only thing standing between it and total chaos are the Judges.

Summary:
Consistent with what I heard in advance, this movie was actually pretty good. And even though it didn’t do well at the box office, the result of the meme working against it, I can see it developing a cult following and becoming something of a personal classic to many in the coming years. Despite some flaws, such as the excessive gore and some self-indulgent special effects, it had some noticeable signs of quality.

For starters, the look and feel of the Megacity environment was pretty awesome. The gritty, grimy nature comes through immediately, and without any of the overdone campiness of the original movie. Rather than shooting it in a massively constructed environment with flying cars and lavish costumes, the movie is shot in Cape Town and Johannesburg and uses real locations as a backdrop and relies on CGI and models only to supplement the already dense and dirty urban environment.

And of course there was the attention to detail with the centerpiece of the movie, the building known as Peach Trees. As a Mega City Block, this building is essentially an arcology where all the basic needs of the residents are taken care of in-house. This includes schools, medical care, food, entertainment, and all of these were illustrated at one point or another in the film. And you’ll notice that in all cases, their was graffiti on the walls, garbage on the floor, and metal bars on everything, signifying just how dirty and dangerous the environments are.

And I really enjoyed the whole “lock down” procedure, which was more than just a convenient plot tool. In a world where nuclear holocaust has already taken place and every Block acts as a self-sustaining arcology, the concept of shield walls was just plain genius in my mind. Visually it was quite cool, but it also made perfect sense and it beautifully illustrated the shock mentality and survivalist instincts that are so common to this world.

And of course the movie was thematically consistent. On the one hand, you had the nature of the city, which was packed to the brim with 800 million people and with a homicide rate of 1700 people a day. Whereas Dredd is the perfect symbol of social fascism in this context, a man who has little faith in people and absolute veneration of the law, Anderson is the bright-eyed rookie who wants to help people and believes there is good to be found, even in an overcrowded block like Peach Trees.

These archetypes are offset by characters such as Ma-Ma and Lex, the leader of the crooked Judge. As her back story presents it, Ma-Ma is essentially a sociopathic product of the Mega City environment, a former prostitute who killed her pimp after he cut up her face and who has been on a non-stop mission ever since to bring her own sense of order to the city. Lex, meanwhile, is an embittered veteran who has lost all faith in the system and helping people and is simply looking out for number one.

Through it all, Dredd is softened somewhat by his encounter with the corrupt Judges and Anderson’s gentleness. Naturally, his war of ideology with Ma-Ma ends with him taking her out, but not before a long battle of wills takes place. This is exemplified by the way the two dual for control over the hearts and minds of people in Peach Tree. Whereas Ma-Ma uses their fear to obtain their help in hunting Dredd, Dredd fights back with his unflinching dedication to take her down and anybody who gets in the way. Ultimately, Dredd wins in part because Ma-Ma’s insanity and willingness to kill her own convince people to keep out of the way and let Dredd do his job.

What’s more, the movie was well cast. Karl Urban fits the bill as the surly, sour-faced Judge who never shows his face and is never to be found doing anything other than his job. And Thirlby pulls off the role of the green, untested rookie who comes through in the end quite well. And Lena Headey, whom fans know from 300, the Sarah Conner Chronicles, and (best of all) as Cersei Lannister from a the HBO adaptation of A Game of Thrones, was also very convincing as Ma-Ma.

I was surprised really, seeing as how the previews kind of lent the impression that her role was overdone or just too plain evil. But it is a testament to this woman’s ability to act that she pulls off the psychotic crime boss who knows no mercy. Somehow, between her cut up face, evil eyes and bloody grin, you become convinced she was a victim who turned her abuse into complete madness and shouldn’t be messed with! What’s more, Urban’s usual combination of deadpan frowns and monotone voice worked in his favor, much like how Keannu Reeves same combination of method and monotone allowed him to pull of Neo.

And of course, there were the visual effects. There are those who would say that this movie was just an ultra-violent gorefest with overblown special effects. But to that, I’d say it was a lot more genuine that the original, and much of the gore and violence was appropriate given the setting and tone of the movie. Mega City One is a massively overcrowded, decaying cesspool of humanity, where thousands of murders happen a day and human bodies are recycled for food and goods.

Such a place is neither safe nor sanitary, and violence is a constant, pervasive element. And sure, the concept of Slo-Mo may very well have been an excuse to employ some over the top 3D and slow motion sequences. But after watching the movie, I was forced to admit, it was a pretty damn good one! In the end, you can’t help but feel that these two factors are somewhat excessive but still appropriate.

Naturally, the original movie tried to gloss over this since they wanted to give it as wide an appeal as possible. This failed, as much of the material was just too adult for kids, but the tone and feel of it was too cartoony to be taken seriously. Basically, the movie tried to hedge its bets and ended up flopping for it. But this time around, the directors and producers were going for a cult appeal and stuck to their guns, which I have to respect. By aiming for a smaller range of consumers and a less broad appeal, they were able to keep the movie honest and truer to the source material.

In short, I give it a 7.5/10. And man, I want to see more of Mega City One! That urban landscape had a kick-ass art team putting it together! I’d recommend the movie for that much alone, especially to fans of the Blade Runner, urban noire and post-apocalyptic series’, but the rest of the movie is fun watching too. So get it and contribute to the cult following people. The producers still need to recoup their dough!

BSG: Blood & Chrome (Ep. 5-8)

And welcome back! Here we have another installment in the BSG: Blood & Chrome series. Last time out, the show introduced its basic plot concept, most of the principal characters, and left the audience on the verge of a big firefight. This time around, with episode 4 through 8, said action takes off, people live, people die, and then things slow down just enough for some character development, introductions, and revelations.

Episode 5-8:
The scene opens with Adama, Coker and Kelly flying with their escort down to Djerba. Meanwhile, the Osiris opens fire on the Cylon base ship, but is outmatched. After a desperate fight, the Commander orders her crew to ram the Cylon base ship and detonate their compliment of nukes, destroying both vessels and killing all hands aboard her. The Wild Weasel meanwhile flies into Djerba’s atmosphere and is pursued by Raiders. They lose their escorts, but managed to take out the pursuers, only to then crashland on the surface.

Coker suggests they repair the Raptor and attempt to break atmo, but Kelly insists they continue with their mission. Adama agrees with her, and after another heated argument, they agree their best bet for getting home is to rendezvous with the spec ops team as ordered. But of course, when they reach the rendezvous inside a cave, all they find is bodies. The cave then suffers a cave in and the three of them find themselves in a hole, where a large snake-like creature begins attacking them. They are narrowly saved by the last member of the spec ops team – named Toth – who takes out the snake and pulls them back up to the surface.

Toth then explains that he was the team’s engineer, and that he was out doing reconnaissance when the snakes attacked and killed his team. As hybrid creatures, the snakes are a Cylon attempt at merging organic and synthetic tissue, and are used as defensive mechanisms. He tells them that they cannot complete their mission at the moment since a massive storm has rolled in, and convinces them to come with him back to his compound to wait it out. As it turns out, he has made a home inside an abandoned ski resort and has surrounded it with mines and trip wires.

Adama, Coker and Kelly make themselves at home inside the resort while Coker takes first watch. Adama and Kelly room together and she explains that her husband was not actually a war hero, but in fact was the victim of friendly fire. For the sake of the war effort, the public was told this lie in order to bolster morale and boost recruitment. Adama and Kelly have sex in front of their fireplace and Adama later wakes up to find Coker playing the piano in the lobby. He joins Coker, who quickly realizes he has slept with Kelly and chastises him for it. Their discussion is ended when one of the perimeter mines goes off and Cylons begin rushing the resort.
Adama and Coker begin searching for Kelly while Toth chooses to make a stand in the lobby. He manages to take out two Cylons, but is quickly shot up, and two more make their way into the interior to find the others. One of them pursues Kelly into what appears to be a meat locker, where Kelly finds numerous bodies that appear to have been cut up or filled with cables and tubes.

Adama comes upon the second one in the corridor and loses his weapon after getting a shot off, but manages to find a metal pole and beats the thing to death. He and Coker then come upon the Cylon that has the Doctor cornered, and is attempting to read her dog tags, and shoot it dead. In the process, they notice the Cylon is making noises, which Kelly claims is “screaming”. They finish it off and go off to find Toth.

Summary:Unlike the first installment, I actually found a few things that I didn’t like about these episodes. For starters, the number of technical malfunctions that take place is beginning to get repetitive. It seems that in every fight since the series began, the good guys suffer a malfunction and have to do things manually. This happens twice in episode five, first with the Osiris’ nukes, and then with the Wild Weasel. And the result is pretty predictable: the Osiris has to sacrifice itself to take out the base star, and the Wild Weasel has to crash land on the surface.

Second, there was the fact that the Osiris is alone in orbit at the beginning of episode 5 before the battle, and then it doesn’t even bother to call in the other ships when they realize there’s a Basestar in the area. What happened to the rest of the “ghost fleet”? Was it being used for some other mission, or did they plan to call it in but failed to? Not made clear and I’m left wondering why all the other ships were reported lost if they weren’t even going to be used.

And then there was one continuity error I noticed in episode five during the battle scene. After losing control of their nuke launchers, the Commander orders her crew to set course of the Basestar so they can trigger them manually. The first time around, the helmsman complies, but the second time she says it, he objects because and says its suicide. This made no sense. It was obvious the first time she said it that it was a suicide run. You can’t launch them, so setting them off will mean you die. And the only reason to get closer to the Basestar was so they would die too. Why did he only realize this the second time around?

Also, the fact that the special ops team would be dead seemed pretty predictable as well. Somehow, it just seemed obvious that the mission would all come down to the three of them – Adama, Coker and Kelly. It was good that another character became involved, and Toth’s high-strung, PTSD antics proved to be a good addition to the mix. Basically, he was well-paired with Coker’s war-weary character and Adama’s gung-ho attitude. And while they are forced to rely on him, none of them are sure he’s even sane.

But then, he is killed off quite quickly, which kind of sucked. Shouldn’t this hardened survivor man know how to keep his head down during a fight? Instead, he is shot within seconds of the Cylons entering and is dead. And, I should mention, the “sex scene” between Adama and Kelly is never shown, we just know from the way the camera fades out and from him admitting it to Coker that it took place. Considering the obvious tension between the two from the beginning, I don’t see why we couldn’t even see them kiss.

And as a final flaw, Adama and Coker have a surprisingly easy time taking out the two Cylons. The Centurions who enter the resort looking to kill them were very well rendered and detailed, the kind of stuff you expect to see from the Terminator franchise. But then, Adama manages to kills one with a small pole while Coker kills the other with a few well-placed rounds from his gun. For all their intimidating appearance, their armor is basically shit!

And remember the original series, where a bunch of the new models board the Galactica? They explained that their regular weapons were useless and the only way to take one down was with explosive rounds. So why then do these two fall apart the second they are winged with an iron rod or a small arms bullet? I know, budgets and time constraints meant they had to do this part quick, but talk about unrealistic!

Okay, good points now. As usual, the special effects were pretty top notch. It may even be the result of the production value being so high that I began to get so critical this time around, as I forgot that it was a web series and not a full-blown cable show. The appearance of the Centurions and the attention to detail alone would be well worth the price of admission. The scene were the one had Dr. Kelly cornered and is surveying her was pretty awesome, the Cylon staring at her menacingly while tiny tentacle-like spikes on its mouth bristle. Naturally, some of this was designed to hint at their partially-organic nature.

And of course, there were some rather interesting hints embedded in the plot as to what the nature of mission. The hybrid snakes lent the impression that the Cylons could be working on organic-synthetic beings, which as we know from the original series was a technology they eventually perfected. The appearance of the mangled bodies in the meat locker was another hint, even though that was a little confusing*. And of course, the way the Cylon was screaming in pain after being shot and Dr. Kelly claims that “they feel pain now”. And of course this all helped to preview how the Cylons evolved from the “toasters” of the first war to the hybrid, organic machines they were in the second.

*Wasn’t the resort Toth’s hideout? What were a bunch of Cylon experiments doing in there? Had they been using it before he showed up and he didn’t even know? Or did he realize the Cylons were once there and figured he could hide there and rig it in case they chose to come back? Not explained…

All in all, the show has been progressing quite nicely, albeit with a few bumps along the way, and I am looking forward to the dramatic conclusion! Stay tuned!

The Walking Dead Season 3 (Episode 8)

Welcome back Walking Dead fans! Last time, it seems I made a bit of a mistake and would like to rectify it first. According to updates from IMDB, season 3 will be running for a full 16 episodes instead of ten. However, this was the last episode before the mid-season break, so it did have its share of climaxes and more cliffhangers. When they come back in February, we can look forward to another 8 episodes!

Okay, moving on to what happened this week. A lot of thrills, kills, and chills as the two camps collide, new players are introduced, and some serious shit hits the fan!

Made To Suffer:
The episode opens with a new party fighting their way through the forest. After fighting their way through a slew of Walkers, one of their party is bit and they come upon the prison. Finding a collapsed wall, they make their way inside one of the uncleared cell blocks. Over in Woodbury, the Governor continues to try and reach his daughter Penny, relying on the techniques Milton was using to try and trigger memories. After his attempts fail, he becomes angry and throws her back into her cell.

At the prison, we see tension growing as Axel appears to be taking an interest in Beth and Carol tells him to back off. He explains that it’s just that she is the only available woman since Maggie is taken and Carol is a lesbian, or so he thought. She corrects him on this, and laughs when he begins making some clumsy advances towards her.

Shortly thereafter, Hershel, Carl and Maggie hear screams coming from down below cell block and realize they have company. Carl goes down to investigate alone, and finds the new arrivals in the midst of a fight with many Walkers. He tells them to follow him and covers their escape while they head up top, bringing their bit friend with them. When they reach a cell, Carl locks then in and tells them to take care of their friend. They reluctantly agree and kill her with a hammer before she can turn.

Over at Woodbury, Rick, Daryl, and Oscar make their way into town with Michonne’s help. Once they reach the heart of town, they realize that she has no idea where Glenn and Maggie are being kept and things begin to stall. However, they are alerted to their location as an escape attempt by Maggie and Glenn goes south and gunfire erupts. Merle and his henchmen take them prisoner again and prep them for execution, but Rick and his party manage to show up just in time.

Using smoke grenades, they steal Glenn and Maggie away and head for the wall. Daryl narrowly misses seeing his brother in the confusion and the party falls back to a nearby house. Michonne then wanders off to sneak into Governor’s apartment, as she clearly has some unfinished business with him. The Governor meanwhile begins deploying his men once words get around that they have intruders. Naturally, Andrea wants to help but he forbids it, since he knows that any contact with her old companions will go sideways on him. At the same time, Daryl learns that his brother is out there and wants to find him, but Rick refuses him.

However, both fail as a gunfight ensues in the streets and everything hits the fan. Using more smoke grenades to cover their escape, Maggie, Rick and Glenn make it over the wall, but Oscar is killed. Rick also has a flashback as he shoots an approaching man who reminds him of Shane, and Daryl stays behind to provide covering fire but gets cut off from the rest. Andrea is also caught in the fight and begins laying down fire with her pistol, and pursues the Governor to his apartment where they both run into Michonne.

Before they arrive, Michonne finds the Governor’s private room and sees his collection of Walker heads and his daughter Penny. When she realizes what Penny is, she draws her sword and prepares to kill her. However, the Governor shows up then and pleads with her not to hurt his daughter, but Michonne kills her and the two get into it.

After much struggling, during which the aquariums holding the Walker heads are smashed, Michonne grabs a shard of glass and stabs the governor in the eye. She is about to kill him too when Andrea shows up and stops her. Michonne runs out, leaving Andrea with the mess of heads and the Governor as he clutches the body of his dead daughter and sobs.

Afterward, she and the Governor talk while he recovers in bed, but he doesn’t have much in the way of answers. Outside of town, Rick pulls his gun on Michonne and demands answers. The Governor calls a town meeting and tells them they were attacked by “terrorists” and that Merle was working with them. He’s taken prisoner and reunited with his brother, and the townspeople begin to call for blood!

Summary:
The mid-season finale was quite the climax/cliffhanger. On the one hand, we got to see the first of many confrontations between the Governor and the prison-folk, which was been building up since season 3 began. And now that he’s missing one eye and been deprived of his daughter, the stage is now set for the one-eyed Governor of the comic fame to lead an assault on the prison itself. All the teasers for the rest of season three point towards this, and I for one look forward to it!

Also, there were two key reunions in this episode which deserve note, and which were well-timed to coincide with one another. On the one hand, we get to see Merle and Daryl reunite after two and a half seasons apart. On the other, Andrea and Michonne meet up again and nearly come to blows in the Governor’s private room. In both instances, we have a cases of friends and family finding themselves on opposite sides in the course of a civil war. And Maggie even goes so far to characterize it for us: “All this time running from Walkers… you forget about what people do.”

This is a central theme to the story of The Walking Dead, which is how human beings inevitably turn on each other when the going gets tough. Already, we’ve seen cases of this with Merle and Shane, how one proved too unruly and dangerous to have around and the other went insane with jealousy and had to be killed. Now, it will reach fruition as the Governor’s camp and the Prison camp go to war, both in the name of protecting their own.

Once again, it was really nice to see Michonne kicking some ass! For a long time now, a fight has been brewing between her and the Governor and it finally happened. I was surprised the Governor held his own for as long as he did, but white hot rage probably had something to do with that. In the end though, Michonne got the upper hand on him and would have removed his head, had Andrea not shown up to save his ass. Damn you Andrea! Michonne tried to warn you, but you just wouldn’t listen! And you’re STILL getting in the way! But of course, that’s what keep the plot going so I can’t criticize too much…

At the same time, we got a little plot development on the quieter side of things, that being back at the prison facility. First up, Axel is beginning to show signs that he might have been a sex offender in his previous life. Though he claims he’s just a desperate man looking for love and is limited in his options, one can’t help but feel that he could become dangerous before long and will have to be “dealt with”. Again, I’ve got some insider knowledge on this, having read some of the comics, but I’m anxious to see how that pans out.

And of course, the prison group has received an infusion of new blood with the arrival of four new people. After being rescued by Carl, there was the usual standoff moment as he was forced to lock them in a room after they finished off their friend. Not much in the way of explanations were needed, as its clear than any newcomers in this world have to earn the trust of others before being welcomed in to their community. Luckily, Tyreese, the de facto leader of the group, seems to understand and is willing to play ball, if only because they have no other options.

But of course, the cliffhangers… First off, we’ve got Daryl and Merle who find themselves reunited under the worst of circumstances. The Governor has labelled them “terrorists” and clearly means to kill them. Meanwhile, Rick and his party are torn of what to do, whether they should beat it back to their own camp or try and mount a rescue. Me, I’m guessing they’ll head back to the prison while the Governor tries to get what info he can from Daryl. And in the end, Merle will defect and try to free his brother, just in time to stop the Governor’s armies for attacking the prison.

And of course, as soon as Rick and his bunch return, they will have to decide the fate of the newcomers. Once more, we can expect the usual process of back and forth where everyone wants to trust each other, but no one is willing to lower their guard until they’re sure. And I imagine, Rick, Tyreese, and everyone in between will find they have no options once conflict with the Governor’s people becomes inevitable.

But of course, all that’s speculation. Mainly, I’m just looking forward to see what they do with it and am pretty pleased with the direction it’s all been taking so far. Here’s to the second half of Season 3, coming in February of 2013!

Stories by Williams

Classic sci-fi books, reviews, and the best of from a dedicated fan and author!

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Classic sci-fi books, reviews, and the best of from a dedicated fan and author!

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