Game of Thrones, Season Four – What Went Wrong?

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(WARNING: SPOILERS AHEAD!)

Just the other day, I saw the finale for season four of Game of Thrones, and it got me thinking. While the episode was hailed by some critics as the show’s best finale so far, others raised the obvious point that Thrones geeks did not fail to miss. That being the absence of Lady Stoneheart from the proceedings. In the novel, A Storm of Swords, which provided the material for seasons three and four, things ended with the appearance of a resurrected Lady Catelyn Stark, who now went by the name Lady Stoneheart.

Like most GOT geeks, I felt surprised and disappointed, a sentiment that has been echoing throughout this season. In fact, though I felt that the finale was the best episode of the season, I also had to conclude that season four was the worst season to date. And the reasons for this seemed to be pretty clear after ten episodes with some pretty consistent mistakes. So I thought I might go over them…

1. Pointless Changes that don’t go Anywhere:
One of the biggest annoyance for me this season was the fact they made some rather drastic changes to the storyline, ones which would have altered the plot significantly if they had been allowed to truly unfold. However, not wanting to get terribly off-script, the writers were then forced to tie these divergences up by making sure they didn’t have any lasting effect. As a result, we were left with sequences that were truly pointless.

Ramsay-406The worst of the lot had to do with Theon. In the novels, Theon was presumed dead after A Clash of Kings after he was betrayed and defeated at Winterfell. He didn’t appear again until book V (A Dance with Dragons) where it was revealed that he had been Ramsay Snow’s prisoner the entire time. At this point, he is compelled by his father to use Theon to persuade the Ironborn to leave Deepwood Motte and other captured territories.

But in the show, Ramsay decides to openly advertise that he has taken Theon prisoners and is torturing him in order to persuade the Iron Islanders to leave the North. This prompts Asha Greyjoy (renamed Yara) to sail up the river and mount a rescue. This made little sense, since the Dreadfort is not reachable by river, but the real fault was in how things turned out. After finding Theon, Asha and her men are quickly dispatched when Ramsay decides to unleash his hounds.

Asha retreats, claiming her brother is dead. Not long before, she claimed that rescuing her brother was a matter of honor and an injury to him was an injury to all Ironborn. But after seeing him terrified and brainwashed, and frightened by Ramsay’s dogs, she decides to leave him to his fate. Not surprising, since there really was no other way this thread could have been resolved without seriously altering the plot down the road. But this only made the whole attempted rescue seem pointless.

la_ca_0327_game_of_thronesAnother pointless change that was clumsily resolved was Jon Snow’s mission to Craster’s Keep to kill the mutineers. In the novel, Jon only real concern at this point was the Wildling army riding to the Wall, not to mention the Wildling raiding party that was making its way towards Castle Black. The mutineers were all suspected of being dead, which made sense since Mance’s army was practically upon the Wall at this point.

Another thing, Jon did not know that Bran and Rickon were alive. And so, he didn’t venture out to Craster’s Keep in part because he figured they would be stopping here on their way further north. As a result, there was no close shave where Bran very nearly met up with Jon but then didn’t. What’s more, the fact that Jon was willing to ride out and risk running into Mance’s invading army, but would not ride south to engage Tormund and Ygritte’s raiding party made even less sense as a result.

got4_aryahoundAnd last, Brienne’s encounter with Arya was something that never happened in the books, and therefore necessitated that it end in a way that didn’t violate the plot. This one they actually did pretty well, in my opinion. Not only was the fight between Brienne and the Hound well executed, but it even made a bit of a sense that Arya would choose not to go with her and slip off, for fear that Brienne was working for the Lannisters. Still, it was a made up addition, and one which has to be included since it necessitated a contrived resolution.

2. Padding/Mining:
At the same time, there were additions to the story that never happened in the books and were pure filler. And in just about all cases, it involved the same threads – Theon and Jon Snow in the North, Daenerys in Slaver’s Bay, and Stannis and co. at Dragonstone. In just about all instances, the writer’s were scrambling for stuff for these characters to do because their storylines were exhausted at this point in the book and did not come upon again until book V, which required that material from that book be brought forward and used.

For instance, Roose Bolton did not concern himself with the whereabouts Bran, Rickon, or Jon Snow upon returning from the Red Wedding. His only concern was cementing his rule by having his son marry a Stark and be declared legitimate, which meant that he never sent Locke to the Wall to find them and kill anybody. And so, Locke’s attempted murder of Bran, his death at the hands of Hodor, and the plot to kill the last of the Starks was entirely made up.

GOT4_mereenMuch the same holds true for Daenerys entire storyline after the sack of Mereen. Having proceeded to cover her sack of Slaver’s Bay in a very speedy and topical way, the writer’s of the show were now left with a very important thread where the characters essentially had nothing to do. As a result, they mined material from book V to keep her busy, or just threw in some added material that never happened in the novels and really accomplished nothing.

In the former case, this included Daenerys’ affair with Daario Naharis and her learning that Drogo has killed a herders child, thus prompting her to lock her dragons up beneath one of the city’s pyramids. In the latter, it involved the relationship between Grey Worm and Missandei, which makes little sense seeing as how he is an Unsullied and completely castrated. But to confound this, the writer’s decided that Missandei was suddenly unclear as to whether or not the Unsullied’s castration involved both the “pillar and the stones”.

Much the same held true for Stannis’ thread this season. After being defeated at the Battle of Blackwater, very little was heard from Stannis until his forces appeared in the North and overran Mance Rayder’s Wildling army. However, to ensure he had something to do, the writer’s added many superfluous scenes where we simply see him and his people droning on about very little. And, similar to what they did with Daenerys, they even mined material from book V where Stannis meets with representatives from the Iron Bank.

GOT4_6_2In the novels, the representatives came to Stannis only after he had come to the Wall and routed Mance’s army. The reason being, Lord Tywin was dead, Cersei was in charge of King’s Landing, and she had made it clear that they would not be making payments to the bank just yet. Ergo, the Iron Bank was backing her enemies to ensure that whoever won would make good on the Thrones massive debts. So basically, they took material that happened later, changed it, and moved it forward to keep Stannis’ story going.

The same held true for Stannis’ decision to sacrifice a child of royal blood so Missandre’s could divine the future. This wasn’t to happen until he reached the Wall, and involved entirely different people than Gendry (who was gone from the story at this point). Here too, the material was moved forward and altered just so the character remained in the show.

3. Boring and Superfluous:
Something else that kept popping up for me this season was the endless array of short scenes with pointless talk, the prolonged scenes with pointless talk, and the scenes that tried to be dramatic but were just filled with superfluous stuff. This I generally filed under the heading of “filler”, and there was some crossover with stuff in item two. Still, I felt that it deserved its own category since there was quite a lot of it.

For example, the episode The Mountain and the Viper was one of the most anticipated of the season, and the fight scene that provided the climax was quiet awesome. However, everything leading up to it was some of the most boring material I’ve seen in years. This included Missandei and Grey Worm carrying on like teenagers, Tyrion talking endlessly before the fight about his simple cousin for no apparent reason, and a slew of other scenes in the North or Slaver’s Bay.

OberynMuch the same was true of Daenerys’ siege of Mereen in episodes five and six. What was essentially a major undertaking in the books was covered in three short scenes in the show. It begins with the fight between Daario (it was actually Strong Belwas in the books) and Mereen’s champion, which ended far too quickly. Then the siege itself which involved them throwing barrels filled with broken chains in, and then a quick sneak attack that opened the next episode.

Speaking of which, episode five, Breaker of Chains – what can you say about an episode where just about the only scene of consequence is a rape scene? Seriously, what were the writers thinking with that? It was completely different from what happened in the books, was ugly and unnecessary, and was the only point of interest in an episode that had nothing but after-the-fact dialogue and a slow, plodding pace to it.

4. No Stoneheart!:
But by far, the biggest inexplicable change this season was the absense of Lady Stoneheart (aka. Catelyn Stark) at the end of the season. Not only was she introduced at the end of the third book to preview what was coming in the next two volumes, it also provided a surprise ending that shocked readers and gave them hope. After getting away with bloody murder, it now seemed that the Freys were going to pay for their crimes! But first, a little explanation as to how Catelyn was up and walking again…

Basically, Catelyn became Stoneheart after she was murdered at the Red Wedding and her body cast into the river to float downstream, where it washed up and was found by the Brotherhood Without Banners. There, Beric Dondarion begged Thoros of Myr to use his Red Priest magic to bring her back to life, as he had done with Ser Beric so many times now. However, Thoros was tired of playing God and refused, which led Beric to kiss Lady Catelyn on the lips and pass his life force to her.

Stoneheart_2Tired of being brought back from the dead, he decided he would let the magic which had resurrected him many times bring her back. Ser Beric died on that riverbank, and Lady Catelyn came back – albeit in a scarred, muted form. Not only did she have a hideous scar on her throat and a bloated face, she was also functionally mute. And she was some pissed, and sought revenge against the Freys for their betrayal. As such, she now led the Brothers through the Riverlands to find all those who had betrayed her family and execute them.

So the question is, why was she left out? Well, Alex Graves, who has directed several pivotal episodes of show, commented on this and other issues after the final episode of the season aired:

They [showrunners David Benioff and Dan Weiss] have such a challenge adapting the books into a really focused television experience. It’s very hard, it’s very complicated, it’s much harder then they’ve been given credit for, I think — and they do a brilliant job. But to bring back Michelle Fairley, one of the greatest actresses around, to be a zombie for a little while — and just kill people? It is really sort of, what are we doing with that? How does it play into the whole story in a way that we’re really going to like? It just didn’t end up being a part of what was going to happen this season. And finally one [more] reason: In case you didn’t notice, a lot happens this season … To add that in is something they opted out of. But what’s funny is that it was never going to be in the season, yet it took off on the Internet like it was going to happen.

Wait, so they didn’t want to show Catelyn as a zombie and because they were too busy with other things? Well okay, except that she’s NOT a walking corpse, she’s a reanimated, living being, who just happens to look a bit the worse for wear. As for the latter explanation, that they were busy, this sort of makes sense since they chose to change things in the final episode where Brienne and the Hound fight it out. But as I said, that never happened in the books and it also served little purpose.

GOT4_briennehoundSo if Graves is saying they chose to forgo a major plot point to focus on something that, while fun to watch, really didn’t effect the story, I would have to check my BS meter. As for whether or not Lady Stoneheart will be appearing in the next season, the director basically said that this was up to the writers and they were not being forthcoming on that point:

As somebody who’s worked deep inside the show, begged to have an answer and wants more than anybody, I have no idea. They won’t tell me. They’re very good at being secretive.

Hmm, so Lady Stoneheart may or may not be making an appearance in the next season, huh? There’s just one problem with that. SHE HAS TO! She’s an integral part of the plot as far as the next chapter in the story – A Feast for Crows – goes. To leave her out would be to leave a big, gaping plot hole where Brienne and Jaime’s story threads are concerned. I mean, its one thing to not bring her back just so she won’t be appearing for a few minutes at the tail end of a season. But to leave her out entirely when her character is central? That’s just plain weak.

But that wasn’t the last thing Graves commented on as far as this season’s finale and future shows were concerned. Fans also wanted to know if that semi-tragic scene involving the Hound was in fact his stand. Graves was strongly suggested that it was:

As far as The Hound, as I told the story … he’s gone. How is he going to survive that? The real point of it was that she walks away, it wasn’t that it’s left open ended.

Yet another problem. In the original novels, when Brienne came to the Riverlands and began tracking down leads, she was told that the Hound had been spotted and was carrying a Stark with him. Initially, Brienne thought it might be Sansa, but later learned it was Arya that was with him, and that she left the Hound to die underneath a tree on the Trident. But later on, reports began to circulate that the Hound was in fact not dead, and had been spotted on the move once again in the Riverlands.

GOT4_hounddeadHonestly, Graves’ guesswork on these topics makes it sound like he really isn’t familiar with the source material. But to be fair, only Martin knows for sure if the Hound is coming back, so announcing things either way at this point would be premature.

Summary:
Of course, its easy to pass judgement of television writers for making changes from original material. And Graves was right when he said that the writing team have their work cut out for them and are working hard to bring George RR Martin’s novels to life. But the problems this season seemed to stem from one central thing: they split the book in half. While this seemed logical since it was clear they couldn’t possibly make all of A Storm of Swords fit into one season, the decision to split it into two meant they didn’t have enough materiel for this season.

After all, ASOS is one of the most eventful and shocking installments in the series, and ten episodes simply wasn’t enough to cover the Red Wedding, Joffrey’s Wedding, Tyrion’s trial and escape, the battle at Castle Black, Mance’s assault on the Wall, Stannis’ assault on the North, and Daenerys’ sacking of the cities of Slaver’s Bay. But twenty episodes was too much, which meant the writers had to make stuff up, take stuff from the next books, or just expand what they had to make it fit.

And the result was a season with some bad parts to it. Still, there were plenty of highlights too. Joffrey’s wedding and his death scene was some pretty good viewing, Tyrion’s trial did not disappoint, the fight between Prince Oberyn and the Mountain was badass, the battle at the Wall was hectic, and the Hound’s (supposed) death scene was quite well done. And the finale was one of the better episodes in the series, and perhaps one of the better finales as well.

And the additions, though they went nowhere, weren’t all bad. In fact, the only thing I would say was done poorly this season was the entire Daenerys thread, which gravitated between boring and superficial. I mean, the woman’s leading an army through the entire Slaver’s Bay and conquering cities! Why did they skim these things so quickly and then give her nothing but boring administrative duties for the rest of the season? Budgets? …ah, maybe.

In any case, I will be watching next season, and look forward to what they will be doing with it. Thanks to how George RR Martin wrote books IV and V (A Feast for Crows, A Dance with Dragons), we will be seeing aspects of both books presented simultaneously, but there will be enough material for two seasons this time. Which is good, seeing as how Martin needs time to produce book VI – The Winds of Winter – which will inevitably provide the basis for season seven.

Yeah, the man’s wheels grind slow, and exceedingly bloody! Until next season folks…

Game of Thrones – Season Four, Episode Four

GOT4_3At last, I am finally caught up with GOT and the many episodes which took place while I was either overseas or in transit. And while I’m pleased with that fact, I have to say this past week’s episode was kind of a disappointment. And there are a few reasons for that. For starters, it was loaded up with stuff that didn’t even appear in the original books. And I don’t mean they changed some things for the sake of adapting to a TV format, as they’ve done countless times in the past. No, this week, they had whole segments that were entirely made up.

Second, there was the way they explained every single aspect of the conspiracy surrounding Joffrey’s death. They’ve done this a lot in the shows, being explicit about things that were implicit in the novels. But this time around, they really spelt it out for us! And last, but not least, there was the whole mutineers at Craster’s Keep thread and the way they turned up the ugliness factor. Forget Oathkeeper, the episode should have been called “C*nt” – as in, how many times can we say it in one scene!

However, there were some parts of it that were interesting and even intriguing, mainly the ending…

Oathkeeper:
GOT4_4_1The episode opens with Daenerys’ attempt to take Mereen, which consists of Grey Worm and other Unsullied sneaking into the city through its sewers. Disguised as slaves, they made their way inside to where the city’s slaves are holding congress and discussing open revolt. Upon their arrival, Grey Worm and the others distribute weapons and tell them that Daenerys is there to free them, and that they outnumber the masters three to one.

The next day, the masters see Daenerys’ banner flying from the tallest of the city’s pyramid and find graffiti denouncing the masters. One such master is caught in an alleyway between dozens of armed slaves and is killed. The slave uprising neutralizes the defenses, and Daenerys enters into the city and is hailed as a liberator. She then orders that the slave masters be publicly crucified in the same fashion as the children that they saw along the road.

GOT4_4_2Back in King’s Landing, Jaime meets with Tyrion for the first time and asks him if he is guilty of Joffrey’s death. He denies it, and Jaime believes him, which puts him at odds with Cersei who continues to hold him responsible. After asking him if he would find and kill Sansa for her, Jaime calls Brienne to him. Giving her a new suit of armor and his sword, he tasks her with fulfilling her duty to Lady Caitlyn and finding her daughter. She names the sword Oathkeeper, and sets out with Pod to find Sansa.

Lady Olenna Redwyne meets with Margaery and tells her in no subtle fashion to begin ingratiating herself to Tommen so she can defuse any attempts Cersei has at poisoning him against her. In the course of their talk, she admits that she is the one who poisoned Joffrey. Out to sea, while traveling to the Eyrie to marry her aunt, Lord Pyter Baelish admits the same to Sansa, and intimates that he did it to please the Tyrells – his new ally.

got4_4_3At the Wall, Locke has arrived and begins to befriend Jon Snow, who is there to kill – on Lord Bolton’s orders. Amidst training the new recruits, Jon comes to learn from Sam that Bran and the Reeds are travelling north of the Wall and suspects they may find their way to Craster’s Keep. He then is told by the acting Lord Commander that he has leave to go there and kill the mutineers before they can fall into Mance’s hands.

Locke and a handful of other Brothers agree to go with him, and they set out. Meanwhile, at Crasters Keep, where Karl Tanner (one of the mutineers) is running things as his own private fiefdom. When a newborn baby boy is presented to him, he is told that Craster sacrificed them to “the gods” (aka. the White Walkers). He orders one of his men to take the baby out, who then leaves it in the snow and goes to a cage where (surprise!) Ghost is being kept.

GOT4_4_4Just then, a cold wind blows in, signalling the approach of the Walkers, and he runs away. Not far off, Bran, Hodor and the Reeds are camped and sense the approach as well. They hear the baby crying, and Bran changes skin with Summer, who then wanders off in search of the baby. His wolf hears howling as well, sees Ghost in his cage, and then falls into a trap. The next day, they approach the Keep and see what’s become of it.

They begin planning on freeing Summer, but are captured by the mutineers. Hodor is chained up so the mutineers taunt and abuse him, and one stabs him in the leg with his spear. Bran and the Reeds are taken inside the keep where Karl comes to them and demands to know who they are. He threatens to kill them and Jojen begins to have a seizure, at which point Bran tells them his true identity. At this point, Karl means to ransom them or hold them hostage.

GOT4_4_5The episode ends out in the frozen wastes, where the White Walker who was seen assaulting the Fist of the First Men is riding his dead horse and carrying the baby with him. After arriving at the foot of a mountain, the Walker comes to a sort of shrine made of ice and places the baby down on an altar. Another Walker comes forward from a large circle of them and touches the baby’s face. It’s eyes turn blue, indicating that it has become an Other.

Summary:
So… where to start? I’m guessing with the stuff I didn’t like since the ending was the big exception to all that. Let’s see if I can’t break it down in sequential order. First off, the sack of Mereen, which was very quick and involved some changes from the original story. As I mentioned last time, the way the show chose to write Strong Belwas and the fact that Ser Barristan Selmy was originally hiding his identity from Daenerys out of the show. As I might have also said, this would come up this week as Daenerys’ forced sacked the city.

Basically, Daenerys learned the truth as she sat outside Mereen’s walls and tried to think of a way to breach its defenses. Not only did she learn that Whitebeard was actually Selmy and in the employ of Robert – the man who usurped the throne from her father and tried to have her killed. His confession also raised the fact that Ser Jorah Mormont was working for Robert as well. At least he was, until he chose to switch sides and prevent her from being poisoned.

Incensed, Daenerys chose to send them on a dangerous mission, which involved sneaking into the city’s sewers at night and opening it’s gates. This was the only weakness they could discern of Mereen’s defenses, and Mormont and Selmy happened to be successful. By contrast, the way they did this in this week’s episode happened so fast and quickly, it kind of made it seem like taking the city was a piece of cake. But it still worked, so no real complaints there. And the way they rendered the city was very beautiful and accurate to the text.

However, the whole storyline in the North is something that I found rather annoying. For starters, Jon Snow never asked to go off and kill the mutineers at Crasters Keep, mainly because they had their hands full with the Wildling party that coming up from the south, and Mance coming down from the north. As Jon knew, Ygritte and Tormund’s whole purpose was to take Castle Black so that they could open the gates and let Mance and his army through without a fight.

Jon knew that the only advantage the Night’s Watch had was the fact that the Wall would be very difficult for Mance’s army to overcome. But that advantage would be lost if the Wildlings managed to seize Castle Black, which seemed likely given how outnumbered the Night’s Watch was at this point. Faced with attack coming from two directions, both of which were practically upon them, Jon’s only thought was preparing their defenses. He gave no thought to the mutineers whatsoever, since they were all believed to be dead anyway.

And speaking of giving something no though, Bolton never ordered Locke to go Castle Black to find and assassinate Jon. While it is true that he was concerned with cementing his family’s rule over the North, this involved him sending his bastard son (after he was made a full Bolton) to Winterfell where he was to marry Jeyne Poole (Sansa’s friend in King’s Landing who was now being forced to pretend to be Arya Stark). This show-wedding would have made the Bolton’s rule over the North legitimate by law.

At no point in the story did Bolton learn that Bran and Rickon were still alive, not for certain anyway. And as for Jon Snow, Bolton never concerned himself with him since, as a bastard, he had no claim to Winterfell. And to top that off, the mutineers never captured Ghost, and Bran, Hodor and the Reeds never traveled to Craster’s Keep to be captured and interrogated. All of this stuff was made-up and filler, and the way they turned Karl Tanner from a background character into Evil the Cat seemed especially overdone.

And while I get that they need to come up with things to keep certain characters and threads engaged, I would think they could do what they have been doing with Theon, who also didn’t appear again in the story until A Dance with Dragons (book five). Here, they simply used what Martin wrote about his intervening time to keep him in the story. With Bran and Jon now, they are making stuff up and diverging wildly from the text.

But at least this week, Cersei and Jaime’s strained relationship seems to have some merit. In fact, it was their disagreement over Tyrion that caused their split in the first place, not to mention Cersei’s growing paranoia and vindictiveness. That whole “you took too long” thing was pure nonsense, and the rape scene of last week was as wrong as it was unnecessary. Not in the books, didn’t fit with their characters, so I liked that this week, they ironed that out.

And of course, the ending! What can I say about that? No, really, what can I say? I ask because it wasn’t in the books either, not in A Storm of Swords (which provides the material for this season) or the two others that have come since. This means that this final scene, which was very cool and cryptic, was also providing hints as to the larger plot, stuff that George RR Martin hasn’t even revealed yet to his loyal readers. What can you say about that? Other than COOOOOOL!

Anyhoo, midseason is coming up, and we’ve got some rather major events in the works before the season ends. These would include Tyrion’s trial – which is going to have its own share of big surprises and consequences! – and of course, Mance’s assault on the Wall, which I am looking forward to with some high zest. No matter what else they’ve done this season, fight scenes and major battles are two thing they’ve consistently managed to do well!

A Dance With Dragons: A Review

House-a-song-of-ice-and-fire-29965891-1920-1080Done at last! It seems like its taken me forever to finish this novel. And yet, now that it’s done, I find myself missing it already. After weeks on end of being immersed in Martin’s epic fantasy universe, it’s hard going without! What’s more, given how long – loooooong! – it took him to produce this last novel, who knows how long it could be before the next one comes out?

But I digress… I bought this book looking for some closure to the previous four, especially in the last one. With events in A Feast of Crows seeming to drag a bit, and the sudden twist and promise of resolution that came at the end, I was eager to see how things turned out. And, true to form, Martin managed to  provide some degree of resolution while still managing to drag things out further.

And of course, there were even more cliffhanger endings this time around. Damn you Martin, five books in and you still have me baited like a worm on a hook. You better produce the next book in a year’s time like you promised to do last time but didn’t or KAPOW! Oh, and there really better be only two more books. After all you’ve put us through, you owe us a final resolution, dammit!

Okay, that’s enough threats for now. Onto the story…

Plot Synopsis:
a-dance-with-dragons-coverAs promised in the epilogue for Crows, A Dance With Dragons completes the narrative that took place in the previous book, covering all the stories that didn’t make it in there and offering a balance to the other perspectives. This includes stories involving Tyrion, Daenerys, Davos, Brandon Stark and John Snow, while also offering more on the threads involving the Martells, Cersei and the Ironborn.

Initially, the story parallels events in the previous book, the first few chapters taking place before Crows ends. But by the end, things once again pick up and continue, bringing the entire story to an end where everything is poised for several more major developments. Essentially, it all comes down to four perspectives, with events taking place in the North and South of Westeros as well as the Free Cities and Slavers Bay in Essos.

The Wall:
a-song-of-ice-and-fire-the-wallIn the north, where Jon Snow has taken up his role as the Lord Commander and is seeing to preparations for the Others and dealing with the aftermath of Mance Rayder’s assault. After saying goodbye to Samwell Tarly, Gilly, and Maester Aemon, who are being dispatched to Oldtown, he continues in his negotiations with Stannis Baratheon. After burning the captive Wildlings, which include Mance Rayder, who will not swear feality and embrace the Red God R’hllor, he prepares to march South.

As usual, Jon Snow tells him the Watch will not take part in his war. Stannis’ appeal to the Northmen is also complicated by the fact that the Lannisters have installed Roose Bolton as ruler of the North and the Freys are allied with them. However, the Karstarks are willing to fight alongside him and John tells him that he will find an army in the Northman hill clans who owe loyalty to no lord.

a-song-of-ice-and-fire-melisandreMarching south, Stannis leaves Melisandre and his queen, Sylese, in John’s care. Against the queen’s advice, and that of his Brothers, Jon arranges for a peace treaty with Wildlings, promising them food and safety south of the Wall in exchange for their service in manning it against the Others. Thousands of Wildlings are admitted, with the promise of many more thousands to come.

Melisandre also begins sharing her visions with Jon Snow. In addition to telling him that there is a murder plot against him, she also reveals that Mance Rayder is alive and the man burned was Rattleshirt, who’s identities were switched using sorcery. He dispatches Mance south to rescue Arya from Ramsay Bolton, unaware that the girl he is set to marry is actually Jeyne Poole. Eventually, her warnings come true as his brothers turn on him and stab him in the yard.

a-dance-with-dragons-bran-starkNorth of the Wall, Bran search for the Three-eyed Crow leads him, Hodor and the Reeds to a secret cave where the last surviving Children of the Forest dwell. As they take shelter in the cave, they meet the “Three-eyed Crow”, whom they call the “Last Greenseer”. He is a former human member of the Night’s Watch, who has been sitting on an underground weirwood throne for so long that its roots have fused into his body. He explains to Bran that he has been appearing to him as the Three-eyed Crow in his dreams so that he could lead him here, and train him in greensight.

Bran learns that there is truth to the belief that the sacred weirwoods are the eyes and ears of the Old Gods: the trees are capable of seeing and hearing all around them, and recording it in their memory for centuries. They also allow a greenseer at one weirwood to see and hear events going on at another in the present, and communicate through them. Using his increasing powers of greensight Bran sees memories of his father Ned Stark at Winterfell’s godswood in the past, and communicates with Theon Greyjoy at the godswood in the present.

Free Cities:
a-song-of-ice-and-fire-tyrionHaving fled King’s Landing with the help of Varys, Tyrion arrives in Pentos where is taken in by Magister Illyrio. Tyrion is then sent south, and learns along the way that Varys’ plot involves the son of the late Prince Rhaegar, Aegon Targaryen, who was thought to be dead. He was raised by John Connington, the former Hand of the King under King Aerys, who now commands the Golden Company – the largest and most skilled mercenary army in the Free Cities.

After traveling with Aegon halfway across Essos, Tyrion is kidnapped by Jorah Mormont in Volantis. After being banished by Daenerys, he hopes to deliver Tyrion to her in the hopes that she will take him back. However, Tyrion and Jorah are shipwrecked and sold by slavers to a Yunkish merchant, who then travels to Meereen to take part in the siege. After reaching the city, a plague begins ravaging the Yunkai’i army, and Tyrion and the others escape in the midst of the confusion. They then signs on with the Second Sons mercenary group and plan to switch their support to Daenerys.

a-song-of-ice-and-fire-arya-starkMeanwhile, in Braavos, the girl once known as Arya Stark continues in her training as one of the “Faceless Men”. This includes taking away her sight and forcing her to find her away about the House of Black and White using only her other senses. She is then tasked with killing her first target, a corrupt merchant, using poison. After succeeding, she is admitted to the guild to complete her training.

Slaver’s Bay:
Daenerys continues to rule Mereen as queen, but is beset by murders carried out by the Sons of the Harpy, a resistance group committed to restoring the old ways. In addition, she learns that Astapor was sieged by the Yunkai’i and the people she freed there massacred. Refugees come to the walls of her city seeking help, as a plague known as the “Pale Mare” or “Bloody Flux” is decimating their people. Temporary shelter is placed outside for them, but it is clear little can be done.

a-dance-with-dragons-Meereen_cityIn order to end the resistance and cement peace with the Yunkai’i, Daenerys agrees to marry Hizdahr zo Loraq, a Mereenese nobleman. Her mercenary captain, Daario Naharis, whom she has taken as a lover, is not pleased, but goes along with it out of loyalty to her. In addition, to prevent her dragons from killing people and livestock, she has them chained inside the pyramid, except for Drogon, who escapes capture and flies away.

Shortly thereafter, the Yunkai’i and Volantene armies arrives at her doorstep and a tentative peace is arranged, with hostages exchanged. Daenerys also agrees to open up the fighting pits, as a compromise with her new husband, and attends the first spectacle with him. During the fights, Tyrion and Penny joust, Strong Belwas is poisoned (but survives) and Drogon arrives and begins attacking the fighters and guards. After reaching him, Daenerys climbs on his back and is ferried away.

a-song-of-ice-and-fire-dany_drogonBarristan Selmy takes over with a provisional council and is made to believe Hizdahr attempted to poison Daenerys and is leading the Sons of the Harpy. He then arrests Hizdahr and begins planning with those loyal to Daenerys to attack the Yunkai’i camp before they can launch their own attack. However, these plans are stalled when Quentyn Martell, Prince of Dorne, and his Dornishmen try to steal one of her dragons and fails.

Having failed in his attempt to court Daenerys, he and his men hoped to return to Dorne with a dragon in tow. Instead, the dragons break free, Quentyn is killed, and his men are arrested and taken into custody. Meanwhile, Drogon flies Daenerys to the Dothraki Sea where Dany, starved and ill from being stranded in the wilderness, eventually encounters the khalasar of Khal Jhaqo, a former Bloodrider to Khal Drogo who betrayed her after Drogo’s death.

The North:
Having secured his army, Stannis and his forces march on Deepwood Motte and take it from the Ironborn, capturing Asha Greyjoy in the process. This swells Stannis’ ranks further as House Glover and House Mormont join Stannis’ army and decide to march with him on Winterfell. To cement his control over the north, Ramsay Bolton orders his bastard son and their supports to march to Winterfell to hold the mock wedding with Arya (Jeyne Poole), and Stannis plans to attack him there. However, Stannis’ host becomes bogged down in the terrible snows that begin falling, forcing them to stop and slowly starve.

a-song-of-ice-and-fire-stannisDavos Seaworth is taken prisoner in White Harbor after going ashore and trying to enlist House Manderly’s support. However, Lord Manderly secretly frees Davos and tells him that he is only feigning allegiance to the Boltons since the Lannisters are holding his son Wylis as captive. He is also planning revenge against the Freys since they murdered Ser Wendel Manderly at the Red Wedding. He enlists Davos help to find Rickon, who is apparently at Skagos with Osha, so the northmen will rally around a living Stark heir and rebel against the Boltons.

Meanwhile, Theon Greyjoy is revealed not to be dead, but is languishing in the Dreadfort prison and brutally tortured by Ramsay Bolton. He is freed to serve him as “Reek”, and travels with him to Winterfell where he waits upon Jeyne Poole. With the wedding complete and the snows hemming them in, Roose Bolton and his bannermen wait for Stannis to attack and slowly begin to turn on each other.

a-song-of-ice-and-fire-ashaEventually, and with the help of some serving maids, Theon arranges to free her and escapes the city just as the Manderlys and Freys begin open fighting. They travel together into the wilderness, where they are intercepted by Mance Rayder, and ride to Stannis’ camp. Theon is then reunited with his sister Asha.

The South:
Cersei Lannister, imprisoned by the Faith of the Seven, confesses to several of the less grave charges against her to alleviate her suffering. These include adultery and sleeping with her cousin Lancel Lannister, but stops short of admitting that she murdered King Robert, or that her children are actually the product of incest. The Faith is willing to release her, but she must still stand trial and make the penance walk naked back to the Red Keep.

a-song-of-ice-and-fire-great-septHumiliated, Cersei places her hope in a trial by combat, hoping that a new knight named Ser Robert Strong will champion her. Some mystery surrounds Ser Robert, as he is as huge as Gregor Clegane, and is never seen sleeping, eating, or using the privy. Ser Kevan, who now serves as the Hand, suspects that it is Ser Gregor and that some kind of sorcery has been used by ex-maester Qyburn to resurrect him.

In the Riverlands, Jaime Lannister arrives with his army at the siege of Raventree Hall where he manages to negotiate the surrender quite painlessly. The last stronghold of Robb Stark’s kindgom in the Riverlands bends the knee, and Jaime relocates his camp when he gets word that Brienne of Tarth was seen in a nearby village. After arriving, Brienne of Tarth comes to his camp tent and tells him that she has found Sansa Stark and she is in danger from Sandor Clegane.

a-song-of-ice-and-fire_storms-endIn the Stormlands, Aegon Targaryen and Jon Connington arrive with the Golden Company in order to recover the Iron Throne. Taking Tyrion’s advice that their arrival would be met with jubilation, Connington prepares to march forward and take Storms End, believing that Dorne will raise their banners and march to their aid. When word reaches King’s Landing, Ser Kevan advises marching, but Lord Tyrells wants to hold off until after Maergerys trial.

In his solar, Varys sneaks in and murders Kevan Lannister and Grand Maester Pycelle with a crossbow. Before Kevin dies, Varys reveals to him that he supports Aegon, and that he is trying to prevent him from fixing the damage Cersei had caused in her attempts to build Tommen’s power base. Varys declares that with Tommen back in Cersei’s control, the kingdoms of Westeros will spend their strength fighting each other while Aegon prepares to conquer the Seven Kingdoms.

Summary:
And there we have it. After five books, the story stands poised, once again, on the edge of knife. After first learning in Crows that all roads were leading to the East, that virtually every faction was placing their hopes in Daenerys and conspiring to bring her home, it also became clear that there was another Targaryen heir that had plans of his own to restore the Dragonborn to the Iron Throne.

What’s more, many threads are proceeding towards culmination. Though Cersei seems to have freed herself from captivity in the Great Sept, her plans to get back in charge seem all but thwarted. At this point, its obvious that the Tyrells are in control, that Tommen’s power is temporary, and with Varys’ assassination of Ser Kevan, that the way is paved for Connington and Aegon Targaryen to assume the throne.

But of course, there were plenty of uncomfortable cliffhangers too! For one, Jon Snow’s betrayal by his brothers puts him in a bit of a bind. I am wondering how he will come out of all this, whether he will be saved by Val, Melisandre, some of his brothers, or some of his Wildling allies. On the other hand, its entirely possible that Martin is finished with him and plans to kill him off, a la Ned, Robb, or the many other main characters he’s killed so far.

Then there’s Daenerys’ thread, where she has gone from being the frying pan into the flame, having been whisked away from the siege of Meereen to captivity with Khal Jhaqo. Once more, I am hoping this doesn’t drag out because lord knows Martin has a real knack for putting his characters through endless trials and diversions before they finally get to where they are going. Or he kills them! In any case, the war of Five Kings will not officially be over until she resolves all her problems in Slaver’s Bay and makes it back to Westeros.

And again, after many books and all the hints he’s dropped about “skin-changing” and “Greenseers”, Bran finally seems to have found his way home and realized his true purpose. And personally, I found this to be quite interesting, in that it delved deeper into the mysteries surrounding the Children of the Forest and the history of Westeros before the First Men came. It will be interesting to see how this is woven into the larger story, which I assume will have to do with the legend of Azor Ahai reborn (in Daenerys) being fulfilled.

Overall, I really enjoyed the way this installment in the series took us deeper into the culture of the Free Cities, especially Volantis with its Tetrarchs, elephants, cuisine and drink, and its abundant use of tattoos. I also enjoyed the chapters that moved between Meereen, the Yunkishmen, and the culture portrayed throughout. And of course, the way the plot against the Lannisters is coming along was very pleasing to see. I hate that house and any kind of misfortune which could result in their destruction appeals to me! Now if he can just see his way to restoring House Stark, or just letting some of them know that the others still live, I would be even happier!

Only two books to go, presumably! No telling when the next installment, The Winds of Winter, will be released. But if I could be so bold, might I implore Mr. Martin to please get it done! After waiting five years for book five, we fans are kind of hungry for a finale. What’s more, HBO is going to needs those book if they are going to keep turning out new seasons! You don’t want to get on their bad side, sir. They’re ruthless!

Speaking of which, only thirty-nine more days to go til season three kicks off! Woohoo!

Game of Thrones Manga?

It’s a valid question, isn’t it? What if the seminal novels of George RR Martin were adapted into a manga-style graphic novel? That’s the idea behind this concept artwork by deviantArtist joscomie, who packed 49 characters from the series into a single, massive scroll.

As you can see, the infographic is plainly labelled, features characters that are up-to-date (as of the release of A Dance with Dragons), and even features such characters as Aerys, the Others, the Direwolves and the Dragons. Pretty cool huh?

For a look at the original print and more examples of joscomie’s art, follow the infographic to the bottom and click on the link provided:

Source: joscomie.deviantArt

A Dance with Dragons, bought!

Hey all. I doubt if anyone remembers, but a few months back when I began reviewing A Song of Ice and Fire, I said that I would be ending the series with the fourth book. After completing A Storm of Swords, I figured one more book was enough. After all, with Dragons just released and the buzz claiming that there would be at least two more books to come, I was sure that I would have to cut myself off or risk being totally sucked in to Matrin’s “Wheel of Time”esque vortex.

But, and here where’s things get awkward, that was a lie… apparently! Last night, I finally finished A Feast for Crows and purchased A Dance with Dragons. And believe it or not, it was the not the cliffhanger ending in book four that made me want to do that, though that helped give me a final push. In truth, friends of mine, such as Goran Zidar, and a slew of other people have been saying how book five is really good and covers all the threads that were strangely missing from book four. So really, the decision to buy it was made several weeks ago, but after getting into the last few chapters, a number of sudden twists piqued my interest and I found myself wanting to know what happened right away!

And, interestingly enough, I also discovered that the final chapter of Crows was not a chapter at all, but a note from the author. In it, he explains that book four was the way it was –  namely, bereft of any information about Tyrion, Jon Snow, Daenerys, or Stannis and Melissandre – for a simple reason. Basically, he went this way because to include what he had planned for all of these characters – plus those of Samwell Tarly, Cersei, Sansa, Arya, Brienne, Jaime, et al, – would have turned Crows into a tome the likes of which had not been seen since War and Peace. Okay, he didn’t say it in those words, I’m just adding them for dramatic license 😉

Hence, he decided to break all he had planned for the fourth installment in the series into two volumes. And instead of telling all of the stories half-way, he chose instead to select half the stories and tell them in full, the rest to be followed up later. I can see the wisdom in this, and the marketing angle, because it certainly worked on me. Damn you, Martin! I swear that this is the last of your books that I’m going to read… It probably won’t be. I’m sure I’ll be checking out book six, especially if this one is as good as they say. I hate you, sir! Keep up the good work!