Tag: jabba the hutt

Return of the Jedi

Well, Star Wars weekend is passed, and my final review of the original lineup is long overdue. Been that kind of weekend, unfortunately, a constant flurry of visiting family, friends, and then coming home to be drowned in Spring cleaning. Luckily, I got some time with my keyboard today and decided I’d dedicate some time to the third and final movie in the trilogy.

And much of this is still fresh in my mind, seeing as how my wife and I were driving up island on Star Wars day, and I spent much of the ride recounting the plot to her. She never saw the original trilogy (crazy, I know), so I’ve been trying to fill her in. Appropriate, no?

Return of the Jedi!
Last time, I mentioned that Lucas claimed that he was following the three-act model when he made this trilogy. Thus if Act I could be considered the intro and Act II the dark chapter, then Act III would serve as the culmination to the whole thing. And that’s exactly what happened. In addition, the film had multiple story arcs towards the end the movie, all of which came together in a single, grand conclusion.

In fact, that’s something I forget to mention last time. You may recall that in the first movie, there was a single, all encompassing climax involving all the main characters, and that was the assault on the Death Star. In movie two, there were two strands, Luke’s confrontation with Vader which ran alongside Leia and Chewi’s escape from cloud city. And in this final film, there were three: the battle on Endor, the battle in space, and Luke’s final confrontation with Vader and the Emperor.

An act of symbolism, no doubt, but it’s also what worked best about this last film. With different things happening in different locations, audiences were kept intrigued and on the edge of their seats, watching how one climactic fight interacted with the next. And since we were emotionally involved with all the characters at this point, each one was about as tense as the last.

Alright, let’s get to the plot of this badboy and see why it worked so well!

Plot Synopsis:
The story opens with the new Death Star being introduced. The new weapon of terror is apparently nearing completion and Vader has flown in to inspect things personally. After letting the station commander know that it must be completed on schedule, he lets him know that the Emperor himself is on the way. He is naturally frighten and rightly so, as we are made aware for the first time that even Vader is a pushover compared to the big man himself!

Cut to Tatooine where Jabba’s Palace is located. R2 and 3P0 have entered, apparently to deliver a message to Jabba. Said message consists of Luke Skywalker opening a dialogue, asking to bargain for Han Solo, and concludes with him offering R2 and 3P0 as “a gift”. Jabba’s response is that no deals will take place, as he’s become quite fond of looking at Solo’s carbonite-frozen body. He’s even placed it against the wall like its some kind of artwork. Creepy, though it did bring the room together though 😉

Little by little, the others enter the picture. Leia comes in disguised as a bounty hunter and trade Chewi in for his bounty. As Han’s companion, he too is worth quite a bit of money to Jabba. At the same time, we learn that Lando has already infiltrated the place posing as a mercenary. In the middle of the night, Leia sneaks into Jabba’s palace room and thaws Han, who appears to be blind and sickly from hibernation. They have a passionate reunion, but it’s quickly cut short…

Beginning with a dark, evil laugh, Jabba reveals himself from the corner where they were hiding. Han tries to bargain with him, but Jabba’s pretty intransigent at this point. He has him thrown in the same dungeon as Chewi and Leia is forced to wear a funky-looking bikini (to the delight of nerds everywhere) and become his palace slave. This consists of wearing a choke chain and lying beside him on his floating couch.

However, Chewi let’s Han know that Luke will be along shortly,  and that he’s a Jedi Knight now. And he does, looking a lot more badass than he did last time! After making his way in with some subtle force tricks, he confronts Jabba and demands Solo’s release. However, things go awry when the minds tricks fail to sway Jabba and he sends Luke and one of his henchmen him into his Rancour pit below.

After a tense few minutes, Luke manages to kill it by dropping the cage door on its head. Jabba is pissed, and orders the whole bunch to be put on his barge and flown out to the desert. Seems they are going to kill them in a big ceremony by being tossed into the Sarlacc pit. No shortage of weird aliens or convoluted death schemes in this one!

Once arrived, and overlooking the sucking Sarlacc pit (some people have suggested Lucas might have some issues with female genitalia!), Luke and the others stage their counterstroke. This consists of R2 firing Luke his lightsaber, who then starts cutting through henchmen with it. He then works his way to the other escort, eventually reaching Jabba’s own sailbarge. Meanwhile Han, who’s eyesight has been returning, manages to take out Bobba Fett’s jetpack through blind luck. He flies into the side of Jabba’s barge and falls helplessly into the pit. But of course, he will survive!

Leia manages to turn the tables of Jabba by getting a hold of her choke chain and wrapping it around the big slugs neck. R2 breaks her chains and shoves 3P0 and himself off the barge, leaving Luke and Leia to rendezvous on the top deck where they use the barge’s cannon to set the place to blow. They make it back to their barge with Lando, Chewi and Han, swing around to pick up the droids, and get the hell out as Jabba’s barge is blown to hell.

Once they retrieve their ships, Luke and the rest dust-off from the planet. The Millennium Falcon heads off to join the Rebel armada while Luke, in his trusty X-wing, sets course for Dagobah. Seems he has a promise to fulfill, and some questions he needs answered. Arriving to find Yoda sick and weak, Luke manages to get the answers he needs. It seems that he’s finished his training, but that one final test remains: he must confront Vader again. Yoda also confirms that Vader is in fact his father, a fact he and Obi-Wan withheld. Yoda then warns him one last time of the perils of the darkside, but also that there is another Skywalker. He dies uttering these last words, and then fades away…

Back in the swamp by his X-wing, Luke feels incredibly alone. First Obi-Wan, then Yoda; but wouldn’t you know it, Obi-Wans specter appears and tells him Yoda isn’t really gone, kinda like him! Luke demands to know why Obi-Wan lied to him, to which Obi-Wan replies that his version of events – i.e. “Vader betrayed and murdered your father” – was true… in a sense.

Luke expresses his doubts about being able to kill his own father, but Obi-Wan says a confrontation is inevitable. He also confirms what Yoda said before he died, that there is indeed another Skywalker that was kept seperate from Luke to protect her identity. Luke concludes it’s Leia, which isn’t a stretch seeing as how she’s been the only female lead in this entire universe so far!

Back at the fleet, we are treated to a briefing. Seems the Alliance is poised to strike at the second Death Star before it is operational. Since the Emperor is overseeing the final phase, they plan to kill him and destroy his weapon of terror in one fell swoop. The plan involves two phases: in one, a small team or commandos will land on Endor and disable the shield generator that’s protecting the Death Star.

In the second, the fleet will jump in and send their fighter squadrons into the center of the station to take out its main reactor. Lando is set to lead the fleet, and Han is leading the planetary assault. Chewi and Leia volunteer to help, and so does Luke. Han is also sure to lend Lando the Falcon for the attack, which he promises to take good care of. The mission is on!

After narrowly making it to Endor aboard a stolen Imperial shuttle, Luke sense his father through the Force. Vader has the same experience, detecting him on the shuttle which, for some reason, is allowed to land. He informs the Emperor and asks for permission to confront him. On the surface, their party’s progress is interrupted when Leia gets lost chasing down some scouts. She is rescued by a strange, furry indigenous creature known as an Ewok. After helping her thwart some more scouts, he takes her back to his village.

Luke, Han and Chewi also come into contact with the locals, but in their case, it involves a trap involving raw meat and a net. Once they spring free, they find themselves surrounded by the furry guys, but they turn up their spears when they see C3P0, whom they believe to be a god. They too are brought to the village, and after enforcing some ground rules (no eating of his friends!), they begin conducting some cultural exchanges.

The Rebel party are welcomed into the tribe and the Ewoks volunteer to help them rid their world of the Empire. Meanwhile, Luke and Leia have a private chat where he reveals to her that she is his sister, and that he must go off to confront Vader. He believes he can turn him back, and as long as he remains with them, they will be in danger. Leia is tearful, but can’t stop him from going.

Luke surrenders to the first patrol he can find, and they take him to Vader. During their little reunion, Luke tells Vader that he intends to turn him back to the good side, but Vader is intransigent. He will take Luke to the Emperor where we will either turn or die. It’s clear he’s torn by this decision, but tells his son it’s too late for him to turn good again.

Together, they travel to the Death Star and meet with Palpatine himself. He repeats Vader’s ultimatum, turn or die, to which Luke boasts that soon, they’ll all be dead. The Emperor laughs and reveals that he knows of the attack and that it’s a trap! Cue scary music! It seems the Emperor allowed the location of the Death Star to fall into Rebel hands in the hopes that he could lure them into an attack and crush them all at once. Luke is understandably dismayed…

Han and his party, with the help of the Ewoks, find their way to the back entrance of the shield generator. After making their way inside, they are promptly surrounded and taken prisoner. R2, 3P0 and their Ewok scouts can only watch in dismay, but the Ewoks hatch a plan and run off. They return with the entire Ewok nation, and spring a trap of their own on the Imperial troops. A massive fight ensues, with the Ewoks and Rebels gaining the element of surprise but slowly losing out to the Imperial troops superior weapons.

Meanwhile, the fleet jumps in as planned. On approach, Lando’s helmsman tells him they can’t get any reading on the Death Star to know if it’s shields are still active. His helmsman concludes they are being jammed, but Lando knows this can’t be unless… He orders the fleet to pull up, and they narrowly peel off before slamming nose first into the shields. No sooner do they get their fleet reoriented than the Imperial fleet shows up out of nowhere to seal off their escape. Ackbar yells his iconic catchphrase: “It’s a trap!”

Lando and the fleet begin combing through wave after wave of TIE fighters. Despite their superior numbers, he and the other Rebel squadrons manage to hold their own. However, he grows suspicious when he notices the Star Destroyers are not moving into attack range. However, according to the commander of the Executor, their orders are to hold while the Emperor unveils something “special”.

Cut to the Death Star, where the Emperor lets Luke know, in the latest frightening revelation, that the Death Star is also fully operational. He orders them to fire. The big gun blazes up and destroys the nearest Rebel Mon Calamari cruiser. Lando and Ackbar realize the terrible truth. Ackbar orders a full retreat, but Lando insists they won’t have another chance to assault the Death Star, and simply must give Han more time to bring the shields down.

On the Death Star, Luke is finding it increasingly difficult to resists the Emperor’s taunts. He knows the Emperor wants him to give into his hatred, but he must resist or risk falling prey to the dark side. In time, he gives in and takes his lightsaber and tries to strike the Emperor down. However, Vader interferes and the two begin fighting. Luke turns up his sabre several times, but Vader continues to press him and force him to defend himself.

After they lose a second Mon Calamari cruiser, Lando tells Ackbar to move the fleet into attack range of the Star Destroyers. As long as they are tangled with the Imperial fleet, the Death Star won’t be able to shoot them, and at least they’ll be able to kill a few enemy ships in the process. The two fleets close ranks, and all hell breaks loose! Ships on both sides are destroyed, but at least they are buying time…

Back on the surface, the Ewoks and the Rebels manage to turn the tide. Chewi and some of furry friends commandeer an AT-ST and begin using it against Imperial forces. The Ewoks defenses also prove effective once they put away the rocks and wooden arrows and break out the logs. Once they realize that they’ve won but can’t make it back into the bunker, Han hatches a plan. Using the AT-ST’s communication system, he tells the commander inside that they’ve beat the Rebels and need reinforcements. The Imperial commander orders the doors opened, and Han and the Ewoks take the base and plant their charges.

The place blows up and the shield comes down. Ackbar orders all fighters into the Death Star to take out its reactor. On board, Luke continues to try and elude Vader. However, Vader senses his fear and is able to read his thoughts. He realizes Luke has a sister, and threatens to turn her instead. Luke loses it and attack Vader, pulverizing him with lightsaber blows until he takes off Vader’s hand. The Emperor laughs and tells Luke to take his father’s side, but Luke turns back at the last second. He is now a Jedi, he says, and will never turn to the dark side.

The Emperor is… pretty pissed! He replies that, as promised, Luke will be destroyed if he won’t turn. He begins electrocuting him with lighting from his finger tips, and Luke begins to beg Vader for help. Vader intervenes, grabbing hold of the Emperor and tossing him off a catwalk into the depths of the station below. He explodes in a massive cloud of Force Energy. Unfortunately, Vader’s suit has been irreparably harmed by the Emperor’s electrical storm. Luke comes to his aid, but it seems like ol’ Darth’s ticket has finally been punched!

Inside the Death Star, Lando and the Rebel pilots manages to reach the main reactor and hit it hard. It collapses, triggering a chain reaction which begins to destroy the station from within. Outside, Ackbar and the Rebel fleet manage to bring down the Executor through smart tactics and dumb luck. The Super Star Destroyer loses control and crashes into the Death Star. The whole place begins to fall apart.

Luke manages to reach a shuttle with Vader in tow. However, with his suit irretrievably damaged, Vader tells Luke to take his mask off so he can see him once with his own eyes. Luke obliges, and sees the scarred pale flesh that is Vader’s true face. He then tells Luke to leave him, that he already saved him, and to tell his sister what he did. He then dies, in a scene with is truly tearful… Luke and Lando manage to escape as the station explodes, Lando howling a triumph cheer as the Falcon clears the flaming exit tunnel.

Luke makes it to the surface, where victory celebrations are already underway. Leia tells Han about Luke and her being related, and gives him a big kiss. Their little triangle has become a twosome at last! He arrives in the Ewok village amidst music, dancing, and has a final communion with the specters of Obi-Wan, Yoda, and his father. The final shot shows the entire cast sitting together and smiling broadly as the music reaches a crescendo. The trilogy is done!

What worked and what didn’t about this last installment:
As I said already, this movie packed a triumphant climax that really worked. After two big installments, audiences got to see everything come together with three separate battles, all of which succeeding in capturing a different kind of tension. For example, the battle on the planet was a real heart string puller since we all wanted to see the indigenous furry creatures overcome the imperialistic bad guys. The battle between the two fleets was fast-paced and visually stunning, and the way they were entirely dependent on Han’s ban on the surface made it all the more tense. Finally, the confrontation between Luke and Vader was a whole different kind of action, a battle of wills as much as weapons.

Of course, there were weaknesses. For one, the whole convoluted plot to free Han seemed to contain a few too many twists to be a considered a crafty plan. It was like, why didn’t R2 just give Luke his lightsaber when he fell into the Rancour pit? Why did they need to wait until they were out in the desert? Second, the whole plot involving Ewoks was pretty kid-centric. Originally, Lucas was planning on using Wookies, but decided that something for the kids was in order, reworked the name Wooky into Ewok, and history was made!

And finally, there was some lazy acting this time around that survived the cutting floor. Second, there was the sheer implausibility that a race of small furry creatures armed with sticks and stones could overcome a legion of troops that the Emperor said were his best. And once you took away all the shooting and explosions, this movie really wasn’t as emotionally involved as the other two. Overall, the focus seemed to be on visual effects and action.

Combined with the kid-centric elements, it was clear that by this point in the franchise, Lucas was retaining creative control. So in a way, this movie was a preview of what Lucas would go on to with his prequels. In the end, this movie still kicked ass and was climactic to the point that audiences were blown away and all its weaknesses were overlooked. It was only with hindsight, perhaps with the help of such flops as Phantom Menace, that they became apparent.

But that’s something for the next post. Right now, I must go off on a triumphant note, much like this film! It was a triumphant conclusion, the action rocked, and holy crap that musical score was great! Even now, I find myself humming it as I recount the events of the movie. Epic! So really, this is and shall remain an enduring classic with many memorable scenes. Especially the one near the end where Lando and the Falcon clear the Death Star as its exploding. YEE-HA!

Yaaaay! The good guys one! The Empire has fallen! Bring on the wine and the Ewok music! And until next time… nope, still can’t say it! Good-bye y’all!

The Empire Strikes Back or Happy Star Wars Day weekend!

Well, it’s officially the day after Star Wars Day, so now what? It’s the perfect time to review the sequel to the time-honored classic, that’s what! And I did promise to cover this rare example of a movie that managed to exceed the original, didn’t I? Hell, I would even if I hadn’t, its a freaking cool movie! And the nostalgia appeal alone makes it worth revisiting, time and time again.

And as I might have mentioned last time, The Empire Strikes Back benefited from several advantages which weren’t initially available during the shooting of the first film. This included help with direction, writing, and of course he had the musical score from the get go, which really didn’t suck! But on top of all that was the fact that in the second movie, things had a much darker and more mature feel.

Lucas acknowledged this in a series of interviews and indicated that this was his intention all along. Following the conventional three act formula, Act II is always the darkest of the chapters, where things go bad for the main characters and escalates the dramatic tension. As such, he needed to turns things on their head after the first movie’s happy conclusion, and threw in some big revelations and twists just to make the ride especially fun.

The Empire Strikes Back:
Plot Synopsis:
The opening crawl once again tells us what we need to know, that despite the destruction of the Death Star, its a dark time for the Rebels. The Empire is still a force the dominant power in the universe, after all, and since their loss at Yavin 4, they’ve been pursuing the Rebels without fail. At the same time, Darth Vader has taken an unhealthy interest in finding Luke Skywalker.

Cut to Hoth, where we see an Imperial probe landing on the surface, and Luke and Han who are out on patrol on the back of some weird looking beasts. Luke spots what he assumes is a meteor and tells Han he is going to check it out, but is unfortunately laid out when a big furry Wampa (aka. a Yeti) sets upon him.

Next we see the Rebel base, where Han checks in and let’s Rebel General Rieekan know that he’s got to leave. Essentially, his time with the Rebels have only made things worse with Jabba and his considerable debt. Rieekan is understanding, but his farewell speech to Leia leads to a rather serious argument. Seems she’s unhappy about his decision, and he’s convinced there’s something other than professional admiration motivating her feelings.

Luke wakes up later in the Wampa’s cave, and relies on his newfound knowledge of the Force to free himself and slice off the Wampa’s arm. He escapes into the frozen wastes, but nighttime is descending and the temperature is dropping! Han realizes that Luke hasn’t checked in and decides to head out into the cold to find him. After several hours, the Rebel base is forced to seal its doors and lock them out for the night. Luke and Han are on their own, and odds of their living through the night are slim!

Out on the frozen wastes, Luke is near death and experiences a vision. Obi-Wan comes before him and tells him he must go to Dagobah to learn the ways of the Force from Master Yodah. He passes out just as Han comes over the horizon to find him, but the two are kinda stuck when Han’s Tauntaun dies from exposure. Luckily, Han gets the bright idea to cut his beast open and stick Luke inside, thus keeping him warm and alive until he can build a shelter. Come morning, Rogue squadron finds them and picks them up! The boys are saved!

Back to the base where the Rebels learn that there’s an Imperial probe droid in their midst. Yes, that little spindly thing from the beginning has not only been getting around, it’s been taking footage of their shield generator and broadcasting it to the Imps! Han and Chewi manage to take it down, but it seems that the damage has been done. The evacuation begins…

Then comes another moment in cinematic genius, the scene where the Imperial fleet is shown and the Executor (see More Cool Ships) is introduced. After seeing many massive Star Destroyers pass each other in the starry night, several of them are suddenly overtaken by a huge shadow. Naturally, the audience can’t help but wonder, what the hell is no big that it can cast a shadow capable of blacking out a whole fleet worth of Star Destroyers? A Super Star Destroyer, that’s what! We then cut to the bridge where Vader is watching the fleet, all to the tune of the evil Imperial music!

And of course, it seems the footage has reached them, and upon seeing it, Vader comes to life and orders the fleet there immediately. Admiral Ozzle, the aging stereotype of the arrogant and incompetent British officer, seems pissed at his subordinate for finding this out and gives him a hard stare. Oh we just know that’s going somewhere don’t we? Meanwhile, the Rebels are preparing to leave, and Han and Luke have an awkward moment as they once again say good-bye to each other and wish each other luck. Seems they’re always saying good-bye…

Shortly thereafter, the Imperial fleet arrives but has alerted the Rebels to their presence and have raised their planetary shields. Vader concludes that Ozzle jumped them in too close to the planet, and decides some disciplinary measures are in order. This consists of him choking him to death over a video conversation and promoting his immediate subordinate, Captain Piett, to the rank of Admiral. Here too, the scene was perfect! One man listening in, trying to ignore the fact that his superior is slowly asphyxiating and dropping to the floor, and appearing both flattered and terrified that he’s now in charge.

The first salvos begins as the Rebel ships begin to fly for deep space, X-wings and the planetary Ion cannon providing cover. Meanwhile, General Veers, commander of the Imperial troops, lands beyond the shield and begins sending his walkers into the fray. This is the first appearance of the AT-AT’s, and they were pretty chilling to behold. The Rebel troops meanwhile dig in while Rogue Squadron engages them in their attack speeders.

However, things don’t go so well. The AT-AT’s are too heavily armored to destroy with blasters, and the dug-in defenders weapons are similarly ineffective. Luke comes up with the bright idea to trip up the walkers using their tow cables, but this too begins to falter after the majority of Rogue Squadron gets shot down.

Luke himself is shot down and is forced to bail, taking out a second walker with a grenade from the underside. However, in time, General Veers walker gets in range of the shield generator and delivers the death blow to it. The Imperial forces move in and begin attacking the command center itself.

Back at said center, Vader and an Imperial garrison walk in virtually unopposed, and all forces are ordered to being a full retreat. Han grabs Leia, who is still at her post, and compels her to join him, Chewi and the droids aboard the Millennium Falcon. As the last ship to leave, they are barely out of the bay as Vader walks in. Luke similarly gets to his X-wing out on the wastes and dusts off from the planet. The Imperials have won, but the good guys have once again lived to fight another day.

Luke meanwhile tells R2 that they are not going to rendezvous with the fleet. Seems he’s got another destination in mind, the planet Obi-Wan told him to go to in his vision. Arriving at Dagobah, Luke’s ship is disabled by a storm and he crashes into a fetid swamp. He and R2 are unharmed – well R2 almost gets eaten! – but his ship is marooned and he now seems stuck on this new planet. In the course of setting up camp, he is snuck up on by a tiny little green man, an annoying little creature who seems to know who Yoda is. He promises to take Luke to see him, but only after they’ve had supper!

Meanwhile, it seems that the Imperial fleet has zeroed in on the Millennium Falcon. Han and crew try to escape them, but it seems that ongoing mechanical issues are preventing them from jumping into hyperspace. They pull a trick by pulling into an asteroid field and hiding on one of the larger rocks. Pulling into a cave, they set down to make their repairs.

Back on Dagobah, Luke discovers that the little green man is Yoda, and that his constant pestering was a way of testing his patience, a test he failed. However, Obi-Wan’s disembodied voice insists that he has confidence in the boy, but Yoda is unimpressed by Luke’s insistence that he’s not afraid. He insists, in a very chilling line, “You will be… you will be.” They begin his training, running through the woods as Yoda explains the mysteries of the force and the danger of the dark side.

Luke confronts his first test when he senses a cave filled with dark energy nearby. Yoda tells him he must go inside, and that the only thing in there is “only what you take with you”. After crawling through creepy lizards, snakes and slimy walls, Luke comes face to face with his nemesis – Vader! They exchange blows with their lightsabers and Luke is victorious, cutting off Vader’s head and watching it roll to the ground. However, he is dismayed when the helmet blows open to reveal… Lukes own face! Dun, dun, dunnnnnn! Foreshadowing!

While in hiding, Han and Leia finally come to terms with their feelings for each other. After sensing that there was something going on there, only to see the sparks fly with fight after fight, the two realize that they actually love each other and have themselves a passionate kiss. Unfortunately, the moment is interrupted when a very rude droid announces that he’s found the problem with the hyperdrive and they can get it working again!

Meanwhile, Vader orders the fleet into the asteroids to pursue. Despite taking severe losses, he presses his commanders to keep on them. However, the Executor must pull out of the field when Vader is alerted that the Emperor himself is making contact. In the course of talking with the massive hologram of the Emperor’s hooded face, he learns the Luke Skywalker is officially a threat. The Emperor insists he must be dealt with, but Vader assures him he could be turned. He will do so, or kill him in the process, Vader insists.

Back in the cave, repairs are proceeding, but things get a little odd when they realize that their hiding place doesn’t react too well to blaster fire. They board again and make it out seconds before the “cave”, which appears to have teeth, closes on them. Back on the Executor, Vader has called in some added help, a slew of bounty hunters which includes Boba Fett. The Falcon pops out of the asteroid field and is once more pursued and can’t withdraw, so Han decides to pull a daring maneuver by charging the pursuing Star Destroyer. After slipping over the bridge, the Falcon “disappears”.

The Captain of the pursuing Star Destroyer goes to apologize to Vader, and is killed. Vader orders the fleet to break up and track every possible trajectory. However, seems the Falcon is actually mounted on the back the Star Destroyer’s bridge where its been hiding the whole time. Han plans to float off as soon as their host dumps its garbage before going into hyperspace, which is apparently standard Imperial procedure (not so environmentally conscious that!) They begin to float off with the junk, but it seems they have a tail… Boba Fett in his ship, The Bounty!

They set coarse for Bespin, to a place known as “Cloud City” –  a floating metropolis built around a gas mining platform, where Han has a friend who he thinks will shelter them. This “friend”, who goes by the name of Lando Calrissian (whom he won the Falcon from years back) appears to be running the place now. And despite their bumpy past, Lando seems happy to see him. Leia, however, has a hard time putting her trust in him.

In time, she realizes just how right she was not to! After C3P0 disappears and turns up in pieces, Lando invites them to a dinner banquet, and Vader appears to be the guest of honor! Turns out Boba Fett tracked them there and alerted Vader, who showed up just before they did and threatened to destroy the place unless Lando turned them over. The torturing begins! But it seems that Vader has a larger agenda than extracting information or punishing a few rebels. The real aim of this little “deal” is to prepare a trap for Luke, whom he knows will not be able to resist.

Back on Dagobah, Luke has a vision of the future in which Han, Leia and Chewi are suffering. He is unable to shake the vision and decides to leave. Yoda and Obi-Wan plead with him not to go, telling him he’s not ready and that he cannot hope to defeat Vader. But Luke is intransigent, insists he will come back, and that he won’t fall to the Dark Side. Once Luke leaves, Obi-Wan laments that they might lose their only hope, but Yoda reveals that there is another… hinteddy, hint, hint!

Meanwhile, Han is put into carbon freezing, a way of testing the process Vader intends to use to capture Luke. He is then handed over to Boba Fett to take back to Jabba. Having had all he can take of Vader’s treachery, Lando pulls a double cross and springs Leia and Chewi from capture. Chewi tries to take Lando’s head off, but stops when he tells them they can still save Han. They arrive too late, and Fett gets away… Luke has also arrived and Leia tries to warn him, but they are separated by too much blaster fire.

Luke continues to search the city, and finds his way to Vader. The two draw and begin dueling, and Vader is impressed by Luke’s growing abilities. However, before long, he wears Luke down and eventually takes his hand off. Beaten and helpless, Luke crawls to the end of a catwalk overlooking Bespin’s central mining shaft. Here, after much time and waiting, he learns the truth of what happened to his father and why Vader has been obsessed with finding him…

Vader did not murder his father, you see. Vader IS his father. More than that, he doesn’t want to destroy Luke, but to recruit him. Together, he believes they can destroy the Emperor and “rule the galaxy as father and son.” Luke is overwhelmed and possibly even tempted, but chooses death rather than surrender and capture. Jumping into the shaft, he falls but is pulled into a side passageway which dumps him outside. Hanging on for dear life on the edge of an antenna, Luke begs Obi-Wan for help. However, Obi-Wan already told him he wouldn’t be able to interfere if he confronted Vader. With no one else to call to, he reaches out to Leia, who appears to hear him. She order the Falcon to turn around and picks Luke up. They blast for orbit and prepare to make a daring escape.

However, the Executor is pulling into position and Vader reveals that the Falcon’s hyperdrive was disabled. They need only close in and board them now. However, R2 already found out about the hyperdrive from the station’s computer and zooms in to make a hasty field repair. He managed to put things back in order just in time, and the Falcon blasts off! Admiral Piett watches in horror as he sees them escape, and waits for Vader’s vengeance. But Vader, solemn and saddened, merely wanders back to his quarters…

Back at the fleet, Luke and Leia are tending to his lost hand. Lando and Chewi have meanwhile hopped back onto the Falcon and are going off to find Han. The movie closes with a hopeful scene of Luke, Leia and the droids watching the Falcon leave against a backdrop of the Galactic Core. The shot widens to show the rest of the fleet as it drifts away. Though they’ve suffered a beating and many set backs, the good guys are still alive, and hope remains…

What Made This Movie Even Better!:
As every fan of Star Wars and classic cinema is no doubt aware, this movie is considered one of the few sequels that actually surpassed the original. The reasons for this are pretty plain and I’ve already gone over them, so I think I’ll skip them and get right to the specifics.

For starters, the cinematography was masterful. Again and again in this movie, the music, camera angles and dialogue all coincided to create the perfect atmosphere of tension and impending doom. The opening scene where the Executor is introduced, the build-up to the battle on Hoth, the sense of defeat as the Rebels are forced to retreat, the terror Luke feels as he confronts the Dark Side, the fearful moments as we wait for the trap to close around the main characters on Bespin, and the growing desperation as Luke fights Vader… All of it culminated in the massive revelation that Luke was in fact Vader’s on. It was one of the biggest twists in movie history, and it was absolutely awesome! Years later and I still get the willies just thinking about it.

And in the end, this movie really captured the essence of dark second act. After the introduction and brief victory of good over evil in the first movie, we get a dose of hopelessness and soul-shattering revelation in movie two. Not only did it chill the bones and impress audiences with its mature themes, it also made us wonder just how the good guys were going to turns things around in the end. And it was only because the two movies were so character driven that we cared about what happened so much. Luke’s coming of age, Han and Leia’s budding romance, Chewi’s fierce loyalty, and even the droids quirky antics; we all felt a sense of attachment to these characters and wanted to see them come out okay.

Little wonder then why audiences were on the edge of their seats for the next three years. And granted, the third and final installment had its share of weaknesses, by then the momentum and following had become so strong that it seemed like nothing Lucas did could be perceived as wrong. And honestly, the third and final movie was so climactic and emotionally involved that they really just disappeared didn’t they? But more on that next time.

Happy Star Ways Day Weekend everybody! Enjoy yourselves and… well, you know the rest 😉

May The Fourth Be With You!

Yes, it is now May 4th, making it officially Star Wars Day! And in honor of this momentous occasion, I’ve decided to dedicate the next few days to reviewing the classic movies which started it all. Yes, those movies, the ones that made Lucas filthy freaking rich and perverted his sense of creativity.

But I’ve already ranted enough about those… ahem, other movies. Today is all about honoring the good things about this franchise and pop culture phenomena. And it really was a phenomena wasn’t it? When it comes to setting trends, box office records, and inspiring an entire generation of movie makers and movie-goers, few things can measure up to Star Wars.

In fact, part of the reason the fanboys reacted so badly to the prequels was because they loved the originals so much. Were it not for the intense love inspired by the originals, the new ones would never have been able to inspire such hate. Funny how that works…

First up, and in honor of May the 4th, is the original Star Wars, or as its extended title reads:

Episode IV: A New Hope
Plot Synopsis:
The movie opens with a crawl that divulges the bare bones of the movie’s premise. Basically, there’s  an evil Galactic Empire, a band of Rebels, and things are pretty tense ever since the latter won their first victory against the former. But in truth, the audience got all they needed from the opening visual sequence, a touch of cinematic genius if ever there was one!

For starters, we see a small ship running for its life, being pursued by a very large ship that is chasing it down. This tells us two key things: the Rebels are a small but committed band that are fighting for their existence against a very large, very powerful foe. The massive ship and the way it is making a slow, lengthy crawl over the camera lets us see the power and reach of the Empire, and establishes some dramatic tension which last well past the first few minutes.

Meanwhile, the ship is disabled and boarded. Imperial troopers, decked out in their white suits of armor, very clinical and faceless looking, board and kill all the defenders. Then in walks Darth Vader, who stands a head taller than the rest, is clad all in black, and very clearly means business! Cut to the droids odd-couple, C3P0 and R2D2, who’ve been scurrying around since the action started. Though we don’t know who she is at first, we see Princess Leia giving something to the latter, which under the circumstances, is of obvious importance. Shortly thereafter, they eject in an escape pod to the planet Tatooine, located below.

Leia gets her formal introduction after Vader kills the ship’s Captain and brings her forward to demand answers. She’s a member of the Imperial Senate, and apparently also a member of the Rebel Alliance. The reason their ship was boarded was because a certain set of plans, pertaining to the Death Star, were stolen and traced to their ship. After getting nothing from her, the Imperial officers deduce that the escape pod must have contained them and pursue it to Tatooine’s surface.

In time, C3P0 and R2D2 wind up becoming the property of a moisture farmer named Owen Lars. His nephew, a young man named Luke, quickly establishes himself as the movie’s protagonist. In addition to wanting to get off Tatooine, he also dreams of being a pilot and finding out more about his father, a man whom he knows virtually nothing about. Like all classical heroes, his will be a journey of self-discovery which will take him across the galaxy and fundamentally change him.

Naturally, his surrogate parents are afraid to let him go, alluding to the fact that his father’s legacy is not something they want him to be a part off. But in the meantime, Luke has a more immediate problem on his hands. After seeing a fragment of the recording of Princess Leia and learning that R2 was intended to meet a man named Obi-Wan Kenobi, a man whom Luke suspects is actually Ben Kenobi who lives in the deep desert. After hearing of this, R2 runs off, forcing Luke and C3P0 to run after him…

They find him, and Ben Kenobi, after a near-death encounter with some Sand People. After chasing them off and tending to Luke, Ben reveals that he is in fact Obi Wan, and takes Luke and the droids back to his pad to talk. Luke learns, much to his delight, that Obi-Wan knew his father and that he was in fact a war hero and a Jedi Knight. His lightsaber is still in Obi-Wan’s possession, which he gives to Luke to play with. This was audiences first glimpse of one of the coolest weapons in sci-fi history, and impressively, it was done on a rather meager budget!

In any case, Obi-Wan sees R2’s recording in full. Leia reveals that she has come into possession of the Death Star plans, intended to deliver them to her father on Alderaan, but was intercepted in transit. R2 now holds them, and they still must be delivered. The recording ends with her pleading with Obi-Wan to help the Rebels. He asks Luke to accompany him so he can learn more about The Force and his father, but Luke is naturally reluctant. He can’t leave so long as he has ties and family on Tatooine that need him… Ooh, foreshadowing!

Cut to the Death Star, the infamous Imperial weapon of terror. Its commander, Grand Moff Tarkin, makes his first appearance, as do the other senior commanders. After some exposition on just how freakishly powerful the Death Star is, it is also revealed that until the plans are found, there is a danger. On top of that, there’s also the consensus that the Death Star needs to be tested by blowing up its first planet. Also, with Leia aboard and not talking, Tarkin concludes that they can kill two birds with one stone.

Luke and Ben meanwhile find a wreck in the desert, a Jawa landcrawler which had been destroyed by Imperial troopers. Luke quickly realizes that the Imperial troops were searching for his droids. He rushes home to find his uncle and aunt dead and their home destroyed. He then returns to Obi-Wan to tell him that he will come with him after all. The two then travel to the planet’s spaceport, Mos Eisley, to find a spacer who will take them off planet.

After getting past Imperial guards, they are forced to contend with some tough barfolk. Obi-Wan quickly dispatches them with his own lightsaber, and they meet Han Solo shortly thereafter. After being treated to some not so idle boasts about his ship (the Millennium Falcon), Obi-Wan determines that Han’s the man to take them to Alderaan. We, the audience, also learn that he clearly has some debts, and an angry creditor named Jabba. Before he can leave to check on his ship, he’s forced to gun down one of the men Jabba sent to collect.

Getting into orbit and away from the planet prove a might bit difficult given the presence of Imperial troopers and Star Destroyers. But Han wasn’t bullshitting when he said his ship was fast. They dust off, jump into hyperspace (another cool visual experience) and elude their Imperial chasers.

Meanwhile, Takin has the Death Star parked in front of Alderaan, which he threatens to destroy if Leia won’t divulge the location of the Rebel base. She does, telling him their on Dantooine, but Tarkin orders Alderaan destroyed anyway. Seems Dantooine is too remote to provide an effective “demonstration”. But it’s okay, since she was lying through her teeth. When Tarkin learns of this, he’s naturally pissed and orders that Leia be executed.

However, this order coincides with the arrival of the Millennium Falcon. Since their destination has been blown to pieces, the crew fly into a complete and utter debris field, and soon find themselves face to face with the Death Star itself. After getting nabbed with a tractor beam and brought aboard, they are forced to stow away in the Falcon’s secret compartments, where Han usually puts his “special” cargo. After popping out and sneaking past more Imperial troopers, they learn that Leia is aboard the station. Obi-Wan heads off to disable the tractor beam, while Luke convinces Han to take part in a daring rescue. Hijinx ensue!

First, we have Han, Luke and Chewi’s rather clumsy attempt to get Leia out of her cell block. The first phase, getting in, goes off without much trouble (unless you count all the shooting). Unfortunately, phase two, getting out, proceeds less smoothly. After being cornered my reinforcements, Leia orders them to jump into the trash compactor to escape. Only the timely intervention of R2 and 3P0 prevent them from being mashed.

Second, Obi-Wan succeeds in shutting down the tractor beam, but comes face to face with his old apprentice, Darth Vader. A lightsaber duel ensues, crossed beams providing a metaphor for the internal struggle between the righteous teacher and the student who went bad. As they head for the ship, Luke sees Obi-Wan locked in this duel, and is forced to watch as Obi-Wan puts up his blade and lets Vader kill him. But of course, he warns Vader that this will only make him more powerful… something we will understand very soon.

Ultimately, the good guys get away, short on crew member, but it seems their escape was allowed to happen. Knowing that they will set course of the Rebel Base, Vader has a tracking device placed aboard the ship, and the Death Star follows them to a small moon called Yavin 4.

Once there, Leia meets with the Rebel command staff and shares the plans. Knowing that the Death Star is likely en route, they prepare a desperate plan to destroy the Death Star using the one weakness they can discern. An exhaust vent located along the station’s central axis, at the end of a long, well-defended trench! Some two dozen Rebel pilots suit up for the mission, Luke volunteering to help, and asking Han to do the same. But, having been given his reward and eager to pay off his debts, Han says good luck and leaves with Chewi.

After slipping past the Death Stars shields, the Rebel pilots begin fighting it out with the station’s defenses and defenders. However, the assault on the vent itself does not go well. One wing of pilots is shot down trying to make the run, and the one pilot to get off a shot misses and is killed shortly thereafter. It now falls to Luke and what’s left of the attack wing, which includes his old friend Biggs Darklighter. Biggs is killed covering Luke, and he himself appears about to be gunned down by Vader’s own fighter, until someone new shows up and saves his ass!

Seems Han had a change of heart, and after blowing up Luke’s tails and sending Vader’s ship into a tailspin through space, Luke fires off his ordinance and hits the vent dead on! They break off and get away just in time to avoid the massive shock wave that blowing up such a massive station produces! The Rebel Alliance is saved, and the Empire has been dealt a mighty blow. However, as we see, Vader is still alive and makes it away, letting us know that the war (and movie franchise) will go on…

What Worked So Well About It!:
Where to begin. You know, its always at this point that critics and fanboys say what was so good about the original movies by comparing them to the new ones. To avoid this needless cliche, and perhaps to be a good sport, I’ll keep comparisons to a minimum. Suffice it to say, part of the reason why the first movie was such a smashing hit was because it tapped in to a certain need which was becoming apparent in the movie-going community. In terms of science fiction, audiences were becoming just the slightest bit tired of dystopian stories and dark visions of the future.

After so much technophobia and misanthropy, the stage seemed set for something positive and heroic to come along and renew people’s faith in humanity and the future. So in a way, Lucas’ masterpiece benefited from good timing, arriving exactly when people needed it to. Such timing had not been seen since the arrival of the Beatles to America, an event which came after the assassination of JFK when young people were looking for something happy and joyful to focus them onto new and positive things.

Another thing which worked in its favor was the fact that Lucas had to contend with limited budgets, an largely inexperienced cast and crew, and just about every mishap imaginable. Being in the position of the underdog, having little expected of him, and having to contend with all kinds of difficulties, what came out of it all is best labelled “art from adversity”. There’s just something so purifying about a noble effort which succeeds despite difficulty, isn’t there? It was like Lucas’ movie was living out its own plot, the committed band of Rebels fighting an evil Empire being a metaphor for Lucas’ own fight with the studios and production companies.

The Weak Parts:
But of course, Lucas also benefited from a great deal of help, which came from the highly experienced and talented hands of John Williams, the cinematography of Gilbert Taylor, and a host of editors who helped clean up his movie once the raw footage was slapped together. Arriving just a few months shy of the films theatrical release, these people saved production of the film in many ways, and demonstrated to Lucas that when it came to shooting and dialogue-writing, he needed some help to make it all work (something he forgot in more recent years!)

In fact, it was because these individuals had arrived late to the production that many weaker elements of the movie survived and became part of the original movie. In several scenes, actors and extras made mistakes which Lucas didn’t notice because he was not accustomed to shooting films. Two prime examples are when a Storm Trooper walks head first into a sliding door on the Death Star, and Mark Hamil yells “Carrie!” to actress Carrie Fisher while they were shooting. These were never edited out, as was some of the lazier acting and poor dialogue.

In fact, Lucas gained a reputation for writing wooden dialogue as he was making this movie. During their initial readings, many of the actors complained that it was unrealistic, unnatural, and completely awkward. These sentiments were brilliantly captured by Harrison Ford when he confronted Lucas and told him, “George, you can type this shit, but you sure as hell can’t say it!”.

The Enduring Legacy:
Of course, I could get into all the cultural and cinematic influences that were apparent and helped make the movie such a box office hit. But let’s face it, that’s been done to death! I shall just say that in the end, Lucas knew where to borrow from and could make it all work together. Combining elements like westerns, samurai movies, and allusions to ancient and modern history with an epic story of good versus evil, Lucas’ creation tickled all the right bones and gave audiences what they wanted when they wanted it.

And really, it was one of those rare movies where people felt that there truly was something for everyone. It was not strictly a kids movie (despite what Lucas would later claim) because there was simply so much material and attention to detail which no child would have been able to appreciate. So while the kids (and kids of all ages!) were dazzled with shoot outs, dogfigths and lightsaber duels, the adults were able to appreciate aesthetics borrowed from such classics as The Good, The Bad and The Ugly, Seven Samurai, Metropolis, and costumes and themes alluding to WWII and Nazi Germany.

And of course, with its smashing performance at the box office, Lucas and his crew now had the freedom and the street cred to make some follow up movies and see his vision through to completion. And in no time at all, all the studios and production companies which had doubted him or told him no were lining up to imitate him and finance whatever Star Wars clone they could find. Lucas, I imagine, got a real kick out of that!

Anyhoo, having spilled so much metaphorical ink on this movie, let me just wrap things up by saying Happy Star Wars Day and be sure to check back soon. Next up, I will be covering the even more famous The Empire Strikes Back, one of the few movies in cinematic history to ever be credited as being “better than the first”. In the meantime, check out this shot from the blooper reel. Keep your eye to the right as the Stormtroopers walk in…

 

Cool Ships!

God, what an obvious extension of the whole conceptual sci-fi thing, I can’t believe I didn’t think of it sooner! After all, what is a sci-fi franchise without some cool spacefaring vessels? Sometimes, these come in the form of exploratory ships that chart the unknown regions of the galaxy. Sometimes they are battleships which kick ass and don’t do much else. And sometimes they are generational ships, spending decades, centuries or even millennia cruising through space, ferrying people to new star systems and new galaxies.

But whatever their purpose, futuristic vessels are a constant source of enjoyment and interest. A lot of imagination and creativity goes into creating them, and what comes out is often a testament to the allure of speculative sci-fi. Anyway, today I thought I’d explore some choice examples of sci-fi ships and what makes them so cool. Here goes…

Defiant:
Making its debut in Star Trek: DS9, the Defiant became the workhorse of the station and the first line of defense against it’s enemies. Originally designed for combat with the Borg, the Defiant was a prototype for an entire generation of warship. Smaller than most starships, but also faster and boasting very powerful weaponry, the Defiant quickly gained a reputation for being the most dangerous vessel in the quadrant!

Yep, when this ship made its debut, I started watching the show. Every episode that featured space battles with the Defiant were worth watching, in my estimation. Blasting those rapid-fire cannons, firing those quantum torpedoes, blowing up anyone stupid enough to cross it; the Defiant did it all!

It’s prototype version even boasted a cloaking device, something the Federation borrowed from the Romulans so they could slit into Dominion territory once they found out about them. In time, the Defiant was lost, but more of its kind appeared to take up its role. The Valiant, the Sao Paolo, and a host of others were pressed into service as the series went on and the Dominion War became the focal point of the show. Much like their predecessor, these new Defiant-class ships kicked plenty of asses and never went down without a fight. A big, brutal, hard-slogging fight!

Galactica:
This ship is the namesake of the original movie and series and got a makeover for the re-imagining which was released back in 2005. And though her appearance has changed somewhat since the 1970’s when the original movie came out, the Galactica’s role and importance has remained the same. The last surviving Battlestar of the Twelve Colonies, she is the sole protector of the human fleet as it flees the Cylon onslaught and makes its way to an elusive world called Earth… and salvation!

One thing that did change between the old and new series was the sophistication of the design. Whereas in the 1970’s version, the Galactica was a state of the art, modern warship with laser cannons and a full crew, the newer version was an older, outdated vessel with projectile cannons and flak guns that had been retired from active service. As the series opens, we see that the Galactica was being converted into a museum ship that was meant to commemorate the last war against the Cylons which had ended over twenty years ago. It’s crew was skeletal and its senior officers were also due for retirement.

However, all of that changed when the Cylons launched their surprise attack on the Colonies. Being an obsolete vessel which used outdated computers and had no wireless networks, the Galactica was the only ship that wasn’t crippled by the virus the Cylon’s used to disable the Colonial fleet. After hastily equipping themselves with ammunition and some equally outdated Vipers from their showroom, the Galactica was forced into service. But by this time, the war was effectively over, and the Captain and crew dedicated themselves to a new mission: to find the only other human colony in existence (Earth) and begin repopulating their species.

Despite her age, the Galactica could still surprise her enemies when she needed to. Unlike her more modern companions, including the Pegasus which she met in season two, she had a habit of getting out of some rather tight spots. You could say that in the new series, this ship was a metaphor for humanity; aging and endangered, but a survivor nonetheless!

Millennium Falcon:
Here she is, the centerpiece of this list! For what ship is more cool than the Millennium Falcon? I mean really! Sure, she’s not the biggest or the most heavily armed ship on this list, but she is the fastest, nimblest, and she’s definitely got the most character. In some ways, she was almost part of the cast of the original Star Wars series, and I’m sure everyone felt bad for her when she got scuffed up during that last battle in Return of the Jedi ;).

Officially, the Falcon is a modified Corellian transport. Corellia, the planet Han calls home, is renowned for producing good ships in addition to good spacers. They’re fast, sleek, and infinitely modifiable. It’s little wonder then why they are a favorite amongst smugglers. And Corellian spacers especially are known for being very monogamous and loyal when it comes to their ship selection.

Prior to joining the Rebellion, the Falcon was primarily used to smuggle spice from Kessel to other regions of the Galaxy, usually at the behest of Jabba the Hutt. In spite of its speed, the Falcon would occasionally get boarded by Imperial patrols. When this happened, Han and Chewi relied on a secret compartment to stash their goods. However, on one of his final runs, Han was boarded by an Imperial patrol and was forced to ditch his manifest.

Shortly thereafter, Han and Chewi joined the Rebellion and the role of the Falcon changed considerably. Now, it was involved in attack missions, the most notable of which were the assaults on the first and second Death Star. At other times, it continued to do what it did best – fly fast and elude Imperial ships!

Nostalgia for Infinity:
Here we have an interesting ship, which comes to us from the mind of Alastair Reynolds and the Revelation Space universe. Known as a “Lighthugger”, this class of vessel was one which could travel close to the speed of light thanks to its massive “Conjoiner Drives”. These engines, which were attached to the outsides of the ships, relied on a controlled singularity to generate the necessary inertia to push the ship as close to light speed as was physically possible for a vessel of its size.

The crews of these ships were known as “Ultranauts”, or Ultras for short. Typically, these were the kinds of cybernetically enhanced human beings who were capable of interfacing with the ship’s advanced machinery, prolonged space travel and withstanding the inertial stresses caused by near-light speed travel.

In the case of the Nostalgia, the ship was commanded by a Triumvir, three Captains who took turns commanding the ship while it was in deep space and the others were in reefersleep (i.e. cryogenic suspension). This included Ilia Volyova, Sajaki and Hegazi, three Ultras who had taken over after the Captain and ship had succumbed to what was known as the “Melding Plague”. This virus is a key element to the story of RS, being alien in origin and which infects and perverts nanotechnological matter.

In the course of running their various missions to and from the many worlds of the RS universe, the crew came into possession of a series of “Cache Weapons”, missiles and gun platforms which were apparently of Conjoiner design, and were officially known as Hell-class weapons.  As the series progressed, both the Nostalgia, its crew, and these weapons played an increasingly important role in defending the human race from the alien threat of the “Inhibitors” (see Planet Killers, The Inhibitors, for more detail).

Red Dwarf:
The eponymous spaceship from the BBC series, the Red Dwarf – otherwise known as the “giant red trashcan” – was a huge mining vessel measuring 10 km in length, 6.5 km in height, and 5 km in width. Built for mining and owned by the Jupiter Mining Corporation, the ship is immense, largely self-sufficient, and run by an AI named Holly. And for some reason, it has an asteroid embedded in its hull (this is never explained).

In the beginning of the series, a radiation leak killed the entire crew, except for the protagonist Dave Lister, a technician who was apparently in suspended animation at the time. In order to ensure his survival, Lister is kept in suspension by Holly until all the background radiation dissipates, a process which takes over three million years. As a result, Lister wakes up to find that he’s the last living human in existence. His only companions are the hologram of his former bunk-mate Rimmer, and a humanoid feline named Cat who evolved from Lister’s cat (Frankenstein) over three million years that he was asleep.

Over the course of the show, the crew encounters new planets, species and time distortions aboard the Red Dwarf, all the while trying to make their back to Earth. The largely self-sufficient ship takes care of their every need, though it has begun to run out of certain supplies after three million years (including Shake n Vac and all but one After Eight mint!).

Serenity:
I’ve spent quite a bit of time talking about Firefly as of late, but the list says cool ships so I don’t see how the Serenity can possibly be left off this list! As the centerpiece of the single-season series and the movie, the ship has a long story and a lot of character, much like her crew! Originally designed as a class of cargo freighter, the Firefly is apparently an older model of ship that is no longer in use with the Alliance but remains popular out on the rim.

All references to it in the early episodes indicate that the series is essentially obsolete, but due to their ruggedness, shelf-life and the presence of secret compartments, they remain a popular item amongst smugglers. Hmmm, echoes of the Millennium Falcon there. Nevertheless, as the series progresses, this reputation is illustrated in how Mal and the crew are able to stow illegal goods and how Kaylee is able to keep the ship running under tight conditions with all kinds of improvised repairs. And despite the fact that it is no longer being constructed, most of its parts are still available and easily attainable on the open and black market.

Much like all ships in the Firefly/Serenity universe, the Firefly is apparently a sub-light vessel, incapable of traveling faster than the speed of light. Though unarmed, it is fast and maneuverable in both space and planetary atmospheres. This is made possible by the addition of two external multi-directional thrusters which allow for takeoff, landing, and the occasional crazy Ivan (which the crew pulled in the pilot episode). It also boasts two shuttle pods, which can be used as escape vessels or as secondary transports. Inara, the Companion crewwoman, uses one such pod as her quarters and transport for personal away missions.

The ship also has its own medbay and crew quarters, which is another feature that makes it popular amongst spacers. In fact, the availability of a private room was intrinsic in Mal’s offer to “recruit” Jayne Cobb from another gang, which was illustrated in a flashback sequence during the episode “Out of Gas”. There was even room enough to accommodate River and Simon and Book, which would indicate that the ship contains eight bunks in total. A communal dining area and food processors also see to their needs while not sleeping, gun-slinging, or generally doing something illegal!

USS Sulaco:
After barely surviving her first encounter with the xenomorph in Alien, Ellen Ripley and a crew of Colonial Marines returned to LV-426 in Aliens to settle the score! The ship that brought them there was none other than the USS Sulaco – a big, bad, military vessel boasting big-ass guns and enough Marine firepower to level an entire colony. Much like the Nostromo, the Sulaco is a reference to the work of Joseph Conrad, writer of Heart of Darkness (significant? Oh, I think so!).

Apparently, the Sulaco is a Conestoga-class warship designed for ferrying Marines to and from conflict areas in the future. While it was only carrying one platoon of Marines and two dropships in the second movie, this class of ship is capable of carrying 20,000 tons of cargo, eight UD4L Cheyenne-class dropships and a crew of 90 personnel (according to other franchise reference material). Hmm, too bad they didn’t pack the Sulaco to capacity, otherwise Ripley would have never had to take matters into her own hands to kill the Queen Alien!

Much like everything else in the Alien franchise, the Sulaco and all other Conestoga-class vessels are built by the Weyland-Yutani corporation, military division. Clearly, their purpose is to enforce the law, hunt down (and capture) xenomorphs, and maintain the peace aboard its many, many colonies. All part of their commitment to “Building Better Worlds” I guess 😉

White Star:
My personal favorite of this list, the coolest and most badass ship to come from the Babylon 5 universe! Fast, small, and boasting incredible firepower, the White Star was the workhorse of the Shadow War, Sheridan’s campaign to liberate Earth, and the early military campaigns of the Interstellar Alliance. In a lot of ways, it is much like the Defiant from the DS9 universe… I do believe they stole the idea from Straczynski!

As a collaboration between the Mimbari and the Vorlons, the White Star ships were partially based on organic technology. This meant that the ship was essentially alive and could heal itself when damaged. In addition, its organic armor was capable of deflecting energy, giving it a sort of shielding which could protect it from anything other than a physical impact.

The ship’s main weapons consisted of pulse cannons and a single beam cannon mounted in the nose. This gave it the ability to pepper targets with rapid fire shots while conducting high-speed maneuvers, and slicing them with focused bursts while on an attack vector.  All of this came in handy when dealing with Shadow vessels, which are notoriously hard to kill! It also proved useful when up against larger, heavier ships like Earth Force cruisers, Drakh vessels, and anything else the known universe could throw at them.

From the initial prototype, the Mimbari would go on to construct thousands of White Star-class vessels which were crewed by the Rangers and members of the Religious Caste. After the formation of the Alliance, Sheridan proposed the creation of a heavier version which culminated in the design of two White Star Destroyers, the Victory and Excalibur. This latter ship was the centerpiece of the spinoff series, Crusade.

Final Thoughts:
Well, that was fun! No final thoughts today, as I really have none to offer. I just really like cool ships! And much like most toys for grown ups, they are made cool by the fact that they are used for some fun purposes – like smuggling, fighting or exploration – and generally boast one or more of the following factors: speed, firepower, special abilities, visual appeal, and maybe some secret compartments. Any or all of these will do, thank you very much. Until next time!

A Tribute to Badasses!

You know those characters, people who come to us from our favorite movies, TV shows, or pop culture in general. The kinds of people who excel at kicking ass and taking  names? The kinds of people that just never seem to die, they just keep getting bigger and badder the more time passes? Yeah, we all have people like that in our collective imagination, the inspiration heroes and villain who just impressed the hell out of us and made us want to be badass like them!

Well today, I felt inspired to do a little tribute piece to characters such as these. On the one hand, this seemed like a good diversion from my usual conceptual pieces which deal with big and potentially boring stuff. I mean, outside of people like me, who really cares about planetary cultures and mega cities? On the other, it felt like an overdue acknowledgement to all the characters that were well written, well scripted and well executed over the years. Yes, today I’m paying tribute to all the people in sci-fi who were so good at being so bad, or just bad enough…

Here they are!

Alucard:
The main character from the short-lived by popular Hellsing series. Not to be confused with Van Hellsing, also about a vampire hunter, this series was all about an organization in the UK that was dedicated to fighting vampires, ghouls, and other hellish creatures. Their chief operative, a mysterious vampire named Alucard (Dracula backwards), was quite the epitome of badassness!

In addition to his cape, Victorian-era clothes, and massive handgun, he had the supreme confidence and “man of few words” thing going that can only come from being alive for so freaking long. As they say with most vampire series, the longer they live, the more powerful they get. And Alucard has been around for a long, long time!

Ordinarily, he would just dispatch his enemies with a few blasts of his massive double-action pistol. But when faced with truly powerful demons, he would break the really scary shit! We’re talking seriously dark, scary energies that would tear an enemy to pieces, body and soul! Though it was never made clear why he was helping humanity in the animated series, the original comic did a better job of exploring his back story and motivations.

Taking its cue from Bram Stoker’s original novel, Dracula was apparently defeated by the notorious Abraham Van Hellsing and agreed to become the family’s loyal servant. The main story takes place several hundred years, later when the latest descendent of the Hellsing family is carrying on the tradition of keeping England safe from the forces of evil.

Blade:
Here we have another vampire hunter who’s more than just your average guy! Though his real name is Eric Brooks (according to the comic series), this street hunter goes by the professional name of “Blade”. Little wonder, considering that just about every weapon in his arsenal features an acid edged pig-sticker or a sharpened silver stake! But of course, the real twist comes in why he does what he does.

As if that wasn’t badass enough though, he also alternates between a Gran Torino and a motorbike, wears a leather cape over segmented body armor, and packs enough firepower to take down an entire SWAT team single-handedly! All the while, he utters his few, but cryptic lines through those big, vampire incisors.

Known ominously as the “Daywalker” to vampires who are scared shitless of him, he combines the best of both worlds when it comes to human and vampires. He is immune to silver, garlic and daylight, but can heal almost instantaneously and has super strength. His only weakness however comes in the form of the “thirst”, the need for blood which every vampire suffers from and must eventually succumb to, or die. In order to preserve his humanity, Blade relies on a synthetic “serum” which temporarily satisfies his cravings.

In a theme that has growing in popularity and familiarity since the early 80’s, Blade is a half-man, half-vampire who’s mother was bitten while pregnant with him. Tormented by his split identity, and the supposed loss of his mother, he has chosen to resolve this crisis by hunting those that made him what he is and robbed him of his human life. However, the question of what he will do once he’s rid the world of the last vampire, and what he will do when the serum stops working, are questions that remain unresolved, and help to drive the story.

Boba Fett:
When you hear the name Star Wars and the word badass, what naturally comes to mind? Assuming you know anything about Star Wars, then chances you thought of Boba Fett! This notorious bounty hunter was probably the most badass thing about the series, dwarfing Vader, Jabba, and the Emperor in terms of shear awesomeness!

Hell, this guy not only appeared repeatedly in movies two and three (with a small cameo in a deleted scene in movie one), he also had entire novels, comics, and games dedicated to him. Annnnd, if the Dark Horse series Dark Empire is to be believed, Fett even escaped the mighty sarlacc. Who else amongst the expanded cast of the Star Wars saga can boast that kind of record? Lando? HA!

Though Lucas attempted to explain Boba’s origins in the prequel movie Attack of the Clones, other stories from the expanded universe claims that Boba was in fact a former Stormtrooper of Mandalorian origin.

However, on this latter point, all sources agree. Clearly, Boba Fett was of Mandalorian origin, a warrior race that had become virtually extinct after the Sith Wars and had relegated themselves to the role of bounty hunters and mercenaries. Boba had apparently distinguished himself amongst his rivals by delivering on contracts, charging exorbitant fees, and being very hard to kill. Hell, somebody who crawled their way free of the sarlacc aint no pushover!

The Joker:
Batman’s nemesis, and Gotham’s smiling psychopath, the Joker is one of those villians you just love to hate! And yes, he’s also pretty damn badass! Though he has gone through countless renditions and adaptations over the years, all the variations revolve around the same basic theme.

Basically, the Joker is a sociopathic criminal who thrives on chaos, the perfect polar-opposite to Batman’s vigilante persona. Over the years, he has been in and out of Gotham’s Arkham Asylum, examined by doctors, but always seems to escape to stir up shit again.

In his most recent incarnation, as performed by Heath Ledger, the Joker reached new heights of popularity and badassery! Not only did he manage to rip off the mob, turn Gothamites against the Batman, drive Harvey Dent mad, commandeer the mob, bring Gotham to the brink, and stay one step ahead of the Batman and police the whole time. He managed to do it all with a twisted smile on his face! That’s an awful lot for a man who claims he doesn’t do planning!

Looking to the comics and expanded franchise, one sees even more examples of badassery! Here, as well as in the movies, new and old, the Joker is notorious for causing trouble and doing it with a shit-eating grin. In addition to the general mayhem he’s been known to cause, his credentials include turning a psychologist into his willing sidekick (Harley Quinn), kidnapping and torturing the Commissioner’s daughter, killing one of the Robin’s, and nearly killing Batman on numerous occasions. Yet somehow, he always manages to escape, survive, and live to inspire chaos another day. Malevolent? Yes. Psychotic. Oh yes! But a notorious badass as well? You betcha!

Raven:
“Until a man is twenty-five, he still thinks, every so often, that under the right circumstances he could be the baddest motherfucker in the world… Hiro used to feel this way, too, but then he ran into Raven. In a way, this was liberating. He no longer has to worry about being the baddest motherfucker in the world. The position is taken.”

That pretty much says it all. Taken from Neal Stephenson’s Snow Crash, Raven is one of the chief antagonists of the story and one of the baddest motherflechter’s around! An Aleut by ancestry, he is skilled in the art of harpoon throwing, knife fighting, killing people, and being untouchable. Of course, this might have a lot to do with the fact that in the sidecar on his motorbike (pretty badass in itself!) he has a thermonuclear device stashed. This, apparently, he got off a Russian sub after stowing aboard and killing the entire crew with glass knives, and its wired to go off in case anybody does the unthinkable and kills him. Hence, nobody messes with Raven, as if his size and skill with weapons weren’t intimidating enough!

People recognize Raven not only by his obvious size, leather jacket, and motorbike, but also by the words “Poor Impulse Control” tattooed on his forehead. This is a holdover from his years in the corrections system of the future, where they’ve resorted to tattooing a prisoner’s particular maladjustments directly on their forehead for all to see. But for those who’ve pissed him off, or are just on his hit list, the first indication that Raven’s around is the telltale presence of his harpoon in your chest!

Molly Millions:
Also known as “Sally Shears”, Molly is a recurring character in William Gibson’s Sprawl Trilogy. Technically, she is what is known as a “razor girl”, though cyber-ninja works just as well. Basically, she’s a gun (or razor blade) for hire who gets paid by high-rollers to take out anyone who stands between them and their objectives. This, she typically does by slashing people with razor claws that are imbedded in her fingertips, though she’s adept at hand to hand combat and wield firearms with the best of them too!

Thought tough, deadly and ruthlessly efficient, she has shown herself to have a softer, sensitive side, not to mention a sympathetic past. For instance, her first appearance is in Gibson’s short story (and film adaptation) of Johnny Mnemonic. Here, she goes beyond her usual mandate and begins to fall in love with the story’s protagonist, Johnny.

In her follow-up appearance in Neuromancer, she admits that he was the first “client” she overstepped her boundaries with and still mourns him years later. She also reveals that she began as a “meat puppet”, a form of prostitute who allows their body to be controlled by handlers while they are maintained in a blank-outed state. This is how she apparently paid for her cybernetic enhancements and became a mercenary ninja.

On top of all that, she is a fiercely loyal and levelheaded woman who, despite the nature of her job, is committed to her moral code and values the kinds of human relationships that are becoming increasingly rare in Gibson’s world. One might say that she’s tough because she has to be and would much rather live an ordinary life where love is not obsolete and murder for hire is not the only way for street people to get ahead. Still, don’t mess with her! Just because she’s got a soft side doesn’t mean she won’t fillet your ass!

Ripley:
Mother, warrior, humanitarian and xenocidal ass-kicker, Ellen Ripley defined female badassery for an entire generation of moviegoers! From her humble origins as a crewman aboard the Nostromo to her showdown with the mother Alien, Ripley demonstrated the full range of the heroine protagonist. She was began as a regular officer who was put into a terrifying and claustrophobic situation, a lone survivor of a xenomorph attack aboard a confined spacecraft.

But living to fight another day, she faced her vulnerability, overcame her fear, and put it all on the line to save a little girl. And in the course of that, she also strapped on some heavy artillery and kicked some serious ass! And in the end, the showdown between herself and the Alien hive queen was not only cinematic gold, it was so thick with allegory you could cut it with a knife! Two mothers, two titanic forces, coming together to fight for their young!

Let’s face it, this is what makes Sigourney Weaver and her character so awesome and sympathetic. She’s a regular woman who, when faced with treacherous odds, went above and beyond to do the right thing. And let’s not forget that her motives were purer than anyone else’s. Whereas some people were interested in their bonuses and others in shooting shit up, she fought tooth and nail to protect and save the life of a young child, a girl who reminded her of the daughter she lost.

And it worked. In the end, she outlived all the professionals who ignored her or were sent in to “protect her”. When all else failed, this lady came through and showed that you don’t come between a  mother and her child and you don’t underestimate a determined woman, or she’ll kick your ass! Yes, years later and Ripley still remains an inspiration to women everywhere, and a reminder to us boys to respect and honor the women in their lives. In the end, they are a hell of a lot tougher than you think 😉

Vampire Hunter D:
Yet another vampire hunter who’s got some questionable ancestry! Vampire Hunter D is based on a novel series with manga and anime adaptations. Taking place in the distant future, thousands of years after WWIII took place, D wanders through a pre-industrial world hunting the demons, vampires and assorted creatures that have come to plague it. Apparently, in the distant future, vampires have established themselves as a sort of Nobility that control their fiefdoms through a combination of advanced technology and magic.

Much like Alucard, D has a questionable ancestry which is gradually established as time goes on. Right off the bat, it is clear that he is a dhampire, the child of a vampire mother and a human mother. As time goes on, it becomes established that he is fact the son of the ancient Count himself. As a result, he has some pretty badass powers, which include spontaneous healing, super strength, and some pretty dark powers! Unfortunately, he also has his share of weaknesses as well. Sun-sickness, garlic; all the things that are fatal to vampires are pretty harmful to him as well.

Believing that vampires have overstepped their traditional authority, D is dedicated to sending them back to the darkness from whence they came. Though he is part vampire, he values his human side and cannot condone how vampires abuse the humans they have dominion over.

Ah, and his weapon of choice for dispatching vampires and demons? A big katana-style sword! This weapon can decapitate even the most powerful vampire, or rend him from his neck to his navel. Oh, and did I mention he also has a smartass symbiot living on his hand? Might sound weird, but this thing keeps him company, keeps him honest, and has even saved his life a few times.

Vasquez:
Yes, I realize I’m doubling down on a single franchise. But no list of badasses would be complete without mentioning Private Vasquez. Also of Aliens fame, this woman put the  bad in badass, toting that massive smartgun and telling everybody who got smart with her where to go! Seriously, those iconic lines, “Let’s ROOOOOCK!” and “I just want to know one thing… where-they-are!” Bam! There wasn’t a single person in the audience who wasn’t get goose bumps.

Not only was she clearly a tough, take-no-prisoners kind of woman, she commanded the respect of those around her, particularly the men. Hudson, played by Bill Paxton, would get smacked down anytime he tried to sass her. Recall the lines: “Vasquez, anybody ever mistake you for a man?” “No, how about you?” Classic! And of course Private Drake, her partner in arms, practically followed her around, even though he was twice her size!

But of course, she too had a sensitive side. When Drake fell protecting their group, she took it really hard. She was even willing to go back into the den of the xenomorph’s when it became clear he was still alive. Even though it was obvious he and the others were being used as symbiotes and the odds of them making it out alive were virtually nil, she was still willing to risk her life. One seriously got the impression that she loves the big lug after all…

But mainly, she was an ice cold chick and tough as nails. When those around her began to panic and cry “game over, man!”, she raised her gun and started kicking ass! And when at last she was cornered and wounded, did she roll over and die? Hell no! She grabbed hold of that grenade and went down with a bang, taking as many of those buggers as she could buggers with her! RIP Vasquez. You rock!

Well that’s all for now. I was going to include some non sci-fi examples in this list as well, but that would made it too long to post! Stay tuned, I’m thinking I’ll save those examples of mainstream badassery for next time. And I might just have some final thoughts to offer on this whole phenomenon known as badassesness. I love inventing words! Bye!

Cool Weapons!

Last time, I spoke (at length) about all the awesome firearms that come to us from a variety of science fiction franchises. But let’s face it, there’s a lot more than just guns to speak of! In fact, part of the genius of sci-fi is in how it is constantly inventing entire arsenals of weaponry, tools, and the various nicknacks that make the world go round. Any director or writer who show attention to detail will make sure that their characters come equipped, looked the part, and that their settings have plenty of believable gadgetry taking up space in the background. Here are just some of the cool examples:

Claws:
Predator_clawsAlong with the burner/plasma caster, these weapons are the most basic of Hunter weapons in the Predator universe. According to tradition, every Hunter must distinguish themselves in battle by confronting an enemy in single combat using no other weapon than their claws. Based on the two non-crossover films (Predator and Predator 2), this is apparently done once all lesser prey are eliminated and only the top prey is left. When that occurs, the Hunter will ensure that this finale opponent has been deprived of any additional weaponry, and then will shed every other weapon in their arsenal and engage them in hand to hand combat.

Combi-Stick:
Part of the Hunters arsenal, this weapon comes from the Predator universe and is part of their wider arsenal of cool weaponry. The name refers to the fact that this staff serves multiple functions. Collapses, it serves as a sort of quarter staff. However, the stick has telescoping sections with a blade like end, which when deployed turn it into a spear. In Predator 2, a hunter used his stick on multiple occasions. Against a group of the Jamaican gang members, it was used strictly for impaling, but during a later scene, it was used as a throwing spear against Danny Glover’s character.

Crysknife:
The Fremen weapon of choice, made from the tooth of a Maker (i.e. a Sandworm). The name and design of the weapon are based on the kris, a ceremonial dagger that was traditionally used in Indonesia and is associated with many cultural legends.

A testament to Herbert’s ability to incorporate historic and cultural elements into his stories, the kris is an enduring symbol of the Dune universe and was used by Fremen for warfare, duals, and ceremonial purposes, much like the real thing! In addition, the Fremen had very strict rules about the use and exposure of these knives. According to the Shadout Mapes – the Fremen housekeeper in Dune – who gives one to Jessica: “Who sees that knife must be cleansed or slain!” And as Leto II remarked in Children of Dune: “The crysknife dissolves at the death of its owner.”

Lasgun:
This weapon was the brainchild of Frank Herbert, and is a familiar weapon in the Dune universe. According to Frank’s many novels, the lasgun was a continuous-wave laser projector weapon that when fired emitted a constant, narrow beam of photons. Though it was able to cut through just about anything and was the weapon of choice in the Old Imperium, it had since fallen into disuse by the first Dune novel.

This apparently had to do with the invention of personal shields. Rather than protecting against a lasgun burst, the interaction of the two would cause a reaction that rivaled that of an atomic explosion. Hence, attacker and defender would both be killed instantly if either ever came into contact. Much like the prohibition against the use of nukes in Herbert’s universe, one would get the distinct impression that he was commenting on the futility of nuclear deterrents and arms races.

But that’s another matter. The lasgun, from its first appearance in Dune, has gone on to inspire many a sci-fi franchise. One that immediately comes to mind is Akira. In this movie, riot squads and the military employed large, external cell powered weapons to fire focused beams of light on a large mob, hewing off limbs and burning holes straight through some people! The main character Kaneda also commandeered one and used it to fight his psionic friend, Tetsuo, near the end of the movie.

Lightsaber:
Just what is it about lightsabers that make them so unbelievably cool? Is it that warm glow? The otherworldly feeling one gets from seeing one being activated? Could it be that crack, hiss sound they make when they clash, or that warbling noise when they’re spun around? Or could it just be the fact that they deflect blasters and cut through anything? Well yes! It’s all of the above, clearly! Yet another brainchild of George Lucas, meant to call to mind scenes of swashbuckling and chivalry from old samurai movies, the lightsaber has since gone on to occupy a central spot in the collective unconscious of an entire generation. It is a staple, perhaps THE staple, of pop culture’s take on sci-fi.

Making its debut appearance in the first Star Wars movie, the lightsaber was the established weapon of the Jedi. In addition to being their mainstay, lightsabers were also highly personalized, every Jedi being tasked with building one as part of their training. Originally, the only two designs were that of the blue and red, the former being associated with Obi Wan and Anakin Skywalker (which Luke then inherited), and the latter being associated with Darth Vader. However, Luke went on to create his own and fashioned a green beam. With the expanded universe, significance has been given to different colors, each one associated with a different class of Jedi, and indicating whether they are a member of the Sith or the Jedi Order.

For starters, blue is the color of the Jedi Guardian, the warrior class of the order who focus on combat training and fighting. Green is used by the Jedi Consuls, people who focus more on the force and accumulating wisdom and insight. Yellow represents a sort of middle ground, belonging to those Jedi who focus on a combination of both and are usually called upon to settle disputes and act as arbiters. When it comes to the Sith, only one color appears to be used, and that is red. However, purple, orange, and other closely related colors have popped up from time to time in various places as well. In addition, Mace Windu, the Jedi Master portrayed by Samuel L. Jackson, wielded a purple lightsaber as well. However, this was apparently due to Jackson’s insistence that his character have a purple weapon, as well as the initials BMF etched onto the side!

Ma’Tok Staff:
Coming to us from the Stargate universe, the Ma’Tok is a combination laser gun, club staff that is used by Jaffa warriors (the specially-bred human servants of the Goa’uld). According to the Stargate Wiki, the Ma’Tok relies on a plasma discharge to strike and cauterize the enemy, causing severe damage and intimidating resistance. It takes its power from an internal cell that employs a liquified mineral (Naquadah) to generate plasma energy. This liquid mineral gives the staff a virtually indefinite shelf life, making it the perfect blend of aesthetics and lethality!

Monomolecular Wire:
Here’s an idea that comes in various forms, but for the purposes of this post, I shall stick to the examples that I know best. The first one comes in the form of the Yakuza enforcer from Johnny Mnemonic! Anyone who’s seen this movie (or read the short story it was based on) will remember the main badguy who had an artificial thumb that contained a long filament of glowing wire. When he pulled that thing out and started whipping it around – LOOK OUT! – things began to get lopped off and sliced up! Another example of this being used as a weapon is from the Japanese anime Hellsing. In that show, the butler of the namesake character had monomolecular wires attached to each finger which he would break out whenever there was a crisis. Perhaps they were fashioned from silver, I really can’t recall. Would make them more effective against vampires though!

Plasma Sword:
And we’re back to the Halo universe for another example of cool gear! And today, the item in question is the plasma sword. As gamers are no doubt aware, this weapon is melee weapon of the Elites, but can be employed by humans as well since it’s your basic hand-held weapon. And much like lightsabers and lasguns, it can cut through just about anything and makes short work of any opponent. In many ways, its even more effective than the ballistic and energy weapons in the game. Whereas those can take several shots to take down an enemy (especially someone infected by the flood) one good hit from this baby will turn them into pulp! And if you see an enemy approaching you with one, be sure to hang back and unload your weapon in their direction!

Stone Burner:
Doubling down on the Dune universe, the next example of cool weapons comes in the form of Stone Burner. As a tactical nuke of limited yield, this weapon was the only form of nuclear device that was not prohibited by the Great Convention. This body, in addition to banning all forms of AI’s, also put a stop to the use of nuclear weapons, though it did not forbid the Great Houses from owning any. In any case, Stone Burners, when used strategically, could have a devastating effect on an enemy.

This weapon makes only one appearance in the Dune saga. In Dune Messiah, Paul Atreides is lured into a trap in the old quarter of Arrakeen where a stone burner is set off, which leads to the loss of his eyes.  Though physically blinded, Paul was not deprived of his vision (i.e. his prescience). This all had to do with a larger plot to force Paul to surrender his power as Emperor in order to save his children. And I think we can all agree, any plot that involves a tactical nuke and blinding your enemy Samson-style is pretty badass!

Throwing Disc:
Another Hunter weapon, this particular one made its first appearance in the second Predator movie and then went on to become a regular part of the Hunters’ arsenal. Much like their other weapons, the throwing disc appears to have many variations and may even be personalized to an extent. This may be the result of constant upgrading, or it may be that individual Hunters have a hand in designing their own gear. In either case, many types of throwing discs have appeared. Some employ simple curved blades, blades with spikes, or even shuriken-like appendages (as the picture at right demonstrates). In each and every case, the result generally involves hewed limbs and decapitations!

Thermal Detonator:
“Because he’s holding a thermal detonator!” Yes, whenever a bounty hunter pulls one of these out, you know they mean business! This weapon, which comes to us from the Star Wars universe, made its first appearance in Return of the Jedi. Since that movie came out, the device has been mentioned and referenced countless times in the expanded franchise. Apparently, thermal detonators are the grenades of the future, using plasma charges that when detonated, cause a large explosion that will burn through just about anything. Always be sure to bring one to a negotiation, just be sure to get the ones with the fail-safe triggers!

Vibroblades:
My third and final act of doubling down on a single franchise! Vibroblades are an integral part of the Star Wars universe, but also appear in a number of other franchises. In each case, the weapon revolves around melee weapons that are powered by ultrasonic devices. This increases the weapons cutting effectiveness, and makes them almost as dangerous as a lightsaber. Well, more like a distant second! But non-Jedi’s got to settle for what they can get.

In the video game Knights of the Old Republic, vibroblades and melee weapons are used due to the introduction of personal shields. Some might call this a rip-off of the Dune universe, but in this case, its not so much a matter of necessity as practicality. If an enemy can absorb your blaster fire, then rushing and attacking them with a sword kind of makes sense. And it gives the characters some practice with melee combat before they learn to harness their Jedi abilities.

Last Word:
Okay, I got nothing! Yep, after looking through all the aforementioned examples of cool weaponry, I really couldn’t find any particular patterns that were worthy of comment. Basically, it all comes down to things that augment or go beyond the usual arsenal of guns. It’s only where the swords and knives come into the mix that I see anything beyond simple coolness. And just about all that drinks from the cup of Frank Herbert, a man who merged the ancient and futuristic in order to make a point about technology and how one could find the past in the future and the future in the past. Yeah, that stuff was deep!

As for the rest of it, it’s just plain cool to behold… and fantasize about! Yeah, twenty years later and I still want a lightsaber of my own! 😉