Tag: miranda

Birth of an Idea: Seedlings

alien-worldHey all! Hope this holidays season finds you warm, cozy, and surrounded by loved ones. And I thought I might take this opportunity to talk about an idea I’ve been working on. While I’m still searching for a proper title, the one I’ve got right now is Seedlings. This represents an idea which has been germinated in my mind for some time, ever since I saw a comprehensive map of the Solar System and learned just how many potentially habitable worlds there are out there.

Whenever we talk of colonization, planting the seed (you see where the title comes from now, yes?) of humanity on distant worlds, we tend to think of exoplanets. In other words, we generally predict that humanity will live on worlds beyond our Solar System, if and when such things ever become reality. Sure, allowances are made for Mars, and maybe Ganymede, in these scenarios, but we don’t seem to think of all the other moons we have in our Solar System.

solar_systemFor instance, did you know that in addition to our system’s 11 planets and planetoids, there are 166 moons in our Solar System, the majority of which (66) orbit Jupiter? And granted, while many are tiny little balls of rock that few people would ever want to live on, by my count, that still leaves 12 candidates for living. Especially when you consider that most have their own sources of water, even if it is in solid form.

And that’s where I began with the premise for Seedlings. The way I see it, in the distant future, humanity would expand to fill every corner of the Solar System before moving on to other stars. And in true human fashion, we would become divided along various geographic and ideological lines. In my story, its people’s attitudes towards technology that are central to this divide, with people falling into either the Seedling or Chartrist category.

nanomachineryThe Seedlings inhabit the Inner Solar System and are dedicated to embracing the accelerating nature of technology. As experts in nanotech and biotech, they establish new colonies by planting Seeds, tiny cultures of microscopic, programmed bacteria that convert the landscape into whatever they wish. Having converted Venus, Mars, and the Jovian satellites into livable worlds, they now enjoy an extremely advanced and high standard of living.

The Chartrists, on the other hand, are people committed to limiting the invasive and prescriptive nature technology has over our lives. They were formed at some point in the 21st century, when the Technological Singularity loomed, and signed a Charter whereby they swore not to embrace augmentation and nanotechnology beyond a certain point. While still technically advanced, they are limited compared to their Seedling cousins.

terraforming-mars2With life on Earth, Mars and Venus (colonized at this time) becoming increasingly complicated, the Chartrists began colonizing in the outer Solar System. Though they colonized around Jupiter, the Jovians eventualy became Seedling territory, leaving just the Saturnalian and Uranian moons for the Chartrists to colonize, with a small string of neutral planets lying in between.

While no open conflicts have ever taken place between the two sides, a sort of detente has settled in after many generations. The Solar System is now glutted by humans, and new frontiers are needed for expansion. Whereas the Seedlings have been sending missions to all suns within 20 light-years from Sol, many are looking to the Outer Solar System as a possible venue for expansion.

exoplanets1At the same time, the Chartrists see the Seedling expansion as a terrible threat to their ongoing way of life, and some are planning for an eventual conflict. How will this all play out? Well, I can tell you it will involve a lot of action and some serious social commentary! Anyway, here is the breakdown of the Solar Colonies, who owns them, and what they are dedicated to:

Inner Solar Colonies:
The home of the Seedlings, the most advanced and heavily populated worlds in the Solar System. Life here is characterized by rapid progress and augmentation through nanotechnology and biotechnology. Socially, they are ruled by a system of distributed power, or democratic anarchy, where all citizens are merged into the decision making process through neural networking.

Mercury: source of energy for the entire inner solar system
Venus: major agricultural center, leader in biomaterial construction
Earth: birthplace of humanity, administrative center
Mars: major population center, transit hub between inner colonies and Middle worlds

Middle Worlds:
A loose organization of worlds beyond Mars, including the Jovian and Saturnalian satellites. Those closest to the Sun are affiliated with the Seedlings, the outer ones the Chartrists, and with some undeclared in the middle. Life on these worlds is mixed, with the Jovian satellites boasting advanced technology, augmentation, and major industries supplying the Inner Colonies. The Saturnalian worlds are divided, with the neutral planets boasting a high level of technical advancement and servicing people on all sides. The two Chartrist moons are characterized by more traditional settlements, with thriving industry and a commitment to simpler living.

Ceres: commercial nexus of the Asteroid Belt, source of materials for solar system (S)
Europa: oceanic planet, major resort and luxury living locale (S)
Ganymede: terraforming operation, agricultural world (S)
Io: major source of energy for the Middle World (N)
Calisto: mining operations, ice, water, minerals (N)
Titan: major population center, transit point to inner colonies (N)
Tethys: oceanic world, shallow seas, major tourist destination (N)
Dione: major mining colony to outer colonies (C)
Rhea: agricultural center for outer colonies (C)

Outer Solar Colonies:
The Neptunian moons of the outer Solar System are exclusively populated by Chartrist populations, people committed to a simpler way of life and dedicated to ensuring that augmentation and rapid progress are limited. Settlements on these worlds boast a fair degree of technical advancement, but are significantly outmatched by the Seedlings. They also boast a fair degree of industry and remain tied to the Inner and Middle Worlds through the export of raw materials and the import of technical devices.

Miranda: small ice planet, source of water (C)
Ariel: agricultural world, small biomaterial industry and carbon manufacturing (C)
Umbriel: agricultural world, small biomaterial industry and carbon manufacturing (C)
Titania: agricultural world, small biomaterial industry and carbon manufacturing (C)
Oberon: agricultural world, small biomaterial industry and carbon manufacturing (C)
Triton: source of elemental nitrogen, water, chaotic landscape (C)

Favorite Cult Classics (Part The First)

It might be that I’m feeling nostalgic, or it might be that since my wife and I sprung for Netflix, I’ve been finding my way back to several of my favorite old movies. Hard to say exactly. All I know for sure is, I want to talk about the cult classic movies that I like best. You know what I’m talking about! Those rare gems, those diamonds in the rough, the movies that few seem to know about, but those who do always seem to love.

Yes, THOSE movies! Sure, we’ve all seen plenty of big hits, but these movies are the ones that occupy a special place in our hearts. Perhaps it’s because they are not so widely known, like the Star Wars’ and and Indiana Jones‘ of our time. Perhaps it’s because they didn’t get the recognition or the money they deserved, at least in their own time. Or it could be that they were simply the kind of things that got better with time.

In any case, I’ve compiled a list of my top 10 favorite cult classics, movies which I saw during my childhood, teen years and even in my twenties, and keep coming back too. Some were adventurous, some were funny, some were downright cheesy. But all have two things in common: One, none of them are known beyond a select group of appreciators, at least in this country. And two, those who like them, like them a lot! Check out the list below and see if you agree, and feel free to tell me your own favorites as well. I know we all got em!

Akira:
One of the greatest animes I have ever seen, and with a very poignant and intriguing story to boot, Akira starts this list off right! The movie adapted several volumes of manga to screen, and did so in such a way that didn’t skimp on either story or detail. Even shortened, the plot still manages to convey the sense of awe and dread of atomic war, revolution, and evolutionary cataclysm. And the fact that the bulk of it is told from the point of view of disillusioned orphans who are all part of a bier gang only heightens the sense on confusion and angst of little people being thrown into situations far greater than they can handle.

And then there was the quality of the movie itself. Having seen this movie several times now and different versions thereof, I can tell you that no matter what the format, every single frame was animated in such a way as to be saturated. And not with digital effects, mind you, but with hand-drawn animations that really manage to capture the post apocalyptic and cyberpunk feel of Katsuhiro Otomo’s original graphic novel.

All in all, I consider this movie to be compatible in many respects to 2001: A Space Odyssey in that they both deal with grandiose of questions of existence, biological evolution, and both managed to blow my mind! And having first been exposed to both of them in my teen years, they are partly responsible for kindling my love of science fiction.

Army of Darkness:
Here’s a movie I kept being told to see, but did not get around to seeing until I was in university. And truth be told, it took me two viewings to really get the appeal of it. After that, it grew on me until I finally found myself thinking it hilarious, and quoting from it whenever I could. “Come get some!” “Groovy!” “This be my BOOMSTICK!” and “Good? Bad? I’m the one with the gun!” All classic lines!

Yeah, this movie is definitely filed in the guilty pleasure section, the space reserved for movies that are deliberately cheesy, over the top, and have a robust sense of humor about themselves. It’s also one of the many that gave Sam Raimi (director of the Spiderman trilogy) his start, and established Bruce Campbell (who appeared in all three) as a gifted ham actor.

Taking the position that decapitations and flesh-eating demons can be funny, this movie tells the story of a blue-collar, rough and tumble, one-liner spouting man named Ash who’s been sent back in time to fight an army of the undead. Automatically, hijinks ensue as he tries to convince people he’s not a demon himself, but instead chooses to establish who’s boss by demonstrating the power of his chainsaw and “boomstick” (aka. his sawed-off double-barrel shotgun).

But predictably, this anti-hero rises to the challenge and becomes a real hero, and does so with as little grace as possible! And of course, there’s a love story as well, which is similarly graceless thanks to Ash’s lowbrow romantic sensibilities. Nothing is left untouched by the ham and cheese! And all throughout, the gun fights, duels, and confrontations with creepy, evil forces are hilarious, made possible by Campbell’s hammy acting, facial expressions, one-liners and some wonderfully bad cinematography. Think Xena: Warrior Princess, but with guns and foul language!

Blade Runner:
Another personal favorite, and one which I wish I had come to know sooner. But lucky for me I was still a teen when I saw this movie, hence I can say that I saw it while still in my formative years. And today, years later, I still find myself appreciating it and loving it as one can only love a cult hit. It’s just that kind of movie which you can enjoy over and over again, finding new things to notice and appreciate each time.

And once again, my appreciation for this movie is due to two undeniable aspects. On the one hand, Ridley Scott created a very rich and detailed setting, a Los Angeles of the 21st century dominated by megastructures, urban sprawl, pollution and polarized wealth. It was the picture perfect setting of cyberpunk, combining high-tech and low-life.

On the other hand, there was the story. Loosely adapted from PKD’s Do Androids Dream of Electric Sheep?, this version of a future differed greatly in that the artificial humans, the antagonists of the original story, were about the only sympathetic characters in the story. The result was not a cautionary tale on the dangers of creating life in our own image as much as a commentary about the line between the artificial and the real.

The question it asked was: if you overcome all boundaries, if machines possess memory, feelings and a fear of death, is there anything at all to separate them from the rest of us? Will their lives be worth any less than ours, and what will it even mean to be alive?

Conan The Barbarian:
Here’s a movie which has appeared in some friends “guilty pleasure” list, usually next to Predator, Commando and other Anrie classics. But I am here today to tell you it really doesn’t belong. Unlike many 80’s Arnie movies that were so bad, they were good, this movie had some genuine quality and depth to it.

Examples? Well, for starters, this movie was a faithful adaptation of Robert E. Howard’s original concept, Conan the Cimmerian, which was first published in 1932. This franchise, which went through countless adaptations over the ensuing decades, wove real history and myth together with fantasy to create a tale of a bronze age adventurer who traveled across the ancient world, seeking fortune and glory.

One can see this in the movie as well. To create the setting and the various people that make up the universe, imagery, mythology and even names were borrowed from various real sources. For example, the Cimmerians (Conan’s people) were inspired by Celtic and Norse sources. The followers of Thulsa Doom, black-clad warriors from the East, were meant to resemble the Huns, the Goths, and other Eastern invaders. There are also several scenes showing a warlike people meant to resemble the Mongol Hoards, and much of the setting was made to resemble ancient cities of lore – Babylon, Jerusalem, Antioch, et al.

Add to all this some pretty damn good writing and good storytelling, and you can see why this movie has remained enduringly popular with many people over the years. Arnie excelled as the stone-faced barbarian of few words, but who made them count when he chose to spoke. James Earl Jones was exceptional as the amoral, Nietzschean warlord Thulsa Doom, and the production value was surprisingly good for a low-budget flick.

Serenity:
Yeah, I get the feeling everybody knows what I’m talking about with this one! After losing the wonderful show in the midst of its first season, every fan of Firefly was pleased to know that Joss Whedon would be making a full length movie. And personally, I th0ught he did a pretty good job with it too!

Picking up where the show left off, we are reunited with our favorite characters as they continue to work freelance jobs and try to stay one step ahead of the law and the expanding Alliance. From the outset, it is clear that things are getting desperate, as the jobs are proving more risky, and the Reavers are moving in from the Outer Rim. At the same time, a new threat has been thrown in in the form of an Alliance agent known only as the “Operative”, who has made it his business to bring River in at any cost.

And I personally loved how all these threads came together in a singular way, showing how the Reavers, River’s condition, and the Alliance’s ultimate agenda were all connected. Not only was it a tight and entertaining plot that captured the same sense of loss and desperation as the show, it also gave a sense of closure to the series, which ended before its time.

Yes, for myself and many fans, this movie is a way of commemorating a truly great show and idea that faltered because of insensitive boobs couldn’t see the value in it. But that seemed thematically consistent with the series itself, which was all about rebels in a hopeless fight against an evil empire. Take a lesson from this Fox Network, sooner or late,r the bad guys lose!

___

For brevity’s sake and the fact that I’m a busy man, I’ve decided to divide this list in half. Stay tuned for entries six through ten, coming up tomorrow! Happy Thanksgiving y’all!

Worlds of the Firefly Universe

It’s been forever since I did a post about the various planets that make up a sci-fi universe. And I got to admit, this is one I’ve been holding out on simply because the sheer volume of info made it seem just the slightest bit intimidating. I am, of course, referring to The Verse, also known as, the Firefly/Serenity universe.

As fans of the show are no doubt aware, The Verse is a pretty happening place! As the teacher described it in the opening section of the Serenity movie, the system is made up of “dozens of planets and hundreds of moons”, all of which had been terraformed over the course of generations to ensure that they were habitable.

But I was surprised to learn more recently was that this system was also made up of multiple stars. Yes, 34 Tauri, aka. The White Sun, aka. Bai Hu (“White Tiger” in Chinese), contains not only hundreds of worlds, but also is also made up of five stars and seven brown dwarf protostars. Many of these have their own planetary systems, and their position relative to the central White Sun is indicative of their overall position in the systems social and political makeup.

The Verse

To break it down succinctly, the verse consists of hundreds of terraformed planets and moons which orbit three stars and two brown dwarves. The White Sun, aka. Bai Hu/White Tiger, is home to the “Central Planets” that make up the Alliance. Farther out lie the planets that orbit the Red Sun (Zhu Que or “Red Phoenix”) and Georgia (Huang Long, “Yellow Dragon”), which are known as the “Border Planets”.

Next are Kalidasa, also known as Xuan Wu (Black Tortoise) and the Blue Sun (Qing Long or “Blue Dragon”). The worlds orbiting these last two stars comprise “The Rim”. Within all of these planets, the seven brown dwarf/protostars also share orbits and host some of the mini-systems planets as well.

The Central Planets:
The worlds that orbit the White Sun have the distinction of being the first that were colonized and constitute the core of the Alliance, its many institutions and centers of power. They are also the most advanced, developed, and Earth-like of all the planets in the system.

The White Sun:
Also known as Bai Hu (or “White Tiger”), the White Sun is core of The Verse and the principal star in The White Sun system. It is orbited by fourteen planets and the two brown dwarves Qin Shi Huang and Lux, which are themselves home to three of the system’s planets.

Londonimium: The second planet orbiting the White Sun. Along with its sister planet Sihnon, Londoninium was one of the first planets colonized after the exodus from Earth-That-Was and being the most Earth-like of the systems planets, was the easiest to settle. Most of the settlers here came from Europe and the Americas and the predominant western culture took hold here quickly. The planet also orbited by the two moons, Balkherne and Colchester.

In addition to being the home of the Alliance Parliament, Londinium also boasts the Museum of History and the Museum of Art, the finest museums of Earth-That-Was, colonial artifacts, and the largest collections of Western-style art in the system.  On top of all that, the Alliance has many of it’s most important military assets here, which includes the Ministry of Intelligence and the headquarters of the elite SAS (Special Alliance Support) forces.

Sihonn: The third planet orbiting the White Sun and the second of the system’s major planets. Inhabited primarily by colonists from China, the planet is renowned for being highly sophisticated and place of advanced technology. Viewed from space, the planet has a deep red color and the surface is renowned for its natural beauty and cultural diversity. The planet is also the training grounds for many Registered Companions, hence why Inara Serra calls the planet home. The capital city is said to be, according to Inara, “like an ocean of light.” The planet is orbited by three moons, Airen, Xiansheng, and Xiaojie

Ariel: The eleventh planet orbiting the White Sun, Ariel is a central planet and one of the most valued members of the Alliance. As the home to the major medical center (named Saint Lucy’s), it is here where the majority of medical advances and technology are produced. It is also because of its reputation that it is the home of the lucrative black market trade in artificially grown organs. During the episode “Ariel”, the crew pulled its greatest heist on this planet while Simon Tam used the facilities to examine his sister. The moons Ariopolis, Shiva, and Poseidon all orbit this world.

Bellerophon: The tenth planet orbiting the White Sun, this planet is largely an ocean planet and an enclave for the wealthy. The majority of the inhabitants live in estates suspended above the ocean and where supplies are shipped in from off world and garbage carried away by automated ships. Each of these estates are something akin to a self-contained city, with lavish living, spacious facilities, and state of the art security.

Liann Jiun: The fourth planet orbiting the White Sun.

Bernadette: The first planet of the White Sun, this world was one of the first to be settled alongside Londoninium and Sihonn. Like all central Alliance worlds, this planet is renowned for being technologically advanced and boasts all the amenities for its population. As the staging point for all citizens looking to settle on the Border Planets and Rim, As a result, the official resettlement bureau, the Alliance Colony and Settlement Authority was based in the city of New Tombstone. At the same time, however, an underground slave trade also grew up on the planet that kidnapped new arrivals and sold them to clients both in the core and out on the rim. The moons Nautilus and Spinrad also orbit this planet.

Persephone: One of the outermost White Sun planets that also orbits the protostar Lux, Persephone is a world riddled with contradiction. While it is an advanced Alliance planet with plenty of wealthy residents, its proximity to the Border Worlds also means that it contains many large slums and underworld elements. For example, the Eavesdown Docks are located here, which Badger, a criminal boss who frequently employs Mal and his crew, call home. It was also here that the Firefly crew found Shepherd Book and the Tams in the first episode.

The Border Planets:
Made up of Georgia and the Red Sun, the Border Planets regions is where the Independents made their stand against the Alliance’s attempts at Unification. Many of the worlds, particularly in the Georgia System, still bear the scars of that war. Shadow, for instance, was rendered uninhabitable due to extensive bombing, and Hera is the location of the Serenity Valley, where the war was effectively lost by Independent forces.

Georgia:
Also known as Huang Long (or Yellow Dragon), Georgia is the principal star of the Georgia system, the largest system orbiting the White Sun. It is home to sixteen planets and the brown dwarf/protostar Murphy, which is itself home to three more planets.

Ezra: The first planet in the Georgia system, Ezra is a desert world that marks the very border between the Central and Border Planets. It is here that Niska’s Skyplex, home to one of the most brutal crime lords in The Verse, is located.

Boros: The third planet of the Georgia system which is orbited by the moon of Ares. Between the planet and its moon, the Alliance maintains a strong military presence in the form of a base and a shipyard.

Kerry: Named after county Kerry in Ireland, this is the fourth planet of the Georgia system.

Athens: The Ninth planet of the Georgia system, Athens, despite its name, lies at the very edge of the Border Worlds and is hence a relatively uncivilized place. It has four moons, including Whitefall which is the fourth and most distant. This moon has the dubious honor of being home to Patience, the matriarchal outlaw who has done business with the Firefly crew and was even said to have shot Mal on one occasion. Whitefall was featured in the episode “Serenity” where Mal and crew were looking to offload a crate of Alliance supplies.

Regina: The second planet of the Georgia system, Regina is known mainly for its mining operations and as the birthplace of the degenerative disease known as “Bowden’s Malady”. This disease has apparently infected everyone on the planet, and requires regular medical treatment to keep from progressing. This planet was featured in the episode “The Train Job”.

Hera: The fourteenth planet orbiting Georgia and one of three planets orbiting the protostar Murphy, Hera occupies a strategic position as the core of the Border Worlds. Due to its Earth-like climate, where terraforming was not necessary as it was with many other Border Planets, Hera became an agricultural colony and breadbasket for most of the system. It is also the location of Serenity Valley, the site of a major battle during the Unification War, where Mal and the Independents made a concerted stand against superior Alliance forces, and were devastated in the end. It is this battle which is considered the final battle of the war, in that it signaled the inevitable defeat of the Independents.

Shadow: An agricultural planet orbiting the protostar Murphy, along with Hera and Aphrodite, Shadow itself is the sixteenth and final planet that orbits the star Georgia. Shadow is where Mal Reynolds was raised on his mother’s ranch, until the Alliance rendered it uninhabitable during the Unification War. As  one of the three leading planets for the Independent’s side, it was heavily bombed by Alliance forces during the initial phase of the invasion. Mal is quoted as saying of it: “No one lives there. No one can.”

Red Sun:
Also known as Zhu Que (Red Phoenix), the Red Sun is the coldest of all the suns in the ‘Verse. It is the principal star of the Red Sun system and shares an orbit with Georgia around the White Sun. Like Georgia, it is home to sixteen planets and two dwarf suns, Heinlein and Himinbjurg.

Greenleaf: The third planet orbiting the Red Sun, Greenleaf is so named because of its large tropical belt, massive jungles and rainforests. Thanks to the presence of so many tropical plants, the planet boasts several major pharmaceutical facilities which use the native flora as a source life-saving drugs that cannot easily be synthesized in a laboratory. In addition, drug smugglers and criminal operations also exist, giving rise to one of the largest black market rings in the system. Because of this, the Alliance maintains a strong presence in orbit and planet side, restricting the flow of ships in the hopes of clamping down on the drug trade. It is also orbited by the moon of Dyton, which Badger himself may have lived on at one time since he called “the old homestead”.

Harvest: The fourth planet of the Red Sun system, this world is also orbited by two moons – the more notable of which is Higgins’ Moon, the home of the “mudder’ operations (an indentured servant operation where mud is transported off world to manufacture ceramics). This moon is also the location of Jaynestown, a settlement which revered Jayne as a saint after he accidentally dumped a haul of money onto the mudder’s village. These events were detailed in the episode entitled “Jaynestown”.

Jiangyin: The first planet of the Red Sun, this border world is home to several agricultural and ranching operations, and is also marked by the strange divide between the townspeople and the “hill people”. These latter folk live in communities located in the highlands where life is difficult and giving rise to superstitious, simple folk who compensate for their lack of skilled tradespeople by periodically kidnapping townspeople or off-world visitors. Two such individuals were Simon and River Tam in the episode “Safe”.

Triumph: The ninth planet of the Red Sun which also orbits the brown dwarf Heinlein, named in honor of sci-fi author Robert A. Heinlein, along with the worlds of Paquin, Lazarus, and Silverhold. Poor and backward by most standards, this world is quite primitive and largely controlled by Elder Gomman. It was also here that the Serenity crew picked up Saffron as part of a marriage contract in the episode “Our Mrs. Reynolds”.

The Rim:
The planets that make up the outermost region of the White Sun are noted for their lawlessness, criminal activity, and the presence of Reavers. As such, it is the most dangerous place in the system, and yet the only place where people seeking refuge from the Alliance can call home.

Kalidasa:
Also known as Xuan Wu (or Black Tortoise), Kaldisa is the principal star of the Kalidasa system and the starting point of the Rim Worlds. It is home to nineteen planets and the brown dwarf Penglai.

Angel/Zephyr: An astrological anamoly, these two planets orbit one another while simultaneously orbiting the star of Kalidasa.

Aberdeen: The thirteenth planet orbiting the star Kalidasa. Named after Aberdeen, Scotland.

Beylix: A border planet orbiting Penglai, a protostar that orbits Kalidasa, and the eleventh body in the Kalidasa system. It has three moons, and appears to have a permanent cloud cover and dense ice rings. Mal’s war buddy Monty was caught by the Alliance here which was mentioned in the episode “Trash”.

Beaumonde: The fifteenth planet in orbit of Kalidasa, Beaumonde is a heavily industrialized world and the manufacturing hub of the system. Because of its massive output of goods, pollution is a major problem and the planet is covered in a perpetual haze, necessitating the constant use of weather satellites to process the worse of it.  This planet was featured in the movie Serenity, where the crew land after pulling their heist on Lilac in order to do business with the crime brothers Fanty and Mingo. It was also here that they discovered River’s programming after a subliminal message triggered her.

Salisbury: The seventeenth and outermost planet of the Kalidas system.

Blue Sun:
Also known as Qing Long (the Blue Dragon), this is the principle tar of the Blue Sun system and contains eight planets and the protostar Burnham.

Muir: The third planet orbiting the Blue Sun, and the planet where Badger was apparently born and raised.

Highgate: The fifth planet orbiting the Blue Sun which has one moon, Perth.

Deadwood: Seventh planet orbiting the Blue Sun and which is orbited by the moon of Haven. It is this world that Shepherd retired to to start a ministry amongst a small colony of settlers. It is also where he died when Alliance forces, loyal to “The Operative” attacked the settlement.

Miranda: The outermost planet in the Blue Sun and White Star system, Miranda was long thought to be a dead world until events in Serenity indicated otherwise. As the farthest planet from the center of the system and uninhabited, it was here that the Alliance created an experimental colony where a quarter-million settlers were treated to a drug known as “Pax”. Designed to suppress violence instincts, the drug had the side-effect of causing the vast majority of the residents to lose all motivation and simply lay down and die. Of those who survived, the drug had the opposite effect, leading to extreme violence and cannibalistic behavior. This explained the existence of the Reavers and why they were to be found at the very edge of the system. The discovery of this planet and its secrets were central to the plot of the movie Serenity.

Summary:
Wow! See what I mean by “happening”? It’s no wonder I took so long to do this post, there’s so much info to sift through! Clearly, Joss Whedon and his writers really went to town when it came to setting and background in this story. And it only drives home just how tragic it is that this show was cancelled before it even finished running it’s first season. There was so much there to work with, so much more to flesh out, detail, and weave into the ongoing storyline. Why oh why did those lame-ass Fox executives cancel this show? I can only hope they’ve since been fired and flogged, and not necessarily in that order!

Serenity, Best Lines!

And we come to the final installment at last. Given the sheer kick-ass nature of the show’s writing, it took me three whole posts to get all the best lines from the single season that the show produced. And it was not even a full season! But of course, honoring Whedon’s criminally under-appreciated sci-fi creation wouldn’t be complete with including the movie Serenity. Much like the show, it had all the elements of classic sci-fi, space westerns, and the touching themes of loss and the ties that bind. So here she is, the fourth and final installment! Shiny!

Serenity:
Quick recap: The crew of the Firefly are still flying, albiet by the seat of their pants. The Alliance continues to expand into the outer reaches of the system, making it that much harder to get freelance work, honest or otherwise. At the same time, the Reavers seem to be pushing inward, raiding systems closer and closer to the core. Meanwhile, an “Operative” is looking for River and will stop at nothing to find her. His appearance coincides with the crew’s realization that her condition goes far beyond anything they’ve seen before. In addition to being a “reader”, she is also programmed to kill and knows things about secret Alliance projects. Following a lead, the name “Miranda”, the crew uncovers a massive planet-wide conspiracy which could threaten to destroy the Alliance itself.

River: People don’t like to be meddled with. We tell them what to do, what to think, don’t run, don’t walk. We’re in their homes and in their heads and we haven’t the right. We’re meddlesome.
Teacher: River, we’re not trying to tell people what to think… only how [cut to lab where River is being experimented on]

[My favorite line of the movie, so chilling!]
Operative: “Key members of Parliament”. Key. The minds behind every military, diplomatic and covert operation in the galaxy, and you put them in a room with a psychic.
Dr. Mathias: Look… even if River Tam did by any chance read the minds of any of the visiting Parliment members here, whatever government secrets she may have read she may not even remember any them for they are all probaly buried under layers of psychosis.
Operative: Secrets are not my concern. Keeping them is.

Mal: What was that?
Wash: Did you see that?
Mal: Was that the primary buffer panel?
Wash: Did seem to resem-
Mal: Did the primary buffer panel just fall off my gorram ship for no apparent reason?!

Wash: Yeah well, if she doesn’t give us some extra flow from the engine room to offset the burn through, this landing is gonna get pretty interesting.
Mal: Define interesting.
Wash: ‘Oh god oh god we’re all gonna die?’
Mal: [through the intercom] This is the captain. We have a…little problem with our engine sequence, so we may experience some slight turbulence and then…explode.

Mal: Come a day there won’t be room for naughty men like us to slip about at all. This job goes south, there well may not be another. So here is us, on the raggedy edge. Don’t push me, and I won’t push you. Dong le ma?

Mal: Doctor, I’m taking your sister under my protection here. If anything happens to her, anything at all, I swear to you, I will get very choked up. Honestly, there could be tears.

Jayne: Shiny! Let’s be bad guys.

Mal: You all wanna be looking very intently at your own belly buttons. I see a head start to rise, violence is going to ensue. Probably guessed we mean to be thieving here but what we’re after is not yours. So, let’s have no undue fussing.

Zoe: [to a security guard] You know what the definition of a hero is? Someone who gets other people killed. You can look it up later.

Mal: Listen up! We’re comin’ down to empty that vault.
Guard: You have to give me your authorization password. [Jayne fires into the vault] Okay.

Mal: [negotiating with guard where to shoot him] The leg is good. It’ll bleed plenty and we avoid any necessary organs.
Guard: I was thinking more of a graze?
Mal: Well you don’t want to look like you just gave up.

Jayne: Gee, it sure would’ve been nice to have some GRENADES don’tcha think?!

Jayne: You shoot me if they take me! [sees Mal’s gun pointed at him] Well don’t shoot me first!

Simon: Oh ‘one simple job, she’ll be fine’!
Mal: She is fine! ‘Cept for still bein’ crazy she’s the picture of health!

Zoe: Sir, I don’t disagree on any particular point. It’s just…in a time of war, we would’ve never left a man stranded.
Mal: Maybe that’s why we lost.

Jayne: I’ll kill a man in a fair fight. Or if I think he’s gonna start a fair fight. Or if he bothers me. Or if there’s a woman. Or if I’m gettin’ paid. Mostly when I’m gettin’ paid.

Mal: Kaylee, this is a place of business. We can talk about Simon-
Kaylee: When he’s four worlds away? Or the Alliance gets ahold of him and River?
Mal: That ain’t my worry. I gotta finish this job, get us another one. Can’t do that carryin’ those two.
Kaylee: How can you be so cold?
Zoe: Cap’n didn’t make them fugitives.
Kaylee: But he coulda made ’em family. ‘stead of keepin’ Simon from seein’ I was there. And I carried such a torch! And we coulda…goin’ on a year now and I ain’t had nothin’ twixt my nethers weren’t run on batteries!
Mal: Oh God! I can’t know that!
Jayne: I could stand to hear more.

Mal: Fanti. Mingo.
Mingo: He’s Mingo
Mal: He’s Fanti, you’re Mingo.
Mingo: How is it you always know?
Mal: Fanti’s prettier.

Fanty: Do you know that girl?
Mal: I really don’t.

Mal: I’ve staked my crew’s life on the theory that you’re a person, actual and whole, and if I’m wrong, you’d best shoot me now…
[River cocks the gun she is pointing at Mal] Or, we could talk some more.

Mal: What in the hell happened back there?
Wash: Start with the part where Jayne gets knocked out by a ninety-pound girl, ’cause I don’t think that’s ever gettin’ old.

Malcolm: You had a gorram time bomb living with us! Who we gonna find in there when she wakes up? The girl? Or the weapon?
Simon: I thought she was getting better.
Jayne: And I thought they was getting off. Didn’t we have an intricate plan on how they was gonna be not here any more?
Kaylee: We couldn’t leave them now.
Jayne: No, now that she’s a killer woman, we ought to be bringing her tea and dumplings.

Wash: Inara. Nice to see her again.
Zoe: So… trap?
Mal: Trap.
Zoe: Are we going in?
Mal: Oh, it ain’t but a few hours out.
Wash: Yeah, but, remember the part where it’s a trap?
Kaylee: But how can you be sure Inara don’t just wanna see you? Sometimes people have feelings. And I’m referring here to people.
Mal: You all were watching, I take it?
Kaylee: Yes.
Mal: Did you see us fight?
Kaylee: No.
Mal: Trap.

Mal: Zoe, ship is yours. Remember: if anything happens to me, if you don’t hear from me within the hour, you take the ship — and you come and you rescue me.
Zoe: What? Risk my ship?

Mal: She is a mite unpredictable. Mood swings, of a sort.
Operative: It’s worse than you know.
Mal: It usually is.
Operative: That girl will rain destruction down on you and your ship. She is an albatross, Captain.
Mal: The way I remember it, albatross was a ship’s good luck, ’til some idiot killed it. [to Inara] Yes, I’ve read a poem. Try not to faint

Operative: I already know you will not see reason.
Mal: The Alliance wanted to show me reason, they shouldn’t have sent an assassin.
Operative: I have a warship in deep orbit, Captain. We locked onto Serenity’s pulse beacon the moment you hit atmo. I can speak a word and send a missile to that exact location inside of three minutes.
Mal: You do that, you’d best make peace with your dear and fluffy lord.
Operative: [Mal tosses a mechanism, he catches it] Pulse beacon…

Operative: I want to resolve this like civilized men. I’m not threatening you. I’m unarmed.
Mal: Good. [shoots him]
Operative: [grabs Mal from behind] I am, however, wearing full body armor. I am not a moron!

Operative: You are fooling yourself, Captain. Nothing here is what it seems. You are not the plucky hero, the Alliance is not an evil empire, and this is not the grand arena.
Inara: And that’s not incense. [the “incense” explodes and knocks The Operative out]

Mal: Half of writing history is hiding the truth.

Jayne: Oh yeah, hidin’ up the Shepherd’s skirts, that’s a manful scheme.
Mal: You wanna run this ship?!
Jayne: Yes!
Mal: Well y-…you can’t!

Operative: I’m sorry. If your quarry goes to ground, leave no ground to go to. You should have taken my offer. Or did you think none of this was your fault?
Mal: I don’t murder children.
Operative: I do. If I have to.
Mal: Why? Do you even know why they sent you?
Operative: It’s not my place to ask. I believe in something greater than myself. A better world. A world without sin.
Mal: So me and mine gotta lay down and die… so you can live in your better world?
Operative: I’m not going to live there. There’s no place for me there… any more than there is for you. Malcolm… I’m a monster.What I do is evil. I have no illusions about it, but it must be done.

Mal: Ah, hell, Shepherd, I ain’t looking for help from on high. That’s a long wait for a train don’t come.
Book: Why when I talk about belief, why do you always assume I’m talking about God?

Book: [last words] I don’t care what you believe in, just believe in it.

Mal: This is how it is. Anybody doesn’t wanna fly with me any more, this is your port of harbor. There’s a lot of fine ways to die. I ain’t waiting for the Alliance to choose mine. [shoots Alliance soldier crawling from wreckage] I mean to confound these bungers. Take my shot at getting to Miranda. Maybe find something I can use to get clear of this. So I hear a word out of any of you that ain’t helping me out or taking your leave, I will shoot you down. Get to work!

Dr. Caron: These are just a few of the images we’ve recorded. And you can see, it wasn’t what we thought. There’s been no war here and no terraforming event. The environment is stable. It’s the Pax. The G-23 Paxilon Hydrochlorate that we added to the air processors. It was supposed to calm the population, weed out aggression. Well, it works. The people here stopped fighting. And then they stopped everything else. They stopped going to work, they stopped breeding, talking, eating. There’s 30 million people here, and they all just let themselves die.

Mal: This report is maybe twelve years old. Parliament buried it, and it stayed buried till River dug it up. This is what they feared she knew. And they were right to fear because there’s a whole universe of folk who are gonna know it, too. They’re gonna see it. Somebody has to speak for these people. You all got on this boat for different reasons, but you all come to the same place. So now I’m asking more of you than I have before. Maybe all. Sure as I know anything I know this, they will try again. Maybe on another world, maybe on this very ground swept clean. A year from now, ten, they’ll swing back to the belief that they can make people…better. And I do not hold to that. So no more running. I aim to misbehave.
Jayne: Shepherd Book used to tell me, “If you can’t do somethin’ smart… do somethin’ right.”

Zoë: It’s a fair bet the Alliance knows about Mr. Universe. They’re gonna see this coming.
Mal: No. They’re not going to see this coming.

Wash: I’m a leaf on the wind…watch how I soar.
Mal: [smiling at battle around them] Chickens come home to roost!
Wash: [flying debris glances off ship’s hull] It’s okay… I-I’m a leaf on the wind!

Jayne: Cap’n’s right. Can’t be thinkin’ on revenge if we’re gonna get through this.
Zoe: Do you really think any of us are gonna get through this?
Jayne: Well I might!

Mr. Universe: [via his buffybot] Mal. Guy killed me, Mal. He killed me with a sword. How weird is that?

Simon: My one regret in all of this is never being with you.
Kaylee: With me? You mean to say, as in… sex?
Simon: I mean to say…
Kaylee: [cocks her gun] Hell with this. I’m gonna live!

Operative: Do you know what your sin is Mal?
Mal: Ah Hell… I’m a fan of all seven. But right now… I’m gonna have to go with wrath.

Operative: Do you really believe that?
Mal: I do.
Operative: You willing to die for that belief?
Mal: I am. [shoots the Operative repeatedly] Course, that ain’t exactly Plan A.

[Deleted scene]
Operative: Serenity… you lost everything in that battle. Everything you had, everything you were. How did you go on?
Mal: If you’re still standing there when that engine starts, you never will figure it out.

Mal: You know what the first rule of flying is? Well, I suppose you do since you already know what I’m about to say.
River: I do. But I like to hear you say it.
Mal: Love. You can learn all the math in the ‘verse, but you take a boat in the air that you don’t love. She’ll shake you off just as sure as the turn of the world. Love keeps her in the air when she ought to fall down. Tells you she’s hurting before she keels. Makes her a home.

[last line]
Mal: What was that?

Final Thoughts (on an awesome series!):
Well that’s it I guess, show’s over… (Sniff, sniff) Excuse me for a moment! Okay, now that I got that out of the way, let me offer some final thoughts on this series that I didn’t think to mention before. One thing I am impressed with about the movie is how they really got into the mentality of the Alliance in greater detail. All throughout the original series, it was clear that they were motivated by a desire to expand and consolidate, and generally justified themselves with the whole “civilizing mission”, calling to mind the age of Imperialism and the American Frontier, “Manifest Destiny”, “White Man’s Burden” and all that crap!

But here, they got a little more in-depth. Calling to mind more recent phenomena like the goal of “spreading Democracy” and questions like “why would people not want to be like us?” And what was brilliant about the execution was the fact that the people who asked these questions and did these things really weren’t evil. At least, they didn’t think they were. Even The Operative, a self-confessed monster, wasn’t all bad. He truly and honestly believed that he was doing the right thing, that there would be a payoff for other people as a result of his murderous actions. And he accepted the fact that, come the day of a perfect society, he wouldn’t be allowed to live in it. In a way, he was kind of selfless. In a way…

And ultimately, Whedon and the cast captured the other side of the equation perfectly as well. Whereas the powers that be saw their mission as a civilizing one, a drive to create a utopia, they saw the horrors inherent in such a vision. As all fans of dystopian literature know, the whole premise is based on the idea that the drive to create the “perfect society” quickly gives way to a very imperfect one. For in the end, the drive for perfection is an illusion, and dreams can give way to nightmares very quickly!

Wow, deep stuff, and to be found in a space-western of all places. And with so many cheeky and fun lines to boot. Is it any wonder why people who love this show love it as much as they do? It’s a cult classic, man! And now it’s gone… (sniff!) I’m sorry, I thought I was all cried out! But can you blame me? This movie is emotional, and it’s big finish was a fitting sendoff to the show. Climactic, full of resolutions, but still with enough uncertainty to keep the viewers wondering if someday, there might be more to come…

Alas, seems like this show was destined to succumb to its own central theme. Much like the Browncoats, it was stamped out by an unfeeling, remorseless giant known as Fox. But alas, there’s still hope. If I get rich one day, I have said that I would purchase the rights to the show, recruit as much of the old cast as possible, and put it back on the air. Or, maybe just spring for a couple DVD movies, or a some sequels… Or maybe I’ll just buy the damn Fox Network, force them to re-air this show and many others they so foolishly cancelled. It could happen… Yeah, and monkeys could fly out of my ass! Ah well, until next time, keep on flying!

Firefly & Serenity or “How I Realized Fox Sucks!”

fireflyYeah, I know I’m hardly alone in loving the cult-hit Firefly, nor am I alone in censuring Fox for its inept and inexplicable decision to cancel it after its first season. But then again, that seems to be their thing. What is more lamentable is the fact that after years of maintaining a following worldwide, producing a movie, an RPG, novelizations, comic books, and countless fan sites, Firefly still hasn’t been renewed or picked up by another network! What gives??? C’mon Wedon! Futurama did it, why can’t you?

Well, comeback or not, Firefly and its movie adaptation Serenity were still kick-ass. In addition to its memorable characters, smart writing, and classic sci-fi elements, there was also the heartfelt themes of conquest, resistance, and “manifest destiny”. That above all else made the show a hit, in my humble opinion. In adapting the history of the closing of the frontier, Wedon tapped into a very familiar American narrative and showed just how timeless history and human nature are.

Premise:
To break the show’s background down succinctly, the story takes place roughly 500 years in the future, when humanity left Earth and began to explore the cosmos for a new place to call home. They eventually landed in the Blue Star system, a star with “dozens of planets and hundreds of moons” and began terraforming as many of them as possible. The inner worlds boasted the highest degree of technology and development and formed the Alliance, whereas the outer planets were sparsely populated and underdeveloped by comparison.

In time, the Alliance chose to expand and incorporate the outer worlds, prompting a coalition of Independents (or “Browncoats” because of the uniforms they sported) to resist. After a crushing defeat at the battle of Serenity Valley, the Independents were essentially finished. Thereafter, those “browncoats” who wanted to retain their independence took to a life of piracy, smuggling and spacing to make ends meet, pulling jobs in the outer-outer regions of space and staying clear of Alliance ships and “Reavers”, cannibalistic raiders who raid along the outer rim.

The Cast:
serenity-1One such group is the crew of the Serenity, a Firefly-class ship captained by former “Browncoat” Malcolm “Mal” Reynolds (played by Nathan Fillion). His second in command, Zoe Washburne (Gina Torres), was with him in the war and served in his platoon. As a result, they have a relationship that goes deeper than most, which has been known to make her husband and ships pilot Hoban “Wash” Washburne (Alan Tudyk) a little jealous.

There’s also Kaywinnet Lee “Kaylee” Frye (Jewel Staite), the spunky and ever-cheery ship’s mechanic who seems to be talk to machines and make them work. Then there’s Jayne Cobb (Adam Baldwin), a mercenary who they poached from another gang and who serves as hired muscle on the ship. And last, there’s Inara Serra (Morena Baccarin), a travelling “Companion”, or professional courtesan, who acts as a sort of ambassador for the ship.

As the show opens, the crew of the Serenity pick up some new passengers. The first is Derrial Brook (Ron Glass), a Shepherd (pastor) who is seeking passage away from the inner worlds to preach aboard. He quickly becomes part of the crew and acts as Mal conscience, though it becomes abundantly clear that he is more than what he appears. In addition, there is the strange duo of Dr. Simon Tam (Sean Maher) and his sister River Tam (Summer Glau). Summer is apparently a gifted young psychic who was experimented on by Alliance doctors, and her brother risked everything in order to free her. Now fugitives from the law, they remain aboard the Firefly as part of the crew, hoping to avoid capture.

The Ship:
serenityThe namesake of the show and the movie, the crew’s vessel of choice is the Firefly-class transport. A n older model, this vessel is apparently favored by privateers and smugglers because of its complex design and the presence of secret compartments. Although it boasts no armaments and is outdated by most inner-world standards, those who use it tend to get pretty attached to it and remain very monogamous. Echoes of the Millenium Falcon there…

Season One:

an Alliance Cruiser

The story opens with the extended crew coming together and getting to know each other. Mal, having realized that Simon and his sister were fugitives, decided to take them in after he shot and killed an alliance agent who had infiltrated their ship. Thereafter, the crew set out to continue on their ongoing adventure, taking whatever jobs they could find and staying one step ahead of the authorities.

Reaver Ship

The constant threat of the Reavers is also a recurring element in the first season. Existing on the fringes of known space and coming from parts unknown, the Reavers appear to be expanding inward towards the core, becoming more brash and brazen with their assaults on shipping and colony worlds. Aside from their obvious brutality and insanity, not much is known about this menace, other than the fact that they look like orcs and their ships like spiky sharks!

In addition, River’s condition, the result of endless experimentation, becomes the source of growing concern by her brother. Though she was always gifted, it’s becoming apparent to him and the other members of the crew that she might indeed be a psychic. Given that his resources are limited, they eventually have to break into a medical city on his old homeworld of Persephone so he can do a more thorough examination. His conclusions are that they physically tampered with her brain in order to enhance her abilities. Fractured and suffering from bouts of schizophrenia, she is eventually accepted by the other crew members and begins to feel whole again.

This, more than anything, is a guiding theme of the show, which is the growth of the Serenity family. Already, there is a strong sense of comradery between Mal and Zoe, which grows to include Wash when he and Mal confront and ultimately resolve the issue of his jealousy. There is also the growing bond between Mal and Inara. Initially, the two appear to be mutually hostile, but it soon becomes clear that this merely conceals their mutual attraction. Kaylee, as always, is the cheery epicenter of things, making her role as the ship’s engineer seem like a double-entendre. In addition to making sure the machinery keeps running, she’s also responsible for ensuring that everyone gets along.

Accepting Jayne proves more difficult, given his questionable loyalties; but in time, the crew comes to realize they can trust him since he values his friends more than money. And even though there are aspects of his past that are still unclear, Book proves that he too can be trusted and will endanger himself to keep the others safe. Hence, he too comes to be accepted as a permanent fixture aboard the ship. As the season ends, it becomes clear that even though the crew still faces a number of threats – the Alliance, Reavers, mercenaries and ruthless criminal lords – that they will be facing them together.

The Movie:
firefly-serenity-art-dvdbash-1The film adaptation opens with themes that were well-established in the show. We have the crew of the Serenity still trying to make ends meet, still having to take jobs out of desperation, and still fearing for their safety as hostile elements close in. However, the movie version chose to what was slowly developing with the show and tweak them to bring some serious tension and resolution to the storyline.

These include the ongoing search for River Tam, and the revelation of where the Reavers come from. In an intriguing twist, Wedon melds the two story lines together, showing how River’s condition and her exposure to members of the Alliance government put in her in possession of certain secrets which they would prefer to keep a secret! It is for this reason that an elite agent named only the Operative (Chiwetel Ejiofor) is sent out to find her, and is given blanket authority to do whatever it takes to achieve this goal.

The theme of family also gets kicked up a notch, with Inara having left the crew because of her incurably difficult relationship with Mal. Book has also left the crew in order to become the preacher to a community of settlers in the outer rim as well. Simon and River also seemed poised to leave when the job at the beginning of the movie comes dangerously close to going wrong and he decides that they would be better off on their own. However, this is cut short when during a payout, River is “triggered” by some sort of hidden transmission and begins kicking the ass of everyone in a seedy establishment. This, for obvious reasons, leads Mal to realize that there’s more going on with her than previously thought.

Reaver2(Spoiler alert!) Eventually, the crew realizes that the key secret which River gleamed from the minds of the Alliance bureaucrats was the existence of a place known as “Miranda”. The secret is also important enough that they’ve sent the Operative to find them, a man who’s talents and methods far outstrip those of the agents and mercenaries they usually send! After an incident where Inara is used as bait, Mal and the rest are determined to know what’s so important that they are willing to kill for.

With the help of their friend, Mr. Universe, they eventually discover that Miranda is a colony located in the outermost ring of the system. This world was apparently settled generations ago by over 30 million people, but things went terribly wrong after an experiment failed and killed almost everyone there. After braving the Reavers to find the planet, the crew stumbles onto the answer in a form of a recording from a scientist’s journal.

It seems that the planet was subjected to a drug known as Pax, which was a chemical agent designed to make people docile and non-violent. However, the drug worked too well, and most people became so passive and withdrawn that they eventually ceased all activity and died of starvation. The remainder, however, became extremely violent and uncontrollable and killed off all remaining survivors, including the scientists. They then took what ships they could find and began preying on shipping in the outer rim. The Reavers were born!

Having learned that the Operative has overrun every last known hideout of theirs and even killed Brooks, Mal decides that its time to fight! With the information of what happened on Miranda firmly in their hands, they make their way back to the reclusive moon where their hacker friend Mr. Universe lives. The Operative has it blockaded, but the Serenity managed to break past them by luring the Reavers into following them.

A huge firefight in space ensues and is followed by an equally tense firefight on the planet between the Serenity crew and the Reavers. In the course of the fight, Wash is killed and Kaylee and Simon are wounded, but River risks her life to save them all and give Mal the time he needs to reach Mr.Universe’s central hub. There, he confronts the Operative one last time, overcomes him, and sends out the broadcast.

Having seen the truth, the Operative orders his men to stand down. Mal and his crew are allowed to leave, mainly because he now knows he no longer has the grounds to hunt them. The Alliance has been dealt a blow from which it may not recover, and for the first time in years, the future seems uncertain. But at least there is hope. There is also much regret since the crew has lost two of its own, Wash and Book. But in the end, they set course for their next destination, carrying on in the only way they know how.

Final Thoughts:
I’ll just say it, this show rocked! It was loaded with great lines, great acting, great characters and lots of relateable material. And, like its theme song, it was pretty touching and emotionally involved. The show began with a pervasive sense of sadness, where people who were fighting for their freedom are overrun, beaten and forced into lives of running and criminality. But also, there is the redeeming sense of family and closeness that develops between the main characters. Though they are kind of a motley bunch, coming from vastly different backgrounds and having their own personal secrets, they eventually come together and realize they share a similar fate.

That is another thing that this show captured so well, which was the pervasive sense of alienation that takes place in a universe which is fast changing. Much like the frontier that inspired it, that process was very painful. Those who did not fit in with the dream of “manifest destiny”, i.e. Native Americans and settlers who preferred the freedom of the frontier, the question of what to do remained a terribly difficult one. The option of fighting seemed hopeless, but the alternative of surrendering seemed just as hopeless: a slow death replacing a swift one.

As Mal expressed in Serenity, “So me and mine gotta lay down and die… so you can live in your better world?” Another key line he said was “Half of writing history is hiding the truth”. Many a time I felt that Wedon was making a point about our own, how we often miss the fact that changes we’ve come to think of as natural and inevitable were in fact the result of decisions, and that they came with a lot of pain and suffering as well. Part of what makes this show emotionally appealing is that fact that we get to see good guys fighting against terrible odds, and eventually achieving a victory of sorts.

And of course there was the cool mix of cultures that gave the show a truly international feel. Whereas the planets appear to boast names taken predominantly from western mythology and culture, there is a hefty smattering of Mandarin Chinese in the spoken dialogue and written signs. Aspects of Southern, Arabic and other Asian cultures make appearances as well, both in the series and the expanded universe. Basically, Wedon seemed to be going with the plausible sci-fi premise that cultures would mix in the era of colonization to produce new and interesting cultural mosaics.

I for one would like to see where it goes from here. Would the Alliance fall? Would it become even more tyrannical in its pursuit of a “better world” and a unified system? And how would they get around the fact that Watt ggand Book exited stage left (Apparently due to money and the desire to not get typecast. Actors! Pfft!) But, we’ll never know unless someone gets off their duff and starts making new episodes now will we? So Mr. Wedon and/or the Fox Network, get off your duffs and bring back this show gorram it! We’ve waited ten bloody years and we’re growing in strength! Don’t make us come after you!

Oh, and to Mr. Nathan Phillion, whom I hear is trying to ressurect the show himself, tell us what its going to take to get this done and we’ll do our best to help. Please tell us it involves taking the Fox Network down, or at least the crop of execs who keep cancelling shows that are in their prime. Is it not enough that you give TV spots to the most pig-ignorant excuse for journalists and right-wing ideologues, you gotta kill anything with a soul before it grows too? Why don’t you just call yourself the Evil Empire Network and be done with it? I tell ya, the metaphor is too perfect here!

In the meantime, check out this kick-ass trailer from the Serenity movie. I plan to watch it again and would like to think others are too. Rock on Firefly!

The Diamond Age

The Diamond Age

Yesterday, I got into one of my all-time favorite sci-fi novels, Snow Crash! And, as I believe I mentioned, that was the novel that put Neal Stephenson on everyone’s radar as the new voice of post-cyberpunk. Well, if that novel established that reputation for him, it was his very next novel, The Diamond Age, that cemented it for him. Years back, a friend recommended I check it out. It was the first of Stephenson’s novels I would ever pick up, and since that time, I’ve been pretty much hooked on what he has to say.

In fact, a little over a year later, I picked this book back up and re-read it. It’s narrative, themes and content are rich to the point that you can read it multiple times and still feel entertained, intrigued and even a little blown away. What’s more, the premise of the book, which is of nanotechnology and the effect it will have on politics, economics and human interaction, could not have been more timely. Whereas Snow Crash came to us in 1992 and predicted the rise of internet communities, information control and the breakup of the US, The Diamond Age came out in 1995 and tackled what is sure to be the “technological singularity” of the coming century, the big game changer that will forever alter the course of human development.

Plot Synopsis:
The story opens in the Leased Territories, a slum-like community that exists outside of New Chusan – an artificial island built off the coast of Shanghai. This setting is clearly meant to allude to the European trading colonies of the 19th century, which is something the story comes back to repeatedly. Here, we see Bud, a “thete” (tribeless person) making his way through the world of freelance thuggery, body enhancements and tribal loyalties. This is another ever-present theme of the novel – the sense of ethnic and synthetic tribalism that has arisen now that the nation-states of the world have ceased to exist.

We also meet Nell, the main character of the novel and the daughter of Bud’s girlfriend, Tequila. Through a confluence of events, she finds herself in possession of a revolutionary piece of technology, The Young Lady’s Illustrated Primer. This is a fully-interactive book meant to educate young girl’s by taking elements of their own lives, combining them with culturally-relevant mythology, and serving as a source of primary education. How she inherits this piece and technology and its role in the story provides the inciting event to the story and helps to introduce the other main characters.

There’s John Percival Hackworth, an engineer who designed the Primer and was trying to smuggle an advanced, illegal copy to his daughter when he was mugged by Nell’s brother, Harv. He is a member of the Victorian phyle, a group of Anglo-Americans looking to recreate a golden age of stability, morality and technological advancement. His activities on the side bring him into contact with Doctor X, a Chinese nanotechnologist and Confucian leader looking to reunite China and free it from foreign entanglements. He manufactures the book for Hackworth, but when he gets into trouble, uses this to blackmail him into designing similar primer’s for the thousands of orphaned Chinese girls he takes care of.

Then there’ Judge Fang, the criminal prosecutor who lives in the Coastal Republic of China and who sentences Bud to death after he’s caught mugging some people. He is also suspicious of Dr. X and is looking to arrest him for what he suspects is human trafficking. However, when he learns that Dr. X has actually created a haven for orphaned girls and is using copies of the Primer to raise them, he comes to enlist with him. Finally, there’s Miranda, a “ractor” (actor in interactive movies) who performs for various clients out of a theater in the Leased Territories. However, her work soon involves performing in the stories of Nell’s Primer, and in time she comes to know her and develops a strong emotional attachment to her.

In between all this, we get a full account of what life is like in a world dominated by nanotechnology. In addition to the phyles and “claves” (enclaves) which have replaced the old system of nation states, people also rely on MC’s (Matter Compilers) to manufacture all of their needs. This has freed people from the traditional problems of manufacturing, supply and demand; but there is still the problem of access, as all MC’s require Feeds (lines that connect them to supplies of raw material) and the more desirable items still cost money.

Things come together when Nell, on the Primer’s urging, leaves her home and joins the clave of New Chusan, effectively becoming a Victorian. Meanwhile, Hackworth, once his own people realize he’s being blackmailed, begins playing the role of double agent so he can find out what Dr. X is up to. His efforts soon lead to his disappearance outside of Vancouver, where he is taken in by a strange society known as “The Drummers”. These people operate in underwater compounds located off the coasts of major centers, perform rhythmic, hypnotic dances and engage in ritualized sex. This act, we learn later, is actually for the sake of information exchange, which is done through the transmission of nanomachines contained within their bodily fluids.

These particular Drummers are working for Dr. X, their purpose being to tap Hackworth’s vast knowledge of engineering so he will be able to complete Dr. X’s secret project for him. For years, Hackworth is amongst them, contributing his knowledge (unwittingly) before he finally wakes up and returns to his people. In that time, he finds that his own daughter, who is roughly Nell’s age, has grown up and his people have all but disavowed him. However, his newly acquired knowledge proves quite useful and he is grudgingly readmitted to Victorian society.

Shortly thereafter, Nell is shown to be all grown up and decides to leave the clave of New Chusan and head back to the Coastal Republic, becoming a ractor just like Miranda. However, before this happens, we continue to see her interaction with the Primer. Gradually, it enhances her numeracy, literacy and problem solving skills. Turing machines make an ongoing appearance, and its clear that Nell is being educated on the evolution of technology by being made to understand increasingly complex machines. Eventually, the story culminates with “Princess Nell” becoming the leader of the “Mouse Army”, a army that when freed, becomes an army of young women. As it turns out, this army are the young girls Dr. X was raising who are in contact with her through their own Primers.

All this takes place against a background of increased tensions as the “Fists of Righteous Harmony” (a reference to 19th century China’s “Boxer Rebellion”) are growing in power and threatening to revolt. Shortly before this happens, Hackworth meets with Dr. X one last time to discuss his plans and what’s to come. Dr. X reveals his intentions which take the form of “The Seed”, a nanotechnological device that grows things out of the Earth like a real seed, and does not rely on Feeds the way the Victorian nanotechnological devices do. The purpose of all this was to arm China with technology that is consistent with its “Chi” (Qi), thus freeing them from having to import foreign technologies that are not compatible with their culture.

Things all come together when the Fists mount their final assault on the Coastal Republic. Hackworth is caught behind their lines and Nell and several clients and coworkers are trapped in their building. They fight their way out, but Nell and her companions are saved with the appearance of the Mouse Army. Seems the girls are now grown, like Nell, and have mobilized to find their leader (Nell) and defeat the Fists. Their army defeats the Fist rebellion just as Hackworth and the other characters escape the violence by heading to another “Drummer” compound located off the coast.

However, there entrance into the compound coincides with another act of ritualized sex. During these rituals, the female participant has sex with several male partners in turn, receiving a store of information which they have in their fluids. When it is done, said female usually undergoes combustion from the sheer amount of heat and energy involved in the process. Hackworth and the others are temporarily pulled in by the hypnotic music, but manage to break away just in time. The story ends with them emerging on the shores of the Leased Territory of New Chusan, hearing the bells coming from the Victorian clave in the background.

Strengths:
Needless to say, I-loved-this-book! It’s exploration of science, society, epistemology, technology, and its many cultural and historical references were both profoundly interesting and downright cool! One could also feel the literary inspirations just piling up throughout, ranging from Charles Dickens and H.G. Wells to the Wizard of Oz and other old Hollywood classics. But what I loved best was the profound sense of historicism that made it into this book.

Take for example the repeated allusions to 19th century China, a time marked by rapid change, growing resentment, and attempts at cultural revival. Stephenson’s predictions for the future played a key role in this respect, predicting that China would split between the interior and the coastal regions, that Communism would be denounced as a “Western philosophy” and the country would return to the state of division and confusion wherein it would be vulnerable to foreign influences. The concept that it would also need or want to find its own way, that it would desire technology that was compatible with its sense of culture, was also very interesting.

In addition, the actual references to historical periods – 19th century China, the original Boxer Rebellion, Confucianism, the Cultural Revolution – were also VERY interesting. As was his explanation of how the moral relativism of the previous century (i.e. 20th) is what led to the creation of the Victorian phyle, a group built on the idea of discipline and moral absolutes (much like their predecessors). His exploration of cultural differences, and how some were “better than others” was also though-provoking, though its not entirely clear if this was a rhetorical or a firm statement.

I was somewhat confounded by this last aspect of the book. True, Stephenson’s predictions have so far been wrong, rather than experiencing collapse and division, China has taken to the path of rapid industrialization and privatization that is likely to make it a solid, albeit polarized and radicalized, competitor in any future world. In addition, I was not entirely clear on whether or not he believed in the idea of cultural superiority, namely how through a commitment to hard work, repression of emotion and the imposition of moral strictures. However, I do believe the point here was meant to be rhetorical and allegorical. Mainly, I think he meant to show how history is full of repeats, how the pendulum swings back and forth and how technology can have a regressive as well as progressive effect on cultures. And in this respect, he was quite apt!

This is not to say that I didn’t love the technological aspects too. Holy crap were they cool! Feeds, Matter Compilrers, nanomachines, rod logic, nanomaterials, etc etc etc. It was to have a profound influence on my own writing as well!

Weaknesses:
I’ve already mentioned one of the main weaknesses of the book, and that is the predictive aspects which felt like they missed. But as I indicated, it’s not exactly a weakness. Nevertheless, for anyone who was old enough to remember the nineties and has seen what’s become of modern-day China, the notion that they would regress to a revamped 19th century version of themselves, or indeed that they would look backwards for solutions instead of forwards, seemed a tad off. But as they say, hindsight is 20-20 and you can’t exactly fault an author for making predictions that didn’t come true. More often than not, these things are meant to illustrate a point, not as valid predictions they would stake their career on!

And this really was not the big weakness of this book, which was (once again) the ending! As I mentioned in the previous review, Snow Crash established Stephenson’s reputation for writing awkward endings. And this book cemented that too! This time around, the ending was even more truncated and odd, the reader being left with the feeling that not one but several chapters were being left out! For example, what became of Nell and the other main characters? Did she stick around in China to lead the Mouse Army, did the country reunite, and what became of Hackworth and his fellow Victorians once they washed up on shore? What happened with Dr. X’s plans for the Seed? Did China become a powerhouse in its own right like the Victorians, Japan, Hindustan, et al?

There was plenty of room for things to still go wrong and several key decisions that felt like they still needed to be made. In addition, readers were given the distinct impression that Miranda and Nell would come together in the end, but this really didn’t happen. Like everything else, I guess we were meant to imagine what would take place next, being left with a cliffhanger of sorts. Still, even the last sentence felt like the closing scene out of The Sopranos, where everything just ends abruptly and no one has any idea what’s supposed to happen.

The story can also be a bit hard to follow at times and feel a bit hokey. This latter part can easily be forgiven simply by reminding oneself that this is Stephenson, a man who mixes wit, satire and genius so freely that it can oftentimes feel a bit comical. But the complexity of the story and narrative is somewhat more daunting. This is one of the reasons I re-read the book, hoping it would be less vague the second time around. I was marginally correct.

Still, these weakness hardly detract from what it a work of genius and in my opinion, a thumping good read! For anyone interested in what the next great technological leap will look like, or who’s interested in a futuristic tale full of cultural/philosophical/technological/psychological and educational departures, I strongly recommend this novel!