The Predator Franchise (cont’d)

The Predator Franchise (cont’d)

Hey all. It’s been awhile since I opened this topic and I’ve been a bit negligent. But that’s what happens when you get on a tangent with me. You go far and wide and somehow, maybe, you accidentally find your way back to the point… what was I saying?

Oh, yeah! So getting back to the Predator universe, we left off last time with a recap of the first movie and what it was all about. Today, I’d like to tackle its sequel and the basis for the eventual crossover between the Predator and Alien franchises. In short, today it’s Predator 2!

Plot Synopsis:
The movie opens on a thermal image of a new jungle, the concrete jungle of LA to be specific. It is the not-too-distant future of 1997, where terrible summer heat and an escalating turf war between the Colombian and Jamaican cartels are threatening to tear the city apart.

Cut to a gun fight in progress, where police have cordoned off a Scorpion (Colombian cartel) compound and are taking casualties. Luckily, Lt. Mike Harringan (Danny Glover) arrives on scene and begins to coordinate things with his partners, Danny (Rubén Blades) and Leona (Maria Conchita Alonso). After some daring driving moves, he ensures that some wounded officers are finally able to get the help they need. Then he blows five Scorpion thugs away single-handedly!

However, the other five members of the gang manage to get into their hideout in the midst of the confusion and begin strapping on some heavy artillery. After grabbing all they can and coking up, something happens… the skylight above them breaks, glass rains down on their heads, and something wicked their way comes…

The police raid the building to find all but one man eviscerated. Harrington pursues the remaining one to the roof where he corners the last man, who loses it when he sees an apparition and begins shooting. Harrington shoots him down, sees the same apparition, and reasons that the heat is causing him to lose his mind.

They are in complete confusion about what happened inside the building though. The sliced bodies and the fact that one is hanging naked upside down from the ceiling just don’t seem to add up. Unfortunately, their investigation ends when the Commissioner shows up and tells them some special team is looking over it and to pull back. They naturally fight and exchange the usual, “you’re insubordinate”, “you’re a pencil-pusher” talk, and things move on…

Back at the station, we get some comic relief as the new guy, Det. Lambert (played by Bill Paxton), shows up and cracks wise and Harrington gives him the pep talk about sticking together. He then gets called into the Captains office where he’s given the usual talk about how they’re in a war and how they have to cooperate with the some federal task force that is coming in. Their boss introduces himself, who goes by the name of Special Agent Peter Keyes (played by Gary Busey).

And of course, its not long before the mystery man strikes again. This time, its at the Scorpion boss’ lair where an attack squad of Jamaicans breaks in and begins sacrificing him Voodoo style. As soon as the knife in his heart, they begin to drop when an apparition begins moving through them and taking them out one by one. The police show up, and of course are ordered to hang back and let the feds deal with it. Harrington naturally disobeys…

They break in to find the place covered in blood and broken glass, and a naked Colombian woman who keeps saying “the devil came for them”. Shortly thereafter, Keyes and the feds show up and tell Harrington to get lost. They take over the scene and ferry the woman away without incident. Harrington has Lambert tail them, but they lose him in the meat packing district.

Meanwhile, Harrington tells Danny to hang back and wait for the feds to leave the scene. But Danny has plans of his own, which include retrieving the strange blade he saw stuck in the wall from earlier. Having grown tired of waiting, Danny goes in ahead, and is caught when the Predator reveals himself. Seems he had the same idea, returning to the scene to retrieve his lost weapon. Danny dies…

His autopsy revealed the COD was a blade inserted directly into his heart. The coroner also does a test on the retrieved blade and reveals that it is composed of a completely unknown metal. And last, but not least, they notice that it is covered in cattle blood and steroids, indicating that its owner was recently in a slaughter house. Interesting…

Meanwhile, Harrington decides its time to reach out to the enemy of his enemy. He meets with Jamaican kingpin King Willy to discuss their mutual problem. However, King Willy proves to be of little help since he thinks their enemy comes to them from the spirit world to wreak death on them. Harrington leaves, and the Predator arrives to confront Willy. He falls quickly, and the Predator carries his disembodied head back to his lair to polish the skull and mount it on its wall.

The third attack comes on a subway when Lambert and Leona get caught up in an attempted robbery. The lights go out on the tram and the Predator enters, taking down everyone who was armed but leaving the civvies alone. Lambert tells Leona to lead the passengers to safety while he covers them, and he soon falls…

Leona returns to the cart as soon as the civvies are away and is attacked herself. However, the Predator leaves her be as soon as he realizes she is pregnant. Harrington arrives on the scene and begins to notice a pattern. He runs from the train and pursues the mystery man, a chase which takes him all the way to the meat packing district.

Harrington loses his quarry when his car is sideswiped by a truck. His semi-unconscious body is dragged into a portable command center where Keyes and his people are waiting. Finally, Harrington is given the answers he desires. It seems Keyes was talking literally when he said “You don’t know what you’re dealing with!”

A precis follows, where they explain how they’ve been tracking the alien ever since he showed up. It seems the first encounter in Central America (involving Arny and his commandos) prompted a great deal of interest from the feds. And thanks to Arny’s debreifing, they learned a lot from that encounter and have been waiting for another one ever since.

Ever since they realized that he comes to the slaughterhouse to feed between hunts, they’ve been lying in wait. Tonight is the night they close in! Naturally, they have a plan to capture it, involving insulated suits, UV lights, and liquid nitrogen guns. By blocking out their heat, they will be invisible to the Predator’s IR vision and able to freeze him intact.

However, the plan goes horribly wrong when the Predator realizes he’s being stalked and begins cycling through different vision modes. Selecting UV mode, he zeroes in on their lights and begins to kill them with ease. Harrington escapes from the unit, grabs some heavy artillery from his trunk, and proceeds inside. After an intense firefight, Harrington manages to corner it and knocks it flat with several blasts from his shotgun.

He begins inspecting the body, and delivers the first half of the signature line. “You’re one ugly mother – ” However, the Predator wakes up and finishes it for him. They continue to fight, Keyes jumps in the middle (seems he survived the initial attack) and then is sliced in half by the Predator’s throwing disc.  It then begins beating a retreat, and Harrington follows.

After a confrontation on the roof, Harrington and the Predator end up hanging over the edge of the building. The Predator decides he’s facing capture and sets his self-destruct sequence. Harrington narrowly grabs his disc and cuts the Predator’s arm off, terminating the sequence. The Predator falls and begins retreating again with Harrington in pursuit.

This chase eventually leads Harrington into the underground space beneath an apartment block. He falls into darkness, and lands on what is clearly their mothership. Proceeding inside, he sees the Predator’s trophy case, resplendent with different skulls. He’s almost killed when the Predator surprise attacks him, but manages to defend himself long enough to deliver the death blow with the Predator’s own disc.

Standing over the dead body, he is somewhat startled when another targeting laser appears on his face. Many, many Predators emerge from the mist to uncloak and carry their dead friend away. The lead Predator tosses him a musket from 1750 and says “take it”. Must be the prize… The ship begins its take off sequence, and Harrington jumps off the back just in time to be caked in dust. He walks outside, following a burning trail, where Keyes second (played by Adam Baldwin) tells him they “were so close!”. Toting his musket, he smugly proclaims “You’ll get another chance…”

Final Thoughts:
Relative to the first movie, this one garnered a rather mixed reception. Critics generally liked Danny Glover’s portrayal of a bewildered inner-city cop, and approved of him as the choice for the hero. While the role retained a hell of a lot of elements from his recurring character from Lethal Weapon, he brought just enough anger and borderline crazy behavior to the role to distinguish them and make it work. However, critics were divided over the plot and whether it was a cliche-riddled mess or a fun addition to the franchise.

Personally, I find this movie to be a nostalgic guilty pleasure, even more so than the first. As such, it’s hard for me to point out what wasn’t so good about it. But even I am willing to admit that the cliches ran deep, and that the story was full of some rather implausible twists. For example, why did Danny Glover chase the Predator all the way back to its ship? Why not call in some back up after the encounter at the slaughterhouse?

What’s more, this necessitated that they find a way to make it possible for an aging cop to beat a seven foot killing machine. Remember how the last one beat the crap out of Arny in the first one, and only managed to win by catching it in a trap? Yet this time around, Glover manages to kill one in single combat through sheer luck and determination. And it really wasn’t believable, in fact it felt totally contrived.

Aside from that, I actually liked this movie. For one, they managed to develop the whole aspect of the Predator and it’s methods. As with the first movie, the Predator began by familiarizing itself with the field of engagement, scoping out its targets, and then eliminating them one by one. It was only at the end that he chose to go up against the top carnivore in single combat.

What’s more, the scene where they showed the Predator’s trophy case was also inspired, and provided the impetus for the later crossover with Alien. By displaying such a diverse array of skulls, which included the xenomorph, the Predator was at last established as a truly interstellar hunter.

And last, the setting of the story was actually quite fitting. Whereas the first fight took place in a literal jungle, this time around, they chose a metaphorical jungle of concrete and steel. And the near-future prediction of an LA torn apart by gang violence was quite accurate from a 1990 perspective, and I felt they pulled it off quite well. Even the terrible summer heat was a fitting metaphor for the mounting violence and chaos.

Well that’s about it for the Predator movies. To this day, I wonder why they didn’t make a third, but the fact that this particular movie didn’t do so well might be a possible answer. From here on out, the franchise would become married to Alien and in the form of AVP, which consisted entirely of comics, novelizations and video games until the studios decided it was time for a full-length film.

And frankly, the less said about those movies the better! I mean really, why the hell would you an AVP movie and set it in the modern world? The whole premise of AVP was that it took place in the future when humanity had all those cool gadgets, like Smartguns, Pulse Rifles and Drop Ships. Otherwise, humanity didn’t stand a chance against both acid-blooded xenomorphs and plasma-casting invisible Hunters! And the whole Ancient Astronomers concept of how the Hunters built all the temples on Earth, that was just plain insulting…

Ah well, at least the video games were cool. And I will be dealing with those soon enough. Stay tuned, the Predator franchise has not yet begun to be reviewed!

Predator 2:
Entertainment Value: 7/10
Plot: 7.5/10
Direction: 7/10
Total: 7/10

Firefly, Best Lines (part III)

Hello! Welcome to the third and final installment in the “Best Lines” series dedicated to the awesome show Firefly. It seems fitting that I put up the final installment in the show seeing as how my wife and I just finished (re)watching the entire series on Netflix last night. It’s times like this that make me sad that there isn’t a second, third, fourth season to pick up where it all left off. Sad and very, VERY angry! DAMN YOU FOX! Anyhoo, enjoy the list and stay tuned for a follow-up with the best lines from Serenity. Just need to (re)watch it too (man, Netflix is good to me!).

Trash:
Mal and crew are reunited with an old acquaintance – Saffron, or as she’s known now, Bridgitte – who gives them an offer they can’t refuse. Seems the first laser ever made is ripe for the picking, and the owner just happens to be her ex-husband (her first ex-husband!)

Monty: Damn you, Bridgitte! Damn you to Hades! You broke my heart in a million pieces! You made me love you, and then you… I shaved off my beard for you, devil woman!

Mal: This is my scrap of nowhere. You go on, find your own.
Saffron
: You can’t just leave me here on this lifeless piece-of-crap moon.
Mal
: I can.
Saffron
: I’ll die.
Mal
: Well, as a courtesy, you might start getting busy on that, ’cause all this chatter ain’t doin’ me any kindness.

Inara: Right, you’re a criminal mastermind! What was the last cargo we snuck past the Alliance to transport?
Mal
: That was a little dif—
Inara
: What was the cargo?
Mal
: They were dolls.
Inara
: They were little geisha dolls with big heads that wobbled!
Mal
: Hey! People love those!

Inara: Well, since I can’t seem to find work as Companion, I might as well become a petty thief like you!
Mal
: Petty?
nara
: I didn’t mean petty.
Mal
: What did you mean?
Inara
: Suo-SHEE?
Mal
:
…That’s Chinese for “petty”.

Mal: Saffron has a notion we can walk right in there, take the Lassiter right off his shelf.
Wash
: I’m confused.
Saffron
: You’re asking yourself if I’ve got the security codes, why don’t I go in, grab it for myself?
Wash
: No. Actually, I was wondering… WHAT’S SHE DOING ON THIS SHIP?

Zoe: But Inara ain’t wrong. She can’t be trusted.
Mal
: I ain’t asking you to trust her. I’ll be with her on the inside the whole time.
Saffron
: See there? All you gotta do to be a rich woman, hon, is… get over it.
Zoe
: Hmm. Okay. [punches Saffron] I’m in.

River: She’s a liar.
Jayne
: That don’t exactly set her apart from the rest of us. The plunder sounds fun enough.
River
: She’s a liar, and no good will come of her.
Jayne
: Well, as a rule, I say, girlfolk ain’t to be trusted.
River
: “Jayne” is a girl’s name.
Jayne
: Well, Jayne ain’t a girl! She starts in on that girl’s-name thing, I’ll show her good ‘n’ all, I got man parts!
Simon
: I’m… trying to think of a way for you to be cruder. I just… it’s not coming.

Saffron: Durran, this isn’t what it looks like.
Mal
: Unless… it looks like… we’re stealing your priceless Lassiter, ’cause… that’s what we’re doing. Don’t ask me about the gun, though, ’cause that’s new.
Durran
: Well, I appreciate your honesty. Not, you know, a lot, but..

Durran: How long have you been with him?
Mal
: Oh— pfft! We are not together.
Saffron
: He’s my husband.
Mal
: Well, who in the damn galaxy ain’t?!

Jayne: Is spine okay?
Simon
: How much did they offer you to sell out me and River on Ariel?
Jayne
: Das crazy talk.
Simon
: Then let’s talk crazy. How much?
Jayne
: [looks to the door] Anybody there? [River pokes her head in] Anybody else?

Simon: No matter what you do, or say or plot, no matter how you come down on us… I will never, ever harm you. You’re on this table, you’re safe. ‘Cause I’m your medic, and however little we may like or trust each other, we’re on the same crew. Got the same troubles, same enemies, and more than enough of both. Now, we could circle each other and growl, sleep with one eye open, but that thought wearies me. I don’t care what you’ve done, I don’t know what you’re planning on doing, but I’m trusting you. I think you should do the same. ‘Cause I don’t see this working any other way.
River
: Also… I can kill you with my brain.

Mal: Yeah. That went well.
Inara
: You call this going well?
Mal
: We got the loot, didn’t we?
Inara
: Yes, but—
Mal
: Then I call this a win. What’s the problem?
Inara
: Shall I start with the part where you’re stranded in the middle of nowhere, or the part where you have no clothes?

The Message:
The crew of the Serenity get a strange and unexpected package from an old friend: his body! Initially, it seems he’s dead, but in time they realize he’s alive and smuggling cloned organs to a buyer. Unfortunately, the organs are worth something to some other people, crooked Alliance personnel who’ll stop at nothing to find him.

Simon: Yep—it’s a cow fetus.
Kaylee
: Guess so. It does seem to have an awful lot of limbs.
Simon
: It’s mutated.
Kaylee
: But cow? How do you figure?
Simon
: It’s upside down.
Kaylee
: [looks sideways at it] Oh yeah. Cow.
Simon
: And I’m out twelve bits! I really know how to show a girl a… disgusting time.

Wash: Oh my god, it’s grotesque! Oh, and there’s something in a jar.
Zoe
: Scared her away again, did you?
Simon
: D— This may come as a shock, but I’m actually… not very good at talking to girls.
Zoe
: Why, is there someone you are good at talking to?
Wash
: [looking at the “alien”] Do not fear me! Ours is a peaceful race, and we must live in harmony.

Jayne: I got post?
Book
: Might we all want to step a few paces back before he opens that?
Jayne
: Ha ha! It’s from my mother.
Inara
: So, do aliens live among us?
Kaylee
: Yeah. One of them’s a doctor.

Jayne: [tries on the hat his mother made him] How’s it sit? Pretty cunning, don’t you think?
Kaylee
: I think it’s the sweetest hat ever.
Wash
: A man walks down the street in that hat, people know he’s not afraid of anything.
Jayne
: Damn straight!

[Zoe and Mal open a coffin-sized box to find a body.]
Jayne
: What’d y’all order a dead guy for?

Zoe: First rule of battle, little one… don’t ever let them know where you are.
Mal
: WHOO-HOO! I’M RIGHT HERE! I’M RIGHT HERE! YOU WANT SOME O’ ME?! YEAH YOU DO! COME ON! COME ON! AAAAAH! Whoo-hoo!
Zoe
: ‘Course, there’re other schools of thought.

Mal: Everybody dies, Tracey. Someone’s carryin’ a bullet for you right now, doesn’t even know it. The trick is, die of old age before it finds you.

Tracey: [recording] You know, it’s funny. We went to the war never lookin’ to come back, but it’s… it’s the real world I couldn’t survive. You two carried me through that war. Now I need you to carry me just a little bit further… if you can. Tell my folks I wanted to do right by them, and that I’m at peace, and all. Uh… When you can’t run anymore, you crawl, and when you can’t do that, well… Yeah, you know the rest. Thanks, b-both of you. Oh, yeah, and, uh… make sure my eyes is closed, will ya?

Mal: Oh, the colonel was dead drunk. Three hours pissin’ on about the enlisted men. Uh, “they’re scum”, uh, “they’re not fighters”, and, uh… and then he passed right out—boom.
Zoe
: We couldn’t even move him. So, uh, Tracey just… snipped it right off his face.
Mal
: And you never seen a man more proud of his moustache than Colonel Obrin. I mean, in all my life, I will never love a woman the way this officer loved that lip ferret.
Zoe
: Big, walrus-y thing—all waxed up!
Inara
: Did he find out?
Mal
: Oh! Next mornin’, he wakes up, it’s gone, and he is furious! But he can’t just say, you know, “Someone stole my moustache!” So he, uh, calls together all the platoons…
Zoe
: We thought he was gonna shoot us!
Mal
: …and, uh… Oh, he’s eye-ballin’ all the men somethin’ fierce. Not a word. And he comes up to Tracey, and Tracey’s wearing the gorram thing on his face!
Zoe
: He’d glued it on!
Mal
: He’s starin’ the old man down wearing his own damn moustache!

[Tracey wakes up during his autopsy]
Jayne
: Spry for a dead fella!
Tracey
: Sarge?
Mal
: Yeah?
Tracey
: I think I’m naked.
Mal: You wanna explain to me exactly why you got yourself all corpsified and mailed to me?

Wash: I think they’re about done being stalled to— ahhhh… AHHHHHHH! Mal, your dead army buddy’s on the bridge.
Zoe
: He ain’t dead.
Wash
: …Oh…

Mal: Hear that quiet? Means the call’s already been made.
Tracey
: Well, that call… that call means you just murdered me.
Mal: No, son. You murdered yourself. I just carried the bullet a while.

Tracey: When you can’t run, you crawl. And when you can’t crawl, when you can’t do that…
Zoe
: …you find someone to carry you.

Heart of Gold:
An old friend of Inara’s, a madame who runs a brothel, kindly asks the crew of the Serenity for help. On a distant moon, the local Sheriff, a power-hungry and corrupt man, is hellbent on stealing his son from one of the local girls.

Inara: Hi.
Mal
: BWAH!
Inara
: Sorry! Didn’t mean to startle.
Mal
: You didn’t! I was just, uh… “BWAH!” That’s more like a… It’s a warrior like… Strikes fear into the… hearts of… You know, not altogether wise, sneaking up on a fellow when he’s handling his weapon.
Inara
: I’m sure I’ve heard that said. But… perhaps the dining area isn’t the place for this sort of thing.
Mal
: What do ya mean? It’s the only place with a table big enough.
Inara
: Of course. In that case, every well-bred petty crook knows that the small concealable weapons always go to the far left of the place setting.

Inara: It sounds like something this crew can handle. I can’t guarantee they’ll handle it particularly well, but…
Nandi
: If they got guns and brains at all.
Inara
: They’ve got guns

Jayne: Don’t much see the benefit in getting involved in strangers’ troubles without a up-front price negotiated.
Book
: These people need assistance. The benefit wouldn’t necessarily be for you.
Jayne
: That’s what I’m sayin’.
Zoe
: No one’s gonna force you to go, Jayne. As has been stated, this job is strictly speculative.
Jayne
: Good! Don’t know these folks, don’t much care to.
Mal
: They’re whores.
Jayne
: I’m in.

Inara: Nandi, this is Malcolm Reynolds.
Nandi
: I appreciate your coming.
Mal
: Well, any friend of Inara’s is a strictly businesslike relationship of mine.

Mal: I’ll introduce you to the rest later. They’re good folk.
Jayne
: Can I start getting sexed already?
Mal
: Well, that one’s kinda horrific.

Simon: Isn’t there a pregnant woman I’m to examine?
Wash
: You’d really lie with someone being paid for it?
Kaylee
: Well, it’s not like anyone else is lining up to, you know, examine me.
Jayne
: Whoop! My John Thomas is about to pop off and fly around the room, there’s so much tasty here. Ooh!
Wash
: Would be you get your most poetical about your pecker.

Kaylee: Everyone’s got somebody. Wash, tell me I’m pretty.
Wash
: Were I unwed, I would take you in a manly fashion.
Kaylee
: ‘Cause I’m pretty?
Wash
: ‘Cause you’re pretty.

Mal: Nothing worse than a monster who thinks he’s right with God.
Nandi: Captain Reynolds, it took me years to cut this piece of territory out of other men’s hands, to build this business up from nothing.
Mal
: Nandi…
Nandi
: It’s who I am, and it’s my home. I’m not going anywhere.
Mal
: Well, lady, I must say—you’re my kinda stupid.

Wash: Well, I’m not sure now is the best time to bring a tiny little helpless person into our lives.
Zoe
: That excuse is gettin’ a little worn, honey.
Wash
: It’s not an excuse, dear! It’s objective assessment. I can’t help that it stays relevant.
Zoe
: I don’t give a good gorram about relevant, Wash, or objective. And I ain’t so afraid of losing something that I ain’t gonna try to have it. You and I would make one beautiful baby. And I want to meet that child one day. Period.

Nandi: Truth is, I expected a whole lot more of you to be takin’ payment in our trade.
Mal
: Well, we’re an odd conglomeration. Got a preacher, a married fellah, and the doctor… well, he’d have to… relax for thirty seconds to get his play. That’d be more or less a miracle.

Mal: Miss Nandi, I have a confession to make.
Nandi
: Maybe I should get the Shepherd.
Mal
: Well, I ain’t sinned yet. And I’d feel a little more’n awkward if he were here when I did.

Nandi: Malcolm, I been waiting for you to kiss me since I showed you my guns.
Nandi
: You okay with this?
Mal
: I’m just waiting to see if I pass out. Long story.

Inara: So you took to bed with Nandi. I’m glad.
Mal
: Glad?
Inara
: Yes! She’s a dear friend, and probably in need of some comfort about now.
Mal
: So, you’re okay. Well, yeah. Why… why wouldn’t you be?
Inara
: I wouldn’t say I’m entirely okay. I’m a little appalled at her taste.

Jayne: [over radio] Whoa, now, girl, that is just plain dirty.
Mal
: Jayne, you aware your radio’s transmittin’? Cause I ain’t feelin’ particular girlish or dirty at the moment.

Petaline: Rance, this is Jonah. Jonah… say “hi” to your daddy. [Shoots Rance.] Say “goodbye” to your daddy, Jonah.

Objects in Space:
A bounty hunter boards the Serenity and takes the crew hostage. His arrival coincided with the crew’s realization that River might be a “reader” (i.e. a psychic) and her decision to leave the ship.

Kaylee: You couldn’t possibly!
Simon
: No, I wish I was lying, I just…You know, we’d all just made surgeon. That was it, we were the elite. The world was ours, you know?
Kaylee
: So you had to be naked?
Simon
: Naked. Yes. And, uh, on top of the statue of Hippocrates. Can’t you just picture me?
Kaylee
: What, naked? Oh, well, hmm, mmm…Let’s see, I’mma have to conjure up a…yeah, that’s, that’s gonna be difficult... So did the feds come?
Simon
: There were no feds. Until I started singing.
Kaylee
: Oh, no!
Simon
: This is not–
Kaylee
: What did you sing?
Simon
: This is not funny. This, this is a morality tale about the evils of sake.
Simon:
[in River’s head] I would be there right now.

Jayne: Not ever ever?
Book
: Some orders allow shepherds to marry, but I follow a narrower path.
Jayne
: But you still got the urge? They don’t…cut it off or nothin’?
Book
: No, I’m more or less intact. I just…direct my energy elsewhere.
Jayne
: You mean like masturbatin’?
Book
: I hope you’re not thinking of taking orders yourself?
Jayne
: Heheh, yeah, that’s be the day.
Jayne
: [in River’s head] I got stupid, the money was too good.
Book
: [in River’s head]I don’t give half a hump if you’re innocent or not. So where does that put you?

Mal: If I want a lot of medical jargon, I’ll talk to a doctor.
Simon
: You are talking to a doctor.

Wash: Little River gets more colorful by the moment. What’ll she do next?
Zoe
: Either blow us all up or rub soup in our hair. It’s a toss-up.
Wash
: I hope she does the soup thing, it’s always a hoot and we don’t all die from it.

Zoë: Where’s River at now?
Mal
: In her room, which I’m thinking we bolt from the outside from now on.
Wash
: That a little extreme, isn’t it?
Jayne
: Anyone remember her comin’ at me with a butcher’s knife?
Wash
: Wacky fun…
Jayne
: You wanna go, little man?
Wash
: Only if it’s someplace with candlelight.
Zoe
: Sir, I know she’s unpredictable. But I don’t think she’d harm anyone.
Jayne
: Butcher’s knife?!
Zoe
: Anyone we can’t spare.

Mal: Girl knows things. Things she shouldn’t. Things she couldn’t.
Jayne
: What, are you— are you sayin’ she’s a witch?
Wash
: Yes, Jayne. She’s a witch. She has had congress with the beast.
Jayne
: She’s in Congress?
Wash
: How did your brain even learn human speech? I’m just so curious.

Wash: Psychic, though? That sounds like something out of science fiction.
Zoe
: We live in a spaceship, dear.
Wash
: So?

Jayne: Well, I don’t like the idea of someone hearin’ what I’m thinkin’.
Inara: No one likes the idea of hearing what you’re thinking.

Simon: Are you Alliance?
Early
: Am I a lion?
Simon
: What?
Early
: I don’t think of myself as a lion. You might as well, though: I have a mighty roar.
Simon
: I said “Alliance”.
Early
: Oh, I thought—
Simon
: No, I was—
Early
: That’s weird.

Simon: I don’t think my last act in this verse is gonna be betraying my sister.
Early: You’re gonna help me. ‘Cause every second you’re with me is a chance to turn the tables, get the better of me. Maybe you’ll find your moment. Maybe I’ll slip. Or, you refuse to help me, I shoot your brain out, and I go upstairs and spend some time violating the little mechanic I got trussed up in the engine room. I take no pleasure in the thought, but she will die, weeping, if you cross me.
Simon: You’re out of your mind.
Early: That’s between me and my mind. Let’s start with these rooms.

Early: You ever been shot?
Simon: No.
Early: You oughta be shot. Or stabbed, lose a leg. To be a surgeon, you know? Know what kind of pain you’re dealing with. They make psychiatrists get psychoanalyzed before they can get certified, but they don’t make a surgeon get cut on. That seem right to you?

Early: Alright, that’s all the hide-and-seek I got time for. [shouting] I know you’re on this ship, little girl! Here’s how this goes: show yourself and finish this exchange, or your brother’s brains’ll be flyin’ every whichaway! [normal tone] You understand, I’m sort of on the clock here, it’s frustrating.
River
: [over Serenity’s intercom] You’re wrong, Early.
Early
: I’m not wrong, dumpling, I will shoot your brother dead if you don’t—
River
: Wrong about River. River’s not on the ship. They didn’t want her here. But she couldn’t make herself leave. So she melted. Melted away. They didn’t know she could do that. But she did.
Early
: Not sure I take your meaning there.
River
: I’m not on the ship. I’m in the ship. I am the ship.
Simon
: River—
River
: River’s gone.
Early
: Then who exactly are we talking to?
River
: Talking to Serenity. And Early? Serenity is very unhappy.

Early: Where’d she go?
Simon
: I can’t keep track of her when she’s not incorporeally possessing a spaceship; don’t look at me.

Early: I only hurt people ’cause they keep gettin’ in the way of me finding you. Tell her.
Simon
: What am I, your advocate?
Early
: You are, starting now.
Simon
: He’s really very… gentle, and fuzzy. We’re becoming fast friends.
Early
: You folks are all insane.
Simon: Well, my sister’s a ship. We had a complicated childhood.

Mal: There was a guy. He was very blurry. You gotta be careful. Ugh. How come there’s a guy on board and how come you’re all of a sudden the ship?
River/Serenity
: I know you have questions.
Mal
: That would be why I just asked them.
River/Serenity
: But there isn’t a lot of time, captain. I need you to trust me.
Mal
: Am I dreamin’?
River/Serenity
: We all are [Mal rolls his eyes] Don’t make faces!

Early: You know, with the exception of one deadly and unpredictable midget, this girl is the smallest cargo I’ve ever had to transport, yet by far the most troublesome. Does that seem right to you?
Simon
: What’d he do?
Early
: Who?
Simon
: The midget.
Early
: Arson. The little man loved fire.

Early: Well I’ll be a son of a whore. You’re not in my gorram mind. You’re on my gorram ship!

Inara: Any chance that shiong-mung duh kwong-run might survive?
Mal
: Air he had left, I’d say his chance’d be about one in… a very large number.

Early:[floating in space]Well, here I am.

And that’s our show! As I was beginning to expect, I’ll need a fourth post if I’m going to cover the gorram movie. Gorram, good word! Stay tuned for the final installment! It’ll be shiny! Fei-oo! Go-se! Ching-wah TSAO duh liou mahng!