Tag: the walking dead

Calling All Zombie Warriors!

Hello again my friends! After the success of the Revengers, the superhero league I formed and invited people to join, I began thinking about other groups I could start. And the next likely option seemed obvious: a league of zombie hunting warriors! I choose this in part because of some posts I did awhile back about different classes of zombie fighting weapons, but also in honor of Whiskey Delta’s sales record, which is nearing 850!

So in the coming days, I will posting lists of possible equipment and weapons specifically selected for the zombie apocalypse. I invite all of you, the readers, to select items from among said lists and use them to create your own unique character. I will post rules as we go, but I figure a system where you have a limited number of items based on size, weight, etc, would be the choice approach.

And of course, you can make up names for yourself and even back stories. Where were you when the zombie apocalypse happened? How did you come to find your current group of fellow fighters? And what’s your hope in fighting this zombie war? Are you fighting to protect the ones you have left, avenge the ones you lost, preserve the basic decency of mankind, start a new home, or just ensure that the strongest survive? As you may have guessed, much of this comes from the Walking Dead comic/TV series, which I highly recommend reading/watching for anyone interested in taking up the zombie fight!

So the way I see it, any choice of gear for the zombie warrior will need to break down into the following categories:

Apparel:
When fighting the undead hordes, your choice of outfit counts for a lot. If you plan on standing your ground, you’ll need something that can keep your flesh covered from biting teeth and scratching nails. If you plan on outrunning them, you’ll need to dress light. So choose wisely, knowing that your choice of clothing/body armor is the first step in choosing what kind of fighter you want to be.

Primary Weapon:
The mainstay and trusty workhorse of the zombie killer! This can be a shotgun, assault rifle, sniper rifle, bow and arrow, and any other form of ranged weapon. The key word here is primary, meaning its got to have the most bang for its buck and designed to kill at a respectable distance. So what matters here overall is the special balance of ammo capacity, range, stopping power and portability.

Secondary Weapon:
This is your fallback in case you run out of ammo, lose your primary, or just find yourself in a corner and don’t have time to reload. This is generally a handgun, but that provides a wide range of possibilities, including revolvers, automatics, or personal defense weapons. Of particular concern here is the ease with which you can get the weapon handy, how much killing power it will give you at close range, and just many bullets you can get on target before you run out and have to use your weapon of last resort.

Melee Weapon:
The weapon of last resort, or just the weapon you use when you want to be discreet, quick, and not draw attention to yourself. What matters here is zombie smashing power, the ability to either chop off heads or bash brains with relative ease! So your options are likely to include a baseball bat, axe, combat knife, machete, chainsaw or even a sword. Again, portability is a concern too, something that can fit on your person without getting in the way or slowing you down.

Detailed lists of options for each category will be coming in the next few days. Pick one of each, and then you are good to go! And as an added bonus, those characters that are created here will have the chance of being featured in the upcoming third installment of my zombie series, Alpha Mike!

New Trailer: True Blood, Season Six

true_bloodWhen it comes to shows that seem to love making fans wait, True Blood is in a category reserved for shows like The Walking Dead and Game of Thrones. Naturally, it takes time to produce big-budget, cable miniseries, especially ones with big name actors, writers, producers and crews who aren’t used to churning out the slop network television specializes in.

Still! It sucks when you find yourself having to repeatedly check IMDB just so you can be reminded how painfully long you have to wait for a new season. Lucky for fans of this and the other aforementioned shows, there appears to be some overlap. TWD just wrapped up season 3, GOT is just half done their third season, and True Blood will be airing on June 16th. So even when one is making us wait, at least one is stepping up to provide.

In any case, True Blood‘s new season promises a lot of things. After last season’s big climax, where Bill Compton drank the blood of Lilith and became some sort of uber-vampire, people were scared. And even though its leaders were mostly killed off, it’s clear that the civil war between Sanguinistas (vampire supremacists) and Integrationists is still raging, with the powers that be intervening and taking the offensive against vampires on all sides.

And then there’s Sookie and her Faerie brethren who find themselves caught in the middle. And the mystery of who killed her folks appears to be nearing revelation, and all other threads showed some hint of further development. In short, plenty of action left to be had…

So if you like vampires, mythical creatures, plenty of gore and nudity, but can’t stand the saccharine tone of Twilight and other YA vampire crap, I recommend checking it out. Now if they could all stop broadcasting new episodes on the same night – Sunday, I’d be in business! Even when you’re just downloaded, it creates a crowded schedule 😉 Enjoy the trailer!

The Walking Dead Season 4: A Look Ahead

The-Walking-Dead-Season-4-RenewalIt’s no secret that fans were a little surprised with the season finale of The Walking Dead. What with from the rather abortive assault on the prison, the way the Governor just up and disappeared, and the way the people of Woodbury were then incorporated into the prison community, there appeared to be a lot of unanswered questions, unfinished business and untied loose ends.

Perhaps in response to this, Robert Kirkman, the cast and producers of AMC’s The Walking Dead have released a preview video of what lies in store for season four. Through the course of clips, snippets, and interviews, it is revealed that the new season will have plenty of surprises and promises that the various threads that were left open in season three would ultimately be tied. Given my disappointment with how season three ended, I certainly hope they are telling the truth!

[Spoilers Ahead! Cease reading if you haven’t seen the finale or don’t want to know what’s coming!]

First and foremost on people’s minds is the issue of the Governor. After snapping and shooting his own people, he kind of just took off into the sunset, didn’t he? And then there’s the matter of Carl Grimes, the budding psychopath who’s latest exploits include shooting a man in cold blood. Where is he heading? Toward redemption, or straight to the loony bin? Co-executive producer Denise Huth had this to say on those subjects:

The Governor is still out there. The war is not over. Rick and our group here won the first round and scared him off… Carl’s changing. It’s a huge wake-up call for Rick. And it’s a big fear for him moving into the next season. Is Carl going to be Rick, or is Carl going to be the Governor? And right now Carl could go either way.

In addition, Hurd was sure to indicate that there would be plenty of problems on the home front as well, not the least of which would arise from the way Woodbury and the prison had integrated at the end of season three:

What’s going to happen as these two groups who literally were at war with each other moments before, how are they going to integrate?

In an interview with IGN, Kirkman also had much to say, claiming that the prison will remain a major part of season four, but that there would also be some major changes. For starters, Rick will be facing some of the same issues the Governor dealt with since he now has to lead a larger group that needs more food and supplies than their tight-knit team. And of course, he let viewers know that the Governor would remain a threat.

A bigger group brings with it bigger problems. They are certainly going to need a lot more resources, and they already have a lot of rebuilding to do, just from the things that happened in this battle between Woodbury and the prison. I don’t think there’s going to be a shortage of conflict and danger coming into the fourth season, despite the fact that they are still in the prison…

I’ll say that there are a lot of familiar elements that are remaining. Michonne is still around, Rick and his group are still in the prison, the Governor’s still out there… so there are a lot of things that are carrying over from Season 3 to Season 4, but I can’t stress how different things are going to be.

There are going to be some radical changes to those elements that are going to bring in a lot of new storytelling. While [Season 4] does seem somewhat familiar, it’s going to be vastly different from Season 3.

In addition, Kirkman indicated that in the next season, the world will be expanded well beyond that of the familiar settings established in season three:

We will be getting into more world building, more civilization being brought back. A little bit more of a bigger sense of community.

Well, for those of disappointed in the ending of season three, but generally impressed with the direction the show has been taking since season two, I think it’s fair to say the intrigue level has gone up. Rest assured, there’s plenty of material to be adapted from the original comic, and even without the source material, the zombie apocalypse is some pretty fertile territory! Just seven months to go before the October 2013 premiere, people!

Sources: insidetv.ew.com, blastr.com

Game of Thrones – Season 3 Premiere!

GOT_Season3_teaserWow, what a Sunday! The season finale of season three of The Walking Dead and the season premiere of season three of Game of Thrones, all in one night. Lucky for me I didn’t have to choose between watching one or the other, but unlucky for my followers, it has meant a bit of a delay in terms of both reviews. I can only hope people find my thoughts informative or at least agreeable.

Speaking of agreeable, I personally felt the season premiere improved considerably on last seasons. Though this one was also a bit of whirlwind introduction, it didn’t exactly feel rushed like that last one did. But of course, they also strayed from the text in many ways which I couldn’t help but notice. And as newly minted Thrones geek, believe me when I tell you, I will be griping!

So here is what I thought of this season’s opener!

Valar Dohaeris:
The episode opens exactly where the last left off, with Samwell Tarly running from the White Walkers as they attack the Fist of the First Men. After being rescued by John’s direwolf (Snow) and Lord Commander Mormont, Sam is told to join their party as they beat a hasty retreat south. The fate of the entire Realm depends on them making it back to the Wall…

got3_giantOver at the Wildling camp, John Snow gets a firsthand look at their army and sees a giant for the first time. Ygritte then brings him before Mance Rayder who asks him why he intends to join them. John tells them his reasons have to do with what he witnessed at Craster’s Keep. He says he wants to fight on the side of “those who fight for the living”, and Mance orders him a new cloak.

In the north, Robb and his army march on Harenhall, which they find abandoned. Inside the walls, he finds over 200 Northmen and their horses strewn about, and only one survivor, whom Talisa Maegyr (Robb’s new wife) begins to attend to. The sight of all this death angers his men even further that his mother let Jaime Lannister go, and he orders that she be arrested and restricted to quarters.

got3_tyrionAt King’s Landing, Tyrion has recovered from his wounds and is visited by his sister. Cersei naturally denies any complicity in his near shave with death, and demands to know why he has summoned their father to meet with him. He is then attended by Bronn, who naturally demands more money for his continued service. As the only friend Tyrion has left, he is forced to oblige…

Upon meeting with his father, Tyrion laments the fact that he is no longer Hand of the King and that Tywin did not come to visit him while he recovered. He then broaches the subject which is central to their meeting: his inheritance of Casterly Rock. After letting him know that he will receive a position befitting his name and title, he cruelly reminds him that would never allow one such as him to inherit the seat of Lannister power and sends him on his way.

got3_margaeryAt the docks, Sansa is met by Lord Petyr Baelish who begins discussing his plan for removing her from the capitol. He tells her he has a ship that will be leaving and she will need to be ready to go at a moment’s notice, and she is happy to agree. Meanwhile, Shae and  Ros – who appears to be Baelish’s chief madame – speak privately, and she warns Shae to watch Sansa closely, especially when she is in the company of Baelish.

On their way back from the Sept, Joffrey and Margaery Tyrell are being carried in their litters and she decides to stop and take a walk in Flea Bottom. In the back alleys, she speaks to a group of orphans and hears of how their fathers died in the battle. She promises that Joffrey will be a good king and will take care of them. She and Loras meets with Joffrey and Cersei afterwards, and the seeds of tension are sown.

got3_stannisIn the Narrow Sea, Ser Davos Seaworth is found after being washed up on a rock after the Battle of Blackwater. After identifying himself as Stannis’ man, he is taken aboard by his old smuggler friend, Salladhor Saan, and returned to Dragstone. Once there, he meets with Stannis and Melissandre and takes issue with how he’s burning men alive as sacrifices. Melissandre tells him she could have gauranteed them victory at Blackwater, and tries to pulls a knife on her. Stannis orders him arrested and placed in a cell.

Farther east, Daenerys and Ser Jorah Mormont are on a ship bound to Astapor. Her dragons are growing and hunt freely over the waters, and she and Jorah speaks of their plans to recruit an army of Unsullied to follow her. Upon their arrival, she inspects the garrison and is told of their brutal training. Afterward, an attempt on her life is narrowly averted when Ser Barristan Selmy shows up and declares fealty to her.

Summary:
Okay, first up, the things I liked. After waiting almost a whole year for a new season of this show, I found this episode fit the bill quite well. The setting, the actors, the portrayals and attention to details were all done to great effect and spoke of a serious commitment. It was almost like biting into a meal that took an extra long time to prepare, and then realizing where that time went.

The opening scene where a giant is shown, that was the first thing to impress me. While reading the books, I had a hard time visualizing what these characters would look like, not to mention their mammoths and other such beasts. So naturally, I was impressed with this rendition, and I was pleased to see Mance Rayder and other key characters – like Tormund Giantsbane = being brought to life.

And now for the downside. Like I said, they’ve taken to this intro with some serious changes, many of which were necessitated by changes in the previous season. And for the most part, I didn’t approve. This began with John Snow’s professed reasons for joining the Wildling camp. At no point in the book did he witness Mance’s child being fed to the Others, and this played no part in his staged defection.

Forced to come up with a good reason for why he’d betray, John told Mance something dangerously close to the truth. He told him that as a bastard, he had no place at Eddard Stark’s family, and wanted his freedom to make his own way in a world where that would not hold him back. Being so believable, largely because it paralleled Mance’s own reasons for deserting the Night’s Watch, Mance took him in.

What’s more, they never showed how John’s defection was pre-planned by him and Qorin last season, though they hinted that this was Qorin’s intent when he attacked John and let him kill him. So the entire plot arc of John’s time with the Wildlings is being played a bit more mysteriously, but unclearly. It’s like, is he really defecting? Hedging his bets? Just looking to stay alive until he makes it back to the Wall? All of this was central to his dilemma in the first half of the book, so how they play with it will be crucial.

Second, there was Robb’s march on Harrenhal which, again, never happened in the book. After campaigning in the west and picking up Jeyne, they returned to Riverrun to continue plotting the campaign. The Lannisters did not abandon it, it changed hands thanks to Arya and Jaqen Higarr, who opened the cells to free the Northmen who then took the castle. This facilitated her escape in book II, and allowed Robb’s army to take control of the castle.

But since they changed the means of Arya’s escape (Jaqen simply killed the guards at the gate), they had to find some way of explaining how Harenhall fell and Robb’s men took custody of it. But frankly, this seemed lame, much like John’s phoney reasons for going over to the Wildlings. Might sound like nitpicking, but the only reason these changes needed to happen because they changed things last season. Stuff like that can pile up after awhile, and it is certainly is here…

Ah, then there’s how Petyr Baelish is plotting to get Sansa out, which was not revealed in the book til much later. In the original, Sansa’s plans were made with Boros Blount, the drunken knight whose life she saved. It was he that planned her escape at Baelish’ behest, and upon helping her realize it, he was killed. Clearly, they’ve decided to cut out the middle man in order to save on shooting time and writing.

And the same holds true for Ser Selmy’s introduction. In the book, he was posing as old man who wanted to help out Daenerys, and only later was his true identity revealed, much to her chagrin. Not only that, but they seem to be leaving out Strong Belwas, a former pit fighter who was traveling with Selmy and also joiner her service. I do hope they’re just waiting for the next episode, because he’s an important character and I’d like to see who portrays him!

And that’s about all for the changes and weaknesses for this episode. Aside from these salient issues, I rather enjoyed it and look forward to the rest of the season, with all that I know to expect! I also look forward to the climactic battle in this season, which I shall say nothing of since there are people out there who are not Thrones geeks and don’t yet know what to expect. But trust me when I tell you, if you had read the books, you’d be excited too!

Welcome back GoT!

The Walking Dead – Season 3 Finale!

wd3_meme1We’ve come to it at last. Last night, after months of escalating tension and drama, the season finale of The Walking Dead finally happened. Needless to say, after taking the long road to reach this climax, and familiar with how things happened in the original, I was somewhat eager to see how it would all go down. I suppose you could even say my expectations were high…

And, to be honest, I was a bit disappointed. After all the expectations, slow build-up and plot development, the ending was fast, loose, and a bit abortive. Sure, there were lots of sad moments, tense moments, and some action, but none of it was particularly explosive, final, or end of the road-esque. And of course, the differences with the source material at this point were like night and day.

In the comic book, the assault on the prison was devastating, and cost the lives of Lori Grimes and their daughter. But more than that, the would-be conclusion to this season, which all indications would seem to suggest would be the death of the Governor, didn’t even happen. So add an openness to the abortive nature of this ending, and you’ve got the season three finale…

Welcome to the Tombs:
wd3_tombsThe finale ends with a slow, creepy expanding frame which is focused on the Governor’s eye. We quickly realize that he has Milton in one of his prison chambers and is torturing him for torching the Walkers they had captured. After beating him for awhile, Milton asks him if he thinks his daughter would approve of what he’s become. He says no, but also feels his daughter would be alive if he were the man he is today before.

He then takes Milton into the room Andrea has been kept in and orders him to gather up all the implements of torture. While collecting them, Milton drops a pair of plyers on the floor and leaves them there. The Governor hands him a knife and orders him to kill Andrea, which Milton tries to stab the Governor with, and then is stabbed himself. The Governor tells him he will soon turn, and then he will kill Andrea, for that’s how the world is now. Or as he puts it: “In this life now, you kill and you die… Or you die and you kill.”

??????????????????????????????????????????????????????????????????????????????????????????????????????At the prison, Rick and the others are busy packing their cars up in what appears to be preparation to leave. Carl is angry with his father for some reason, and Michonne thanks him for not handing her over. Daryl also speaks with Carol about how his brother sacrificed himself, thus giving them the time they needed to prepare. Lori looks up at a catwalk and sees Lori looking down on him again…

In Woodbury, the Governor is busy mobilizing his people. Blaming Rick’s group for the death of the eight men he lost to Merle, he has assembled an army of townpeople and commandeered their army vehicles for the assault. Tyreese and Sasha tell him they do not wish to participate and will stay behind to guard the town, and the Governor lets them.

wd3_tombs5The Governor and his army then come to the prison and begin gunning their way in, blowing up the watch towers and shooting all the Walkers in the field. Without any opposition, they make their way inside and the place appears to be deserted. However, they hear noise coming from below and begin searching, and are met with an ambush!

A series of flashbangs go off inside the tunnels and some Walkers are sent in after them, causing confusion and forcing everyone to begin running out. Maggie and Glenn begin firing at the runners from protected positions, and the retreat turns into a route. In the forest, Carl stands watch with Hershel and Beth and is met by one of the townspeople who is running for his life. After telling him to drop his gun, Carl shoots him without apparent cause.

WD3_tombs3When the dust settles and the camp is reunited, Rick and the others discuss what their next move is. They agree that they can’t simply sit idle and wait for the Governor and his people to come back. They agree to take the fight to Woodbury and form an attack party of Daryl, Rick and Michonne. Before they leave, Rick confronts his son about the boy he shot, to which he replies he “did what he had to do”. In his mind, far too many people have died due to hesitation, and he wasn’t willing to let it happen here.

Back on the road, the Governor stops the retreating convoy and demands they turn around and relaunch their attack. However, his makeshift army says it isn’t worth it and wants to go back to town. The Governor has a severe break and begins shooting people left, right and center. Only Martinez, Bowman, and a single woman are left alive, and she is left in a field to die while the rest head back to Woodbury.

wd3_tombs4Back at the prison, Milton tells Andrea about the plyers behind her seat and lets her know she has to hurry. They continue to talk for several minutes while she manages to get them off the floor and into her hand. However, no sooner does she have a grip on them that Milton begins to change. She manages to get her manacles off just as his resurrected body comes towards her, and they fight…

On the road, Rick, Daryl and Michonne find the remains of the Governor’s army, which now consists of those who have turned feeding on the bodies of the dead. After killing those turned, they find Karen – the one person who survived the massacre – and take her with them. They then proceed to town, where they run into Tyreese and Sasha manning the wall. After a quick shootout, Karen calls out to him and tells them what happened.

wd3_tombs6Rick then explains that they have come to save Andrea, who never made it to the prison. They then proceed to Andrea’s cell where they find Milton dead, and her bitten and dying. They share a tearful farewell, during which time Rick assures her that the rest of them are alive, and Andrea tells them she will take her own life while she still can. She asks Rick for his gun, which he gives her, and Michonne stays behind to be with her when it happens.

Rick and the others proceed back to the prison with a large bus in tow. The door opens, and townspeople from Woodbury begin to file out. Rick goes to Carl and tells him, “They’re going to join us”, to which his son seems a bit perturbed. Carol, Hershel and the others begin to file out and help them in. The episode ends with a close up of Lori’s and T-Dog’s graves on the front lawn.

Summary:
As I said already, this episode kind of flopped. While I knew that they could not stick to the source material at this point, Lori already being dead and all, I did think they would attempt to establish some degree of finality. While it’s obvious that Woodbury is finished at this point and Andrea did die, the Governor is still alive and the final fight only lasted a few minutes.

And given the superiority the Governor had in numbers and firepower, it seemed to end awfully quick. A few flashbangs and some rifle fire, and they all went running! Not at all the honed and ruthless army that the Governor brought with him to the prison in the comics. Hell, they had a tank there and kicked the crap out of the place! Here, they just tucked tail and ran!

And of course, there was the way the Governor just snapped and shot all of his own people because of it. Here, it kind of felt like one contrivance justifying another. The humiliating loss gave the Governor his motivation for going nuts, thus demonstrating how he was the bad guy, not Rick and his people. Okay, but again, after all the build-up? As Maggie is quoted as saying below: “No! No!”

WD_noSure, there were some interesting points, like Carl’s dangerous transformation into something akin to the Governor. His justifications, which he shared with Milton and Andrea before leaving them to die together, sounded an awful lot like what Carl says in his defense to Rick. “I did what I had to do”, “this is the way it is now”, and so forth.

The ending, where Rick extends a helping hand to their former enemies, also seemed like the perfectly fitting end to all that. And so did the way the episode opened and closed on the graves of Lori and everyone else they’ve lost since taking the prison. Its like they are saying, “this is what we’re fighting for”, and the way they return to it in the end shows that the final act of kindness honored their memory as well.wd3_meme

Still, the climax… not what I was looking for! If you’re going to stray, at least have an ending where they fight it out and there’s tons of blood! And I’m hardly alone in this respect. Already, there are a ton of memes out there satirizing the ending and what fans didn’t like about it.

Twd3_meme2he one’s you see here are only a few, which not only mock the ending but the numerous plot holes contained within. For example, the Governor has really good aim for someone with no depth perception, as evidenced by the way he shoots up an entire group of men and women.

And then there’s the fact that the Governor not only survived, but just seemed to take off into the night without another word. It’s like, are we done with him? Is he dead? Will he be lurking in the shadows, waiting to reappear and settle the score? No indications is given either way, but it does seem like a deliberate attempt to hedge their bets and keep his return open as a possibility.

But frankly, this seems a bit like the ending to Terminator: Salvation, where the plot wrapped up succinctly (albeit stupidly), but they felt the need to leave things open for the sake of additional milking down the road. That kind of ending not only feels anticlimactic, but can really be annoying when you know for a fact that it strays drastically from the source material.

Good news? Apparently, there’s only 183 more days until season four premiers. And season three was pretty rocking compared to the last one. I only hope that this time around, they stick to the script a little closely, try to converge with it a bit more instead of making these wild divergences. I’m all for variations, but if you’re going to make chances, you have to know the geeks will take notice and have some complaints to share!

See you in half a year, Walking Dead! I and a whole slew of fans will be waiting for you…

The Walking Dead – Season 3 Episode 14

The-Walking-DeadMorning all and welcome to another episode review of AMC’s The Walking Dead! As usual, this week’s episode provided lots of suspense and tense plot development as things get closer to the big confrontation between the Governor and the prison camp. As I’m sure you’re all aware, we are now just two episodes away from the end of the season, and now is the time for the show to be prepping all its plot threads for completion.

After last week’s episode where a meeting took place between Rick and the Governor, we were left with unmistakable knowledge that war was inevitable. Rick could not bring himself to hand over Michonne, even if it meant peace for his people. On the other hand, the Governor had no intention of abiding by the peace terms he set and openly admitted that their standoff would only end with Rick’s demise. And of course, Andrea was now set to betray him, the only question was when and how..

Prey:
wd3_preyThe episode opens with a flashback, where we see Andrea and Michonne together before they found Woodbury. Huddling around a fire and eating beans out of a can, Andrea asks Michonne where her “companions” – the jawless, armless Walkers – came from. Michonne tacitly admits that she knew them before they turned, and she expresses anger for them, says they “weren’t human to begin with.”

We are then taken to Woodbury, where Martinez is busy overseeing their preparations for their next “meeting” with Rick and his people. Andrea is stripped of her sidearm and talks to Milton, who tells her the deal the Governor proposed in a sham. What’s more, he shows her to a secret room the Governor has prepared for Michonne, which is basically a torture chamber.

wd3_prey1Andrea heads for the wall, where she meets Tyreese and Sasha. After failing to trick them into leave their posts, she scales the wall and tells them she’s leaving. Tyreese tries to stop her but Andrea pulls her knife and he is forced to let her go. Allen, one of their people, is angry and worries that Tyreese’s failure will jeopardize their position within the community. What’s more, he is still angry over the way Tyreese mercy-killed his wife Donna after she was bit.

The Governor forgives Tyreese and Sasha, but becomes very angry with Milton when he realizes he knew Andrea intended to leave. He is even angrier when he learns that Milton told her about the deal, how he demanded Rick hand over Michonne. Rather than send anyone after her, he takes a truck and heads out to bring Andrea in himself. After spotting her in an open field, a chase ensues…

??????????????????????????????????????????????????????????????????????????????This leads them both into an abandoned warehouse where the Governor begins to stalk her. She refuses to come out and “come home”, so the Governor begins breaking windows with a shovel and attracting Walkers. After finding a service door, Andrea sees that it leads to a stairwell filled with Walkers. When the Governor corners her there, she slips through and forces him to deal with them, and escapes again to the forest.

Meanwhile, Martinez takes Tyreese, Sasha, Allen and Ben along on a mission to one of their Walkers traps. Tyreese realizes that they are being used as weapons and refuses to help. This leads to a fight between him and Allen, whom he almost throws in with the Walkers. He is sent back to town with Sasha, knowing that they will likely be kicked out. Later that night, a truck pulls up the to the trap and an unidentified begins dousing them in gasoline and setting them ablaze.

wd3_prey3Andrea finally makes it to the prison and sees Rick manning the tower, but the Governor catches her before she can get his attention. He returns to town and claims he never found her, and goes to speak with Tyreese and the others. He manages to assure them that the Walkers are just for show, and seems content that they had nothing to do with lighting them on fire.

He then meet with Milton, repeats the lie to him about Andrea, and is told “its a shame about the pits”. The Governor construes from this that it was Milton who set them on fire, and he replies that he already knows who did it. The episode ends with a slow return to the torture chamber, where he find Andrea dirty, bloodied, and restrained in the chair.

wd3_prey4

Summary:
What more can be said about this show now? They’ve put together a good season, and this week’s episode did everything it was meant to: making us worry more about Andreas fate, show the Governor descend further into madness, and set up Milton and Tyreese’s people for the coming showdown. Now that Andrea has made her choice and is due to suffer for it, that leaves Milton and the rest  to make up their mind on where they stand.

By now, its obvious Milton has lost all faith in the Governor, but Tyreese and his group are still ambivalent. At the same time, it seems like their group is subdivided, with Tyreese and Sasha doubting the Governor and his decision to go to war, and Allen and Ben who want stick by him. Not only is Allen desperate for a home where he and his son will be safe, it’s clear he harbor animosity towards Tyreese for killing his wife after she became infected.

And the show managed to hit on some more key elements from the comic book, which is good considering that it has diverged quite heavily from the source material at this point. For instance, Tyreese and his family were friends with Rick and their bunch long before anyone else. What’s more, he was a very important member of their crew, so the fact that they neglected to incorporate him until now seems a bit odd, frankly.

But they are managing to develop his character now and in such a way that it fits with the comic book. For one, Tyreese was a terrible shot, which they showed here when he and Sasha were doing target practice on top of Woodbury’s wall. He was strong but gentle man too, but after witnessing so much death (including that of his daughter) he began to lose his grip and went a little rampage-y. In this episode, they managed to convey some of that in the way he almost killed Allen.

And then there’s the big change with Michonne’s character. In the comic book, she was captured by the Governor, tortured and raped repeatedly by his men. They hinted at that a little with his treatment of Maggie, but now it seems that Andrea is standing in for her as his primary victim. Though they have established why the Governor hates Michonne – she killed his daughter and took his eye – they kind of sidestepped her reasons for doing that. In the comic, it was in revenge for his brutal treatment of her; whereas in the show, it just sort of happened in the course of a tense showdown between them.

But I digress. This week’s episode focused entirely on things inside Woodbury, which is to be expected given all the threads that are on that side of the story. Next week, we can expect an episode that shows both camps as they prepare for the final standoff. Rick is expected to return to their previous meeting place, where an ambush will be waiting.

But of course, he will be going in prepared and ought to have surprises of his own lined up. While we won’t see it all unfold until  the end of March, I anticipate they will be dropping more hints as to how it’s all going to go down and who will betray whom… Looking forward to it!

The Walking Dead – Season 3 Episode 12

The-Walking-DeadWell I’ll be damned. Just last week I was complaining that the season was getting a bit stagnant. Then they go and pull one of these! An episode that really gets you in the gut and excites the hell out of ya! And to accomplish this feet of keeping fans interested and roped, they’ve gone back to the beginning of things with the series.

Last week, hints were given as to what was coming. Fearing diminishing supplies of guns and ammo, Rick, Michonne and Carl made plans to head back to Rick’s old hometown to see what they could dig up. And with the threads involving the prison and the town of Woodbury pretty much tied for now, what they find on their mission is the basis of this week’s entire episode.

Here’s what happened:

Clear:
wd3_clearThe episode opens with Rick, Carl and Michonne on the road together as they drive into town. On the way, they pass an uninfected man who begs them to stop, but they continue on. They come to a set of abandoned cars and stop to take on what they can find, and are set upon by Walkers. With barely a concern, they begin dispatching the Walkers, take what they need, and set off again. Once again, they are beset by the uninfected man and leave him behind.

From this opening scene, were are once again told a tale in very few words. After so much time spent being forced to fight and survive, they are immune to the pleas of outsiders looking for help and are free from fear. The habits have become so engrained that they come easily, as does turning a deaf ear to those they do not know or trust.

wd3_clear1They come to town and begin inspecting the police station, which appears somewhat low on guns and ammo. Rick then decides to get a hold of the town’s gun registry, which they will then use to chase down all the firearms remain in town. When they reach the main road in town, they find a series of booby traps, sharpened stakes, and signs warning them to leave. Michonne observes that it looks like someone else has already made this place their home.

Without warning, they are spotted by a man on a roof who tells them to drop their weapons and get out. Not wanting to lose their weapons, or lives, they attempt to take him down with a little misdirection. Rick and Carl run and shoot while Michonne circles around to outflank him. However, the gunman is a step ahead and makes his way down to the street. Before he can shoot Rick, Carl pops out and shoots him in the stomach.

?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????After a quick search, Rick learns two important things. First, the man is wearing a vest and is only unconscious. Second, and more importantly, the man is none other than Morgan, the one who saved him after he woke up and wandered back from the hospital. They proceed to take him inside, noticing several booby traps, a massive arsenal, and tons of disturbing messages scrawled on the wall. Over and over again, the word “Clear” appears.

Carl says he’s going to make a run to the nursery store in the hopes of finding a crib for Judith. Michonne reasons he will need help and comes along, but Carl tries to get away the first chance he gets. When Michonne catches up to him and notices they’ve passed the nursery store, he reveals that there’s something else he wants for his sister first.

wd3_clearcarlHe takes Michonne to cafe which appears to be filled with Walkers. After sending in a diversion, they run in to grab a picture from above the bar – apparently of Carl, Rick and Lori. However, the Walkers soon notice them, they have fight their way out, and the picture is left behind. Michonne does him the favor of retrieving it on her own, since Carl wants  a photo so Judith can know what their mother looked like, and this is the only photo left.

Back in his home, Morgan wakes up and uses a stashed knife to cut his bonds. He then attacks Rick and wounds him, but Rick manages to get the upper hand point his gun in Morgan’s face. He begs Rick to shoot him, but Rick pleads with him to remember, which Morgan finally does. The key is the old walky-talky which Rick gave him, and Morgan begins to remember. He tells Rick he looked for him on the radio, but he wasn’t there. What’s more, he explains to him that his son is dead, and that it was his wife who did it.

wd3_morgan1Rick invites Morgan to come with them, but Morgan refuses. He can tell Rick’s situation is less than ideal since he needs some of his guns. Rick assures him things will work out and he can get better, but Morgan is intransigent, saying he has to “clear”. Carl and Michonne rejoining him, carrying a crib. Carl pauses to apologize for shooting him, to which Morgan tells him to “never be sorry.

At the car, Carl let’s Rick know that he thinks Michonne might be one of them. She asks Rick if he sees people, to which she adds that she too used to talk to visions of her dead boyfriend. On the drive back to the prison, they pass the remains of the man they saw twice along the way, and stop to take his backpack.

Summary:
wd3_clear3In case the intro wasn’t clear, this episode rocked for me. Even though it involved the reintroduction of an old character, it felt very much fresh and new and offered a much-needed diversion into the season. It was also nice that they brought back Morgan, considering that his character played a prominent role in the story at the beginning and was left very much unresolved.

After finding him and seeing what’s become of him, Rick also learns that he couldn’t bring himself to shoot his infected wife, and this is how Duane (his son) died. Because of this, he has become convinced that its only a matter of time before everyone will die. Many times over he says to Rick that “no one gets clear”. It’s not specified what he means by this, but if I were to guess, he means free and clear, as in safe and sound.

The Walking Dead - Season 3, Episode 12 - Photo Credit: Gene Page/AMCBetween that, the scene at the beginning where they twice turn away a man in need, and the final scene where they find his body and take his things; all of that manages to wrap the most predominant theme of the show up in a nutshell. That have been few episodes with this kind of tight narrative and consistency, demonstrating so succinctly that in this world, survival trumps morality, and sentimentality can mean death.

Yet, at the same time, they do their best to restore some degree of humanity and compassion through kind acts. Rick invites Morgan to come back with them, Carl struggles to get a photo of his mother for his sister, and Michonne helps him to recover something sentimental even though it means risking her life. And the way she begins to bond with Rick shows that human connections remain important in this world.

wd3_clearmichonneAnd of course, it was exciting throughout, especially where Morgan’s traps and arsenal were concerned. After all this talk of shortages and supplies running low, it was good to see so many guns, sharpened steaks, grenades and bullets in one place. It is what I’d want to do in the event of a zombie apocalypse and he pulled it off. So… yeah, you go Morgan!

It also was nice to see Michonne get back to her cool, ass-kicking self. The way they humanized her was nice, though I thought it was a little out in left field. Yes, they’ve done this before, like how they revealed how hurt she was when Andrea chose to stay in Woodbury rather than go with her. And after all she’s been through, she deserves a little kind-heartedness. I just hope it doesn’t last long and she gets back to kicking ass soon!

And of course, with all the weapons and ammo they grabbed, they are sure to be that much more ready when the inevitable war comes. Next week promises to be confrontational, so it’s sure to be coming soon!

The Game of Thrones and Walking Dead Themes: On Harps!

That’s right. A pair of harpists, known as the Harp Twins (Camille and Kennerly), recently performed a cover of the Walking Dead theme on their instruments, and then made the video available for all to see. Watch the beautiful duo play this tune in such a way that it comes out as both beautiful and haunting.

And note the backdrop for the video. Looks like something out of the series doesn’t it, what with the cracked paint, broken shutters and stark landscape? And don’t they look like they’re fleeing in all those scenes that come between the ones where they are playing together?


And while you’re at it, check out there cover for the Game of Thrones theme. Given the nature of the show, I had a feeling they already performed this one. I mean harps, medieval fantasy – its like PB and J. And much like in their previous cover, they picked some appropriate costumes and setting for the video shoot as well. Enjoy!

The Walking Dead (Season 3 Episode 10)

WD3_premierWelcome back to the Walking Dead. With the second episode in the latter half of the third season, things are coming down from the mid season climax. All the major characters have been introduced and the two main threads – that of the prison and the town of Woodbury – are now fully intertwined. And with blood drawn and both sides aware of the others presence, things seem to be settling in for a bit of a lull.

Last time, during the mid season opener, we saw Rick go crazy, the Governor go into isolation, and other people step in to fill their boots. Daryl also took off with Merle to face his fortunes alongside his brother rather than abandon him a second time, and Glenn and Maggie were beginning to crack due to the torment they suffered in the Governor’s captivity.

Which brought us to last night’s episode entitled…

Home:wd3_home6We start with the prison, where Rick is reconnoitering after losing his mind, keeping watch on the field and Michonne. That ends when he sees Lori again standing before him in white dress, first overlooking their graves, then standing out beyond the fence. After coming to her, he spends time in an imagined embrace. Meanwhile, Glenn decides to step up and talks about their next move, whether they should assassinate the governor or fortify and wait.

Back in Woodbury, the Governor thanks Andrea for the way she stepped up and tells her she could lead the town. She asks him if he’s abdicating, which he seems ambivalent on at the moment. He also tells her they will leave the prison alone as long as they do the same. Privately though, he asks Milton to monitor Andrea since he doesn’t know where her loyalties lie. Later, he and others seem to vanish from the town, and Andrea asks where they are. The best she can learn is from Milton, who says he’s “on a run.”

wd3_homeIn the forest, Daryl and Merle come upon a group of survivors who find themselves stuck on a bridge and beset by Walkers. After saving them, Merle tries to rob them but Daryl intervenes. This leads to a fight between the two of them, during which time Daryl accuses his brother of never being there for him and for the loss of his own hand. After the fight turns physical, Daryl tells Merle he’s leaving and begins heading back to the prison.

Glenn and Maggie have a fight over what happened to her in Woodbury and he decides to head out on a mission. Hershel comes to him beforehand to ask him if he intends to kill the Governor. Glenn says no, but Hershel suspects he is going off the deep end too, and urges him to come back since he is effectively in charge. Glenn still leaves and Hershel finds Rick out in the woods, wandering aimlessly. He explains how he’s been seeing Rick and Lori, to which Hershel replies that they need him back.

wd3_home4

In the yard, Carol and Axel are talking and having a laugh, when suddenly a bullet hits him in the head. The entire camp looks up to see the Governor and his men shooting from the treeline! Rick and Hershel are both pinned down, and Michonne grabs a gun from the bus and begins shooting from the inner area while Carl and Maggie start shooting from the prison grounds.Things appear locked in stalemate until the Governor’s men drive a big truck through the gate and release a whole slew of Walkers into the yard. They then fall back, just as more Walkers are drawn from the treeline by all the shooting. Michonne begins cutting her way through the Walkers while Glenn drives in and grabs her and Hershel. Rick seems trapped outside, but is saved when Daryle and Merle show up to protect him.

 

wd3_governor_war

All told, the prison has lost one man – Axel – and the governor one of his. What’s more, its now clear the Governor is intent on wiping Rick and his people off the face of the Earth. And that’s where things end for this week…

Summary:
wd3_home3Initially, I felt like this episode was a pacing chapter, where things slow down after the big climax so people can catch their breath and other parts of the story can be resolved. However, the surprise ending pretty much shot that impression to hell and left me hanging big time! Too bad too, I was all set to complain!

Basically, this was a good ending because it let us know that the Governor wasn’t going to simply roll over and be the subdued “live and let live” shell of himself. Everything’s been done this season to make him seem like a split personality, benevolent and stalwart on the surface, ugly and crazy beneath it. I’m glad they’ve kept that going with him because that is who he is. Making him stand down at this point would only seem like a shameless way of dragging things out, which is something I hoped they wouldn’t do this season.

wd3_home1Daryl’s return to the prison, so soon, had me a bit surprised. Between the two main threads, it seemed like they were introducing a third just to make things more interesting. However, after a brief romp in the woods, Daryl already decided he was sick of his brother and decides to head back. Naturally, this is good timing since the Governor attacked them, but I thought we could look forward to more of a side story where it was just the Dixon brothers.

I did enjoy how they gave Michonne some ass-kicking screen time this week, but I did think there ought to be more. She’s been downplayed so far this season, relegated to the background as a wounded bird instead of the usual independent badass she was earlier on. I hope she recovers soon and becomes the Governor’s worst nightmare, because that was her apparent role in the comic book.

wd3_tyreeseAh, which brings me to Tyreese and his companions. Again, this is something that is starkly different than the comics. There, Rick and his people met Tyreese and his family early in the comics and lost them before they ever found their way to the prison. His late introduction at this point was clearly due to other changes they made – i.e. keeping Shane alive so long. Given the way they did not appear in this episode, it’s unclear if they are gone for good or coming back. Peron sally, I will be disappointed if it’s the latter.

And as for the assault, no complaints there. Again, it was a scaled down version of what happened in the comics and was clearly just a raid, not the all-out offensive the Governor committed that left the prison shattered and took the lives of both Lori and “Little Ass Kicker”. Yep, that’s how she died in the comics, and the same death claimed Rick’s daughter. Which in turn was how he really lost his mind.

All in all, it’s clear at this point that the show has diverged heavily from the original comic, but seems committed to remaining true to spirit of it. The war between camps continues, it is unclear at this time who will die in the process!

The Walking Dead Returns!

WD3_premierIt’s finally back! As promised, the Walking Dead has returned from its mid-season hiatus to bring us new episodes and some closure to what has already been a tumultuous and climactic season. I was a bit late in catching up with the episode this week, what with work and all. But today, I finally made some time to watch the episode, get caught up, and getting down to giving it its rightful review.

Picking up where the last season left off, we are presented with the continuance of the story’s two main threads. In one, the town of Woodbury is up in arms in the wake of the attack by Rick, Michonne and his people as they attempted to rescue Glenn and Maggie. At the same time, they lost Daryl in the heat of battle, who was captured and brought face to face with his brother Merle. Not the best of circumstances for a reunion, but what can you do?

Meanwhile, over at the prison, everyone is a little on edge due to the arrival of a new group of people led by a man named Tyreese and a woman named Sasha. Having been put through the grinder themselves, they are able to understand that they must be patient and respect the prison camps rules. However, trust does not come easily in this world anymore, and as we’ve seen in the past, new arrivals always come the chance for renewed infighting.

So here’s what happened this week!

The Suicide King:
WD3_suicide_kingsThe episode opens in Woodbury, with a close up of the Governor’s face as he stares angrily at Daryl and Merle with his one good eye. He orders them to fight to the death, over Andrea’s desperate pleas that he let them go. But the town has spoken, and Merle attacks his brother, stating he will do what he has to to prove his loyalty. The fight is on, but the Governor quickly orders that some Walkers be tossed in as well, and not the toothless kind from the gladiator fights!

However, it seems Merle has a plan. Standing back to back, they start fighting with the Walkers hand to hand. And within seconds, gunfire erupts as Maggie and Rick show up to save them. While Maggie starts sniping from the gallery. Rick tosses in a smoke grenade to cover their escape. Making their way through the town wall, they fight off some more Walkers and head for the forest. As they escape, a Walker notices the hole in the fence and starts peering inside…

wd3_oneeyeAfter meeting up with the rest of their group, tempers flare as Michonne and Glenn noticed that Merle is with them. Naturally, Merle can’t seem to keep his mouth shut and Rick is forced to knock him out so they can discuss what to do about him in private. After coming to no agreement, Daryle decides to take his chances with his brother rather than turn his back on him.

Rick let him go and tells Michonne she is to leave too once they get back and she gets herself checked out. None of this sits well with Glenn, who takes his frustrations out by stomping in the head of a Walker they come across while searching for another vehicle. He then lets loose on Rick for letting Daryl go, and for letting Maggie go back with him to save him when it should have been him. Maggie interrupts, not wanting what happened to her to be aired just yet, and tells them to head home.

wd3_tyreesecamoBack at the prison, Tyreese and his crew begin to bond with the others. Hershel tends to Allen’s injuries while they share stories about their trials. Naturally, they are surprised to see a baby, and explain how they originally came from Jacksonville and found each other along the way. Arrangements are also made to bury one of their dead, but of course Hershel tells them not to get too comfortable since Rick and the others will be returning soon.

Naturally, this leads Ben and Allen, the other members of the group, to suggest that they take matters into their own hands. They way they see it, they could easily take out the current prison population before Rick and the others return, a move which Tyreese and Sasha are vehemently opposed to. For the time being, at least, he is determined to earn the trust of the prison camp, whom he believes are good people.

wd3_woodburyAt Woodbury, pandemonium ensues as people try to escape town and the Governor retreats into isolation. A group of Walkers appear in the middle of town and begin attacking a man. Andrea and Jose gun them down but are unable to do anything for the bitten man. The Governor then appears to put a bullet through the head of a wounded man and then ducks back inside.

Andrea tries talk to him afterwards, but can’t seem to reach the Governor anymore. As far as he is concerned, they are at war, and he is unconcerned about the people’s bellyaching. Faced with a possible shootout, she chooses to step in and try and calm people’s tempers. She calls to the people to “dig deep” and persevere, and they seem to respond. The Governor hears her too and seems to take solace in it.

wd3_loriOnce back at camp, Rick meets with Hershel and discusses their new problems. On the one hand, there’s the Governor, a brutal man who is clearly the product of their new world. On the other their are the new arrivals, who they need to come to a decision on. Given that the its only a matter of time before reprisal comes from Woodbury, and that they are outnumbered and outgunned, they think it would be good to get some fresh blood.

Unfortunately, Rick seems to be losing his marbles once again and experiences flashbacks and visions of Lori. In the midst of talking with Tyreese’s group, he begins to have a vision of Lori and begins babbling and screaming. He then draws his gun and orders Tyreese and his people to go, forcing them to run and leaving everyone else seriously spooked.

Summary:
Personally, I was very pleased with this episode. As the mid-season opener, it had its work cut out for it, especially with the way they left things off. After such a big build-up and the promises of plenty of action and a few deaths, I went in expecting some consequences, but was happy to see that it didn’t all end in a huge bloodbath either. Got to save something for the season finale 😉

To start, there was the title itself: The Suicide King. For those who don’t know, this is a reference to the King of Hearts card since the suit shows the king holding a sword to his head. In a poker game, this card is often declared wild, and so the theme of this episode becomes clear from the get-go. For one, it focuses heavily on both Rick and the Governor, the kings of both camps in their own rights, who are both beginning to show signs of breaking.

In addition to that thematic nuance, there were plenty of symbolic tidbits which I enjoyed. For example, the opening scene, where we are put face to face with the Governor as he stares menacingly at Daryl and Merle while his other eye bleeds through the bandage. Could there be a more perfect image to express what’s coming? It was like the preview poster said, “an eye for an eye”. The Governor is going to war and is out for blood! All bets are henceforth off!

And there was also the issues of loyalty, trust and choosing a side which came up a few times in this episode. In previous episodes, the overriding theme of the Walking Dead – that it is our fellow humans that we need to be most worried about – has been made abundantly clear through the struggle between Rick and Shane and how they had to fight off the other group of men who found out about the farm.

But the way it’s now being escalated as a fight between two well-established camps, the prison and the town, has really deepened it. Andrea, someone who has a foot in both, was the perfect case for illustrating how loyalties can be strained. On the one hand, she wants to help the people of Woodbury, but on the other, she feels compelled to stand up for her old comrades and try and prevent a war. Which side will she be forced to choose?

Merle and Daryl also served as examples of this too, men who are torn between loyalty to their camps and loyalty to their kin. In their case, a third option presented itself as, as  they chose to go their own way together. Andrea had a similar option earlier when Michonne could no longer abide living under the Governor, but Andrea chose to stay. The parallels are clear, and it will be interesting to see how things shape up for all of them.

And of course, the way Rick is once again losing his mind was beautifully rendered. After so much grief and loss and the constant pressures of being leader, he was once again having a psychotic break in this episode. And of course, we are reminded that the last time they had outsiders coming in, the attack that took Lori’s life was a direct result.

How else for him to react then, except to see his dead wife before him and feel it all come rushing back. And all that yelling: “What do you want from me? Get out! Get out!” Just who was he talking to? The image of Lori? Tyreese and his crew? Everyone who’s been making demands on him? Hard to say. Most likely all of the above, since he’s got to feeling that the world is crumbling around him. Because for him, it is!

Whoo! Heavy stuff! Looking forward to next week and the rest of the season. Also looking forward to the grand climax between the Governor’s people and Ricks. At this point, they are pretty far off scrip vis a vis the original comic book, so it will be interesting to see how it all turns out.

Oh, its on!
Oh, its on now!