Good morning! There’s something I’ve wanted to do for a long time now but never got around to it. And that is, share some tidbits of wisdom that I have learned over the years about writing. Most of these tidbits are things I learned from people who really knew what they were talking about, so I was sure to listen! Some others are just things I concluded along the way.
And wouldn’t you know it, the list has grown to include another important item since I originally scrawled them down. In any case, almost twenty years after I began writing, I’ve managed to condense the most important lessons I’ve learned down to six main tips. Here they are…
The last time I got into one of these, it was because a friend asked me some engaging questions. And so I talked about the one thing I never liked to talk about. And wouldn’t you know it? I actually enjoyed it. And it turns out that some people actually read it and found it interesting. So I thought I’d suck it up yet again and get into something else that is process-related. Again, this is something I don’t normally like to talk about. But it’s something that writers are frequently asked, myself included:
Hey folks. For starters, I want to emphasize that the following is an attempt at satire. It was inspired by a skit I recently saw on the Baroness Von Sketch Show (good show, btw!) about a writing class where they are hoping to avoid the usual cliches. It got me thinking about sci-fi cliches, and what I would tell a writing class if I were in charge.
I would love to teach such a class and someday. And so I would consider the following list canon if anyone were to actually look to me for writing advice.
Hello again, all. First, please forgive my tardiness in posting this. It’s been a busy weekend and an even busier year! I shall try to catch up over the next few days, though I can’t imagine life is going to get any less busy in the near future. Even so, I got plenty more books to talk about that have had a profound effect on me and influenced my decision to become a writer.
But first, here are the rules of this challenge again!
Thank whoever nominated you with big, bold print. If they have a blog, link to the post where you got tagged there.
Explain the rules.
Post the cover of a book that was influential on you or that you love dearly.
Explain why it was so influential to you.
Tag someone else to do the challenge, and let them know they’ve been tagged.
Again, I would like to thank RAMI UNGAR for the nomination, and you can find him at ramiungarthewriter.com. And for day two of the challenge, I would like to select the book that taught people to take science fiction seriously – Dune!
Much like Lord of the Rings, this timeless classic was one I learned about growing up, but didn’t get around to reading until my 20s. And just like with LOTR, once I did read it, I could see why its influence has been so pervasive. While Frank Herbert wrote many science fiction novels during his lifetime, none have had the same impact as the first installment in his six-book Dune series. And while I myself read all six twice, the first book is arguably the best.
For starters, the story involved one of the richest, most-inspired and most-detailed universes ever created in the history science fiction. Based on the concept of a galactic empire where politics, the economy and all social norms are essentially combination of the futuristic and medieval, the setting of Dune would go on to inspire Lucas’ Star Wars universe, not to mention countless other franchises that combine sci-fi with fantasy. What’s more, many of the planets in the novel have been formally adopted by the International Astronomical Union (IAU) as place names for features on the Moon and Saturn’s largest moon, Titan.
But it was the complex interweaving of real history, religion, environmentalism, resource dependency, and cultural and social commentary that blew me away and has ensured that this book is likely to be included in any top ten lists of science fiction books that you can find – not to mention one of the top ten books people pretend to have read. And to round it all out, it has a very deep plot that examines the enduring mystery of prophets and messiahs in human history, and the paradox of prescience. As Frank Herbert himself wrote, “to know the future is to become trapped by it.”
I could go on and on, but I’ve already reviewed this book more than once and don’t want to spoil it for anyone who hasn’t read it yet. And if you’re one of those people who haven’t, get on it!
And now it’s time for me to nominate someone new. And so I call upon Lady Muse herself, Khaalidah Mohammed Ali!
Hello, everyone. As usual, I feel obliged to share some good news of the milestone-hitting variety. As the title makes abundantly clear, I’ve completed the third part in my upcoming novel, The Cronian Incident. Yes, thanks to my somewhat less than tireless efforts over the course of the past few months,this story is now three-fourths complete, and officially stands at thirty chapters and 60,000 words in length. And it’s been quite the ride so far.
Since I stopped daydreaming about (and bothering people with) this idea and began putting words to paper, I have managed to bang out the better part of a story that involves our Solar System in the late 23rd century, colonization, terraforming, and the future of humanity. And in the course of this, I’ve had to create and detail settings for Mercury, Mars, and the Jovian moon Callisto, and fill in bits of pieces on culture, history and other assorted aspects of background to boot.
Much of this has to do with setting the tone of the late 23rd century. The way I see it, humanity has passed through two major cataclysms at this point, both of which took place in the 21st century. The first was the Climate Crisis, where all over the world, economies began to collapse as drought, crop failure, and warfare led to the displacement of millions of people.
The second occurred shortly thereafter, when all around the world, the technological progress that has been building up since the Paleolithic exploded in a quantum leap of learning and accelerated change. Within decades, the Climate Crises began to abate, and a new world characterized by runaway change began to take over. And at about the same time, a renewed Space Age set in as humans began to migrate to the Moon, to Mars, and beyond.
And after about a century and a half of all that, the human race has now colonized the majority of the Solar System. Between Mercury, Venus, the Moon, Mars, the Asteroid Belt, Jupiter’s moons, Saturn’s moons, and of course, Earth and its millions of orbital habitats, the human race now stands at a hefty 15 billion. And across this vast interplanetary dominion, a massive economy has taken root that is beyond scarcity and want.
But there are no shortages of intrigue thanks to the forces that have shaped this new age. While the inner Solar System is populated by people who have embraced the Singularity, transhumanism, posthumanism, and runaway progress, the outer Solar System has become a new home for people looking to escape this pace of life and maintain a simpler existence. And in time, the disappearance of one person will force everyone – be they in the inner or outer worlds – to sit up and take notice.
I tell you, it’s been tiring process, getting this far. And at one point, I did declare that I had OD’d on writing about setting and world building. I mean, how can you dedicate 20,000 words to detailing a place, making it as vivid as possible for the reader, and then just switch to another? Screw plot necessity, it’s like abandoning an idea half-way! And I still have the all important one – the Cronian moon Titan – to cover.
But I’d be lying if I said that it hasn’t also been fun and that it wouldn’t be so tiring if I weren’t’ completely emotionally invested in it. And (spoiler alert!) that is where things should be the most interesting. As is usually the case, Part I through III of this four-part story have been all about establishing character, background, a sense of space and place, and introducing the various elements that drive the plot.
But in Part IV, I will not only get to write about a particularly intriguing place – Titan; capital city Huygens; dense nitrogen-methane atmosphere; principle industries, methane and ammonia harvesting; principle activities, sailing on methane lakes and gliding in low-g, cruising for action in its Yellow Light District and political dissent – but I’ll also be getting into the real heart of the plot, the mystery of the disappearing Dr. Lee!
In the coming months, I hope to have part IV, fully edited, and in a position to be published. While it remains unclear just what form that will take – the old submission to a publishing house route, or via an independent publisher – I know that some really amazing friends and colleagues will be there to cheer it on. Hell, some of them actually read this blog, for some reason. So if you’re reading this now, then I thank you for sticking with me thus far! 🙂
Hey folks! In recent months, I’ve hit two milestones in the writing of my novel. The first occurred weeks ago, when I chose to change the title. The second, and more important, is that book is now half done. Yes, with part II of the story complete, and approximately 40,000 words down on paper, the novel is now halfway towards completion. That means this book is not only out of the crib and walking, its off and running. Now it just needs to avoid any nasty spills and it will be in business!
But first, let me explain why I renamed it. Basically, this book is about an “incident” that takes place on one of Saturn’s moons (Titan). Here, a high-profile figure connected to terraforming interests on Mars goes missing. The investigation into this mysterious disappearance takes the investigator (Jeremiah Ward) from Mercury, to Mars, and then to Jupiter’s moon of Callisto before moving on to Titan. Since the focus of the investigation is on the these two moons, I decided to use the name “Jovian”, since this term applies to any moon that orbits a gas giant.
But eventually, I found this name to be problematic. For one, the larger moons that orbit Jupiter – Io, Europa, Ganymede and Callisto – are often referred to as “The Jovian Moons” (derived from Jove, the archaic name for Jupiter). While they are more properly known as “The Galilean Moons” (after their discoverer, Galileo), the name is applicable here more than with any other moon in the Solar System. Specifically, Saturn’s moons are properly called Saturnian or Cronian.
Another reason I wanted to call it the Jovian Incident was because I wanted it to be a compact volume consisting of three parts. Part I (Hermians) takes place on Mercury and shows the life of convict laborers; Part II (Martians) shows what life is like on a planet in the inner Solar System; and Part III (Jovians) covers all the action taking place in the outer Solar System and shows how people in this part of the universe live.
However, I finally realized this structure wouldn’t fly. For one, it would cause confusion to say the incident was “Jovian” when the moon where it happened on is called Cronian in the book. Second, I knew the three part structure wouldn’t fly, since it would mean Part III would likely be longer than Parts I and II combined. So I decided to add a Part IV (“Cronians”), and rename the book “The Cronian Incident”.
And with Part II complete and Part III underway, I have covered all the necessary exposition and background, and am now moving onto the action part of the story. I would say this is where the fun part begins. But as I am sure many would agree, once you are half done a project, completing it somehow feels more difficult. For me, starting something is the easy part. Building on that foundation is also fun. But getting it from a work-in-progress to a finished work, that’s the hard part!
So feel free to wish me luck. Also, thanks for staying abreast of my progress. For those who had a helping hand, I intend to make this book available, free of charge, once its ready. And unlike some of the thing I wrote, it should work out to a (relatively) compact 80,000 words. No tomes here!
Hey all. Just wanted to let people know that I’m still around. And as luck would have it, I’ve found myself with some free time; free time that I’ve put towards creative writing again! In the past two weeks in fact, I have come up with a lot of new ideas for both Oscar Mike and (more importantly) Reciprocity. On this latter project, I’ve spent the past few days working through the half-written spots, and now I have a full five chapters done.
More importantly, I have revised the overall plot yet again. The last time I did this (not that long ago), I chose to change the nature of the antagonist to that of a Chinese ex-pat who was a former member of Unit 61398 – the People’s Liberation Army’s cyber warfare division. His name was Shen, and his plot involved a string of kidnapping, double-dealing, and cyber-terrorism that threatened to change the global geopolitical balance.
I liked this idea because I felt that after a good deal of research, the focus of the story should be on post-communist China, where a great deal of social confusion and economic turmoil was leading to the emergence of a semi-fascist state. In a pattern that is reminiscent to modern-day Russia, Shen sought to take advantage of these changes in order to unleash a massive cyber attack.
This would have the effect of completely preoccupying the west, disabling the US Pacific Fleet, and allowing China’s new government to occupy Taiwan and the South China Sea, thus asserting their territorial sovereignty over the region. While this was interesting (at least to me), it still fell short. What I really wanted was an antagonist in the story that would make the focus be all about the two greatest issues we will be facing in the not-too-distant future.
These issues are none other than climate change, which will result in more in the way of droughts, wildfires, flooding, coastal storms, tornadoes, and diminishing resources; and technological progress, which will result in the pace of change and getting faster and faster to the point of total unpredictability.
For awhile, I’ve been writing about these subjects, and they were supposed to be the centerpiece of the story. So here’s the new plot, in a nutshell: The year, same as always, is 2030. A technological magnate’s child disappears while slumming in the Pacific Northwest in what appears to be an act of kidnapping. However, his disappearance is in fact orchestrated as part of a complex cyber intrusion designed to steal company data.
The man leading this theft – who is known only as Zeke – intends to leverage this data in mainland China, where a former member of Unit 61398, now himself a technological magnate, is in possession of a quantum-based cyber virus of last resort, a weapon that was created for a war that never happened. This virus is known as “Baoying”, which in Chinese, loosely translates to Reciprocity.
Zeke knows about this weapon because he spent years developing contacts around the world, bringing together gun runners, terrorists, socialist and anarchist militias, and Chinese ex-pats that reaches from Central Asia and the Middle East all the way to South America and the South Pacific. Though separated by ideological differences, these organizations are united in wanting to see an end to the status quo.
Zeke, however, has his own agenda. A one-time member of the technological magnates he is now using as pawns, he saw so much of the world and witnessed atrocities firsthand. He also witnessed how the privilege of developed countries is paid for in the blood of others. After a scandal in which he publicly aired all of his companies many shady dealings, his partners crucified him and cast him to the fringes of society.
In an age where the richer nations are facing the prospect of limitless energy, quantum computing, abundant resources and post-mortality while other states are failing due to displacement and mass starvation, Zeke is hoping to level the playing field once and for all. He is a genius and a man moved by a personal sense of justice. But most of all, he is a man dealing with terrible demons and some deep trauma that he can’t begin to suppress.
This kind of plot, I think, works so much better. The antagonist seems much more socially relevant, the story more focused on the big issues I like to explore, and it all seems a little less hawkish than a story where the Chinese are essentially the bad guys. But most of all, I envisioned a climactic scene where the antagonist – while explaining his motivations – says something like this:
I want a future I can control. I want a future where I have a choice. I am sick of unpredictability, or chaos and confusion. I’m sick of people being left behind, and our world being torn apart. Tomorrow, everyone will find themselves on common footing. Tomorrow, we will begin thinking towards our common future.
Try getting something like that out of a former communist who just wants to see his country win a war! Well, that’s the idea as I see it right now. What do you think? Sound good?
Hey folks. As you may have noticed, I’ve been pretty absent in recent weeks. And as always, it’s because life intervened. Nothing bad, just a busy schedule with all the new writing assignments. At the same time, I’ve been busy with Tae kwon-Do since the Grand Master was coming for a visit. And on top of that, the wife and I have been house-hunting lately and that’s taken up a lot of our attention.
As you can imagine, this has not left much time for personal writing or blogging. But in and around all that stuff, I have managed to make a bit of time for my works-in-progress. For instance, I finally started making some progress on Oscar Mike the other day. I left that story in the midst of a cliffhanger chapter, so stopping short of completing it was a bit silly on my part.
Also, I got back to editing Flash Forward, which I also stalled on, and managed to get a few more stories polished and ready for publication. I was really hoping to have of these stories ready for publication by now, but professional writing and my preoccupation with one other story kind of put a hold on that plan. That would Reciprocity, which I went into some detail about a little while ago.
Ever since I decided to redo that idea this past summer, I’ve been pretty much obsessed with it. This is typical of me, always hopping from idea to idea and becoming fixated the latest one. I’m sure I’ve mentioned that I suffer from a peculiar condition when it comes to writing. It’s known as Literary-Attention-Deficit-Obsessive-Compulsive-Disorder (or LADOCD, for short).
Or at least it would be, if it were recognized by any medical authority on the planet. But I digress! The point is, I’ve managed to shake myself loose from that story long enough to commit to work that needs my attention more. And I really, REALLY need to get back to my writing group and get the boll rolling again on the Yuva anthology. People are working, and waiting for direction. I cannot abandon them!
Well, that it’s for me right now. What’s up will all you fine folks? What’s new and interesting? Or, failing that, what’s just new? Any plans for the holiday season? And to my American cousins, how’s Thanksgiving treating you?
A little while ago, I was having a conversation with a colleague about my writing. I found myself trying to describe what I was before I made the decision to go the indie route. And the term that came to me was “writing-in-waiting”. At the time, it was just something I came up with in an attempt to be cheeky. But it actually summed up what my problem was for all the years that I toiled away in anonymity.
And truth be told, it applies to a whole lot of aspiring writers I’ve talked to over the years. What do you call yourself when you’re a writer who has a manuscript, but is stuck in the “what do I do now” phase? These are not the same people have an idea in their head and are undecided on what to do about it. Those people are “aspiring writers”, people who haven’t made the big leap yet.
“Writer’s-in-waiting”, on the other hand, describes the people who have taken that leap, put the pen to paper and given their idea life, but aren’t sure what to do next. I do believe every independent writer has gone through this phase at one point or another. Somehow, the concept of publishing your own works just doesn’t come naturally. We all still believe that there’s a publisher out there who will give us our “big break”.
You know what I’m talking about, right? The cash advance, the contract, the royalties, and all kinds of promotion and publicity. But alas, this is a very hard thing to come by, and it seems to be getting harder all the time. Lucky for us, the very things that are making it harder to get a publishing deal are also providing us with the tool to publish, promote and publicize ourselves.
But I digress. Does this description, a “writer-in-waiting” describe you? If so, the good news is that there are plenty of people who’ve taken that next step and can let you know how and where to make it. And even though there is no such thing as a “big break” anymore, or at least a very slim chance of one, there’s plenty of opportunity for people with an idea and the will to take it public.
After many months on the back burner, I finally took a big step while house-sitting for my family this weekend and completed Flash Forward. For those who don’t know, this book is an anthology of short sci-fi stories I did back in April of 2013, with a few additions from both before and after. All told, it works out to 19 short stories, 140 pages, and just over 51,000 words.
For some time, I had been wanting to do some fiction that explored the world of emerging technologies, artificial intelligence, autonomous machines, space exploration and the coming Technological Singularity. And a project involving a short story a day for 26 days was just the excuse I needed. After collecting the resulting stories together, I grouped them into three parts based on common time period and theme.
Part I: Transitions deals with the near future, where climate change, militarized borders, and explosive growth in portables, social media, and synthetic foods will have a major effect on life. Part II: Convergence deals with the ensuing decades, where space exploration, artificial intelligence, digital sentience, and extropianism will become the norm and fundamentally alter what it is to live, work, and be human.
And Part III: Infinitum finishes things off, looking to the distant future where the seed of humanity is planted amongst the distant stars and our species passes the existential singularity. It was fun to write, but what I’ve been looking forward to for quite some time is the chance to hold a physical copy. Somehow, that’s always the best moment of the whole creative process for me. Seeing the book in print, as a real, physical thing you can touch and leaf through.
And now if you’ll excuse me, I have a book to edit, a million and one ideas for critical revision to consider, and a whole heap of what Aldous Huxley referred to as “Chronic Remorse” to deal with. Writing, huh? There’s a reason not everybody does it!