More Yuva Artwork!

gliese-581.jpgMore news on the collaborative writing front! A few weeks back, I found myself tinkering with some of the ideas for the upcoming anthology known as Yuva – the one that deals with space exploration and colonization in the not-too-distant future. As a result of this tinkering, I began to look at some of our concept art and began to ponder making some changes…

Basically, in the anthology me and my writer’s group are crafting, there would be multiple waves of settlers arriving at the planet known as Gliese 581 g (aka. Yuva). Whereas the First Wave would be arriving in ships that relied on relativistic engines (slower than the speed of light), subsequent “waves” would be using something a little more advanced.

Second WaveHence the design you see above. Here, the ship is one of three that would be bringing the Second Wave to Yuva. Note the torus ring that encloses the ship. This indicates that the vessel comes equipped with an Alcubierre Drive, a proposed FTL system that is currently being investigated by NASA’s Engineering Directorate.

Based on the field equations of theoretical physicist Miquel Alcubierre, the drive does not  exceeding the speed of light within its local frame of reference, but allows a spacecraft to contract space in front of it and expand space behind it, resulting in effective faster-than-light travel.

ixs-enterpriseThe design was inspired in large part by the IXS Enterprise designs by Mark Rademaker, an artist who sought to visualize what a spaceship that relied on the Alcubierre Drive might look like. As you can see, he too pictured a ship that would have a ring-shaped torus, but is more suited to our near-future aspirations of exploration.

For the sake of Yuva, the Second Wave ships need to be especially exotic. Which would mean that the vessels have hulls composed of nanofabricated materials that are completely seamless. And whereas the First Wave ships would rely on antimatter engines that would spew energy out the back, the new ships would have no thruster nozzles to speak of.

space-colony-art-670It’s all in keeping with the idea of rapidly advancing technology, and how the effects of space travel exacerbate the gap between new and obsolete. Whereas the First Wave of colonists would take 100+ plus years to get to a star within our stellar neighborhood, subsequent waves would only need a few years.

This would mean that those who came next would be at least a century ahead in terms of development. And by the 22nd/23rd centuries, when the story is taking place, the leaps and bounds taking place in that amount of time would be immense. New waves of settlers would overwhelm the old with a sense of future shock…

space_elevator2But I’m venturing into spoiler territory here! Rest assured, when the anthology is complete, there’s going to be plenty of these kinds of technological, social and predictive issues being explored. And throughout all that, a sense of high adventure as well. After all, we started this project wanting to capture the awe and wonder that comes from space exploration.

Come hell or high water, that is what we intend to do! Stay tuned for more on this book as it develops…

Akira Concept Art

https://static.squarespace.com/static/524c2e14e4b05018590a21e1/5386efbce4b0bd6d1373003c/5387038ce4b0792be624b4a5/1401357197387/image002.jpg?format=1500wA few years ago, it was reported that director Ruairi Robinson was going to create a live-action American adaptation of the classic anime, Akira! The project has getting a lot of hype, despite what many hardcore fans have to say about an American version of the anime cult classic. And while the attempts to get the ball rolling have continually stalled, with actors and directors constantly dropping and out of the project, it does seem like this is one project that just wont’ die.

For instance, Ruairi Robinson ceased being attached to the project in 2010, but some interesting concept art from his slated involvement survives. Below, you can see pictures and mock-ups for what the live action of Akira, in his hands, would have looked like. For instance, in the first photo, the casting choices of Chris Evans as Shotaro Kaneda and Jason Gordon Levitt as Tetsuo Shima. In addition, countless pictures depicting Neo-Tokyo.

(left) Kaneda, (middle) Travis, (right) CyrusIn many of these, you can see Kaneda’s iconic red bike running through the streets. But the larger focus is on the colorful skylines, complete with skyscrapers, neon signs, multiple languages scripts, and a general gritty, cyberpunk feel. And at the bottom, there is a comparison shot showing a shooting location in New York City above a picture of what the proposed Neo-New York City would look like. That name sound at all believable to you?

Several scenes from the movie are also depicted, which include the battle with the Clowns biker gang, and the sudden appearance of one of Colonel Shikishima “patients”.

https://static.squarespace.com/static/524c2e14e4b05018590a21e1/5386efbce4b0bd6d1373003c/538a94cbe4b0adbbbb8d53ec/1401590989937/002A_streetconcept_1cFlatGH.jpg?format=500w

https://static.squarespace.com/static/524c2e14e4b05018590a21e1/5386efbce4b0bd6d1373003c/5387038be4b058afe7f7548e/1401357200902/001A_streetconcept_1bFlatGH.jpg?format=500w

It looks like a Neo-New York City

https://static.squarespace.com/static/524c2e14e4b05018590a21e1/5386efbce4b0bd6d1373003c/5387038ce4b058afe7f75490/1401357198930/freeway_before&after%20copy.jpg?format=500w

https://static.squarespace.com/static/524c2e14e4b05018590a21e1/5386efbce4b0bd6d1373003c/538a927ee4b0ad09b9d992fd/1401590403029/image001.jpg?format=500w

https://static.squarespace.com/static/524c2e14e4b05018590a21e1/5386efbce4b0bd6d1373003c/5387038de4b058afe7f75492/1401357199565/streetconcept.jpg?format=500w

https://static.squarespace.com/static/524c2e14e4b05018590a21e1/5386efbce4b0bd6d1373003c/538a927ee4b0e9ab9157cd27/1401590403111/image003.jpg?format=500wBut what montage of Akira-related images would be complete without scenes depicting the unleashed psychic Tetsuo, demonstrated his newfound powers? Below are a couple that demonstrate the anime’s antagonist in action, in the first, deflecting a missile attack from an attack chopper, and in the second breaking into the Akira vault and discovering the namesake’s remains.

  Travis Clyne aka "Tetsuo" unleashing his power!

https://static.squarespace.com/static/524c2e14e4b05018590a21e1/5386efbce4b0bd6d1373003c/538773c1e4b0e13cfb6da384/1401385923649/crater_akira01_CC2.jpg?format=500wNot too bad to look at. But with the supposed director, producers, and actors changing every few years, many are wondering if this live-action remake will ever happen. And many fans can see nothing wrong with the idea, provided it is true to the source material. And dropping the whole Americanized angle and setting it back in Neo-Tokyo where it belongs wouldn’t hurt much either! But in the end, it really comes down to being true to the spirit of the Manga, if not the precise format.

Luckily, there is still the crowdfunded live-action Akira Project. This fan-based effort to make an adaptation that is both true to the spirit and setting of the original manga produced a full-length teaser trailer not that long ago that impressed fans quite a bit! So who knows? If Hollywood can’t get its act together and make a decent remake, there’s always the direction and the funding of dedicated fans to pick up the slack! Time will tell which of them will bear fruit…

In the meantime, here’s another look at the Akira Project trailer:


Sources:
moviepilot.com, ruairi-robinson.squarespace.com

Papa Zulu’s Cover Selection…

zombies-city-and-the-crowdHey all! Its been a busy season thus far, and after many months of slow progress, the editing process for Papa Zulu is just about over. Which means its time for me to start picking out cover designs! Recently, I tinkered with the write-up and then added some of the more recent reviews (these would be the five star ones I’ve been going on and one about lately!). Here’s how it reads:

“Men rise from one ambition to another: first, they seek to secure themselves against attack, and then they attack others.”

Niccolo Machiavelli

In the barren deserts of New Mexico, the war against the Whiskey Delta continues. After years of fighting, the “Mage” and his Rattlesnakes have managed to get the upper hand on the undead, while back at their base, “Doc” Ross Cooper and his team are getting close to producing a vaccine from the Patient Zero strain. But things quickly change when a new opponent enters the arena. Ever since their encounter with rogue forces in LA, the Mage has worried that there are military forces back East, people who owe allegiance to another master and want the Patient Zero strain for themselves…

Praise for Whiskey Delta:
“This was an excellent book from start to finish.” -K.C. Williams

“Great story about soldiers doing solider business.” -John

“This was an absolutely fantastic read. Highly recommend for any fan of the zombie genre.” -Britanny

“This is a badass Zombie book.” -Kellie H.

“I could not put Whiskey Delta down till the end.” – W.M. Morgan

“This book is for all those zombie fans out there!” -The Pragmatic Procrastinator

As for the design itself, I’m a little torn between two contenders. For awhile now, I’ve been working with one that boasts olive borders, orange font, black background, and the photo of a soldier firing tracers into the night. That would be this one:

Pappa_Zulu2But recently I came upon another cool photo and began designing a new cover around it. Much like the other one, it’s an army stock photo, but this one shows a group of soldiers conducting live fire drills during the night. Using high-speed photo, it looks like an eye=popping laser show. Now here’s what that design looks like:

Pappa_Zulu3

What I also like about this one is the way the photo is watermarked into the background. The red tracers are really quite impressive, and the orange font still seems to work since there are traces of orange here too. But dangit if that black and olive pattern from the first one doesn’t still seem totally appropriate, not to mention the way the orange font and black background just blend with the photo!

So I’ve decided to crowdsource this one with a poll. Which shall it be? Cast your vote and help me determine what the sequel to Whiskey Delta is going to look like.

GOT gets the Simpson’s Treatment

got_simpsonsYou know a TV show has made it big when someone decides to go ahead and render its characters as Simpson caricatures. And now it seems that Game of Thrones has made that list! Created by artist Adrien Noterdaem for the Draw the Simpsons Tumblr, this latest GOT mashup is making the rounds on the internet and proving quite popular.

In addition to applying some several key character features to the GOT cast – such as Tywin Lannister having Mr. Burns signature beak and evil finger tent – you have Tyrion looking like a Bart Simpson knock-off (young and mischievous-eyed), Samwell’s pudgy frame reminding one of Chief Wiggum, and Daenery’s face looking very similar to Lisa. And is it me, or does Sandor’s face remind you of Homer Simpson?

GOT_simpsons1And just to add a little extra ba-zinga to this parody, Adrien also provided an artists renditions of Mr. George RR Martin himself. The authors pudgy, furry frame is already well known to fans of the novels and miniseries, and it would be just wrong if he didn’t get to stand in here with his creations.

Hope this and other bits of fan-made paraphernalia keep people entertained until the season 4 comes out. No word yet on when that will be, but I’m sure we can expected another looooong wait!

Source: IO9

New Drones Art Campaign

UAVsOver at deviantART, a constant source of inspired art for me, there’s an interest new campaign designed to raise awareness and stimulate debate on a rather controversial issue. I am referring, as the topic line would suggest, to the use of drones and UAV’s and all that it entails.

As one of the greatest concerns facing developed nations today, not to mention the developing world where they are being increasingly used, this campaign is not only timely and relevant, but an intriguing display of artwork motivated by social conscience. In short, it asks the question: how is this debate reflected in art and what will future generations think of it?

looking for a hole, by arcas art
looking for a hole, by arcas art

Inspired by similar projects which are taking place around the world, the purpose of the campaign is to draw attention to the fact that were are living in a world increasingly characterized by surveillance and killing machines. Or as technognotic puts it:

Drones have become the white hot center of debate for a multitude of deeply consequential concerns for the entire Earth Sphere. No matter the digital end point or theatre of conversation, whether it be politics, war, privacy, pop culture, or the rise of machines – Drones or UAV’s (unmanned aerial vehicles) are the current catalyst du jour in any number of flashpoint discussions…

Even more interesting is the tone of inevitability of outcome. Core discussion seems to focus on a coming drone-filled sky and how we might govern our selves accordingly as this fact becomes a reality… Is this the dark side of human creativity and inquisitiveness that will ultimately one day spell our doom or the first signs of a coming technological Utopia.

galaxy saga - white gryphon, by ukitakumuki
galaxy saga – white gryphon, by ukitakumuki

In addition, the campaign features the thoughtful essay of the same name by Jason Boog (deviantART handle istickboy), who takes a look at how killing machines and drones have been explored through art and popular culture. Beginning with a short romp through history, identifying the first “drone” to ever be used, he goes on to examine how several generations of artists chose to portray them and their use.

Things culminate in the modern age, where spending on drone development and humanitarian concerns have culminated to make this a truly global and auspicious concern. With remote-controlled drones giving way to autonomous models and UAV’s being used for domestic surveillance, there’s no telling where things could go.

mysterious journals, by sundragon83
mysterious journals, by sundragon83

On the one hand, a concerned and mobilized public could place limits and controls on them, or counter using their own form of “sousveillance” (public counter-surveillance). On the other hand, we could be headed for a police state here privacy is non-existent and robots decide who lives and who dies – maybe entirely on their own!

As you can certainly imagine, when I first learned of this campaign I could tell that it was right up my alley. Being such an obsessive geek for all things technological and how innovation and progress affect us, I knew I had to post about it. And as you can certainly tell from the samples posted here, the artwork is pretty damn badass!

I would recommend checking it out for the aesthetic appeal alone. Knowing you’re taking part in a campaign dedicated to public awareness is just a big bonus!

For more information, and to take a gander at some galleries, visit the campaign at techgnotic.deviantart.com.