Cast of Star Wars VII Announced!

star-wars-episode-7Happy (early) May the Fourth everyone! This year, I thought I’d get on this fandom anniversary early by passing on some franchise news that was just released from Lucasfilm and Disney regarding the upcoming relaunch of the Star Wars franchise. After months of speculation, the cast for the upcoming Star Wars movie has finally been announced! The news came this past week in a post on StarWars.com, where  companies spelt it out for all the fans who have been eagerly awaiting the news.

In addition to Mark Hamil, Harrison Ford and Carrie Fisher – who will receive top billing as Luke Skywalker, Han Solo and Princess Leia – Peter Mayhew, Anthony Daniels and Kenny Baker will also be reprising their roles as Chewbacca, C-3PO and R2-D2. Also, the movie will star several notable actors in new roles, including acting great Max von Sydow (The Tudors, Minority Report, Snow Falling on Cedars, Judge Dredd, Needful Things).

starwarsAlso, Adam Driver (Girls, Lincoln), Oscar Isaac (Robin Hood, Sucker Punch, Drive), Andy Serkis (who brought Gollum to life in LOTR and the Hobbit franchises), Domhnall Gleeson (who played Bill Weasely in the Harry Potter series), and British television stars John Boyega and Daisy Ridley were announced, though has is not yet been announced what characters they will be playing. But since the upcoming movie will be taking place 30 years after Return of the Jedi, it’s fair to assume that the focus will be on these characters rather than on the original cast.

In a photo release this past Tuesday (seen below), director JJ Abrams is seen having a roundtable discussion with the cast at Pinewood Studios in the UK. Note the body of R2-D2 which sits unboxed behind them, having no doubt just been brought out of storage. JJ Abrams, identified by his spiky hair and glasses, can be seen sitting to the left of R2, with Harrison Ford to his right, Carrie Fisher two seats down, and Mark Hamil seated opposite to the far left of the photo.

star-wars-episode-7-cast-announceWhen news of the cast was released, Abrams was quoted as saying:

We are so excited to finally share the cast of Star Wars: Episode VII. It is both thrilling and surreal to watch the beloved original cast and these brilliant new performers come together to bring this world to life, once again. We start shooting in a couple of weeks, and everyone is doing their best to make the fans proud.

This, the seventh film in the Star Wars franchise, and is slated for a December 18th, 2015, release. In addition to Abrams directing, he is also collaborating on the screenplay with Lawrence Kasdan, the man who co-wrote The Empire Strikes Back, Return of the Jedi and Raiders of the Lost Ark. Kathleen Kennedy, J.J. Abrams, and Bryan Burk are producing, and John Williams returns as the composer.

star-wars-prequelsI think I speak for fans and geeks everywhere when I wish them all luck! Lord knows we could all use a really decent Star Wars sequel, especially when so many of us felt so utterly let down by the prequels! However, I think it is fair to say that Abrams and the rest should not be too concerned about what the fans and expect. If this latest installment is to be a success, it must not be overly aware of itself or its legacy. Such was part of what brought the prequels down in my estimation, and like everyone else, I just want to enjoy what comes next!

Good day and May the Fourth be with you all!

Source: starwars.com

What Would Hyperspace Really Look Like?

hyperspaceRemember those iconic scenes in Star Wars when the Millennium Falcon made the jump to hyperspace? Remember how cool it looked when the star field stretched out and then the ships blasted off? And of course, every episode of Star Trek was punctuated by a jump to warp, where once again, the background stars seemed to stretch out and then hurl on past the Enterprise.

Yes, for generations, this is how people envisioned Faster-Than-Light travel. Whether it consisted of rainbow-colored streaks shooting past, or a quick distortion followed by a long, blue tunnel of bright light, these perceptions have become a staple of science fiction. But one has to wonder… in a universe where FTL was really possible, would it really look anything like this?

hyperspace3Using Einstein’s Theory of Relativity, four students from the University of Leicester produced a paper in January of last year where they theorized what a jump to light-speed would really look like. Based on the theory that the speed of light is the absolute threshold at which elementary particles can move in this universe, the four students – Riley Connors, Katie Dexter, Joshua Argyle, and Cameron Scoular – claimed that a ship that can exceed c would have an interesting view.

In short, they claim that the crew wouldn’t see star lines stretching out past the ship during the jump to hyperspace, but would actually see a central disc of bright light. This is due to the Doppler effect, specifically the Doppler blue shift, that results in the wavelength of electromagnetic radiation, including visible light, shortening as the source of the light moves towards the observer.

Hyperspace. Nuff said?
Hyperspace. Nuff said?

As the ship made the jump to hyperspace, the wavelength of the light from the stars would shift out of the visible spectrum into the X-ray range. Meanwhile, Cosmic Background Radiation (CBR), which is thermal radiation that is spread fairly uniformly across the universe and is thought to be left over from the Big Bang, would shift into the visible spectrum, appearing to the crew as a central disc of bright light.

What’s more, even a ship like the Millennium Falcon would require additional energy to overcome the pressure exerted from the intense X-rays from stars that would push the ship back and cause it to slow down. The students say the pressure exerted on the ship would be comparable to that felt at the bottom of the Pacific Ocean.

red-shift-03However, if the ship in question took its time getting up to speeds in excess of the speed of light, there would be some interesting visual effects. Given how light and the color spectrum works, as a ship continued to speed up, the stars in front of the ship would experience blueshift (shifting towards the blue end of the spectrum), while those behind it would experience redshift (shifting towards the red end).

But the moment the threshold of light speed was passed, background radiation would be all that was left to see. And once that happened, the crew would experience some rather intense radiation exposure. As Connors put it:

If the Millennium Falcon existed and really could travel that fast, sunglasses would certainly be advisable. On top of this, the ship would need something to protect the crew from harmful X-ray radiation.

And as Dexter suggested, referring to Disney’s purchase of Lucasfilm for a cool $4.05 billion: “Disney should take the physical implications of such high speed travel into account in their forthcoming films.” I won’t be holding my breath on that one. Somehow, star lines look so much cooler than a mottled, bright disc in the background, don’t you think?

Hyperspace_HomeOneSources: gizmag.com, le.ac.uk.com

March Madness: Star Wars Style!

star-wars-prequelsDon’t worry, that’s not the tagline for (yet) another Gangnam Style parody. It’s actually a concept for a March Madness style betting game involving Star Wars characters. Known as “This Is Madness!”, named after a favorite quote by C3P0, and designed to look like a bracket-style tournament between all of Lucasfilm’s classic characters… and the ones from the prequels too.

The tournament kicked off this past Monday, March 19th, and will continue until a winner is picked. The point of it all? To determine who is the biggest, baddest and most beloved fan favorite Star Wars character of all time! Daily matchups will take place, for which fans will get to vote by simply going to Starwars.com.

Each bracket will be for a different class of character (Jedis, Sith, Bounty Hunters, etc) until a final matchup between the light side and the dark. The winner will be announced on April 9th, and will presumably have bragging rights until Star Wars is no longer relevant… whenever that will be!

And of course, there’s a promotional video with the Dark Lord of the Sith explaining the rules of the tournament and encouraging us to vote Vader! Personally, I don’t much care who wins, so long as it isn’t that annoyingly racist caricature who’s name means container. Get it? That bloody bastard better not win anything, or I’m moving to Argentina!

Ahem, may the best character win…

Star Wars News!

Star-Wars-Luke-Skywalker-TatooineEver since Mark Hamil announced that he would be returning to the Star Wars universe, courtesy of Disney and Lucas’ multi-billion dollar payout, fans have been wondering exactly how the aging star could reprise a role that occurred over thirty years ago. Well as it happens, Hamil had his own thoughts on the subject, and shared them during a recent interview with Comingsoon.net.

In essence, he believes that the new stories will be focusing on the offspring of the original cast, rather than simply picking up where the old stories left off. This would put Luke in a senior role, making him the sort of mentor figure that Obi-Wan was to him:

I’m assuming, because I haven’t talked to the writers, that these movies would be about our offspring — like my character would be sort of in the Obi-Wan range [as] an influential character. … When I found out [while making the original trilogy] that ultimate good news/bad news joke – the good news is there’s a real attractive, hot girl in the universe; the bad news is she’s your sister – I thought, ‘Well, I’m going to wind up like Sir Alec [Guinness]. I’m going to be a lonely old hermit living out in some kind of desert igloo with a couple of robots.

RS_fightHe was also keen to give some pointers to Abrams, the director of the new trilogy. Of particular interest was the fact that he advised that the new director steer away from a rather controversial aspect of Lucas’ newer films, which many fans felt placed special effects above substance and elbow-grease.

I said to George that I wanted to go back to the way it was, in the sense that ours was much more carefree and lighthearted and humorous – in my opinion, anyway….hope they find the right balance of CGI with practical effects. I love props, I love models, miniatures, matte paintings — I’m sort of old school. I think if you go too far in the direction of CGI it winds up looking like just a giant a video game, and that’s unfortunate.

Sage advice. In Hamil’s day, the sets were made to look like Franz Oz and Jim Henson were in charge, not a million computer geeks saturating every single frame with digital effects while actors spoke to tennis balls suspended from strings.

But most important of all, Hamil was sure to let people know that he hopes and intends to have all of the original cast back for another swing. Rumors abounded after he signed on to the project that others might be as well, which he quashed. However, he did let people know that he hoped they would:

Another thing I’d want to make sure of is are we going to have the whole gang back? Is Carrie and Harrison and Billy Dee and Tony Daniels, everybody that’s around from the original [returning]? I want to make sure that everybody’s on board here, rather than just one.

RJ_leiaAnd as it turns out, he may get his way yet. In a more recent interview with Palm Beech Illustrated, Carrie Fisher announced that she will be joining her “brother” as part of the cast and reprising her role as Princess Leia. In the course of a little QandA with the magazine, she was quite direct about what her plans were with the new movies. And she was more than a little cheeky about what it might look like:

Disney is going to continue the Star Wars saga, producing movies set to hit theaters starting in 2015. Can you confirm whether you’ll reprise the role of Princess Leia?

Yes.

What do you think Princess Leia is like today?

Elderly. She’s in an intergalactic old folks’ home [laughs]. I just think she would be just like she was before, only slower and less inclined to be up for the big battle.

And still wearing the bagel buns?

The bagel buns and the bikini, because probably she has sundowners syndrome. At sundown, she thinks that she’s 20-something. And she puts it on and gets institutionalized.

Solid enough for ya? So if I’m not mistaken, that just leaves and aging Harrison Ford, Billy Dee Williams, Frank Oz and a few extras to wear the Chewbacca, C3P0 and R2D2 suits, assuming the originals have retired. How hard could that be? Disney’s at the helm, not Lucas, and they’re sure to pay through the nose to get the old nostalgic-cast factor going. So c’mon, people, you got something better to do?

Source: Blastr, IO9

More Star Wars News!

Star_WarsIt’s been confirmed. Contrary to what Abrams said earlier when asked about the likelihood of him directing Episode VII, it now seems that the director of Star Trek and creator of Alias, Lost, and Fringe will be attached to the project after all. The news came just yesterday in a statement issued by Disney Co., putting an end to days worth of rumors that Abram’s involvement might be in the bag.

Kathleen Kennedy, the movie’s producer and president of Lucasfilm, had this to say in the release:

“It’s very exciting to have J.J. aboard leading the charge as we set off to make a new Star Wars movie. J.J. is the perfect director to helm this. Beyond having such great instincts as a filmmaker, he has an intuitive understanding of this franchise. He understands the essence of the Star Wars experience, and will bring that talent to create an unforgettable motion picture.”

Personally, I still think they should have gone with Joss Whedon, but what do I know? Pitching movies is none of my business!

george_lucas02Another person who expressed approval was George Lucas himself, who said in a statement “”I’ve consistently been impressed with J.J. as a filmmaker and storyteller. He’s an ideal choice to direct the new Star Wars film and the legacy couldn’t be in better hands.” And last, but not least, was the man J.J. himself, who expressed excitement about being able to work on a franchise he loved growing up:

“To be a part of the next chapter of the Star Wars saga, to collaborate with Kathy Kennedy and this remarkable group of people, is an absolute honor. I may be even more grateful to George Lucas now than I was as a kid.”

In addition, Michael Arndt, the writer of Toy Story 3, is slated to write the script, and will be getting some help from some rather qualified sources. Simon Kinberg, the screenwriter from Sherlock Holmes and Mr. and Mrs. Smith, is one such person. The second, and undoubtedly most qualified, is Lawrence Kasdan, the man who wrote The Empire Strikes Back and Return of the Jedi in the original trilogy.

Between these four people and the multi-billion dollar check Disney shelled out for the rights to this movie, its apparent that they’re pulling out all the stops! All that remains is casting… who will be the next generation of Star Wars actors who will take us back to the “Galaxy Far, Far Away…”? Mark Hamil is certainly expected to make an appearance, but who else are we yearning to see? And most importantly, are big bucks and big names going to translate into big quality with his next movie?

Source: IO9.com, Huffingtonpost.com

Attack of the Clones. Here we go again…

Hello again! Here we are picking things up again with the Star Wars saga. Today, it’s the second installment in the prequel series, the ridiculously named Attack of the Clones. As I’m sure we all remember, Clones was the stuff of mixed reviews, some critics hailing its special effects and visual style, while others emphasized its flat dialogue and wooden romance.

But even more interesting was the fact that critics were torn over whether it was better or worse than the Phantom Menace. Not a good sign, and the butt of a LOT of jokes and debate. Hard to imagine that fanboys who were united in bashing the PM would find themselves fighting each other over which they thought sucked more!

But to be fair, there were some good points in this movie. So without further preamble, let’s get into it:

Plot Synopsis:
The movie opens with the crawl once again saying that there is a crisis. This time around, it’s the threat of Separatists – led by former Jedi Count Dooku – that’s making things problematic. And once again there is deadlock in the Senate over it. In any case, now-Senator Amidala comes to Coruscant to speak her peace on behalf of those who oppose taking strong measures, and an assassination plot gets underway.

This prompts the Jedi order to send two old friends, Obi-Wan and Anakin, to provide her with added protection. Their introduction is rather painful to behold, as the hormonally raging Anakin begins relating how he hasn’t stopped dreaming of her and tries to make awkward conversation with her. He also picks a fight with his mentor, Obi-Wan, over what their mandate truly is. In the midst of all this, Jar Jar breaks the fourth wall by looking into the camera and smiling at the audience – a sort of, “I’m still here, bitches” for all the fanboys to see!

In another bit of “things to come”, we also learn that Anakin has been having dreams of another woman – his mother. He dreams that something terrible is going to happen, but in the meantime, they must focus on Padme, who’s assassin is still out there. For some reason, they decide to “use her as bait”, which consists of letting her sleep in a window-filled room with nothing but R2 as protection. Didn’t Obi-Wan say they weren’t supposed to be investigating, just protecting? Oh well…

In any case, her would-be assassin sends a probe with some poisonous slugs to attack her. Obi-Wan and Anakin kill said slugs, and Obi-Wan jumps through the window to grab the probe and ride it. Wait, didn’t he say they weren’t supposed to be investigating? Why’s he so determined to follow this probe then? Anakin grabs a speeder, they fly like mad, and chase the attacker through the city. Anakin reveals that this woman is a shape-shifter, a fact which seems superfluous, but whatever. They also performs some stunts that defy the laws of physics, but that’s also unimportant.

After reaching a bar, Obi-Wan and Anakin chase her inside and begin combing the crowd. After a quick re-enactment of the scene from A New Hope (where Obi-Wan sliced off another thugs hand), they drag the shape-shifter outside and learn she’s subcontracting. But of course, her contractor kills her before she can say her name. Obi-Wan, who for some reason was willing to chase the shapeshifter across the planet, just lets him go…

The Jedi Council decides its time to send Padme home, and that Anakin is to go with her. Meanwhile, Obi-Wan is to track down the assassin by himself, a quest which takes him to the world of Kamino. This decision to split them, far from making logical sense, seems more like an excuse to get Anakin and Padme alone. Why send a Padawan off on his own, especially when his master has such misgivings about his attitude and powers?

But anyhoo, things get kind of cool when Obi-Wan arrives on Kamino and learns that former Master Sifo Dyas ordered the creation of a clone army. This, combined with the fact that the location of the planet was removed from the Republic archives memory would seem to indicate that there is a conspiracy afoot. Obi-Wan then meets with the clone template, a bounty hunter named Jango Fett, and is convinced he’s found Padme’s would-be assassin. They fight, Jango escapes, and Obi-Wan pursues him to Geonosis.

Meanwhile, we get a string of scenes that are meant to elicit a romantic response. After following Padme around, complaining bitterly about Obi-Wan and professing his love in a series of ever creepier and wooden dialogue, Padme tells Anakin there’s no way. Why? She’s a Senator… Uh, what? Are Senators not allowed to date? Of course, Anakin can’t because he’s a Jedi, but the very fact that they’re talking about this would seem to indicate the feeling is now mutual. Seems sudden, but neither here nor there…

Arriving at Geonosis, where there’s a massive a droid-building colony, Obi-Wan gets into it with Jango and the Slave I. After thinking he’s killed him (Obi-Wan eludes death by copying Han’s hiding move from Empire), Jango proceeds to planet and Obi-Wan follows shortly behind. After wintessing a meeting between Dooku and the Separatists in which they plan their attack (using their droid and clone armies), Obi-Wan broadcasts his position and is then captured. He meets Dooku, who proceeds to tell him the truth, after a fashion…

He tells Obi-Wan there is a Sith in charge of the Senate, and that his plans are motivated to bring him down. He asks for Obi-Wan’s help, who in a move taken from Empire and Jedi, tells him he “will never join you”. Back on Naboo, Anakin continues to have bad dreams about his mom and decides he must go to Tatooine. He retraces her path, only to discover that she was taken in by some people from the movie – the Lars family, which includes the future Uncle Owen and Aunt Beru.

He learns she was taken by Sandpeople, and catches up with them just in time to watch his mother die, at which point, he and loses it! And I mean REALLY LOSES IT! In a scene we don’t get to see, Anakin takes out his lightsaber and kills the entire community of Sandpeople who kidnapped and tortured his mom, including the women and children. He returns to the Lars family dwelling and tells Padme of his mass murder, to which she replies that it’s no big deal.

I’m sorry, NO BIG DEAL?! Are you freaking kidding me? Seriously, this man just confessed to murdering women and children and all Padme can say is that “to be angry is to be human”? What kind of sociopathic, enabling bullshit is that? Is she so into bad boys that she’s willing to overlook this first-time offense? Or are they in such a hurry to get to the next scene that she’s just got to forgive and move on? And why the hell didn’t the Jedi Order even mention this on his return? We all saw Yoda sensing it? C’mon people!

Alright, moving on… Back on Coruscant, the news of a Separatist army explodes like a bombshell, with Palpatine once again exploiting it for personal gain. Thinking he’s doing the smart and noble thing, Jar Jar moves that Palpatine get emergency powers – a la Octavian – and his first act is to create an army for the Republic. Why they don’t have one already is beyond me, but who cares? Point is, Palpatine has got his way, and Yoda and Mace Windu decide its time to get involved.

Anakin and Padme also get the distress signal from Obi-Wan and decide they will go save him. They arrive on Geonosis too and after a needless scene where they are almost killed in a robot factory, they too are captured. A scene ripped off from Gladiator follows, as they are reunited in a massive Colosseum-type arena to die in a public display. They escape and begin to wreak havoc, and are rescued just in time by the arrival of Mace and the Jedi Order. They fight to a standstill and are surrounded, when Yoda arrives with the Clone army and begins kicking some ass.

A big fight scene ensues on the open plains of Geonosis between droids and Clones, while Obi-Wan and Anakin chase Dooku down. He beats them both in a rather implausible scenario, first managing to cripple Obi-Wan without actually killing him or severing any of his limbs, and then cutting off Anakin’s arm (an obvious preview of the scene from Jedi). Yoda once again shows up to save the day, and in another scene from Jedi, Dooku does his lightning trick.

The fight ends with a stalemate, Dooku runs with Padme shooting at his ship. Once more, a scene from the originals is at work here, this time from Empire when Leia was shooting at the Slave I. But Dooku escapes, makes it back to Coruscant and tells Sideous (Palpatine) that the war is happening, as anticipated. He meanwhile sends the first batch of clones on their new Star Destroyer look-alikes, and Yoda laments that the Dark Side has fallen and “The Clones Wars” have begun.

The movie ends with Padme and Anakin back on Naboo, where they’ve decided to get married after all. But since it’s a secret wedding, the droids are the only parties in attendance. THE END!

What didn’t work:
Well, where to begin? I shan’t dwell on the wooden dialogue or the horrid lack of romantic tension, since those are the popular whipping posts of most critics when it comes to this movie. Instead, I’d like to stick to some of the more obvious weaknesses, those that become more clear with hindsight.

  1. The Set-Up: Things get rolling when we learn that an assassin is trying to kill Padme, presumably because she’s the voice of moderation between the Republic and the Separatists. However, things get really implausible, really fast. For one, why the hell did Jango Fett subcontract anyway. Why not simply kill her himself? And why did this lady use poisonous bugs when a simple bomb would have killed Padme instantly? We saw how easily that probe flew to her window, so why the slow, stupid and easily thwarted approach? Then came how Jango’s involvement led Obi-Wan on his wild goose chase. The only reason he knew to find him on Kamino was because he used a dart which was manufactured there. The only reason he know to fly to Geonosis was because Jango mentioned it to him. And why was Jango pulling double duty with the whole assassination thing anyway? If the Kaminos are such good cloners, anybody’s DNA would do and they could just enhance it. Having him do that and eliminate Padme was just a way to tie the two plots together really and make sure Obi-Wan could find out all that was going on.
  2. Love-Story Contrivances: I know, I said I wouldn’t mock the terrible dialogue, which I won’t. To me, the real weakness here was just how contrived and unnatural the whole love story seemed. Aside from a brief, age-inappropriate meeting ten years before, Anakin and Padme are practically strangers. Having Anakin say that he’s loved her ever since they met was completely forced. On top of that, the way they are sent to Naboo together and all the scenes of them doing lovers things: boating, playing in open fields, eating and retiring to the hearth – are all obvious attempts to try and force a sense of romance. That’s the key word here: force (no pun intended). Between Anakin constantly announcing his feeling for her and all the idyllic scenery they take in, it’s like Lucas was behind us constantly saying “Look, they’re in love!” In the original movie, Lucas took his time to build up the romance between Han and Leia. In the beginning, they couldn’t stand each other, but this concealed some genuine tension. In time, this flourished as they got to know each other and began to start acknowledging each others strengths. In the end, it was clear that their different backgrounds and personalities is what led to their attraction. Throw in some genuine crisis, and they realized they were in love. See? That’s a love story, not this!
  3. Unsubtle Dialogue: Again, said I would avoid talking about the wooden dialogue. Which I am, sort of! My gripe here is just how unsubtle and (again) forced it all was, which is something the critics really didn’t get into. Examples: in the beginning, Anakin announces that he loves Padme when talking with Obi-Wan and Jar Jar. When talking to Padme, Anakin announces that Obi-Wan is an unfair master who’s too hard on him. When sitting around the fire, Anakin announces how much he loves her. Finally, she announces her feelings back. And in this, they are hardly alone. All throughout the movie, actors announce what’s going on as a means to convey what’s happening and to make the audience feel the requisite emotions. Never is time taken to convey feelings, mood, or establish tension the old fashioned way. And this just makes for a bad movie! As Robot Satan said in Futurama: “You can’t have characters just announce their feelings! That makes me SO ANGRY!”
  4. Way Too Much: In the documentary of the making of Phantom Menace, there is a lovely scene where Lucas and his people are watching the screening and there’s this moment of “uh-oh” at the end. They then discuss how Lucas did too much and how that brought down the ending. You’d think between movie one and two, he would have learned from this, but no! In this movie, he tried to do way more. On top of showing how romance developed between Padme and Anakin, he’s also shoved in a big ol’ preview of Anakin’s descent to the Dark Side, how the Clones Wars started, and Palpatine’s evil rise to power. A lot of critics jumped on this, saying that the movie was too long and suffered from a sense of duty. And in that, they were profoundly right! Duty is another key word when describing this movie. Having spent movie one showing where Anakin came from, they now had to preview his fall, where the twins came from, and how the Clone Wars started all at once. And it made for a sloppy feel, with too much happening and things bouncing around from one thing to the next without any of it getting enough development.
  5. Recycling: But alas, all of these faults could have been mediated had it not been for the fact that there really didn’t seem anything new about these movies. All throughout, there is material which seems to serve no purpose than to satisfy origin stories or recapture elements of the first three movies. In Clones, Boba Fett, Luke’s surrogate parents, the Death Star and Vader’s robotic arm are all previewed, and that’s on top of the Clone Wars and the romance plot. Once more it’s like Lucas is behind us saying “Look! That’s how it happened!” But like everything else, it just feels forced. Why not let new characters have their time in the spotlight? Why is it necessary to use every character from the first three movies? And another thing, this movie, more than in the first, uses scenes from the originals like never before. I mean, its one thing to rip off other movies, like the arena scene from Gladiator, but Lucas was even ripping off himself! The scene in the bar where Obi-Wan cuts off the hunters arm, the scene where Obi-Wan hides his ship on the back of an asteroid, the scene where he tells Dooku he won’t turn, the scene with the lighting bolts, the scene at the end where Padma is shooting at Dooku’s ship. All of these are clearly meant to recapture the feeling of the original Star Wars, but they fell short for the simple reason that audiences wasn’t nearly as emotionally involved. There’s paying homage to an original, and then there’s recycling, and this was the latter!
  6. Lazy Shooting: Something else which became apparent by this movie was the lazy way in which it was shot. After Phantom, It was already obvious that Lucas loved to cram as much CGI into every frame as possible. Hell, that much was obvious with the Star Wars Gold Editions! But if you watch the movies again, pay close attention to how EVERY SINGLE scene is shot. In these, you have the actors either walking slowly across the stage or sitting down. Always. Two cameras capture all of their dialogue and exchanges, Camera one, camera two. Always. If they are walking and talking, they will always stop, turn, and go back and forth between camera one and two. Meanwhile, all visual effects and background are provided by a green screen and all CGI characters are represented by colored lights. There are virtually no props, no stand ins, and a minimum of real actors. This, I have learned, reflects Lucas’ preferred way of directing. He sits in his chair at the edge of the green screen and drinks his coffee while the actors interact with each other or lights which tell them where to look. They walk through, stop, turn, or stay seated, do their lines, and his two cameras capture everything. Action shots are handled in much the same way, with only the occasional close-up or distance shot. Unless of course the entire sequence is animated by CGI, which they usually are!
  7. Strengths? Not so much: The strong points about this movie, the ones that critics hailed, mainly had to do with vision and special effects. But here’s the thing: Lucas’ vision in this movie consisted of CGI environments that all seemed to be taken from other movies or real locations. That doesn’t seem very bold or original. And what’s more, even the special effects weren’t so innovative. Clones was launched during the summer of 2002, right about the time that Spider Man, Minority Report and Men in Black 2 were released, all of which made impressive use of CGI. So really, what was so stunning and unique about this movie’s visual effects? And if action was something else about this movie that people liked, consider that it came out at the same time as The Bourne Identity and XXX as well.  So really, this movie was not a stand-out, smash-hit, summer blockbuster. If anything, it was one hit in a summer full of them.

Well, that about covers the weaknesses of this movie. I did my best to avoid the cliched, beaten-to-death talking points, and yet I still feel I hit on them quite a bit. And I really went long there too didn’t I? And yet, I haven’t even mentioned what bothered me personally about this movie. But to do so means ditching all the civilized critique stuff and going all the way back to summer of 2000.

In was back then, between the first two movies movies, that Lucas seemed to be pulling an about face. A year after the Phantom Menace debuted, reassuring rumors began to circulate that Lucas claimed its sequel would be more dark, more realistic and more gritty, kind of like the way Empire was to the first movie. However, these hopes were shot when Lucas announced that the second movie would be a romance story at that Jar Jar would remain in the picture.

When asked about the fans hopes for something more adult and dark, he casually dismissed these and other criticisms by saying that Star Wars had always been a “Saturday morning serial for kids”. This above all else seemed to annoy me, and countless other fans, since it now seemed apparent that Lucas really didn’t care what his age old fans and was going to continue to do the things that was making the new movies incompatible with the old.

However, after movie two he seemed to sit up and take notice of just how annoyed the fans and critics were getting. With one movie left in the franchise, he seemed determined to give these objections some due before the sun set on the prequel trilogy. Of that, more next time. Stay tuned!