Tag: post-apocalyptic

The Fate of Humanity

the-futureWelcome to the world of tomorroooooow! Or more precisely, to many possible scenarios that humanity could face as it steps into the future. Perhaps it’s been all this talk of late about the future of humanity, how space exploration and colonization may be the only way to ensure our survival. Or it could be I’m just recalling what a friend of mine – Chris A. Jackson – wrote with his “Flash in the Pan” piece – a short that consequently inspired me to write the novel Source.

Either way, I’ve been thinking about the likely future scenarios and thought I should include it alongside the Timeline of the Future. After all, once cannot predict the course of the future as much as predict possible outcomes and paths, and trust that the one they believe in the most will come true. So, borrowing from the same format Chris used, here are a few potential fates, listed from worst to best – or least to most advanced.

1. Humanrien:
extinctionDue to the runaway effects of Climate Change during the 21st/22nd centuries, the Earth is now a desolate shadow of its once-great self. Humanity is non-existent, as are many other species of mammals, avians, reptiles, and insects. And it is predicted that the process will continue into the foreseeable future, until such time as the atmosphere becomes a poisoned, sulfuric vapor and the ground nothing more than windswept ashes and molten metal.

One thing is clear though: the Earth will never recover, and humanity’s failure to seed other planets with life and maintain a sustainable existence on Earth has led to its extinction. The universe shrugs and carries on…

2. Post-Apocalyptic:
post-apocalypticWhether it is due to nuclear war, a bio-engineered plague, or some kind of “nanocaust”, civilization as we know it has come to an end. All major cities lie in ruin and are populated only marauders and street gangs, the more peaceful-minded people having fled to the countryside long ago. In scattered locations along major rivers, coastlines, or within small pockets of land, tiny communities have formed and eke out an existence from the surrounding countryside.

At this point, it is unclear if humanity will recover or remain at the level of a pre-industrial civilization forever. One thing seems clear, that humanity will not go extinct just yet. With so many pockets spread across the entire planet, no single fate could claim all of them anytime soon. At least, one can hope that it won’t.

3. Dog Days:
arcology_lillypadThe world continues to endure recession as resource shortages, high food prices, and diminishing space for real estate continue to plague the global economy. Fuel prices remain high, and opposition to new drilling and oil and natural gas extraction are being blamed. Add to that the crushing burdens of displacement and flooding that is costing governments billions of dollars a year, and you have life as we know it.

The smart money appears to be in offshore real-estate, where Lillypad cities and Arcologies are being built along the coastlines of the world. Already, habitats have been built in Boston, New York, New Orleans, Tokyo, Shanghai, Hong Kong and the south of France, and more are expected in the coming years. These are the most promising solution of what to do about the constant flooding and damage being caused by rising tides and increased coastal storms.

In these largely self-contained cities, those who can afford space intend to wait out the worst. It is expected that by the mid-point of the 22nd century, virtually all major ocean-front cities will be abandoned and those that sit on major waterways will be protected by huge levies. Farmland will also be virtually non-existent except within the Polar Belts, which means the people living in the most populous regions of the world will either have to migrate or die.

No one knows how the world’s 9 billion will endure in that time, but for the roughly 100 million living at sea, it’s not a going concern.

4. Technological Plateau:
 computer_chip4Computers have reached a threshold of speed and processing power. Despite the discovery of graphene, the use of optical components, and the development of quantum computing/internet principles, it now seems that machines are as smart as they will ever be. That is to say, they are only slightly more intelligent than humans, and still can’t seem to beat the Turing Test with any consistency.

It seems the long awaited-for explosion in learning and intelligence predicted by Von Neumann, Kurzweil and Vinge seems to have fallen flat. That being said, life is getting better. With all the advances turned towards finding solutions to humanity’s problems, alternative energy, medicine, cybernetics and space exploration are still growing apace; just not as fast or awesomely as people in the previous century had hoped.

Missions to Mars have been mounted, but a colony on that world is still a long ways away. A settlement on the Moon has been built, but mainly to monitor the research and solar energy concerns that exist there. And the problem of global food shortages and CO2 emissions is steadily declining. It seems that the words “sane planning, sensible tomorrow” have come to characterize humanity’s existence. Which is good… not great, but good.

Humanity’s greatest expectations may have yielded some disappointment, but everyone agrees that things could have been a hell of a lot worse!

5. The Green Revolution:
MarsGreenhouse2The global population has reached 10 billion. But the good news is, its been that way for several decades. Thanks to smart housing, hydroponics and urban farms, hunger and malnutrition have been eliminated. The needs of the Earth’s people are also being met by a combination of wind, solar, tidal, geothermal and fusion power. And though space is not exactly at a premium, there is little want for housing anymore.

Additive manufacturing, biomanufacturing and nanomanufacturing have all led to an explosion in how public spaces are built and administered. Though it has led to the elimination of human construction and skilled labor, the process is much safer, cleaner, efficient, and has ensured that anything built within the past half-century is harmonious with the surrounding environment.

This explosion is geological engineering is due in part to settlement efforts on Mars and the terraforming of Venus. Building a liveable environment on one and transforming the acidic atmosphere on the other have helped humanity to test key technologies and processes used to end global warming and rehabilitate the seas and soil here on Earth. Over 100,000 people now call themselves “Martian”, and an additional 10,000 Venusians are expected before long.

Colonization is an especially attractive prospect for those who feel that Earth is too crowded, too conservative, and lacking in personal space…

6. Intrepid Explorers:
spacex-icarus-670Humanity has successfully colonized Mars, Venus, and is busy settling the many moons of the outer Solar System. Current population statistics indicate that over 50 billion people now live on a dozen worlds, and many are feeling the itch for adventure. With deep-space exploration now practical, thanks to the development of the Alcubierre Warp Drive, many missions have been mounted to explore and colonizing neighboring star systems.

These include Earth’s immediate neighbor, Alpha Centauri, but also the viable star systems of Tau Ceti, Kapteyn, Gliese 581, Kepler 62, HD 85512, and many more. With so many Earth-like, potentially habitable planets in the near-universe and now within our reach, nothing seems to stand between us and the dream of an interstellar human race. Mission to find extra-terrestrial intelligence are even being plotted.

This is one prospect humanity both anticipates and fears. While it is clear that no sentient life exists within the local group of star systems, our exploration of the cosmos has just begun. And if our ongoing scientific surveys have proven anything, it is that the conditions for life exist within many star systems and on many worlds. No telling when we might find one that has produced life of comparable complexity to our own, but time will tell.

One can only imagine what they will look like. One can only imagine if they are more or less advanced than us. And most importantly, one can only hope that they will be friendly…

7. Post-Humanity:
artificial-intelligence1Cybernetics, biotechnology, and nanotechnology have led to an era of enhancement where virtually every human being has evolved beyond its biological limitations. Advanced medicine, digital sentience and cryonics have prolonged life indefinitely, and when someone is facing death, they can preserve their neural patterns or their brain for all time by simply uploading or placing it into stasis.

Both of these options have made deep-space exploration a reality. Preserved human beings launch themselves towards expoplanets, while the neural uploads of explorers spend decades or even centuries traveling between solar systems aboard tiny spaceships. Space penetrators are fired in all directions to telexplore the most distant worlds, with the information being beamed back to Earth via quantum communications.

It is an age of posts – post-scarcity, post-mortality, and post-humansim. Despite the existence of two billion organics who have minimal enhancement, there appears to be no stopping the trend. And with the breakneck pace at which life moves around them, it is expected that the unenhanced – “organics” as they are often known – will migrate outward to Europa, Ganymede, Titan, Oberon, and the many space habitats that dot the outer Solar System.

Presumably, they will mount their own space exploration in the coming decades to find new homes abroad in interstellar space, where their kind can expect not to be swept aside by the unstoppable tide of progress.

8. Star Children:
nanomachineryEarth is no more. The Sun is now a mottled, of its old self. Surrounding by many layers of computronium, our parent star has gone from being the source of all light and energy in our solar system to the energy source that powers the giant Dyson Swarm at the center of our universe. Within this giant Matrioshka Brain, trillions of human minds live out an existence as quantum-state neural patterns, living indefinitely in simulated realities.

Within the outer Solar System and beyond lie billions more, enhanced trans and post-humans who have opted for an “Earthly” existence amongst the planets and stars. However, life seems somewhat limited out in those parts, very rustic compared to the infinite bandwidth and computational power of inner Solar System. And with this strange dichotomy upon them, the human race suspects that it might have solved the Fermi Paradox.

If other sentient life can be expected to have followed a similar pattern of technological development as the human race, then surely they too have evolved to the point where the majority of their species lives in Dyson Swarms around their parent Sun. Venturing beyond holds little appeal, as it means moving away from the source of bandwidth and becoming isolated. Hopefully, enough of them are adventurous enough to meet humanity partway…

_____

Which will come true? Who’s to say? Whether its apocalyptic destruction or runaway technological evolution, cataclysmic change is expected and could very well threaten our existence. Personally, I’m hoping for something in the scenario 5 and/or 6 range. It would be nice to know that both humanity and the world it originated from will survive the coming centuries!

The Birth of an Idea: “Alpha Mike”

Zombie Apocalypse by geodex
Zombie Apocalypse by geodex

I love it when an idea comes together! And what started as an experiment into zombie lit back in March of 2012 is coming together at last with a third and final installment. Yep, after a few weeks of hiatus, I’ve managed to finish my preliminary draft for the third act of Whiskey Delta, which I have decided to name Alpha Mike. Like the previous two installments, the name is an acronym based on the NATO phonetic alphabet.

And as with the previous two novels, this acronym has special significance. To break it down succinctly:

Whiskey Delta = WD = Walking Dead

Pappa Zulu = PZ = Patient Zero

Alpha Mike = AM = Ambulus Mortus

In each chapter, the name refers to the overriding theme of the story. Whereas Act I in any story is all about introductions, I chose to name in honor of the term used by the main characters to designate their enemy. In Act II, the war took a different coarse, as a new enemy emerged that wanted control over the cure. As such, this story was named after the first man infected by the virus – aka. Mance Harmonn, Patient Zero.

And for the final act of the trilogy, I chose the name of the virus itself. Those who have been following this series will (hopefully) recognize it as the Latin designation which literally translates to “walking dead”. Since the final installment will focus on bringing the war in its entirety to a close, I could think of no better name for it. For as the Mage, a central figure in the story, will be quoted as saying:

This is a war unlike any other in our history. We fight not against men or nations, not for spoils, honor, or revenge. Ours is a war against a contagion, an infection which turns our own against us and corrupts all life. Ours is a war against fear, chaos, despair, and death itself.

I plan to begin work on it just as soon as this season of the Walking Dead is over and I finish my work on a few outstanding projects. These would include “Arrivals”, my last contribution to the Yuva anthology, and editing Rami’s story Reborn City. Those are in various stages of completion and I shall not risk getting distracted at this point! As they say (or maybe I just made it up), overbooking is the enemy of completion!

So if you’re into zombie lit and liked the previous two, expect new chapters coming soon! As usual, they stand to be packed with plenty of zombie-smashing action, military misadventure, and post-apocalyptic goodness. Just watch for the title, Alpha Mike!

zombie_nightmare

The Walking Dead – Season Three, Episode 13

the_walking_deadHappy Monday Morning all! Nice weekend? Good, because it’s time to catch up on this weeks episode of The Walking Dead.

Last week, we got something of a “bottle episode” as Rick, Carl and Michonne went back into the Grimes old stomping grounds to pick up supplies and ended up running into an old friend. It seemed that Morgan, the man who saved Rick after he wandered back from the hospital, had fortified himself in the town and was waging a one-man guerrilla war against the Walkers. He had also lost his son Duane since last they met, and had gone a little batty as a result.

And despite his best efforts, Morgan would not come back to the prison with them since he believed that it was only a matter of time before Rick and his people would die, either at the hands of the Walkers or someone else. Letting them go with their share of guns and ammo, he said goodbye to them, and they returned to the prison to deal with their main problem – the Governor and his army operating out of Woodbury.

Which brings us to this week’s episode, where Rick and the Governor are meeting on neutral ground to hash things out.

Arrow on the Doorpost:
wd3_arrowThe episode opens with Rick, Daryl and Hershel arriving at what appears to be an abandoned silo. After doing a little recon, Rick finds his way into a large warehouse where someone has set up a table on top a raised platform. Making his way to it, the Governor appears and tells Rick they “have a lot to talk about”. After a brief stand-off, they disarm and get down to business (but of course, we see that the Governor has a second gun strapped to the table).

Another car arrives shortly thereafter carrying Caesar, Milton and Andrea. Andrea is surprised to hear that the Governor is already inside and goes in while the others wait out front. Apparently, she arranged the meeting and offered Rick a compromise where they would divide the land between them. However, the Governor rejects it and tells her to leave.wd3_arrow4

Outside, the two camps wait and endure a tense standoff until they are set on by some Walkers and begin taking them out. This gives Daryl and Caesar a chance to do a little “male bonding” as both take out their share with Andreas help. After killing their share, they reflect on how war seems inevitable, and neither one is too crazy about the idea.

Milton and Hershel begin to talk as well, with Milton taking an interest in Hershel’s amputation and how it saved him from being infected. And eventually, Andrea begins to talk to Hershel and asks about Maggie, whether it was true that Governor tried to rape her. Knowing the truth now, she realizes she can’t go back to Woodbury. Hershel invites her to come back to the prison and to her family.

jpegBack at the prison, Glenn and the others are forced to content with Merle, who keeps insisting they go to the talks to kill the Governor. Glenn refuses, which prompts Merle to try and get out on his own. After Glenn, Maggie and Michonne restrain him, he tries to appeal to Michonne’s desire for vengeance. However, she refuses to put Andrea at risk and tells him he’s on his own. Afterwards, Glenn and Maggie finally make up after and decide to blow off holding watch on the field to go have sex.

After talking things over with some whiskey, the Governor finally gives Rick his terms. In exchange for Michonne, he will leave them alone. Rick doesn’t believe it will end there, but the Governor gives him two days to think it over and tells him to return to the silo with his answer. The meeting ends and he leaves with his people, and Andrea goes with him. All parties head back to their respective homes.

wd3_governor1However, upon his return to Woodbury, the Governor reveals his true intentions. He orders Caesar to set up an ambush around the meeting place so they can kill Rick and anyone he can be expected to bring. Milton is surprised and objects, but the Governor insists that its the only way. Sooner or later, they will have to deal with Rick since he doesn’t believe they can ever live side by side.

At the prison, Rick tells his own version of the story: that the Governor wants the prison and all of them dead. The camp is divided, with Merle and Michonne thinking they should strike first while Carol and Hershel think they should take their chances on the road. However, he is willing to trust Rick’s leadership and stay and fight, as long as they are together. Rick tells him what the Governor really wanted, and Hershel agrees its unacceptable.

It’s official. The two camps are going to war!

Summary:
Once again, I have to say I was happy with what was arguably a pacing episode. It managed to build up the suspense, let us know what’s going to come, and provide some breathing room while we build to the big climax. For some time now, its been obvious that an all-out war between the two sides will be happening, but many pieces needed to fall into place before that could happen. This episode was good in that it established much of that and hinted at where others pieces are going to fall.

And like the last episode it was thematically consistent. I liked how the show cut between the Governor and Rick dealing inside and the grunts talking outside. At once we can see two hardened leaders talking about the undesirability of conflict and how far they will go to protect their people, while their soldiers realize how much they have in common and also confess that a fight is not something they would want.

All the while, its clear that said conflict is inevitable. In a world where two sides have the exact same interests – i.e. survival and protecting their own – it would seem that peace and cooperation are the only way. And yet, that is the one thing they cannot hope to achieve, simply because the need to survive dictates that they destroy each other. As always with TWD, the greatest enemy is not the zombies, but your fellow man.

But I think the best aspect of this latest episode is how it is building towards the big finish. We have only three episodes to go this season and some key factors need to be established before it can end. Namely, there’s position of Andrea in all this, the involvement of Tyreese and his gang, and how Rick and his people plan to confront the Governor and his army and win.

At this point, its clear that Rick and the prison camp stand a better chance now of thwarting the Governor and his army than before. With Merle, Michonne, a small stockpile of guns and the prison walls, they have certain advantages, at least if they are attacked. But of course, the Governor has more people, more resources, and the freedom to use them. In any prolonged fight, he is sure to win.

Which brings up Andrea and Tyreese’s group. As a friend of mine suggested (hi Khaalidah!), she believes the Tyreese group is part of a double-cross. After Rick kicked them out, we didn’t see or hear from them at all until they came to Woodbury, hats in hand and looking for refuge. She thought it was possible that Glenn made a deal to have them do a little spying. However, if the previews for next week’s episode are any indication, they were genuine in their desire to become part of Woodbury, but Andrea will set them straight.

So between the Governor’s planned ambush, Milton and Andrea’s desire to stop him, and Tyreese and his gang’s assistance, its entirely possible we’re building towards a big confrontation that will only be won with the help of some last minute help from those people who are closest to the Governor. That’s what I’m predicting at this point. And even though it means violating the comic book material somewhat, it’s what I’d do if I were one of the writers.

It might be premature and hopeful of me to predict a happy ending, but I think if there’s one thing this show can be counted on, its to keep going and not let things get too bloody. Unlike the comic, which really didn’t pull punches and had a bigger death toll, the show has been looking to strike a balance between grimness and hopefulness, where the characters are constantly looking for a normal life and are actually managing to get closer to it. But of course, there’s always a giant cost involved, so expect plenty more death!

Three episodes to go!

Best Robot Chicken Moment Ever!

robot_chickenGod, I’ve been wanting to post this for a long time. Thought the episode is at least two years old, it still brings a smile to my face when I think about it. Not only is it a hilarious spoof on a cartoon that I watched as kid, it also manages to do a hilarious crossover with one of the best post-apocalyptic movies of all time! And when it comes right down to it, what is Inspector Gadget if not a clumsy, oafish version of a Terminator?

There have been several moments in this show’s history that I’ve found pretty damn hilarious. Between spoofing superheroes, comic books, Star Wars, Star Trek, and just about anything having to do with the 80’s, how could I not love this show? Relying on Seth Green’s usual combination of outlandish wit and a load of pop culture references, this clip is sure to please! If you haven’t seen it, do so now. I guarantee if you grew up in the 80’s, it’ll make your day!

Dredd 2012

dredd_2012_movie-wide-1024x640

Hey all! My apologies for my absence of late, but life has been very busy on the teaching front. Cold season always brings big stretches of busy work, and I’ve been on call steadily for the past three weeks. Luckily, I find myself with a day or two to catch up on other things, and so I decided I’d get back on this horse and start things off right.

Today, I’d like to share a review of a movie I recently enjoyed, the summer remake known as Dredd. Based on the graphic novel Judge Dredd, this movie was an attempt by writer John Wagner and director Pete Travis to reboot the franchise after the semi-disastrous 1995 adaptation that starred Sylvester Stallone.

Though the film failed to recoup its production budget at the box office, which was expected, it was reviewed much more favorably than the original and earned a small following. What’s more, it is expected the movie will continue to gross now that it is released on DVD and will be available on cable and home movie providers.

Synopsis:
dredd-1920x1080-1024x576The movie opens in the streets of Mega City One, a post-apocalyptic urban environment that stretches from Boston to Washington DC. Dredd’s voice provides voiceover, describing the urban environment in all its bloody, crowded, and dirty glory. We then cut to a scene where Dredd (Karl Urban) is pursuing three criminals that have been spotted by an aerial drone. A tense chase ensues, during which time multiple civilians are killed. After taking out their vehicle and chasing the last man into a Block – one of the cities many massive apartment structures – Dredd concludes that the men were carrying a new drug known as Slo-Mo.

dredd_mamaWe then cut to Peach Trees, another major block, where we meet Ma-Ma (Lena Headey). She is a notorious crime boss that runs Peach Trees and is responsible for the manufacture of Slo-Mo, and who is plotting to expand production and bring it to the rest of the city. We get a glimpse into just how ruthless she is when she dispenses justice against three men who have been dealing in their Block and that she decides to make an example of. This consists of skinning them and then dropping from the top floor to the bottom level, but first giving them a hit of Slo-Mo so it will seem imperceptibly long.

dredd-anderson-2Dredd is then called back to the Grand Hall of Justice to inspect a new recruit named Cassandra Anderson (Olivia Thirlby), who is reportedly a psychic. She and Dredd are dispatched to Peach Trees as part of her final evaluation to investigate the dead bodies. After the paramedic examines them, he explains that they all had Slo-Mo in their system, and gives them a rundown on who Ma-Ma is and how she came to be the master of the Block.

They then proceed to the nearest distribution center on the Block and take it down, securing one of Ma-Ma’s men (Kay) in the process. Anderson probes his mind and deduces he was the one who threw the men over the balcony and they decide to take him in for interrogation. When word reaches Ma-Ma, she has her thugs seize control of building security and lock the entire Block down, which consists of external shields closing in around the structure to resist a nuclear blast. All communications with the outside are cut off, and Ma-Ma announces over the PA system that she wants the Judges killed.

dredd_gunsDredd and Anderson begin fighting their way through several groups of armed residents with Kay in tow. Eventually, Ma-Ma orders her men to bring out their greatest weapon, a bunch of Vulcan cannons, and use them to shoot up an entire level. Dredd and Anderson narrowly survive by breaching the outer wall and calling for help, and Dredd then tosses Caleb, one of Ma-Mas henchmen over the balcony in full view of her. Down below, two Judges show up on the scene, but are unable to get through the Block’s sealed walls, and Ma-Ma’s hacker insists this is all part of a security drill.

Retreating to a school house, Dredd concludes that Ma-Ma is desperate to kill Kay to keep him for revealing her secrets and begins beating him. Anderson intervenes and begins mind probing him instead, learning that Peach Trees is the center for the production and distribution of Slo-Mo. Shortly thereafter, Dredd and Anderson are distracted by some armed teens, which allows Kay to kidnap Anderson and escape using the freight elevator to get to the top levels.

Judge Dredd Still ImageDredd continues to work his way towards the top, prompting Ma-Ma to call in four corrupt Judges. They relieve the men at the front, enter without incident, and agree to take down Dredd for one million credits. Meanwhile, Kay attempts to kill Anderson using her gun, and loses his hand in the process. She escapes and begins working her way down, and becomes a target of the crooked Judges as well. Between the two of them, they manage to take out all four and meet up in the Slo-Mo production lab. Dredd is wounded by Lex, the last of the Judges, but Anderson saves him and the two carry on.

After finding Ma-Ma’s hacker, they manage to obtain the code from him to her private cell. Rather than Judge him, Anderson sees that the man only worked for Ma-Ma out of fear, and that she was the one who took his eyes, forcing him to get bionic enhancements. She lets him go, even though Dredd tells her it could result in an “automatic fail”. She responds by saying she was already taken hostage and her gun was confiscated, which is also grounds for an a fail grade, and they move on.

dredd-lena-headey-ma-maThey finally reach Ma-Ma’s cell and take out the last of her men, though Anderson is also wounded in the process. Ma-Ma then tells Dredd she has the upper levels lined with explosives and the detonator is mounted on her wrist. If her heart stops, the device will go off and everyone in the top 50 floors will die. Dredd shoots her in the stomach and responds by saying the he doubts the device has a range that can reach from the ground floor to the top, and Judges her. Sentencing her to death, he gives her a hit of Slo-Mo and tosses her from the balcony. She falls in slow motion to her death, and the building doesn’t blow up.

Convening with reinforcements and paramedics below, Anderson hands her shield to Dredd and walks away. However, when the Chief Judge comes to him and asks how she did, he replied that she passed. The movie then ends with Dredd providing voice over once again, about how the city is a corrupt mess, and the only thing standing between it and total chaos are the Judges.

Summary:
dredd_mega_city_oneConsistent with what I heard in advance, this movie was actually pretty good. And even though it didn’t do well at the box office, the result of the meme working against it, I can see it developing a cult following and becoming something of a personal classic to many in the coming years. Despite some flaws, such as the excessive gore and some self-indulgent special effects, it had some noticeable signs of quality.

For starters, the look and feel of the Megacity environment was pretty awesome. The gritty, grimy nature comes through immediately, and without any of the overdone campiness of the original movie. Rather than shooting it in a massively constructed environment with flying cars and lavish costumes, the movie is shot in Cape Town and Johannesburg and uses real locations as a backdrop and relies on CGI and models only to supplement the already dense and dirty urban environment.

dredd_atriumAnd of course there was the attention to detail with the centerpiece of the movie, the building known as Peach Trees. As a Mega City Block, this building is essentially an arcology where all the basic needs of the residents are taken care of in-house. This includes schools, medical care, food, entertainment, and all of these were illustrated at one point or another in the film. And you’ll notice that in all cases, their was graffiti on the walls, garbage on the floor, and metal bars on everything, signifying just how dirty and dangerous the environments are.

And I really enjoyed the whole “lock down” procedure, which was more than just a convenient plot tool. In a world where nuclear holocaust has already taken place and every Block acts as a self-sustaining arcology, the concept of shield walls was just plain genius in my mind. Visually it was quite cool, but it also made perfect sense and it beautifully illustrated the shock mentality and survivalist instincts that are so common to this world.

Dredd-1And of course the movie was thematically consistent. On the one hand, you had the nature of the city, which was packed to the brim with 800 million people and with a homicide rate of 1700 people a day. Whereas Dredd is the perfect symbol of social fascism in this context, a man who has little faith in people and absolute veneration of the law, Anderson is the bright-eyed rookie who wants to help people and believes there is good to be found, even in an overcrowded block like Peach Trees.

dredd_peachtreesThese archetypes are offset by characters such as Ma-Ma and Lex, the leader of the crooked Judge. As her back story presents it, Ma-Ma is essentially a sociopathic product of the Mega City environment, a former prostitute who killed her pimp after he cut up her face and who has been on a non-stop mission ever since to bring her own sense of order to the city. Lex, meanwhile, is an embittered veteran who has lost all faith in the system and helping people and is simply looking out for number one.

Through it all, Dredd is softened somewhat by his encounter with the corrupt Judges and Anderson’s gentleness. Naturally, his war of ideology with Ma-Ma ends with him taking her out, but not before a long battle of wills takes place. This is exemplified by the way the two dual for control over the hearts and minds of people in Peach Tree. Whereas Ma-Ma uses their fear to obtain their help in hunting Dredd, Dredd fights back with his unflinching dedication to take her down and anybody who gets in the way. Ultimately, Dredd wins in part because Ma-Ma’s insanity and willingness to kill her own convince people to keep out of the way and let Dredd do his job.

JWhat’s more, the movie was well cast. Karl Urban fits the bill as the surly, sour-faced Judge who never shows his face and is never to be found doing anything other than his job. And Thirlby pulls off the role of the green, untested rookie who comes through in the end quite well. And Lena Headey, whom fans know from 300, the Sarah Conner Chronicles, and (best of all) as Cersei Lannister from a the HBO adaptation of A Game of Thrones, was also very convincing as Ma-Ma.

I was surprised really, seeing as how the previews kind of lent the impression that her role was overdone or just too plain evil. But it is a testament to this woman’s ability to act that she pulls off the psychotic crime boss who knows no mercy. Somehow, between her cut up face, evil eyes and bloody grin, you become convinced she was a victim who turned her abuse into complete madness and shouldn’t be messed with! What’s more, Urban’s usual combination of deadpan frowns and monotone voice worked in his favor, much like how Keannu Reeves same combination of method and monotone allowed him to pull of Neo.

dredd_slomoAnd of course, there were the visual effects. There are those who would say that this movie was just an ultra-violent gorefest with overblown special effects. But to that, I’d say it was a lot more genuine that the original, and much of the gore and violence was appropriate given the setting and tone of the movie. Mega City One is a massively overcrowded, decaying cesspool of humanity, where thousands of murders happen a day and human bodies are recycled for food and goods.

Such a place is neither safe nor sanitary, and violence is a constant, pervasive element. And sure, the concept of Slo-Mo may very well have been an excuse to employ some over the top 3D and slow motion sequences. But after watching the movie, I was forced to admit, it was a pretty damn good one! In the end, you can’t help but feel that these two factors are somewhat excessive but still appropriate.

Naturally, the original movie tried to gloss over this since they wanted to give it as wide an appeal as possible. This failed, as much of the material was just too adult for kids, but the tone and feel of it was too cartoony to be taken seriously. Basically, the movie tried to hedge its bets and ended up flopping for it. But this time around, the directors and producers were going for a cult appeal and stuck to their guns, which I have to respect. By aiming for a smaller range of consumers and a less broad appeal, they were able to keep the movie honest and truer to the source material.

In short, I give it a 7.5/10. And man, I want to see more of Mega City One! That urban landscape had a kick-ass art team putting it together! I’d recommend the movie for that much alone, especially to fans of the Blade Runner, urban noire and post-apocalyptic series’, but the rest of the movie is fun watching too. So get it and contribute to the cult following people. The producers still need to recoup their dough!

ROSA: A Post-Apocalyptic Sci-Fi Short

Just came across this on Wired.com, a sci-fi short about a futuristic cyborg assassin that is tasked with restoring the world’s ecosystems. That’s the basic premise of ROSA, the brain child of resident Jesús Orellana, an amateur director based in Barcelona who released this movie to the world last year. After premiering at the Seattle International Film Festival, the shortplayed at Screamfest, Toronto After Dark, Anima Mund and Sitges International Film Festival.

The story follows the exploits of Rosa, a beautiful cyborg whose appearance calls to mind such archetypes as Trinity, Cortana and a little Halle Berry thrown in for good measure. After waking from her cryochamber, she finds a world that is stark and lifeless, and sets out to accomplish her mission. As part of the “Kernel Project”, she was designed to help restore the Earth’s to its former glory. But soon, she discovers that she is not the only one awakened to the horror of the modern world…

Needless to say, the video is both eye-popping and downright impressive, especially when you consider one mind created it from the comfort of his basement. In addition to the kick-ass fight scenes, detailed environments and rich subtext, the video has some great production value going on! After making the rounds in 2011, the video came to the attention of the Raymond Brothers and Scott Glassgold, three Los Angeles based producers who are now developing it into a full-length live-action movie. No word yet on when it will be out, but if the source material is any indication, it ought to be great!

Favorite Cult Classics (Part The First)

It might be that I’m feeling nostalgic, or it might be that since my wife and I sprung for Netflix, I’ve been finding my way back to several of my favorite old movies. Hard to say exactly. All I know for sure is, I want to talk about the cult classic movies that I like best. You know what I’m talking about! Those rare gems, those diamonds in the rough, the movies that few seem to know about, but those who do always seem to love.

Yes, THOSE movies! Sure, we’ve all seen plenty of big hits, but these movies are the ones that occupy a special place in our hearts. Perhaps it’s because they are not so widely known, like the Star Wars’ and and Indiana Jones‘ of our time. Perhaps it’s because they didn’t get the recognition or the money they deserved, at least in their own time. Or it could be that they were simply the kind of things that got better with time.

In any case, I’ve compiled a list of my top 10 favorite cult classics, movies which I saw during my childhood, teen years and even in my twenties, and keep coming back too. Some were adventurous, some were funny, some were downright cheesy. But all have two things in common: One, none of them are known beyond a select group of appreciators, at least in this country. And two, those who like them, like them a lot! Check out the list below and see if you agree, and feel free to tell me your own favorites as well. I know we all got em!

Akira:
One of the greatest animes I have ever seen, and with a very poignant and intriguing story to boot, Akira starts this list off right! The movie adapted several volumes of manga to screen, and did so in such a way that didn’t skimp on either story or detail. Even shortened, the plot still manages to convey the sense of awe and dread of atomic war, revolution, and evolutionary cataclysm. And the fact that the bulk of it is told from the point of view of disillusioned orphans who are all part of a bier gang only heightens the sense on confusion and angst of little people being thrown into situations far greater than they can handle.

And then there was the quality of the movie itself. Having seen this movie several times now and different versions thereof, I can tell you that no matter what the format, every single frame was animated in such a way as to be saturated. And not with digital effects, mind you, but with hand-drawn animations that really manage to capture the post apocalyptic and cyberpunk feel of Katsuhiro Otomo’s original graphic novel.

All in all, I consider this movie to be compatible in many respects to 2001: A Space Odyssey in that they both deal with grandiose of questions of existence, biological evolution, and both managed to blow my mind! And having first been exposed to both of them in my teen years, they are partly responsible for kindling my love of science fiction.

Army of Darkness:
Here’s a movie I kept being told to see, but did not get around to seeing until I was in university. And truth be told, it took me two viewings to really get the appeal of it. After that, it grew on me until I finally found myself thinking it hilarious, and quoting from it whenever I could. “Come get some!” “Groovy!” “This be my BOOMSTICK!” and “Good? Bad? I’m the one with the gun!” All classic lines!

Yeah, this movie is definitely filed in the guilty pleasure section, the space reserved for movies that are deliberately cheesy, over the top, and have a robust sense of humor about themselves. It’s also one of the many that gave Sam Raimi (director of the Spiderman trilogy) his start, and established Bruce Campbell (who appeared in all three) as a gifted ham actor.

Taking the position that decapitations and flesh-eating demons can be funny, this movie tells the story of a blue-collar, rough and tumble, one-liner spouting man named Ash who’s been sent back in time to fight an army of the undead. Automatically, hijinks ensue as he tries to convince people he’s not a demon himself, but instead chooses to establish who’s boss by demonstrating the power of his chainsaw and “boomstick” (aka. his sawed-off double-barrel shotgun).

But predictably, this anti-hero rises to the challenge and becomes a real hero, and does so with as little grace as possible! And of course, there’s a love story as well, which is similarly graceless thanks to Ash’s lowbrow romantic sensibilities. Nothing is left untouched by the ham and cheese! And all throughout, the gun fights, duels, and confrontations with creepy, evil forces are hilarious, made possible by Campbell’s hammy acting, facial expressions, one-liners and some wonderfully bad cinematography. Think Xena: Warrior Princess, but with guns and foul language!

Blade Runner:
Another personal favorite, and one which I wish I had come to know sooner. But lucky for me I was still a teen when I saw this movie, hence I can say that I saw it while still in my formative years. And today, years later, I still find myself appreciating it and loving it as one can only love a cult hit. It’s just that kind of movie which you can enjoy over and over again, finding new things to notice and appreciate each time.

And once again, my appreciation for this movie is due to two undeniable aspects. On the one hand, Ridley Scott created a very rich and detailed setting, a Los Angeles of the 21st century dominated by megastructures, urban sprawl, pollution and polarized wealth. It was the picture perfect setting of cyberpunk, combining high-tech and low-life.

On the other hand, there was the story. Loosely adapted from PKD’s Do Androids Dream of Electric Sheep?, this version of a future differed greatly in that the artificial humans, the antagonists of the original story, were about the only sympathetic characters in the story. The result was not a cautionary tale on the dangers of creating life in our own image as much as a commentary about the line between the artificial and the real.

The question it asked was: if you overcome all boundaries, if machines possess memory, feelings and a fear of death, is there anything at all to separate them from the rest of us? Will their lives be worth any less than ours, and what will it even mean to be alive?

Conan The Barbarian:
Here’s a movie which has appeared in some friends “guilty pleasure” list, usually next to Predator, Commando and other Anrie classics. But I am here today to tell you it really doesn’t belong. Unlike many 80’s Arnie movies that were so bad, they were good, this movie had some genuine quality and depth to it.

Examples? Well, for starters, this movie was a faithful adaptation of Robert E. Howard’s original concept, Conan the Cimmerian, which was first published in 1932. This franchise, which went through countless adaptations over the ensuing decades, wove real history and myth together with fantasy to create a tale of a bronze age adventurer who traveled across the ancient world, seeking fortune and glory.

One can see this in the movie as well. To create the setting and the various people that make up the universe, imagery, mythology and even names were borrowed from various real sources. For example, the Cimmerians (Conan’s people) were inspired by Celtic and Norse sources. The followers of Thulsa Doom, black-clad warriors from the East, were meant to resemble the Huns, the Goths, and other Eastern invaders. There are also several scenes showing a warlike people meant to resemble the Mongol Hoards, and much of the setting was made to resemble ancient cities of lore – Babylon, Jerusalem, Antioch, et al.

Add to all this some pretty damn good writing and good storytelling, and you can see why this movie has remained enduringly popular with many people over the years. Arnie excelled as the stone-faced barbarian of few words, but who made them count when he chose to spoke. James Earl Jones was exceptional as the amoral, Nietzschean warlord Thulsa Doom, and the production value was surprisingly good for a low-budget flick.

Serenity:
Yeah, I get the feeling everybody knows what I’m talking about with this one! After losing the wonderful show in the midst of its first season, every fan of Firefly was pleased to know that Joss Whedon would be making a full length movie. And personally, I th0ught he did a pretty good job with it too!

Picking up where the show left off, we are reunited with our favorite characters as they continue to work freelance jobs and try to stay one step ahead of the law and the expanding Alliance. From the outset, it is clear that things are getting desperate, as the jobs are proving more risky, and the Reavers are moving in from the Outer Rim. At the same time, a new threat has been thrown in in the form of an Alliance agent known only as the “Operative”, who has made it his business to bring River in at any cost.

And I personally loved how all these threads came together in a singular way, showing how the Reavers, River’s condition, and the Alliance’s ultimate agenda were all connected. Not only was it a tight and entertaining plot that captured the same sense of loss and desperation as the show, it also gave a sense of closure to the series, which ended before its time.

Yes, for myself and many fans, this movie is a way of commemorating a truly great show and idea that faltered because of insensitive boobs couldn’t see the value in it. But that seemed thematically consistent with the series itself, which was all about rebels in a hopeless fight against an evil empire. Take a lesson from this Fox Network, sooner or late,r the bad guys lose!

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For brevity’s sake and the fact that I’m a busy man, I’ve decided to divide this list in half. Stay tuned for entries six through ten, coming up tomorrow! Happy Thanksgiving y’all!

Source, Now Available for Free until Nov.1st!

Good news everybody! At least, that’s how Professor Farnsworth would put it. My first novel, entitled Source, is now available for free through Smashwords until November 1st. As my first work of fictioni, it deals with a concept very near and dear to my heart: apocalyptic sci-fi!

In fact, the entire novel was inspired by a short story project I did with my old writer’s group – The Herscher Project – back in 2005. The theme was dark futures, and I used the opportunity to experiment with an idea that was kind of big news for the time.

If interested, go by Smashwords.com and download Source for your Kindle or ereader. Be sure to enter the coupon code: KY62K in the appropriate box, and get your copy for free! Note the old school cover, I’ve since updated that of course.

Crashland – Chapter 16, Now Available At Story Time!

Alright! It’s been many weeks, but I finally got back to Crashland! I had been hoping to tackle it while on vacay up in Comox, but like many of my projects, it just didn’t happen. But back in my home, where I get most of my writing done, I back on that horse and updated it at last! Good thing too because I was worried people were starting to lose interest. So, here’s where things left off…

Last time around, Holden woke up to find that the subway tube had collapsed, that Jacobs was seriously injured and the medic named Jorka was dead. All of this was being laid at his feet by the new commander, a man named Kurzweil. After talking it over with Molya, the squad’s chief enforcer, Kurzweil ordered him to administer a drug that would put Holden in a coma so they could do their operation without him.

Molya, however, had other plans. Bringing the syringe to Holden, he told him to sneak into Kurzweil’s quarters and administer the drug to him in his sleep. Though he does not fully understand why Jacobs insists on making Holden a part of their operation, he is willing to give them the benefit of the doubt. What’s more, he is not willing to contravene Jacobs orders when he’s not even awake and able to defend them. Holden agreed to the plan and set off to find Kurzweil in his quarters, where he is about to find the man asleep and defenseless, or so he thinks…

Come on by and see what happens. Then stick around to vote on the next outcome. It’s all happening over at Story Time.me!

Crashland – Chapter 15, Now Appearing At Story Time!

by F4U DraconiX

Hello all! After another brief hiatus, thing at Story Time are on the move once again! My apologies for anyone who actually follows Crashland, but due to multiple obligations, I find it takes me longer to update this story these days. Nevertheless, chapter 15 is now available and ready for your votes.

Last time, Holden was told that his best friend in the Exigencies cell was in a coma, and that the team’s doctor was dead. Team leader Kurzweil, who had never been a fan of Holden’s, said he was to blame and his time with them was coming to an end. After leaving Holden with this terrible news, he ordered Molya to make the call.

His choices were simple. Administer an overdose of hydromorphone and kill Holden, administer a sedative that would put him in a coma, or take him to a side tunnel and put a bullet in him. Faced with those choices, readers were asked to make a choice of their own. Would Molya a) disobey and help William escape, b) try to reason with Kurzweil, c) kill William or d) put him in a coma?

Audiences voted and the choice was clear: Molya would try to reason with Kurzweil for Holden’s life. Come on by and see what comes of that. Then stick around and vote on what happens next. It’s all happening over at Story Time.me