Word around the comic book community of late is that the sequel to The Man of Steel will involve a bit of a crossover. Apparently, an aged Batman will be making an appearance in this movie, and the story may very well focus on a rivalry between the two. The news came earlier this month at Comic Con when director Zack Snyder announced that he had something of this nature in mind, taking many by surprise.
One such person was Frank Miller, the man who brought us The Dark Knight Returns, the classic graphic novel where Batman and Superman have a climactic showdown. with uber-freaking awesome results! For fans who were thinking this means that Snyder is looking to create a live-action version of TDKR, this is certainly good news indeed.
Sure, the animated version was certainly good, and the graphic novel itself is a wonderful standalone piece that really needs no adaptation. But I’m thinking few fans of either franchise would pass up an opportunity to see the big showdown between the two superheroes in Crime Alley on the big screen!
And as if wanting to throw some gasoline on those flames ahead of time, Snyder even had actor Harry Lennix, who played General Swanwick in The Man of Steel, read a passage from TDKR. The line comes from the very climax of the fight scene between the two, where a victorious Batman is standing over a weakened Superman and is ready to deliver the coup de grace:
I want you to remember, Clark, in all the years to come… In your most private moments, I want you to remember my hand at your throat. I want you to remember the one man who beat you.
After the reading, Superman’s big S appeared on the screen behind the interview panel while the Batman symbol quietly superimposed itself. Fans were naturally excited and expressed themselves accordingly!
Well, according to the latest industry gossip, a live-action version of TDKR is not quite had Snyder and the studio had in mind. David S Goyer, who co-wrote The Dark Knight trilogy with Christopher Nolan and Jonathan Nolan, recently revealed the Superman and Batman film may use a ‘versus’ in the title. But he was explicit about the fact that the film will not be adapted from Miller’s work.
At the same time, however, sources close to Miller confirmed that Snyder asked for a sit down to discuss what this crossover movie would involve. The source made a statement of this impending meeting, claiming that:
Frank had no idea the announcement in San Diego was going to happen so it did come as a surprise. He’s going to be meeting up with Zach in the next few days to go over the plans for the Superman film so things should be clearer after that.
Set to be released in 2015, the Superman vs. Batman movie is likely to be a loose adaptation, from the sounds of things. And the very latest in industry gossip says that Christian Bale may be coming back to reprise the role of Batman, to the tune of $60 million! No indication has been given if he has chomped at the bit yet, but Bale did indicate that he might not be finished with the role.
As Bale said in a recent interview, when referring to the price tag, “Let’s not get greedy”. But at the same time, he didn’t rule out the possibility, claiming that “it all comes down to Chris [Nolan].”
Personally, I think this “loose adaptation” talk should be ditched in favor of a full-on TDKR adaptation. There’s plenty of potential to update the story, which was written in the late 80’s and featured a very Reagan-era Cold War-esque story, but with a few tweeks, it could easily be adapted to fit in the current era.
And it might even tie the two franchises together nicely, with a supposedly dead Batman coming out of retirement, and a Superman who has been enlisted to serve the government finding themselves at odds. And since the storyline involves the Joker, it could be a fitting tribute to Heath to have him brought back for one final dance with the Batman.
It’s a tall order, I know, and like I said, it was already done. But if you’re gonna go big, Snyder, go REALLY BIG. Or just go the hell the home! You’re making some tall promises, and fans are expecting better from you after that bit of a letdown known as The Man of Steel. You got Batman and Superman in your hands now. Don’t screw it up!
We are now just one week way from Man of Steel‘s official, theatrical release. And in honor of this final lap, the studio has chosen to release one last, beautifully produced, trailer. And unlike the other trailers, which focused on Clarke’s upbringing, his quest to find his true identity, or showcased how the people of Earth would react to his presence, this one is action and nothing but!
It starts with a fair bit of footage from Krypton, where we see more of the apocalyptic event that required that Clarke be sent away, and then moves to Earth, where the same forces that took his homeworld threaten to consume his adopted world. And it’s abundantly clear from this and the last trailer that in this relaunch, unlike the originals, that Zod is at the center of it all.
Krypton’s destruction was no mere accident, and the evil Kryptonians were not mere exiles. Interesting angle…
Enjoy the show, and let’s all be ready for when it comes out. This is one relaunch I actually intend to see!
Despite rumors that T5 was stuck in a development phase known as “development hell”, Mr. Terminator himself recently came forward to offer an update which set the record straight put fans of the franchise in a much better mood. In a recent interview with Metro magazine, Arnold Schwarzenegger claimed that the movie was on track and that they are busy writing the script for it as we speak.
In addition, he claimed that other projects which will be involving him in the next few months were green lighted and getting the go-ahead. This included the much-anticipated T5, as well as some other sequel/relaunches:
We’re writing it now. There are three projects being written that involve me. One is Terminator 5, the other is a Conan movie that Universal is doing and there’s the sequel to Twins, which is called Triplets. We’ll all look quite different in that. The third triplet is Eddie Murphy, so figure that one out.
Really? Still doing the Conan relaunch, huh? And Twins too? Wow, these are a few candidates for download! I can see the Conan relaunch making sense, given how poorly the last relaunch did. But isn’t there a statute of limitations on how many times you can relaunch a series? Or did I just make that up?
In any case, no indications have been given yet as to what role Arnie himself will be playing. No doubt that is a detail which the studio will keep closely guarded until they finish hammering out the script, or figure it out for themselves! But we can safely assume that he was referring to Patrick Lussier and Laeta Kalogridis when he referred to the writers.
One thing is clear. Whatever they make couldn’t be much worse than the last two Terminator movies. Let’s just hope they ditch the continuity thing and go back to their roots on this one. That’s what Superman Returns did and I can’t recommend it enough. Though not everyone liked that relaunch, it did present a good idea for franchises that were tired and washed up: Make a movie that picks up where the last good one left off and pretend like the abortive sequels never happened.
And while they’re at it, do you think could Hollywood should relaunch Predator and Alien, preferably to a point before AVP was spawned? There’s a concept that has huge potential, but for some reason can’t seem to express it on the silver screen!
Recently, I finished watching the animated movie of the classic comic, known as The Dark Knight Returns. Adapted from Frank Miller’s four-part graphic novel, this movie came in two parts that were released separately over the past year. And now that I have both parts under my belt, I feel that a review is necessary. Not only was this an overdue feature, in my opinion, it was also one of the biggest installments in the Batman franchise and the greatest accomplishments of Miller’s checkered career.
Originally published in 1986, TDKR tells the story of Batman many years after the official story arc where he and others like him have gone into retirement. Borrowing from such franchises as The Watchmen, it experiments with some limited alternate-history, showing how the 80’s would have been different had superheroes been around and worked for the government. In and around all that, Miller also takes the time to make some social and political commentary, examining Batman’s quest to save Gotham from multiple angles and presenting it as a controversial issue within the story.
With only some minor liberties and changes, the animated movie presents the story as it happened in the graphic novel and was true to the spirit of Miller’s creation. Intended as a sequel to the 2011 animated film Batman: Year One, the film was directed by Jay Oliva, who worked as a storyboard artist on Man of Steel, Batman: Year One and Batman: Under the Red Hood and stars Peter Weller (Robocop) as the voice of the Dark Knight, Michael Emerson (Lost, Saw) as the Joker, Ariel Winter (Modern Family, Kiss Kiss Bang Bang, Speed Racer) as Robin and David Selby (Dark Shadows, Unknown, The Social Network) as Commissioner Gordon.
Plot Synopsis: The story opens on Gotham City, with Bruce Wayne now 55 years old and in retirement. Nearly all superheroes, with the exception of Superman who works for the government, have gone underground since the government made their activities illegal and the population turned against them. Unlike most, Batman went willingly due to the death of Jason Todd, the second Robin, which left him scarred and dejected.
Naturally, Gotham City has descended into a state of chaos and near-anarchy and a new gang of thugs called the Mutants has taken control of the streets. At about this time, Harvey Dent is released from Arkham Asylum after undergoing reconstructive surgery which has restored his face. His therapist, Dr. Bartholomew Wolper, insists that Dent is a healed man and wants to return to normal life and repent for his past crimes. Like many Gothamites, Wolper is not a fan of the Batman, blaming his obsession with order for Dent’s psychosis.
Similarly, the mutant boss begins to release statements saying his gang is going to take control of the city and kill Gordon. After meeting with him for drinks and visiting Crime Alley where his parents were murdered, Bruce Wayne realizes he can no longer stand idly by and decides to don his cape and cowl again. His first stop is to a robbery in progress where he takes out several armed hooligans and is met with nostalgic praise by one police officer, and fear and trepidation from a rookie.
Batman’s return is met with mixed reviews, with some condemning his actions and others hailing the return of the crime fighter who teaches common people to be brave and rise up. His sudden appearance is also noticed by the Mutant boss, who begins to add Batman to his list of people to kill. But more importantly, a masked man holds the city ransom and threatens to blow up the cities “Twin Towers” if he doesn’t get a ransom. Batman is convinced its Harvey and intervenes.
After taking down his thugs, Batman realizes that the bombs Harvey set were meant to go off no matter what. When he confronts Harvey himself and disarms him, he realizes the entire thing was an elaborate suicide attempt to demonstrate how he has not healed. Rather than being cosmetic or physical, his psychosis is deeply rooted in his psyche and can’t be expunged. He surrenders to Batman and is returned to Arkham.
The city breathes a sigh of relief and once again begins endlessly debating the Batman’s actions. One person who takes particular notice is a young woman named Carrie Kelley, whom Batman rescues earlier on in the story from a mutant attack. After witnessing him save the city, she buys a knock-off Robin costume and decides to pursue him, hoping to become his new sidekick.
Batman’s next confrontation takes him to the city dump where the Mutants are assembling and getting ready to assault the city. In his souped-up version of the Batmobile, which is now an armored tank, he disperses the thugs quickly using rubber bullets and rockets. But the Mutant leader comes before him and challenges him to a one-on-one fight. Batman cannot refuse, and the two get into it.
The fight goes poorly as Batman realizes the Mutant boss is in his prime, clinically insane and virtually immune to pain. Despite his best efforts at beating his down, Batman suffers some severe injuries as the mutant bites into his shoulder, breaks his arm, and slams him to the ground. He is narrowly saved when Robin intervenes and distracts the boss and Batman is able to pacify him. Together, they retreat back to the Batcave while Gotham PD arrives and places the Mutants into custody.
While recovering from his wounds, Batman has a talk with Kelley about being his sidekick. He agrees to take her on provisionally, provided she doesn’t disobey his orders or put herself in needless danger. The mayor meanwhile attempts to step in and come to an agreement with the Mutant boss, but is murdered when he steps into the room alone with him. Batman decides that the only way to crush the mutants is to defeat their boss publicly and permanently.
After arranging for his escape, the Mutant boss is lured to another dump where the Mutants have all assembled. Engaging him in knee-high mud which slow him down, the Batman has the advantage and manages to pacify the boss further with nerve pinches and strategic blows. He finishes him off by getting him down and breaking his arm and leg, then punching him until he’s unconscious. To all the Mutants watching, it is clear who is top dog in Gotham now!
Thus ends part I of the story.
In part II, things once again open with people debating the actions of the Batman, especially since his defeat of the Mutants has led to the creation of a new gang known as the “Sons of Batman” who assault and kill criminals. Commissioner Gordon retires and is replaced by a Ellen Yindel who issues a warrant for the arrest of Batman. And in Arkham Asylum, another person takes notice of Batman’s latest actions with interest… the Joker!
Meanwhile, Superman is called to the White House to discuss putting and end to Batman’s actions. Superman indicates that it won’t be easy and he doubts Wayne will listen to reason, but agrees. He arranges to meet with Wayne and tells him that his coming out of retirement is a violation of their agreement and that if he persists, Superman will have to bring him in. Wayne responds only by saying “may the best man win”.
Superman is then forced to head to Corto Maltese, a small island that is being contested by the Soviets and the US. After open fighting begins, Superman intervenes and begins destroying the Russian forces. The American forces are declared victorious, but a full-scale nuclear standoff results and a terrible sense of fear sets in.
After convincing Wolper that he has recovered, the Joker decides to come out of retirement himself by going on a late night talk show. Whereas Wolper is presenting him as a recovered man who regrets his actions, the Joker arranges to kill everyone in the studio using his Smile-ex gas, which his assistant disperses using a pair of robot children. Batman arrives on scene but is forced to fight it out with the police, and everyone in the studio dies.
The Joker finds Selina Kyle (aka. Catwoman), who now runs an escort service, and drugs her to make her do his bidding and orders her to send one of her girls to give the same mind-control drug to a local Senator. This man then jumps from his hotel window after saying a full scale first-strike is the only recourse they have with the Russians, which intensifies the panic and keeps the police busy. After learning of this, Batman and Robin head to Kyles place where they find her bound and beaten in a Wonder Woman costume. Barely conscious, she tells them, “he’s worse than ever”, and they realize he has headed to the county fair.
They arrive to find the Joker’s already killed many people and Batman begins pursuing him while Robin tries to stop his associate and his lethal robots. Batman finally corners Joker in the Tunnel of Love where he breaks his neck, but not before the Joker has critically wounded him with a knife. The Joker then taunts the Batman by saying he will be charged with a murder he couldn’t bring himself commit, then twists his own neck to complete the break and kill himself.
Batman narrowly escapes police but knows they will stop at nothing to end him now. Retreating once again to recover, things once again escalate as the Russians respond to Superman’s intervention in Corto Maltese with a tactical nuclear strike. Superman manages to divert the missile from landing in Corto Maltese, but diverts it to the upper atmosphere where its detonation causes a massive EMP to short out all electricity in Gotham.
Superman himself is nearly killed by the blast and the resulting cloud cover, and must drain energy from nearby plants and trees in order to recover. Batman also awakens from his bed to find the city rioting and looting in the midst of the blackout, and rides in with Robin on some horses to begin recruiting people to help. He finds willing assistants with the Sons of Batman, former Mutants, and common citizens alike. Commissioner Gordon also manages to enlist the help of people to stop a fire and manages to find his wife after thinking he lost her in the blaze.
With the city once again saved and Superman recovered, the stage is now set for the final confrontation. Passing overhead of Wayne Manor, Superman etches the word WHERE? on the lawn, to which Batman responds “Crime Alley”. After doing an inventory of some specialized weapons, which includes a powered exoskeleton, he is met by Oliver Queen (aka. Green Arrow), who he agrees to let help him. Having lost his arm to Superman in their last confrontation, he is bitter and eager to help the Dark Knight bring him down.
The Gotham Police and National Guard cordon off the area as Superman and Batman both arrive. The Batman gets out of the Batmobile and tells Robin to keep it running and follow the orders he left her with. Robin asks if there is a plan here, but is left with the impression that Batman will not be returning from this fight. He confronts Clarke in the street and they begin to fight it out. Outmatched, Batman employs several special weapons to slow him down, including a sonic blaster, a massive electrical shock, acid, and finally, a kryptonite arrow fired by Oliver.
The arrowhead explodes after Clarke catches it, filling his lungs with the dust. Batman delivers several more punches and is all set to deliver the coup de grace, but takes the time to let him know that he just wanted to defeat him, not kill him. In the end, he wanted Clarke to know what it was like to feel mortal, and to know who defeated him.
Meanwhile, Alfred torches Wayne Manner and collapses outside, suffering a stroke and dying in front of the home of the family he spent his life in service to. The police and army arrive and find Superman wounded but alive and Batman on the ground. Superman refuses to let them touch him and carries his body away.
Shortly thereafter a funeral service is held which is attended by Kyle, Gordon, Superman and a young veiled woman. Kyle blames Superman for his death and Gordon is heartbroken. However, as Clarke turns to leave, he hears a quiet pulse coming through the ground. He turns and looks to the young woman and sees she’s carrying a shovel under her robe. He realizes the truth and winks at her.
Cut to the final scene, where Robin, Oliver and a group of people arrive at a cave and begin setting up equipment. Bruce arrives and tells them they are setting up here, that this will be their new “Batcave” and he will teach them everything he knows. Henceforth, they will work from the shadows, protecting Gotham and not drawing attention to themselves. The movie ends with Batman saying he spent the last few years searching for a good death, but feels he can now make a good life.
“Well… good enough!” he finishes by saying. Roll credits!
Summary: Personally, I thought this movie was done right. The casting, and character-acting were all spot on, and I especially enjoyed the animation. Not only was the quality quite good, but it managed to capture a great deal of the aesthetics and even iconic images from the original comic itself. Not easy to do when your adapting graphic novel material, especially when its Miller’s work!
What’s more, I thoroughly enjoyed how they captured the tone and feel of Miller’s original comic. Not only did it possess the dark, gritty and just-realistic-enough tone of things, they also managed to smooth down some of its more rough edges. For one, many people who enjoyed the original comic did have some complaints about all the social commentary and the way the talking heads and mass media asides kept coming up. While I agree that Frank leaned on these a little too heavily, I think they struck a fine balance in this movie. Basically, they managed to present the issue without getting too saturated by it.
The same is true of the whole controversy surrounding Batman’s actions and the big question it raised. In Miller’s comic, you kind of got the feeling you were being beaten over the head with the moral, but these guys did it right by not overdoing it. It’s like, we get it, vigilantes must consider the consequences of their actions, whether or not their fighting crime is a form of “social fascism” and leads to more kinds of “legitimized violence”. Put it in the background and let the show go on…
And yes, they did change a few things. For one, Batman’s confrontations with the Joker and Superman happened a little differently in the books. In all four cases – Dent, the Mutant leader, Joker, Superman – they kind of sexed up the actions scenes, adding more punches, kicks and acrobatics. No complaint there, they were awesome! Especially the fight with the mutant boss, which I felt really captured the essence of Batman schooling his younger, crazier enemy in the ways of pain!
But they when it came to the latter two, they changed things a bit in a way I didn’t like so much. For example, in the comic, the Joker’s taunted Batman for not being able to kill him, whereas here he simply laughs for having made him “lost control”. In truth, Batman still couldn’t kill the Joker, despite how many more people he’d killed and the fact that he now blamed himself for not doing it sooner. It was a brilliant theme, loaded with subtext and something they touch on numerous times throughout the series. Here though, it was kind of minimized.
Then there was how Batman told Superman he didn’t intend to kill him but just wanted to let him know he could beat him. In truth, Batman was not so merciful to him in the comic. After disabling him with kryptonite, he made sure Clarke understood why he was beating the tar out of him. First, he felt Superman had sold them out by agreeing to serve the government, that he resented him for being a boy scout who blindly did as he was told, and that he could never understand what life was really like. Only after all that did he tell him he wanted him to remember who had beaten him and how he could have killed him.
And that was the real point here. In the end, the fight was a contest of who’s way was better, Batman’s dark and realistic appraisal of things, or Superman’s naive and idealistic way. That’s part of what made it so brilliant. It was a commentary on two parallel stories that were years in the making, and the ironies and consequences that grew out of them.
Superman, for all his power and idealism, is basically an expression of the American Way, with all the naivete and denial that goes with it. Batman, on the other hand, is like a reality check, a cynical and dark admission of what really is. The significance of how they collided in the end and one could have killed the other, but stopped short of doing it, was magnificent!
Ultimately, The Dark Knight Returns was a great series and its little wonder then why Christopher Nolan drew inspiration from it to fashion his relaunch of the Batman franchise. In the first and second movie we get into the issue of “escalation” in the creation of the Joker and the responsibility of the hero, both of which bear a striking resemblance to what happened in this comic.
Then there was the issue of Batman coming out of retirement to face a younger, meaner, stronger opponent in Bain, which seems ripped from his confrontation with the Mutant boss in this one. Add to that Batman’s apparent death at the end of the last movie and all roads seem to lead back to this comic at some point. Hell, even the name of final movie in the franchise is practically the same as the comic: The Dark Knight Rises (TDKR) – The Dark Knight Returns (TDKR).
And with the final release from the Nolan series, I’m guessing the time seemed ripe to show the adaptation of the classic comic and show people just where so many of the original ideas came from. You’re welcome Nolan, and I strongly recommend anyone who has not read the comic and/or seen this movie yet to get out there and do both. You might say it’s required reading and viewing for any fan of the Batman franchise!
With 2013 now in full swing and summer not that far off, it’s once again time to announce all the remakes, relaunches and sequels that Hollywood has in the works. And much like last year, it seems the majority of the industry’s money is being placed on some safe bets. In other words, instead of investing in new and exciting projects, they are banking on previous successes and old favorites that are sure to cash in.
Oh Hollywood! Do you remember when it was exactly that you lost your passion for cinema and became a tired, old hack? I guess it’s not your fault, what with all the money that goes into generating these movies and all the money that comes out. Money! Screws up everything. And we the public are probably to blame too. If we didn’t lap your shit up, you’d stop slopping it us wouldn’t you?
But this isn’t a thought essay on the merits of marketing to the lowest common denominator or the ethics of mass consumption. Here’s some of what Hollywood and their affiliates have in store for us for the year of 2013. Surprisingly, not all of it sucks!
Carrie: The original movie adaptation of Stephen King’s classic tale of alienation, teen judgement and psychotic, telekinetic revenge was… well, a classic! So why do we need a remake? Is there any possible reason other than wanting to cash in on the fame of the original? Or could it be they simply want to take advantage of updated special effects for the sake of the bloody prom night scene? Originally due to come out in March, the movie has been pushed back to October to coincide with Halloween. Good call there!
Catching Fire: For fans of the Hunger Games, this return to the popular Suzanne Collins series promises to be big, bold and profitable. In this installment, Katniss Everdeen (once again played by Jennifer Lawrence) is on a Victory Tour of Panem and realizes that her win with Peeta has triggered a series of rebellions. Photos from the shoot have begun to leak, and the movie is slated for release in November. Probably won’t suck and I am interesting in seeing it, just as soon as I actually read the second book.
Fantastic Four: Once again, Hollywood is making a reboot just a few short years after a previous adaptation was already launched. They did the same with Spider Man last year and this time around, its Fantastic Four. Josh Trank, director of Chronicle, is rumored to be man who will be directing, and there are hints that the remake will look and feel somewhat like Alien. No news yet on who is being contemplated to play the lead roles, but rest assured, the remake will be splashy and a likely draw.
GI Joe: Retaliation: After seeing its release pushed back a year in order to incorporate 3D, the sequel to the first G.I. Joe movie is slated to be released this May. In addition to starring Dwayne “The Rock” Johnson, Bruce Willis is also making an appearance as a character that seems no different than John McClain or Church from The Expendables. No telling why the studio felt it was necessary for the movie to be shot in 3D considering all the action and big names, but I would imagine it’s because they didn’t have a lot of faith in these things alone.
Man of Steel: News of the Superman remake has already been making waves, and considering the writing team, cast, and the trailers that have been released, it seems that this movie might actually be firing on all cylinders. Still, one has to wonder why the franchise needed to be repitched so soon after the last repitch, which took place back in the summer of 2007 with Superman Returns. Wasn’t that movie decent enough, and didn’t it drop all kinds of hints that there was more to come? But of course, some projects run out of steam and you have to start over fresh. And this is one relaunch that I will actually be seeing and (fingers crossed) enjoying thoroughly!
Smurfs 2: Yeah, you read that right. It seems we can all look forward to a sequel to the original adaptation of that children’s cartoon that for some reason aired in summer of 2011. I mean there’s nostalgic appeal and then there’s this! What going on, Hollywood. Did some call for a retro free-for-all? Neil Patrick Harris will be reprising his role from the first, no doubt because he’s contractually obligated to! Oh, and its being shot in 3D, which of course means the studio has a lot of faith in it 😉
Thor: The Dark World: Building on the success of the first movie, as well as the Avengers and all the other Marvel comics adaptations of late, this sequel sees Thor facing off against some “Dark Elves”, led by Christopher Eccleston (Doctor Who, 28 Days Later, Shallow Grave, The Others). Rumor has it that this movie will be directed by Game of Thrones veteran Alan Taylor, who’s apparently bringing some of the same realism he brought to that series to Asgard. Will that include blood, guts, and plentiful nudity? Guess things got a little darker and dirtier since the first one!
The Wolverine: The third prequel in the X-Men franchise, this one once again focuses on Wolverine. Going with a storyline which is big with the fans of the original comic, this movie tells the story of how Wolverine went to Japan to learn the ways of the Samurai. Hugh Jackman will be reprising his role as the title character, and seems to have undergone some kind of surgical procedure to remove every ounce of fat for the role! Seriously, Hugh, I hope that’s photoshop because you don’t so much look buff as scary!
And that’s some of what the great filmakers of LA LA land plan to subject us to. Do you ever sit back and wonder just how many starving children could be fed with all the money that goes into financing these projects? Of course, I can’t criticize too much since I’ve already admitted that I’m planning to attend more than one. And what’s more, there are a few projects coming out which do seem exciting, original, or just plain overdue. But that’s another post!
Hi all! Remember HISHE, the hilarious animated website that does alternate ending to movie? Turns out they had an Avengers ending which I thought I shared, but never did! Why, I ask myself? Granted, they didn’t so much as challenge the movie on plot holes as much as mock the fact that the movie made a sh*tload of money! Well, they did that too, but like the movie itself, we are encouraged to look past that and see just how much freaking money it made! And of course, the entire team gets to sit in the superhero cafe, which is where Superman and Batman always wind up after talking about their respective adventures. So what the hey, it’s funny right? Enjoy!
Just one last hurdle remains before I can declare the New New Justice League complete and ready to fight crime… or cause it, whichever the case may be. And that is the selection of an outfit and a catchphrase. To be fair, some of you have already done this, specifying that you want to fight in high-heels or erotic dress (wink, wink). However, the majority of us who have created characters still need to stress how we are going to appear in public and what they plan to say when busting up their enemies.
Keep in mind, the costume is absolutely key. It is the visual personification of your superhero ethos, your motivation and modus operandi encapsulated in a few feet of tight leather, spandex, or super-resistant high-tech fabric. So choose carefully, and keep in mind the following options:
Mask – this is especially important since it hides your true identity. For some, its enough to simply remove their glasses and add a cowlick to their hair (who you fooling Superman?). For others, a full mask that not only covers but protects is key (Batman), and others still get by with a simple eye-covering addition. And let’s not forget the bad guys who turn masks into deadly and scary appendages (hello Bane!). Just make sure your opponents can actually hear you and understand what you’re saying.
Cape – a classic when it comes to fighting crime or being a flamboyant villain. Sometimes, its even used as a a tool of weapon (you again, Batman). But even if its strictly decorative, its an important part of the ensemble, and can hold your logo or just carry your colors.
Skin-tight suit – men and women enjoy this option! Composed of leather, indestructible fibers, or molded plastic, having a suit that fits your form and enhances all the right things (i.e. pecs, shoulders and boobs), the suit can be intimidating and distracting to the enemy. Just remember, sacrificing form to function only goes so far! Looking good is important, but not as important as being able to comfortably, run, jump, and kick ass!
Armor – There’s no rule that says you can’t look good and afford ample protection. But for those who don’t want to be seen wandering in around in skin-tight skivvies, a suit of body armor is a safe and effective option. Not only that, but it can be shaped to enhance your natural physique and make criminals and your personal enemies think you’re a lot bulkier (or bucksome) than you actually are.
Mits/Boots – you may not think so, but what you wear on your hands and feet can be just as important as what you have covering your face. For example, rough and tumble superheroes tend to wear armored gloves so they can bash in their enemies faces, while your crime-fighting lady superheroes of the past tended to wear arm-length gloves to give them that demure look. Much the same is true of feet apparel, with the men sporting heavy boots and the ladies using high-heeled shoes or something else completely impractical. In modern times, things have gotten a bit more sensible, with female superheros wearing more combat-friendly, sensible shoes and hand gear. Though some ladies (such as Catwoman) still seem to prefer high-heeled boots to flats because, let’s face it, they look kick-ass!
Distinguishing Marks/Disfigurement – in some cases, the superhero/villain are themselves their costume! This is the case with the Hulk, the Toxic Avenger, and guys like the Joker. Beyond the occasional article of clothing (like Joker’s purple suit) there really is no costume. The makeup and the scars are what identify him. And in the case of the Hulk, transformation into a giant green beast is what identifies him. Oh, and speaking of beasts, there’s Beast! Like Mystique and Nightcrawler, the outfit is a permanent part of their person.
Catchphrase time! I can’t specify any rules or parameters here, since there really are none. The only thing that matters is that it be appropriate to your characters motivation and/or persona. Keep it short, sweet, and direct. Intimidation factor is a must, but then again, so is comedic value. And remember, you get bonus points for play-on-words and puns, provided they are clever! Go to town!
I got to say, I was impressed with the response my “Superhero Challenge” got. I knew that the topic was a fertile one, hence why my wife and I started talking about it. But I wasn’t sure how much thought other people were likely to put it into it. I’m so happy there are plenty of geeks like me out there! For those of you who came in and selected your powers and a name for your character, kudos! Now we just need to get to work on your backstory.
Every superhero and villain has one. They give them depth, motivation, and an origin story that makes their actions and purpose seem relatable. After all, a hero who does heroic things just because is no hero at all! He’s just a cardboard stand in whom no one can relate to. But a hero who helps others because of personal tragedy or to bring meaning to their own life is something we can all get behind.
Heck, the same is true for a super villain isn’t it? No one believes that a bad guy could kill, maim and plot the destruction of the world simply because he’s Evil the Cat. He too needs a history to explain how he became the way he was. It’s simply the way people work. We desire explanations and love a good origin story!
So I’ve prepared the following list of motivation/creation factors. I’d say pick one, but since there are some obvious places where overlap occurs, feel free to pick a second if it’s appropriate. And just to be creative, I’ll include a list of possible factions/forces that could have been involved. Circumstances are one thing, but going from that to the five W’s (who, what, when, where, and why) is a different matter. Read on and select:
Tragedy– this can be the death of one’s parents, a wife, a husband, a sibling, or even a child. The loss effected you deeply, and led you to resolve that you would never let that happen to anyone else. Or maybe you just want some payback on the bastards who did it! Either way, the tragedy has become your weapon, and those who would harm innocents fear you now!
Vendetta –a slight variation on Tragedy, this involves a purposeful attack on you which left you scarred, angry, and motivated to seek vengeance on the ones who did it. Whereas the loss of family is a tragedy that would have hurt you deeply, this is a wound that has left you pissed and determined to see the people who did it suffer horribly!
Accident –maybe you fell into a vat of chemicals, got bombarded by some high-energy gamma rays, survived an atomic blast, had a brush with near death, or just stumbled onto something you weren’t supposed to. However it happened, the experience left you scarred and forever changed. Fighting crime or doing evil is now your outlet over the pain of the life you lost, and a means to put your freaky new abilities to work!
Mutation – similar to option two, this could be your mother having been bitten by a vampire (a la Blade), the result of evolution (a la X-Men), or again exposure to some process that isn’t exactly scientifically possible. But it’s left you with powers and there must be a reason for it, or at least a positive (or selfish) way to use them.
Alien Influence –alien technology came to Earth and picked you as its beneficiary. Or maybe you just accidentally found it and decided it was mighty cool and useful. Hell, maybe you ARE an alien who fell to Earth (i.e. Superman), and being one gives you strange and awesome powers that no one else has access to. How will you use it though is up to you. Will you be a savior, or a terrible force to be reckoned with?
Who hurt /changed and/or effected you? In short, what was the motivation behind the thing that made you what you are today? The list of possible candidates is potentially long, so I’ll try to break it down to as few possibilities as I can. And off the top of my head, and calling to mind all the examples that I can think of, I have come up with a list of seven different kinds of people/organizations who usually have a hand in the creation of superheroes and villains. Select one and proceed to the end:
Crime Kingpin – every city has its share of crooks and criminal masterminds. Did you, your family, or someone else you care about run afoul of these villains? Did you, they, owe them some money, protection fees, a debt of blood which they exacted, thus leaving you hurt, bitter and angry?
Negligent Superhero – let’s face it. Sometimes superheroes do bad things. Whether its collateral damage from their crime-fighting antics, the result of too much force, or maybe they were just having an off day, sometimes they hurt people without intending to. This is sure to leave some people angry, scarred, and looking for payback. After all, the Joker was either a hapless victim or a petty thug (depending on which back story you believe) before Batman sent him into that vat of toxic chemicals. And you got to figure a lot of victims get caught in the crossfire whenever there’s a big showdown between the good guys and bad. And in some cases, the victims blame the heroes…
The Government – yeah, we all know they’re up to some clandestine stuff, or at least they used to be! And whether they decided to quietly bury the outcomes of their ugly projects and black ops, or simply don’t know about them anymore, you were the end result and now the truth must be brought to light. Expose their crimes, and if the ones who did are still around, make them pay! Otherwise, they might do it to someone else!
The Corporation – and when it’s not the government doing dirty, crooked things and then trying to cover it up, it’s usually the private sector! We all know there are plenty of corporate magnates out there who love to experiment with weapons, chemicals, radiation, and risky ventures that will leave people dead, mutated, or just plain altered. And you know they won’t be held accountable for it. No sir, not by the courts and not by the law! It’s up to you to bring these bastards to justice, or perhaps they are after you because you are now in possession of something they want. Doesn’t matter, as far as you’re concerned, the initials CEO stand for Chief Enemy Officer!
Aliens – sure, there are plenty of nice aliens out there. ET, Alf, and the Predator people can be pretty stand up if you know how to stay on their good side. But alas, there are plenty of aliens out there that are just like us humans. Cruel, manipulative, and irresponsible when it comes to how they treat other people and dispose of their technology. Maybe you came into something powerful by accident, or maybe it was the result of something they purposefully did to you. Either way, you gotta follow this up and figure out who they are. And while you’re at it, show off whatever it is they gave you!
Vampires/Paranormals – far be it from me to discriminate against folks on a count of their background or supernatural affiliations. But when Vampires, Werewolves and other paranormal creatures start hurting people, it’s on! Was it you they hurt, your family, your friends, or do they just have it in their heads that “your kind” needs to be destroyed or pushed out of the way? Doesn’t much matter, because the end result is the same. Death to (fill in the blank)!
International Villains – sometimes, its not our own governments or their secretive agents that we need fear. Sometimes, the threat comes from aboard, either in the form of renowned terrorists, spies, or assorted Bond-like villains. And when they crossed you, your family, your friends, etc, they went too far! Now it’s up to you to make them pay for their crimes. This may be a fight you pursue alone, or as part of a team or a government agency. But in the end, you will bring the fight to their doorstep!
Okay! That’s it, that’s all on my end. Once again, the challenge is to make your selection and combine them with your characters powers and name to come up with a profile that is all your own! And please feel free to comment and include a small bio blurb which I will then include in a list of superheroes in my third and final installment. I plan to call it, “The New New Justice League”! Okay, that name is negotiable, but the intent is pretty clear right? Let’s make some new and interesting comic book icons!
Earlier today, my wife and I started having a conversation. It was one of those moments where an idea pops into your head, totally irrelevant and unimportant, but fun nonetheless. I asked her, if she could be a superhero and have her choice of three superhero abilities, what would they be. Come to think of it, it doesn’t seem that irrelevant does it? I mean, let’s face it. We’ve all dreamed about being superheroes at one time or another, haven’t we? To have superhuman abilities that would allow us to fight crime, save the world, or just beat people up and make us feel big.
So based on the assumption that there are other people out there who think like I do and have actually dedicated some thought to this question, I have prepared the following list. The goal here is to pick the three abilities that you think would make an ideal, well-rounded, or at least interesting superhero. Remember, you only get three, so choose wisely (and please note that the following list is merely the product of superheroes that I can recall and is by no means complete):
Ability to Fly
Advanced Technology (i.e. Ironman suit)
Alien Technology (i.e. Green Lantern)
Babel Ear (understand any language)
Elemental Control (weather)
Energy Emission (i.e. shoot energy from your body)
Godhood (i.e. Thor, Loki)
Guns (i.e. Punisher)
High-tech vehicles (i.e. Batmobile, Batjet, etc)
Inertia (i.e. Juggernaut)
Invisible means of conveyance
Mad Fighting Skills
Multiplication (ability to make many of you)
Suggestion (i.e. mind control)
Transmutation (shape shifting)
Good! Now that you’ve selected your three abilities, it’s time to pick a name. What monicker best represents your hero, your abilities, and your particular manifesto. Is it truth, justice and the American Way (holy cliche, Batman!), fighting crime and protecting the citizens of your city (now that’s Batman!), or terrorizing the piddly folk and making them piss your pants at the sheer sight of your face (that sounds like the Joker)? Once again, be sure to choose wisely. The right kind of name can make your career, the wrong kind of name can make you a pariah!
HISHE has done it again, this time with the latest in the Dark Knight franchise. I rather approved of what they did with the last one, not to mention Superman, Prometheus and just about any other movie that, while awesome, had a plot hole or two! Check it out, funny as hell!