Welcome back to the wonderful world (pun!) of Terraforming. In my last post on the subject, I came to see that it emerged in fiction in the early 20th century as part of our growing awareness of the universe and humanity’s place within it. As western civilization grew and came to encompass the entire world through exploration, conquest and colonization, human scientists simultaneously discovered that our universe was much larger than previously thought, and began to postulate that life could exist on other planets.
In short, while our world grew smaller, the universe grew much, much larger. With no more nooks or corners left to explore and conquer, we began to set our sights to the heavens for the next frontier. It’s such a fertile topic, but I shan’t get into it here. If I start waxing philosophical on all the thought that goes into exploring new worlds, we’ll be here forever.
Onto to the subject for today, which is terraforming in popular culture! As you can guess, there are quite a few instances of this taking place, and for good reason. Wherever science fiction and exoplanets have shown up in pop-culture, the concept terraforming was sure to follow. In some cases, this constituted a mere mention, but in others, detailed descriptions were given. Here is a list of just a few examples that I could find:
Central to the plot of Aliens was the fact that LV-426, the planet where the Nostromo and its crew encountered the Xenomorph in the first movie, had become a settler colony. As the executive at Weyland Yutani told Ripley, it was what they referred to as a “Shake and Bake Colony”, where terraformers were sent on ahead to run the atmospheric processors and make the planet suitable for human use. This was all in keeping with WY’s motto of “Building Better Worlds”. Pshaw!
Shortly after they arrive on LV-426, Ripley and the compliment of Colonial Marines determined that the colonists had been moved into the atmospheric processor, specifically to its lower levels where the air was hot and humid. Apparently, these conditions were favorable to the Xenomorph hatchlings, which began to use the colonists as hosts to breed”Chestbusters”.
After their disastrous confrontation in the hive, the atmospheric processor suffered a rupture to its coolant systems, which meant that the entire thing would go thermonuclear in just a few hours. After being all but eradicated in their first encounter with the Xenomorph and losing their only transport back to the ship, this served to add further urgency to the plot. And in the end, it was the destruction of the atmospheric processor which ensured that the Xenomorph colony was destroyed and all traces of them (with the exception of the Queen) wiped out.
Set in the not-too-distant future, this anime from from the late nineties was set in a universe where humanity lived throughout the Solar System. This was made possible due to the discovery of hyperspace gates; however, due to the explosion of one near the Moon, Earth found itself being bombarded by meteorites which devastated large sections of the planet. As a result, much of the human race had to relocate to the Inner Planets, the Asteroid Belt, and the moons of Jupiter.
Many episodes of the show take place on the planets of Venus, Mars, Ganymede, Io, Callisto, and Titan, where terraforming has rendered them partially of fully habitable. Though the concept is treated as a sort of given, some degree of explanation is given as to how it took place and the varying degrees of success that resulted. In the case of Mars and Venus, the terraforming was so successful that Mars became the new hub of human civilization and Venus a major population center.
With this background firmly in place, the series plot arc – which involves a motley group of bounty hunters patrolling the system Space Western style – is then able to unfold. Though the show last only 26 episodes, it did achieve a cult following and a level of influence, similar to Joss Wedon’s Firefly (another Space Western that died prematurely).
Speak of the devil, or in this case, a show that made good use of the concept of terraforming. Intrinsic to the plot of this show, so much so that they opened every episode by referring to it, is the fact that in this future, the human race was forced to relocate to a new star system after Earth had been “used up”. Arriving at the “White Star”, they found dozens of planets and hundreds of moons around the system’s central sun and its many dwarf suns. These planets were then terraformed, a process which took generations, and began populated them soon after.
Another fact which is central to the story is the fact that while the central worlds were terraformed successfully and boasted large, advanced populations, the outer planets were poorly terraformed, leading to dry, desolate worlds that became havens for crime and backwards populations. Though life was show to be difficult in these colonies, they were also the only places where people can still enjoy a life free of the repressive Alliance regime.
But more importantly, this back story gave Joss Whedon an excuse for the look and feel of his acclaimed Space Western! It also played perfectly into the show’s historical narrative, where the expanding Alliance represented the closing of the American frontier and the death of a way of life. For not only were the First Nations and their culture being sacrificed in the name of “Manifest Destiny”, a great deal of the American Dream of an open frontier was as well.
Set in 2056 AD, the plot of this film centers around ongoing terraforming efforts on Mars. Faced with the dual problems of overpopulation and pollution, NASA and other space agencies begin sending automated probes to Mars that contain atmosphere-producing algae. These probes have been seeding Mars for twenty years as the first stage in a terraforming effort that will make the planet suitable for human settlement. When the oxygen production is inexplicably reduced, a crew is sent to investigate so that the terraforming efforts can be put back on track.
When the mission arrives, and endures numerous disasters,they eventually discover that the introduction of Earth algae has stirred up the native Martian life. This consists of nematodes that have come to the surface to feed on the algae, emitting oxygen in return. This, they realize, has changed the parameters of the original project, but leaving it otherwise intact.
Star Trek II and III:
What is generally hailed by fans as the best movie of the franchise (Wrath of Khan) opens up with a rather unusual take on terraforming. In fact, the plot of both the second and third movie revolve around a project known as Genesis, a means of instantaneously transforming a planet from a lifeless husk into a habitable M-class planet.
In Wrath of Khan, things begin when the starship Reliant, while searching for a lifeless planet in the Ceti Alpha system, is taken over by Khan Noonien Soong and his band of genetically-modified people. Having learned of their mission, Khan becomes obsessed with finding the Genesis device so that he can restore the desolate landscape of Ceti Alpha V, presumably with the intention of resurrecting his dead wife.
In the end, Kirk and the Enterprise disable his ship inside a nebula, prompting Khan to set the Genesis device to self-destruct in the hopes of taking Kirk with him. With their warp drive non-functional, the Enterprise could not escape, prompting Spock to sacrifice himself in order to bring the engines back online. Though he dies from radiation poisoning, the ENterprise escapes as the Genesis device detonates, which has the effect of turning the nebula itself into an M-Class planet.
At the very end of the movie, Spock’s body is placed inside a torpedo casing and fired into orbit around Genesis. After landing on the surface, the “Genesis wave” heals Spock’s body and he is reborn. This, as all fans of the franchise know, was the basis for the third movie where Kirk and the Enterprise come back to Genesis to retrieve him. In the course of doing so, the Genesis plant is examined in more detail and the effects of the project. Ultimately, though the device was capable of creating life out of lifeless, it proved unstable and resulted in the total collapse of the planet created.
The film adaptation of Philip K Dick’s “We can Remember it for You Wholesale” differed from the source material in many key ways. For example, in addition to the central theme of memory and the dividing line between real and artificial, there was also an extensive backstory involving Mars. Ultimately, the character of Quad (played by Arnold Schwarzenegger) learns that he is drawn to Mars because that is where he is from, and his false identity implanted because of something he witnessed there.
In the end, it is revealed that this secret has to do with an ancient alien device that lies at the heart of the planet, a device which has the power to terraform Mars into a habitable world. Apparently, this involved some super-heated coils that, when activated, would plunge into the planet’s watery core, evaporating them and filling Mars’ atmosphere with water vapor. When Quad activated the device, it had the effect of creating breathable atmosphere within a matter of minutes.
Not the most realistic depiction of terraforming, but it did have it’s upsides. For one, it took advantage of contemporary scientific theories that stated that Mars might have underground sources of water and ice. Second, it incorporated speculation of how these could be used to eventually create oxygen-creating plants on the surface and hence, an atmosphere. Last, it worked into the plot in that the villain, Coohagen, knew that if Mars had a natural atmosphere, it would destroy the basis of his power (controlling the air supply).
One thought on “Terraforming in Pop Culture”
I loved Total recall. I may pull out my DVDs today to re-watch it. I hope the new Total Recall movie can do it justice.